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1

Duncan, Ray. IBM ROM BIOS. Redmond, WA: Microsoft Press, 1988.

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2

Jimenez, Sharlene Sue. Compact disc-read only memory: Harnessing the information explosion. Washington, D.C: International Center for Information Technologies, 1988.

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3

Jimenez, Sharlene Sue. Compact disc-read only memory: Harnessing the information explosion. Washington, D.C: International Center for Information Technologies, 1988.

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4

The BBC micro ROM book: Sideways ROMs and RAMs. London: Collins Professional and Technical, 1985.

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5

Kevin, Bergin, ed. The complete Commodore 16 ROM disassembly. London: Duckworth, 1985.

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6

Inc, Toshiba America, and Toshiba America. Toshiba MOS memory products data book. [Tustin, Calif.]: Toshiba America, 1987.

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7

1948-, Akeroyd John, May Liz, and British Library. Research and Development Department., eds. CD-ROM: Usage and prospects. London: British Library R & D Dept., 1989.

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8

Whitaker, David. CD-ROM and the migration from print: The 500 megabyte solution. London: CLSI, 1987.

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9

Feldman, Tony. CD-ROM. London: Blueprint, 1987.

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10

United States International Trade Commission. In the matter of certain erasable programmable read-only memories, components thereof, products containing such memories, and processes for making such memories: Investigation no. 337-TA-276. Washington, D.C: U.S. International Trade Commission, 1989.

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11

United States International Trade Commission. In the matter of certain erasable programmable read-only memories, components thereof, products containing such memories, and processes for making such memories: Investigation no. 337-TA-276. Washington, D.C: U.S. International Trade Commission, 1989.

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12

Judith, Zeck, ed. Erasable programmable read only memories from Japan: Determination of the Commission in investigation no. 731-TA-288 (final) under the Tariff act of 1930, together with the information obtained in the investigation. Washington, D.C: U.S. International Trade Commission, 1986.

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13

Commission, United States International Trade. Erasable programmable read only memories from Japan: Determination of the Commission in investigation no. 731-TA-288 (preliminary) under the Tariff Act of 1930, together with the information obtained in the investigation. Washington, D.C: U.S. International Trade Commission, 1985.

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14

CD-ROM applications and markets. London: Meckler, 1988.

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15

Smith, B. The BBC Micro ROM Book: Sideways ROMs and RAMs. Blackwell Science Ltd, 1986.

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16

Technologies, Phoenix, ed. ABIOS for IBM PS/2 computers and compatibles: The complete guide toROM-based system software for OS/2. Reading, Mass: Addison-Wesley, 1989.

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17

Armstrong, C. J. Cd-Rom Information Products: The Evaluative Guide. Gower Publishing Company, 1991.

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18

J, Armstrong C., and Large J. A, eds. CD-ROM information products: The evaluative guide. Aldershot, Hants, England: Information Automat Ltd., 1990.

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19

J, Armstrong C., and Large J. A, eds. CD-ROM information products: An evaluative guide and directory. Aldershot: Gower, 1990.

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20

(Editor), J. A. Large, ed. Cd-Rom Information Products: An Evaluative Guide and Directory. Gower Publishing Company, 1990.

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21

J, Armstrong C., and Large J. A, eds. CD-ROM information products: The evaluative guide. Aldershot: Ashgate, 1992.

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22

Armstrong, C. J. Cd-Rom Information Products: The Evaluative Guide (CD-Rom Information Products, 4). Ashgate, 1993.

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23

(Editor), J. A. Large, ed. Cd-Rom Information Products: The Evaluative Guide (CD-ROM Information Products). Ashgate Publishing, 1992.

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24

Stivale, Charles J. Hannibal aux aguets: On the Lookout for New Rencontres. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422734.003.0011.

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In L’Abécédaire de Gilles Deleuze, a 1988-9 video interview, Deleuze discusses with Claire Parnet the crucial link between creativity, the very possibility of thinking, and animality, through the practice of “être aux aguets” (being on the lookout) for rencontres. This chapter considers how this constitutes the essential practice of the character of Hannibal Lecter, created by Thomas Harris in several novels (Red Dragon, Silence of the Lambs, Hannibal, Hannibal Rising) and, more recently, portrayed in the commercial television series “Hannibal” by Mads Mikkelsen. Hannibal is portrayed as a highly refined individual who not only can sense physically the presence of any threat through extraordinary olfactory powers, but can also categorize, store and then recall any such scents/essences through a Memory Museum. In the television series, Hannibal as highly skilled culinary artist combines the results of his being “on the lookout” with an efficient and often gruesome taste for fine dining, with strategically selected guests usually uninformed about the courses on the menu. The chapter thus considers the concepts of the animal, “être aux aguets” and “refrains” in the light of fictional production, both in print and televisual form, in order to open the Deleuzian concepts to an alternate, creative reading.
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