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Academic literature on the topic 'Readers – Bulldozers'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Readers – Bulldozers"

1

Hyndman, David. "Postcolonial Representation of Aboriginal Australian Culture." M/C Journal 3, no. 2 (2000). http://dx.doi.org/10.5204/mcj.1836.

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Representation of Aboriginality in National Geographic In trafficking images of cultural difference, National Geographic has an unrivalled worldwide reach to over 37 million people per issue. Over the past 25 years, 48 photographs of Aboriginal Australians have appeared in 11 articles in the magazine. This article first examines how the magazine has exoticised, naturalised and sexualised Aboriginal Australians. By deploying the standard evolutionary model, National Geographic typically represents Aboriginal Australians as Black savages relegated to the Stone Age. In the remote outback "Arnhem
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Klabbers, Johannes, and Anna Poletti. "Doubt." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.360.

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Photograph by Gonzalo Echeverria (2010)Donald Crowhurst wanted to sail around the world. Or he wanted the world to believe he had sailed around it. Whilst the rest of the competitors in the 1968-9 Sunday Times Golden Globe Race sailed their wonky crafts through treacherous seas, Crowhurst dropped anchor in the quiet waters of the South Atlantic and falsified his logs. For artist Tacita Dean, who has made a number of works about Crowhurst (Disappearance at Sea, Teignmouth Electron): Crowhurst's problem was that he had an imagination. You can't have any imagination if you are going to sail aroun
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3

Larsson, Chari. "Suspicious Images: Iconophobia and the Ethical Gaze." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.393.

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If iconophobia is defined as the suspicion and anxiety towards the power exerted by images, its history is an ancient one in all of its Platonic, Christian, and Judaic forms. At its most radical, iconophobia results in an act of iconoclasm, or the total destruction of the image. At the other end of the spectrum, contemporary iconophobia may be more subtle. Images are simply withdrawn from circulation with the aim of eliminating their visibility. In his book Images in Spite of All, French art historian Georges Didi-Huberman questions the tradition of suspicion and denigration governing visual r
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4

Maybury, Terry. "Home, Capital of the Region." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.72.

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There is, in our sense of place, little cognisance of what lies underground. Yet our sense of place, instinctive, unconscious, primeval, has its own underground: the secret spaces which mirror our insides; the world beneath the skin. Our roots lie beneath the ground, with the minerals and the dead. (Hughes 83) The-Home-and-Away-Game Imagine the earth-grounded, “diagrammatological” trajectory of a footballer who as one member of a team is psyching himself up before the start of a game. The siren blasts its trumpet call. The footballer bursts out of the pavilion (where this psyching up has taken
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Books on the topic "Readers – Bulldozers"

1

Cartwright, Pauline. Behind the rocks. Badger, 1993.

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2

Wallace, Karen. Gigantes de hierro. DK Pub., 2003.

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3

Wallace, Karen. Big machines. DK Pub., 2000.

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4

Bulldozers. Axis Education, 2012.

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5

Bulldozers (Blastoff! Readers: Level 1). Children's Press (CT), 2006.

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6

Martin, M. T. Bulldozers (Blastoff! Readers) (Mighty Machines) (Mighty Machines). Bellwether Media, 2006.

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7

What Do You See? Rosen Publishing Group, 2006.

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8

What do you see? Rosen Publishing, 2007.

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What Do You See? Rosen Publishing Group, 2009.

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What Do You See? Rosen Publishing Group, 2009.

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