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Journal articles on the topic 'Ray Bradbury'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Sanders, Joe. "Ray Bradbury, “Ray Bradbury,” and “RAY BRADBURY”." Science Fiction Studies 48, no. 2 (2021): 367–68. http://dx.doi.org/10.1353/sfs.2021.0042.

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2

Sablatzky, Tenley. "Internet is a Loaded Gun: Ray Bradbury’s Prophetic View of Digital Literacy." New Ray Bradbury Review, no. 7 (August 27, 2023): 49–60. http://dx.doi.org/10.18060/27570.

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In addition to being a bestselling author, Ray Bradbury was also a voracious reader and lifelong advocate of libraries and literacy. His books, including his most famous work, Fahrenheit 451, include themes of anti-censorship, the importance of literacy, and warnings of over-reliance on technology. Bradbury’s attitude towards technology was always more concern than hatred—concern for society’s over-dependence on technology. Recent years of digital culture have proven that Bradbury was correct to be concerned about dependence on the internet for constant visual stimulus. However, his optimism,

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3

Del Castillo, Ramón. "Jardines en llamas. A vueltas con Fahrenheit 451." Quaderns de Filosofia 7, no. 2 (2021): 83. http://dx.doi.org/10.7203/qfia.7.2.18800.

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Gardens on Fire. Fahrenheit 451 Revisited  Resumen: En este trabajo proponemos una reconsideración de una de las historias distópicas más populares y discutidas desde mediados del siglo XX, Fahrenheit 451, del escritor y ensayista estadounidense Ray Bradbury. Aunque esta historia ha atraído desde su publicación la atención del pensamiento político y social, creemos que ha sido ampliamente simplificada. A diferencia de ciertos críticos, no creemos que la fábula política de Bradbury fomente, como muchas otras distopías, una falta de perspectiva histórica o una insuficiente comprensió

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4

Miller, John. "Critiques of Domesticity in Ray Bradbury’s Cold War Fiction." Extrapolation 65, no. 2 (2024): 135–56. http://dx.doi.org/10.3828/extr.2024.10.

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This paper explores the interactions of nostalgic and gothic tendencies in Ray Bradbury’s representations of the home, a recurring symbol in his fiction of the postwar period and in the American cultural imagination of the time. Bradbury’s fiction complicates various ideals associated with and invested in the postwar American home, and paired stories often suggest different responses to specific domestic themes. The essay concludes by arguing that several Bradbury stories offer possible alternatives to the problematic ideal of the “detached,” “nuclear” family home. The argument thus also usefu

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5

Serenkov, Yuriy S. "Parody in Literature: A Culture-Determined View." SibScript 25, no. 4 (2023): 577–86. http://dx.doi.org/10.21603/sibscript-2023-25-4-577-586.

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The integration of the author into the cultural context is a two-faceted problem. In the post-information age, literary parody is regarded as a way of socio-cultural communication. The article features the congeniality of two chronologically distant works of science fiction against their contemporary context, namely Edgar Allan Poe’s Ligeia and Loss of Breath vs. Ray Bradbury’s Emissary and There Was an Old Woman. This pioneering research is an attempt to trace how the genre of science-fiction short story changed from the age of European Gothic to the era of mass literature, as well as to defi

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6

Logsdon, Loren. "Becoming Ray Bradbury by Jonathan Eller, and: Ray Bradbury Unbound by Jonathan Eller." Middle West Review 2, no. 1 (2015): 84–87. http://dx.doi.org/10.1353/mwr.2015.0040.

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7

Reese, Christopher L., and Robin Anne Reid. "Ray Bradbury: A Critical Companion." World Literature Today 75, no. 2 (2001): 341. http://dx.doi.org/10.2307/40156605.

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8

Galeyev, Bulat. "Open Letter to Ray Bradbury." Leonardo 34, no. 1 (2001): 25–26. http://dx.doi.org/10.1162/002409401300052451.

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9

Brin, David. "Fiction: Ray Bradbury, an appreciation." Nature 486, no. 7404 (2012): 471. http://dx.doi.org/10.1038/486471a.

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10

Peralta, Camilo. "Philosopher Hero in Ray Bradbury’s Science Fiction." New Ray Bradbury Review, no. 7 (August 27, 2023): 77–86. http://dx.doi.org/10.18060/26463.

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Though he apparently disliked the label, Ray Bradbury is still remembered as one of the preeminent science fiction writers of the 20th century. What he is not as well known for, and what I focus on in this paper, is the author’s interest in classical philosophy, as evidenced by the frequent references to Plato, Aristotle, and other Greek and Roman thinkers scattered throughout his works. Specifically, I will explore the treatment of ethical behavior and the pursuit of happiness in some of his best-known science fiction, including Fahrenheit 451, The Martian Chronicles, and several short storie

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11

Taormina, Agatha. "Ray Bradbury: The Life of Fiction." Utopian Studies 16, no. 3 (2005): 475–78. http://dx.doi.org/10.2307/20718773.

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12

Weisenberg, Michael. "Hardin's Donation of Ray Bradbury Collection." Science Fiction Studies 47, no. 3 (2020): 526–33. http://dx.doi.org/10.1353/sfs.2020.0065.

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13

Taormina, Agatha. "Ray Bradbury: The Life of Fiction." Utopian Studies 16, no. 3 (2005): 475–78. http://dx.doi.org/10.5325/utopianstudies.16.3.0475.

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14

Weisenberg. "Hardin's Donation of Ray Bradbury Collection." Science Fiction Studies 47, no. 3 (2020): 526. http://dx.doi.org/10.5621/sciefictstud.47.3.0526.

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15

Touponce, William. "New Ray Bradbury Center and Journal." Science Fiction Studies 33, Part 3 (2006): 569. https://doi.org/10.1525/sfs.33.3.569.

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16

Nichols, Phil. "Editor's Introduction: Continuity and Change." New Ray Bradbury Review, no. 7 (August 27, 2023): 1–3. http://dx.doi.org/10.18060/27573.

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17

Cantalupo, Barbara, and Ray Bradbury. "Interview with Ray Bradbury March 22, 2010." Edgar Allan Poe Review 10, no. 3 (2009): 133–36. http://dx.doi.org/10.2307/edgallpoerev.10.3.0133.

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18

Siregar, Usmala Dewi, and Mulyadi Mulyadi. "Konstruksi Posesif Bahasa Inggris dalam Cerita Pendek There Will Come Soft Rains." CaLLs (Journal of Culture, Arts, Literature, and Linguistics) 5, no. 1 (2019): 39. http://dx.doi.org/10.30872/calls.v5i1.1961.

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This study aims to describe the type of possessive construction and the possessive relationship between possessor/PR and possessum/PM in the possessive construction of English in short story There Will Come Soft Rains by Ray Bradbury. The data were taken from sentences contained possessive construction in short story it. The data were collected by reading and noting and were analyzed by means of the distributional method to determine the type of possessive construction relationship and the correspondence method to determine the possessive relationships between the possessor and the possessed.

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19

Stepanova, Anna A., and Liudmyla S. Dushatska. "POETICS OF AUTOBIOGRAPHICAL MEMORY IN RAY BRADBURY’S NOVEL “DANDELION WINE”: ON THE WAY TO AN IMPRESSIONISTIC NOVEL." Alfred Nobel University Journal of Philology 2, no. 24 (2022): 107–20. http://dx.doi.org/10.32342/2523-4463-2022-2-24-9.

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The focus of this article is on the peculiarities of autobiographical memory images representation in the literary piece. The purpose of this work is to research the poetics of autobiographical memory in Ray Bradbury`s novel Dandelion Wine. To conduct the research biographical, hermeneutic, historico-literary, and comparative-historical methods of analysis were applied. The poetics of autobiographical memory is represented by the set of artistic means used to render the author`s reminiscences and it combines the work`s autobiographical and autopsychological concepts seen as sort of eventual au

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20

POPESCU, Veronica Tatiana. "A Palimpsestuous Interpretation of Ramin Bahrani’s Fahrenheit 451." Studia Universitatis Babeș-Bolyai Philologia 69, no. 3 (2024): 29–46. http://dx.doi.org/10.24193/subbphilo.2024.3.02.

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A Palimpsestuous Interpretation of Ramin Bahrani’s Fahrenheit 451. Drawing on a poststructuralist approach to adaptation as an instance of intertextuality (Stam 2000) and Linda Hutcheon’s metaphorical description of adaptations as palimpsests (2006), this paper will analyse the ways in which Ramin Bahrani, director and co-writer of the script of Fahrenheit 451 (2018, HBO), rewrote Ray Bradbury’s dystopian novel by the same name, leaving only traces of the source text visible in his appropriation. Supposedly reimagining Bradbury’s text for a new generation of viewers, digital natives of the onl

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21

Jerrin, Neil Beeto, and G. Bhuvaneswari. "Distortion of ‘Self-Image’: Effects of Mental Delirium in Fahrenheit 451 by Ray Bradbury." Theory and Practice in Language Studies 12, no. 8 (2022): 1634–40. http://dx.doi.org/10.17507/tpls.1208.21.

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The Mountain State Centers for Independent Living states the Self- image is how one perceives oneself. The existence of Self- image is twisted and devoid of human feelings in Bradbury’s future-narrated Post literature universe. It is several numbers of self-impressions that develop over time that creates positive and concurrently unfavourable impacts. In the realm of psychology, Self-image is a pivotal factor in leading a fortunate life. An individual’s impression of himself forms the collective depiction of his strength and weakness. It is quintessential to talk about and compare the Self-ima

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22

Patai, Daphne. "Ray Bradbury and the Assault on Free Thought." Society 50, no. 1 (2012): 41–47. http://dx.doi.org/10.1007/s12115-012-9617-x.

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23

Kuchimov, Ulugbek, and Shakhnoza Yuldoshova. "The concept of a motif in fantasy works and its typological study." Зарубежная лингвистика и лингводидактика 1, no. 2 (2023): 72–76. http://dx.doi.org/10.47689/2181-3701-vol1-iss2-pp72-76.

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24

Udovichenko, H. M., S. K. Revutska, and D. I. Myroshnychenko. "PATTERNS OF ANTIUTOPIA IN R. BRADBURY’S NOVEL “FAHRENHEIT 451”." INTELLIGENCE. PERSONALITY. CIVILIZATION, no. 1 (22) (June 30, 2021): 79–90. http://dx.doi.org/10.33274/2079-4835-2021-22-2-79-90.

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Оbjective of the article is to identify and characterize the features of anti-utopia in R. Bradbury’s novel «Fahrenheit 451». Methods. The main scientific results are obtained using a set of general scientific and special research methods, namely: analysis, generalization and systematization of scientific and educational literature on literary studies, psychology, linguistics; theoretical generalization, analysis and synthesis, as well as comparative, descriptive and analytical. Results. The basis for writing the article were the characteristic patterns of anti-utopia, which are reflected in t

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25

Tia, Mastia. "AN ANALYSIS OF TRANSITIVITY OF SHORT STORY “THERE WILL COME SOFT RAINS” BY RAY BRADBURY." Griya Cendikia 7, no. 2 (2022): 456–67. http://dx.doi.org/10.47637/griya-cendikia.v7i2.408.

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Abstract: Transitivity is a way of analyzing short stories at the clause level. The purpose of this study aims to found the dominant aspect of transitivity like processes, participants and circumstances in the short story “There Will Come Soft Rains” By Ray Bradbury. This study is conducted by applying descriptive qualitative method. All the source of data for this study was taken from the short story “There Will Come Soft Rains” by Ray Bradbury. Method used in this study is qualitative research. Data collecting techniques in this study by classifying data, coding techniques and analyzing all

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26

Kravets, O. "THE MEANS OF CREATING AN IMAGE IN RAY BRADBURY'S WORKS." Scientific heritage, no. 94 (August 8, 2022): 88–89. https://doi.org/10.5281/zenodo.6973466.

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The paper deals with the process of creating an image in a work of art using the example of the work of R. Bradbury. In addition, the style of the writer is characterized. The analysis of some stylistic devices is carried out, the most characteristic features are highlighted.

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27

Kahan, Jeffrey. "Ray Bradbury and the “Tower of Babel,” or Why Great Literature is Good for Nothing." New Ray Bradbury Review, no. 7 (August 27, 2023): 17–33. http://dx.doi.org/10.18060/27568.

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The idea that sci-fi, at least good sci-fi, has a thinly veiled social message, that it is always addressing the now, naturally suggests that Fahrenheit 451 has a utilitarian message for its readers. That message seems straightforward enough: reading imaginative literature is good for us and good for society. This message, however, is negated by Bradbury’s own statements on literature: “The fact is, any literature whose function it is to teach, ceases to be literature as such; it becomes didactic literature, which is the color of another horse. When literature becomes obsessed by ideas as such

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28

Nichols, Kenneth. "Case Study #6: The Garbage Collector by Ray Bradbury." Public Voices 14, no. 1 (2016): 178. http://dx.doi.org/10.22140/pv.29.

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Often we take for granted the services that our taxes pay for and that our government — whether local, state, or federal — provides. We also take for granted the people who make those services a part of our everyday lives. Like us, those unsung workers have families, homes, work ethics, career and retirement expectations, and the worries of daily life. Ray Bradbury gives us a picture of just such a worker — a civil servant — who might be someone who actually lived and worked almost anytime since “The Garbage Collector” was written more than a half century ago.

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29

Ockert, Ingrid. "Ray Bradbury, luminary of the space age, at 100." Science 369, no. 6506 (2020): 927. http://dx.doi.org/10.1126/science.abc2948.

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30

Eller, Jonathan R. "How modern science shaped the stories of Ray Bradbury." New Scientist 211, no. 2828 (2011): 46. http://dx.doi.org/10.1016/s0262-4079(11)62168-4.

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31

Ashworth, A. J. "‘Mainlining Ray Bradbury’: An interview with Carmen Maria Machado." Short Fiction in Theory & Practice 13, no. 1 (2023): 103–12. http://dx.doi.org/10.1386/fict_00079_7.

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A conversation between acclaimed American short story writer and memoirist Carmen Maria Machado and writer A. J. Ashworth, with a particular focus on Machado’s story ‘Inventory’ from her collection Her Body and Other Parties. Machado discusses what drew her to the short story as well as her evolution as a writer of the fantastical. She also touches on writing about sex, formal innovation, rejection, endings and struggling to write during the COVID-19 pandemic.

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32

Sulistyawati, Elizabeth Emmanuela, and Barli Bram. "Word Formation Processes in There Will Come Soft Rains Short Story." LINGUA: Jurnal Bahasa, Sastra, dan Pengajarannya 18, no. 2 (2021): 272–89. https://doi.org/10.30957/lingua.v18i2.719.

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Many English words were formed through word-formation processes that can be found in English literary works, such as novels and short stories. One of the examples is the short story There Will Come to Soft Rains written by Ray Bradbury. Therefore, the researchers aimed to investigate the word-formation processes in the short story in order to answer a research question, namely: What word-formation processes occur in the story of There Will Come Soft Rains by Ray Bradbury? This research was conducted by using document analysis since it used a short story as the source of data. The results showe

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33

Demina, Elena Anatolyevna. "Linguistic markers of represented speech in science fiction novels: a polyphonic approach." Philological Sciences. Scientific Essays of Higher Education, no. 4 (July 2021): 88–92. http://dx.doi.org/10.20339/phs.4-21.088.

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This paper aims to investigate the linguistic aspect of represented speech in the novel “The Martian Chronicles” by Ray Bradbury within the framework of M. Bakhtin’s concept of polyphony. The article provides a classification of linguistic signals of voices, determines their frequency, types of represented speech, the number of voices. The results of the study show that fragments with represented speech in the novel are few; as a rule, there are two voices in them. In other passages, despite the presence of several voices, the dialogical perspective is not expressed. Moreover, one linguistic m

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34

Yuldoshova, Shakhnoza Azimboyevna Fayzullayeva Dilfuzakhan Gulomjon kizi. "COLOR SYMBOLISM IN AMERICAN AND UZBEK FANTASTIC WORKS. (EXAMPLE OF THE WORKS OF RAY BRADBURY, IZAEK ASIMOV, KHOJIAKBAR SHAIKHOV AND ISAJAN SULTON)." THEORETICAL ASPECTS IN THE FORMATION OF PEDAGOGICAL SCIENCES 2, no. 15 (2023): 65–69. https://doi.org/10.5281/zenodo.8198883.

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This article discusses color symbolism in American and Uzbek fantasy works. It provides information about the use of colors, their significance, their different aspects and importance in different nations, as shown in the works of Ray Bradbury, Isaac Asimov, Khojiakbar Shaikhov and Isajon Sultan.

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35

Gebreen, Hayder Ali Kadhim. "Dystopian World of Ray Bradbury's Fahrenheit 451." International Journal of Linguistics, Literature and Translation 3, no. 7 (2020): 215–22. http://dx.doi.org/10.32996/ijllt.2020.3.7.24.

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Ray Bradbury explores in his dystopian novel Fahrenheit 451 (henceforth F451), the destructive side of technology and totalitarianism, which can deny individuals of their basic rights. This article gives a critical, contextual analysis of F451(1953) by Ray Bradbury. It investigates the dystopian elements to show how an authoritarian government projected in the novel that blocks mind and awareness. The protagonist of the novel is Guy Montag who takes a key role in revealing the tyrannical system and the potential consequences of disobedience. This article examines the manipulation and control o

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36

Revutska, S. K., and Ye A. Siniehina. "GENRE FEATURES OF ANTI-UTOPIA IN “FAHRENHEIT 451” BY R. BRADBURY." INTELLIGENCE. PERSONALITY. CIVILIZATION, no. 2(29) (December 30, 2024): 72–78. https://doi.org/10.33274/2079-4835-2024-29-2-72-78.

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Objective. The objective of the article is to characterize and define the genre features of anti-utopia in Ray Bradbury's “Fahrenheit 451”. Methods. The following scientific methods are used in the study: generalization and specification, systematization, aspect analysis, comparative and historical, contrastive and structural methods. Results. The term “anti-utopia” has gone through many changes and clarifications, but even now it does not have an unambiguous definition. In literature, this concept is most often used to refer to a writer's own idea of a destroyed society. Anti-utopian works pr

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37

Yuldoshova, Shakhnoza Azimboyevna Fayzullayeva Dilfuzakhan Gulomjon kizi. "COLOR SYMBOLISM IN AMERICAN AND UZBEK FANTASTIC WORKS. (EXAMPLE OF THE WORKS OF RAY BRADBURY, ISAAC ASIMOV, KHOJIAKBAR SHAIKHOV AND ISAJON SULTON)." THEORETICAL ASPECTS IN THE FORMATION OF PEDAGOGICAL SCIENCES 2, no. 15 (2023): 70–75. https://doi.org/10.5281/zenodo.8210343.

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This article discusses color symbolism in American and Uzbek science fiction works. It provides information about the use of colors in literary works, their significance, their different aspects and importance in different nations, as shown in the works of Ray Bradbury, Isaac Asimov, Khojiakbar Shaikhov and Isajon Sultan.

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38

Olivera Grandez, Jordan Stewart. "Integración conceptual en la novela Fahrenheit 451 de Ray Bradbury." SYNTAGMAS (Revista del Departamento Académico de Lingüística – Unsaac) 3, no. 1 (2024): 117–44. http://dx.doi.org/10.51343/syntagmas.v3i1.1312.

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En este artículo científico se propone analizar el amalgama generado por diversos espacios mentales de frases trascendentales de la novela Fahrenheit 451 de Ray Bradbury. Para ello, se toma como base la propuesta de la teoría de la integración conceptual de Fauconnier y Turner (2002). Asimismo, metodológicamente, el objeto de análisis lo constituyen diez expresiones recopiladas del libro en mención tras su lectura rigurosa. Los resultados evidencian que los enunciados exploran temas como la insurgencia, la manipulación, la falta de identidad, el peligro de los cuestionamientos, la sobrevalorac

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39

Usmonova, Zarina Habibovna. "TRANSLATOR'S SKILL IN "THE ILLUSTRATED MAN" ("КАЛЕЙДОСКОП") BY RAY BRADBURY". International Journal of Education, Social Science & Humanities. Finland Academic Research Science Publishers 11, № 5 (2023): 680–86. https://doi.org/10.5281/zenodo.7942018.

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<em>Данная статья посвящена специфике элементов перевода и исследует лексическую значимость научных терминов в художественных произведениях. При этом анализируются рассказы Рея Брэдбери и исследуется вес терминов, использованных автором в переводе.  </em>

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40

Ziser, Michael. "Living with Speculative Infrastructures." Boom 3, no. 4 (2013): 27–34. http://dx.doi.org/10.1525/boom.2013.3.4.27.

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This article looks at the California origins of much of Twentieth Century science fiction. It examines how the exploding growth and development of postwar California informed science fiction writers like Ray Bradbury, Robert Heinlein, and Philip K. Dick, and looks to their books for answers to twenty-first century dilemmas such as the uses of technology, the environment, and infrastructure.

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41

Nascimento Silva, Willy, and Tauan Fernandes Tinti. "Indústria cultural e estetização de gênero em Fahrenheit 451." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 26, no. 2 (2022): 101–16. http://dx.doi.org/10.34019/1982-0836.2022.v26.38426.

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Esse trabalho objetiva verificar as possibilidades da estetização de gênero na ficção científica distópica. Para tanto, são discutidas as noções de indústria cultural e de estetização de gênero e a posição que ocupa a ficção científica enquanto ficção de gênero. Os argumentos desenvolvidos nas seções teóricas, por sua vez, são recuperados por meio de uma leitura crítica de Fahrenheit 451, de Ray Bradbury, obra selecionada em função da centralidade que assume a cultura de massas na formação da sociedade representada. Palavras-chave: Indústria cultural. Estetização de gênero. Ficção científica d

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42

Panasenko, Nataliya. "Where, why, and how? Topophones in Ray Bradbury's science fiction." Lege Artis 3, no. 1 (2018): 223–72. http://dx.doi.org/10.2478/lart-2018-0007.

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Abstract The article highlights the category of literary space, connecting different topophones with the author's worldview. Topophones in the works by Ray Bradbury are used not only for identifying the place where the events unfold but they equally serve as the background to the expression of the author's evaluative characteristics of the modern world, his attitude to science, the latest technologies, and the human beings who are responsible for all the events, which take place not only on the Earth, but also far away from it.

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43

Nichols, Phil. "A sympathy with sounds: Ray Bradbury and BBC Radio, 1951–1970." Radio Journal: International Studies in Broadcast and Audio Media 4, no. 1, 2 3 (2007): 111–23. http://dx.doi.org/10.1386/rajo.4.1,2,3.111_1.

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44

Silva Sousa, Andressa, Ana Paula Nunes de Sousa, and Eloilma Carvalho Pires. "MEMÓRIA, ACELERAÇÃO E ESQUECIMENTO EM FAHRENHEIT 451 (1953), DE RAY BRADBURY." REVISTA DE LETRAS - JUÇARA 6, no. 2 (2022): 309–26. http://dx.doi.org/10.18817/rlj.v6i2.3031.

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Segundo o romancista francês Jean-Philippe de Tonnac (2010), a nossa civilização tem o livro como um objeto sagrado, isto porque, ao desempenhar a função de armazenar informações sobre acontecimentos históricos e possibilitar a sua transmissão às gerações futuras, este veio a ser um dos principais veículos de preservação da memória. Em Fahenreit 451 (1953), de Ray Bradbury, tem-se a elaboração ficcional de uma sociedade que decidiu pôr fim aos livros, reprimindo a leitura de obras literárias, históricas e filosóficas; proibindo, além disso, atividades que demandam o uso de tempo desacelerado,

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45

Szymyslik, Robert. "La traducción de la ciencia ficción: estudio de Fahrenheit 451 de Ray Bradbury." SKOPOS. Revista Internacional de Traducción e Interpretación. e-ISSN: 2695-8465. ISSN: 2255-3703 6 (December 1, 2015): 189–203. http://dx.doi.org/10.21071/skopos.v6i.5661.

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El siguiente trabajo está fundamentado en la investigación traductológica de la versión original, escrita en la lengua inglesa, de la novela Fahrenheit 451 (compuesta por Ray Bradbury) y de los textos meta españoles disponibles de esta obra, confeccionados por Alfredo Crespo (presentado por Plaza & Janés y por Debolsillo) y por Francisco Abelenda (publicado por Ediciones Minotauro), para lo que examinamos el contenido léxico-semántico ficticio compuesto por el autor para construir su universo personal y su reflejo en la lengua española.

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Connor, George. "Spelunking with Ray Bradbury: The Allegory of the Cave in Fahrenheit 451." Extrapolation 45, no. 4 (2004): 408–18. http://dx.doi.org/10.3828/extr.2004.45.4.7.

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Ahmetagić, Jasmina. "Subject in the age of technological domination: Fahrenheit 451 by Ray Bradbury." Univerzitetska misao - casopis za nauku, kulturu i umjetnost, Novi Pazar, no. 23 (2024): 9–18. https://doi.org/10.5937/univmis2423009a.

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Bradbury's Fahrenheit 451 is a science fiction novel, but in its picture of the world, the protagonist's encounter with the teenage girl Clarisse has the status of a fantastic event, which triggers his transformation: one of the pillars of the system becomes an outlaw and an adversary. This fact alone warns that the depicted world, technologically far more perfect than the existing one, is completely devoid of humanistic ideals. This is also revealed by the burning of books, i.e. the punishment of their owners. By reflecting on the threatening character of books, the relationship between high

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Bogstad, Janice M. "Review: Ray Bradbury: A Critical Companion, by Robin Anne Reid." Science Fiction Studies 29, Part 1 (2002): 125–27. https://doi.org/10.1525/sfs.29.1.0125.

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Gerasimenko, I. "TYPOLOGY OF METHODS OF TRANSLATING RAY BRADBURY'S PHRASEOLOGICAL UNITS INTO RUSSIAN (BASED ON THE STORIES "MARTIAN CHRONICLES")." Znanstvena misel journal, no. 76 (March 24, 2023): 56–58. https://doi.org/10.5281/zenodo.7766391.

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The relevance of the research is determined by the need for a comprehensive study of phraseological units related to the genre of science fiction. The purpose of the study is to analyze Ray Bradbury's phraseological units in a translatological aspect. The system of methods includes the method of continuous sampling and comparative lexico-stylistic analysis. Conclusions. The following methods of interlanguage transformation were used in the translation: the method of partial and full equivalent; descriptive; overtonal translation; literal translation; omission.

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Feneja, Fernanda Luísa. "Promethean Rebellion in Ray Bradbury's "Fahrenheit 451": The Protagonist's Quest." Amaltea. Revista de mitocrítica 4 (November 15, 2012): 1–20. http://dx.doi.org/10.5209/rev_amal.2012.v4.40586.

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The article aims to reflect on the role of the myth in science fiction narrative, namely on the specific forms it may take in utopian/dystopian fiction, such as Fahrenheit 451 (1953) by Ray Bradbury. The personal development of the main character, Guy Montag, constitutes the focus of this analysis, by which we aim to shed some light on the relation between the meaning of the novel and the Promethean features he evinces in the context of a dystropian novel. The symbolic power of fire and of books is also of core relevance to this study, not only because the highlight the hero's inheritance of t

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