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Relevant bibliographies by topics / Reading Public Museum and Art Gallery

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Academic literature on the topic 'Reading Public Museum and Art Gallery'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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Journal articles on the topic "Reading Public Museum and Art Gallery"

1

Trodd, Colin. "The Discipline of Pleasure; or, How Art History Looks at the Art Museum." Museum & Society 1, no. 1 (2015): 17–29. http://dx.doi.org/10.29311/mas.v1i1.11.

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The central aim of this essay is to generate a critically detailed and fully historicised reading of one specific example of the institutionalisation of visual culture. By attending to its complexity as an aesthetic, social and managerial space, I want to examine how the act of seeing was inscribed in a body of material concerned with the National Gallery (NG) in mid-Victorian London. Addressing the language of exhibition, this essay deals with a form of commentary where writing about the public display of art becomes another way of exploring the mnemonic or kinetic qualities of space. This wo

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Marshall Furness, Amy, and Paola Poletto. "Extending the Conversation." International Journal of Librarianship 9, no. 2 (2024): 60–78. http://dx.doi.org/10.23974/ijol.2024.vol9.2.364.

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Over the dozen or so years of its existence the Artist in Residence (AiR) program at the Art Gallery of Ontario (AGO) has brought numerous emerging and established artists into the daily workings of the museum, inviting resident artists to explore and engage with the AGO’s collections, staff and public programs as they develop their projects. Support for a process of research-creation is fundamental to the opportunity offered by the residency. As a foundational component of the museum’s research infrastructure, the AGO’s Edward P. Taylor Library & Archives has played a key role in the resi

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Dufresne, Kelsey Virginia. "Reframing Art with Nature: Flowers, People, and Art in Bloom." AM Journal of Art and Media Studies, no. 25 (September 15, 2021): 67–80. http://dx.doi.org/10.25038/am.v0i25.448.

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In extending Bernard Stiegler’s conceptualizations of life as the economy of death and Alexander Marshack’s historical tracings of early-human artifacts in relation to flowers, I strive to situate and read flowers as media that they carry an embedded history and infrastructure that reflects and challenges the anthropocentrism that has cultivated, commodified, and curated blooms throughout time. In looking to theorists such as Donna Haraway and Jane Bennett, I study a specific event in which flowers are presented to the public as art: the North Carolina Museum of Art’s Art in Bloom. Art in Bloo

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Blair, Jennifer. "Art Museum Image Gallery." Charleston Advisor 21, no. 3 (2020): 15–19. http://dx.doi.org/10.5260/chara.21.3.15.

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Art Museum Image Gallery provides access through a subscription to museum collections of over 156,000 high-quality images sourced from the Art Archive of Picture Desk, Inc. and includes paintings, prints, ceramics, sculpture, and other art. The images span from 3000 B.C. to the present, with an emphasis on cultural and area studies. The price varies and is based on subscribers’ overlap with packages and other factors unique to institution needs, but primarily is on bracket determined by number of users. The interface could use improvement in its limiters. But individual item displays surpass s

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Pane, Imam Faisal, and Rahmita Dewi Lubis. "Museum and Gallery of Contemporary Art Medan (Contemporary Architecture)." International Journal of Architecture and Urbanism 1, no. 1 (2017): 82–90. http://dx.doi.org/10.32734/ijau.v1i1.265.

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The Museum is a place to see showpieces as art, artifacts, and other cultural relics. The purpose of the museum is not only for education but also as entertainment. This design takes the case study of a contemporary art museum. This museum has a gallery, which function is to sell and auction the contemporary art. This Museum and Gallery designed with contemporary architecture style, suitable for the main function of the building which is museum and gallery of contemporary art. The museum and gallery will also help to develop the tourism in Medan and to be an education facility to the public. T

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Nofrizaldi, Nofrizaldi, Pungky Febi Arifianto, and Elianna Gerda Pertiwi. "ANALISIS TANDA VISUAL DALAM TAGAR CORONA ART MUSEUM." Jurnal Bahasa Rupa 4, no. 1 (2020): 42–49. http://dx.doi.org/10.31598/bahasarupa.v4i1.614.

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The gallery is a space of interaction between artists and audiences. In the era of pamdemik covid, gallery space was closed due to physical distancing. Imaginary space is built by utilizing communication and information technology. Instagram as a digital platform is widely used as a space for building artistic interactions. Through the hashtag of Corona Art Museum, the writer looks for some visual works to be used as object of analysis. Verbal and visual signs in the visual content will be dissected using the classification of signs: icons, indexes, symbols from Charles S. Peirce and the syste

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Roden, Rosemary. "CING 2. The Fraser Collection, Wolverhampton Museum." Geological Curator 4, no. 6 (1986): 349. http://dx.doi.org/10.55468/gc276.

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The final phase of the current Fraser collection Rescue Project (started autumn 1984) is now going ahead with the planned opening of a Fraser Geological Gallery at Wolverhampton Museum and Art Gallery. In March 1984 there was much rejoicing in the Art Gallery when the go-ahead was given for the new museum extension. Work started early in December 1985 and the alterations of the old red Polytechnic building into the new galleries is expected to take a year. The plans include a small separate gallery for the Fraser collection, which links thematically with the adjoining local history displays; s

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Steward, Donald I. "CING 31. Williamson Art Gallery and Museum, Birkenhead." Geological Curator 4, no. 8 (1987): 521. http://dx.doi.org/10.55468/gc855.

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Geological public service: no display; access to reserve collections; no specialist curator; no identification service; not a NSGSD record centre. Geological collections: c. 1,000 specimens; rocks, minerals and fossils; good condition; easy to locate, basic catalogue available; major strength in minerals. July 1986....

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BROWN, CHRISTOPHER. "The Renaissance of Museums in Britain." European Review 13, no. 4 (2005): 617–36. http://dx.doi.org/10.1017/s1062798705000840.

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In this paper – given as a lecture at Netherlands Institute for Advanced Study in the summer of 2003 – I survey the remarkable renaissance of museums – national and regional, public and private – in Britain in recent years, largely made possible with the financial support of the Heritage Lottery Fund. I look in detail at four non-national museum projects of particular interest: the Horniman Museum in South London, a remarkable and idiosyncratic collection of anthropological, natural history and musical material which has recently been re-housed and redisplayed; secondly, the nearby Dulwich Pic

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Taylor, Michael A. "CING 92. Newport Museum and Art Gallery. Gwent." Geological Curator 5, no. 3 (1989): 110. http://dx.doi.org/10.55468/gc619.

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Geological public service: permanent display; access to reserve collection by appointment to students and researchers; part-time specialist curator; identification service; not a NSGSD record centre. Geological collections: c.1000-5000 specimens; 90% local fossils with some local rocks and minerals; condition of 90% of collection good; unsystematically stored in drawers and cardboard boxes; mostly registered. 1987....

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Dissertations / Theses on the topic "Reading Public Museum and Art Gallery"

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Morgan, Makayla Q. "Making Gallery Groups at a Public Art Museum Accessible to People with Aphasia." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1586515207124486.

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Hook, Sarah. "Reading the gallery : portraits and texts in the mid- to late nineteenth century." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:87ad5989-055a-4777-9418-5f636afd6f96.

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The Victorians saw more portraits than any generation before them. While the eighteenth century has been named 'the age of portraiture', portraits pervaded nineteenth-century society like never before. With the invention of photography, coupled with technological advancements in low-cost printing methods, the medium in which faces could be recorded was revolutionised, the classes of society that could afford to be immortalised expanded, and the spaces in which portraits were seen proliferated. These spaces included the public gallery, photography studio shop windows, and personal photograph al

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Dettlaff, Tomas. "Malmö konsthall i tid och rum – en fallstudie om visuell identitet och platsmarknadsföring." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22536.

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This thesis examines how techniques from place marketing, developed to market places, can be used in the process of designing a visual identity for an institution. The thesis is a case study of the development of a new visual identity for the public art institution Malmö konsthall. The essay presents Malmö Konsthall, defines the term visual identity and describes the main principles in place branding. I then define target audiences and key values, discuss the application of place marketing principle and go through the design process of the new visual identity. The process showed that theories

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Hoppe, Erin Jeane. "The Value of a Student and Community Docent Program: A Case Study at the Wexner Center for the Arts." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1213307685.

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Jung, Chang Sung. "Agencification and quangocratisation of cultural organisations in the U.K. and South Korea : theory and policy." Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/15930.

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This research focuses on agencification and quangocratisation (AQ) through a comparison of the experiences of South Korea and the UK. Although a number of studies of AQ have been produced recently, these reforms remain inadequately understood. Since AQ involves the structural disaggregation of administrative units from existing departments, executive agencies and quangos have distinct characteristics which are quite different from ordinary core departments. There are a number of factors which influence these changes; and this thesis explores nine existing theories which are available to explai

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Shen, Hsiu-Yen, and 沈秀燕. "The Public Program in Art Museum: Case Study of Vancouver Art Gallery." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/24879841052643165676.

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碩士<br>臺南藝術學院<br>博物館學研究所<br>88<br>Abstract The purpose of this research is to understand museum management in terms of its programs in public education. I am going to use Vancouver Art Gallery, a museum located in western Canada, as a research topic. Using its internal organization, educational programs, activities strategies, and different activities to analyze the context in managing public programs in a way to provide a reference to museum management in Taiwan. As far as I am concerned, Vancouver Art Gallery offers a wide variety of in-depth educational activities. It not only

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Hawthorne, LE. "The museum as art : site-specific art in Australia's public museums." Thesis, 2013. https://eprints.utas.edu.au/17179/2/whole-hawthorne-thesis-2013.pdf.

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This thesis critically examines site-specific art projects in Australian museums from the late 1960s onwards. Despite the fact that site-specific art practice is relatively widespread, there have been few in-depth or systematic studies published on this subject, particularly in terms of its historical and theoretical foundations. More importantly, there have been no in-depth studies explicitly on Australian site-specific art, and so my research aims to extend the existing knowledge on this art form while applying it to an Australian context. Because the site-specific field is vast, I narro

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Plaskocinska, Patrycja. "Between hair and the Johannesburg art gallery: a hair museum mediating the disjointed context by inspiring public ownership through the celebration of an African Art Form." Thesis, 2015. http://hdl.handle.net/10539/17581.

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Master of Architecture [Professional] at the University of the Witwatersrand, Johannesburg, South Africa, in the year 2014.<br>In the case of Johannesburg, unlike cities around the world that experienced inner city decline, its city centre was never entirely abandoned. It experienced rapid social change. As Johannesburg was beginning to change, the Johannesburg Art Gallery (JAG) was experiencing a declining number of visitors. Unable to engage with the changing social structure, a fence was built around it and JAG turned itself inwards. This thesis explores the intention to

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Books on the topic "Reading Public Museum and Art Gallery"

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Reading Public Museum and Art Gallery (Pa.). The Reading Public Museum and Art Gallery: Selections from the permanent collection. The Museum, 1986.

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Freedman Gallery (Reading, Pa.) and Gallery 400, eds. Sites and solutions: Recent public art : October 12-November 18, 1984, Freedman Gallery, Albright College, Reading, Pennsylvania, January 9-February 2, 1985, Gallery 400, College of Architecture, Art, and Urban Planning, the University of Illinois at Chicago. Freedman Gallery, Albright College, 1985.

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Sanctis, M. De. The Bayeux tapestry: The City of Bayeux Tapestry and the Reading Museum and Art Gallery facsimile. Norton, 1993.

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Galleries, Ontario Association of Art. Ontario Association of Art Galleries' human resources package: For the recruitment, hiring and management of the executive director in a public art gallery. The Association, 1994.

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Sichel, Kim. Philip Guston, 1975-1980: Private and public battles. Boston University Art Gallery, 1994.

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Gallery, Serpentine, ed. Oscar Niemeyer: Serpentine Gallery Pavilion 2003. Serpentine Gallery, 2003.

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Papua New Guinea. National Parliament. Public Accounts Committee. Public Accounts Committee report to Parliament on the inquiry into the National Museum and Art Gallery and the sale and export of the Swamp Ghost aircraft. Public Accounts Committee], 2007.

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1940-, Acconci Vito, Holl Steven, Ritter Arno, Storefront Gallery for Art and Architecture., and Kunsthaus Bregenz. Archiv Kunst Architektur., eds. Acconci, Holl: Storefront for Art and Architecture. Kunsthaus Bregenz, Archiv Kunst Architektur, 2000.

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Borza, Pace Maria. Issues of national identity and the changing perception of identity in irish public art collection and display in the 20th century: Case studies : The Republic of Ireland Hugh Lane Municipal Gallery, Dublin Irish Museum of Modern Art, Dublin. The Author), 2004.

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Harrison, Marina. Artwalks in New York: Delightful discoveries of public art and gardens in Manhattan, Brooklyn, the Bronx, Queens, and Staten Island. 2nd ed. M. Kesend, 1994.

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Book chapters on the topic "Reading Public Museum and Art Gallery"

1

Griffiths, John. "Annual Report of the Committee of the Free Public Library. Museum, and Walker Art Gallery 1888." In Empire and Popular Culture. Routledge, 2021. http://dx.doi.org/10.4324/9781351024785-39.

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Whitehead, Christopher. "Debating the National Gallery." In The Public Art Museum in Nineteenth Century Britain. Routledge, 2017. http://dx.doi.org/10.4324/9781315237565-ch-6.

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Whitehead, Christopher. "Refiguring the National Gallery." In The Public Art Museum in Nineteenth Century Britain. Routledge, 2017. http://dx.doi.org/10.4324/9781315237565-ch-7.

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Whitehead, Christopher. "The Enlarged National Gallery in 1876." In The Public Art Museum in Nineteenth Century Britain. Routledge, 2017. http://dx.doi.org/10.4324/9781315237565-ch-10.

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Whitehead, Christopher. "Negotiating the Construction of the National Gallery." In The Public Art Museum in Nineteenth Century Britain. Routledge, 2017. http://dx.doi.org/10.4324/9781315237565-ch-8.

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"Producing a public for art: gallery space in the twenty-ﬁrst century." In Reshaping Museum Space. Routledge, 2005. http://dx.doi.org/10.4324/9780203483220-17.

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"On the Ideal Relations of Public Libraries, Museums, and Art Gallery to the City." In Museum Origins. Routledge, 2016. http://dx.doi.org/10.4324/9781315424019-22.

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Duncan, Carol. "From the Princely Gallery to the Public Art Museum: The Louvre Museum and the National Gallery, London." In Grasping the World. Routledge, 2019. http://dx.doi.org/10.4324/9780429399671-17.

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Calè, Luisa. "The Reader Turned Spectator: Visual Narratives." In Fuseli’s Milton Gallery. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780199267385.003.0004.

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Abstract Chapter 2 used Iser’s reader response to analyse the role and trans- formation of texts at exhibitions. That analysis is here pushed further as we move from the catalogue to the pictures. Much as gallery catalogues exemplify the ways in which texts construct their implied readers, so do literary galleries construct their implied spectators. This chapter sets the visual narrative explored by theorists alongside dictionary entries, developments in museum layouts as well as the visual spectacles of the day: magic lanterns, panoramas, and the Eidophusikon. In The Shows of London (1978), R

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Deros, Xon. "The Guggenheim Museum Bilbao: High Art and Popular Culture." In Constructing Identity in Contemporary Spain. Oxford University PressOxford, 2002. http://dx.doi.org/10.1093/oso/9780198159933.003.0016.

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Abstract Cultural icons are central to the definition of national heritage. They are instrumental in projecting the nation’s image into a discursive space and are therefore the object of governmental attention and the subject of cultural policy. The emergence of a cultural icon is a complex phenomenon related to both public perception and the politics of nationalism. The issue becomes more problematic when the icon a society collectively comes to adopt as part of its cultural patrimony is an import, as exemplified in the controversies surrounding the public funding of foreign art. Cultural tec

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Conference papers on the topic "Reading Public Museum and Art Gallery"

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Imai, Nate, and Matthew Conway. "Digital Assemblies." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.22.

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This paper examines how the intersection of real-time data and material assemblies provides novel opportunities to understand our built environment as a socially and ecologically constructed milieu. By integrating the Internet of Things (IoT) with brick-and-mortar buildings, we can create dynamic interfaces that leverage our material surroundings to contextualize a range of unseen information, such as where scholarship is being conducted, from which direction the wind blows, and what community members are posting. In framing buildings as not separate entities from growing online networks but i

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Reports on the topic "Reading Public Museum and Art Gallery"

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Artful Diplomacy: Art as Latin America's Ambassador in ton, D.C. Inter-American Development Bank, 2008. http://dx.doi.org/10.18235/0006398.

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This exhibition gathers a number of artworks belonging to a diverse group of Latin American embassies and diplomats and their delegations and organizations in Washington, D.C. For a city that boasts such a wealth of artistic institutions on the National Mall, representing art from all corners of the world (the National Museum of African Art, the Freer and Sackler Galleries for Asian arts, and the National Gallery of Art with its impressive collection of European art from the Middle Ages to the present, to name a few), the absence - for whatever reason- of a major institution in the nation¿s ca

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