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Dissertations / Theses on the topic 'Real Audiencia'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Hillebrand, Christian [Verfasser]. "Die Real Audiencia in Mexiko / Christian Hillebrand." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2016. http://d-nb.info/1122042159/34.

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Gálvez, Montero José Francisco. "La Real Audiencia y su configuración en el virreinato." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/113752.

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López, Gómez Pedro. "La Real Audiencia de Galicia y el Archivo del Reino /." [Santiago de Compostela] : Xunta de Galicia, 1996. http://catalogue.bnf.fr/ark:/12148/cb376202292.

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Tesis doct.--Facultad de geografía e historia--Madrid--Universidad complutense, 1994. Titre de soutenance : La Real Audiencia y la conflictividad social en Galicia en la edad moderna (s. XV-XIX).<br>Notes bibliogr. Bibliogr. dispersée.

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4

Carrillo, Rosero Ana María. "Al cuidado del soberano. Des/orden, cuidado y vasallaje. Real Audiencia de Quito 1780-1807." Doctoral thesis, Universitat Rovira i Virgili, 2017. http://hdl.handle.net/10803/461048.

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Aquets treball recull els petits relats, baralles, escándols i disputes que van protagonitzar els homes i dones que van viure en els territoris de la Real Audiencia de Quito en el període entre finals del segle XVIII i la primera década del s.XIX. Ordenar-los, pensar-los i transcriure'ls em van donar les pistes sobre les dimensions polítiques en les quals es relacionaven entre ells i amb els diferents tipus d'autoritats que ocupaven tant els espais administratius com els imaginaris. Del general al particular vaig narrant el sentit d'aquestes relacions enmarcades en la comprensió d'un camp

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Hilario, Paucar Viviana Paola. "Historias criminales en la Real Audiencia de Lima: el castigo en tiempos del virrey Castelfuerte (1724 - 1736)." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2018. https://hdl.handle.net/20.500.12672/10227.

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Busca reconstruir el panorama en el que se desenvolvió el castigo, estableciendo que significados tuvo el mismo para reos y jueces que participaron en la Real Audiencia de Lima durante el gobierno del virrey Castelfuerte. En ese sentido, la Sala del Crimen de Lima fue la que centralizó la administración de justicia en todo el virreinato del Perú, actuando como un órgano regulador. Representó a una institución que castigó más delitos de varones que de mujeres. Asimismo, se considera que las complejas causas y significados del castigo fueron resultado de formar parte de una sociedad sumamente he

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Bell, Martha Gwenn. "Delimitar y gobernar las aguas de Lima: relaciones urbano-rurales y rivalidades administrativas en Lima colonial." Pontificia Universidad Católica del Perú, 2016. http://repositorio.pucp.edu.pe/index/handle/123456789/121508.

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Lima’s city wall was completed in 1687, creating a physical boundary between the urban space and its rural surroundings. Yet well before this date, the division between city and countryside had been established. Water governance wasone arena in which this can be observed. Officially, all water in Lima and its rural surroundings fell under the jurisdiction of Lima’s cabildo. However, the viceroy and Real Audiencia were also frequently involved in water governance, sometimes in direct conflict with the cabildo. This article analyzes the debate over the roles of these branches of government durin

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García, García Antonio. "Un Dilema imperial: criollos o peninsulares en el gobierno virreinal: Estudio de la incidencia de la venalidad en la Real Audiencia de México (1701-1725)." Doctoral thesis, Universitat Pompeu Fabra, 2015. http://hdl.handle.net/10803/308135.

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La tesis estudia cómo el gobierno de Felipe V durante los años de la Guerra de Sucesión superó los obstáculos que impedían la designación de los criollos para una institución clave en el gobierno del Nuevo Mundo, la Real Audiencia de México. Se explica cómo la Corona blandió el discurso financiero, la ‘pública necesidad’, para conseguir una finalidad política: la implicación de los americanos en el gobierno del virreinato. De esta manera, la autoridad real se impuso sobre instituciones americanas y peninsulares interesadas en mantener el ostracismo de los criollos. Se cambió la forma jur

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8

Gálvez, Peña Carlos M. "Espinosa Fernández de Córdoba, Carlos. El Inca barroco. Política y estética en la Real Audiencia de Quito, 1630-1680. Quito: Facultad Latinoamericana de Ciencias Sociales Sede Ecuador, 2015, 309 pp." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/121895.

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9

Guerra, Sabrina. "La disputa por el control de las doctrinas en la Real Audiencia de Quito: Un estudio microhistórico sobre la tensión entre y dentro del Estado, la Iglesia y las redes de poder local, Guano, siglo XVIII." Doctoral thesis, Universitat Jaume I, 2008. http://hdl.handle.net/10803/84085.

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A mediados del siglo XVIII, como parte del proyecto reformista del gobierno Borbónico se dio inicio al proceso de secularización de doctrinas en el mundo colonial. Un proceso histórico que ha sido interpretado en forma general como un fenómeno que respondía al constante conflicto entre ambos cleros y/o a la propia tendencia secularizadora dieciochesca. El presente trabajo busca hacer una relectura de este fenómeno, partiendo de la siguiente interrogante:¿Cómo puede ser entendido el conflicto por el control de las parroquias de indios conocidas como doctrinas a lo largo del periodo colonial His

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10

Robles, Chinchay Rubén Fernando. "“Del gobierno español al gobierno natural”. Legitimidad y misticismo en la conspiración de Aguilar y Ubalde (1805)." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2020. https://hdl.handle.net/20.500.12672/15719.

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La búsqueda de legitimidad es la piedra angular para entender la conspiración que en 1805 empezaban a planear los criollos Gabriel Aguilar y José Manuel Ubalde en la ciudad del Cuzco. Sobre la base de esta breve premisa se inicia la investigación. El presente trabajo se plantea un acercamiento a esta abortada conjura a partir aspectos relacionados con la idea de legitimidad, o lo que es lo mismo, buscando la interrogante que sus actores se hicieron acerca de por qué el gobierno español era ilegítimo, idea conexa a aquella otra que implica el plantearse cómo debería ser un gobierno legít

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11

Smith, Tony E. "KEEPING IT “REAL”: DOES PRACTICING SPEECHES BEFORE AN AUDIENCE IMPROVE PERFORMANCE?" Miami University / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=miami1058484247.

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Smith, Tony Edward. "Keeping it real does practicing speeches before an audience improve performance? /." Oxford, Ohio : Miami University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1058484247.

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Thesis (M.A.)--Miami University, Dept. of Speech Communication, 2003.<br>Title from first page of PDF document. Document formatted into pages; contains iii, 35 p. Includes bibliographical references (p. 20-24).

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13

Paley, Marianne Elizabeth. "Art in the public realm : integrating audience, place, and process." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/79022.

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Santos, Alex Reis dos. "Medição de audiência de televisão em tempo real pelo reconhecimento de logos." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/3/3142/tde-14012008-120337/.

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Os logos de televisão são uma das mais importantes estratégias criadas e registradas pelas emissoras de televisão para proteger o conteúdo produzido e distribuído por elas. Cada logo é único, gerando robustez e segurança ao processo de medição de audiência de televisão. Estes logos podem ser considerados uma marca d\'água, que em alguns casos identificam não só a emissora, mas também o tipo de conteúdo que está sendo veiculado. Por exemplo, alguns canais mudam o logo de semitransparente para opaco quando há uma transmissão ao vivo. No reconhecimento de logos em tempo real utilizando-se sistema

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15

Becker, Eric. "Do You Read What I Read? A Case Study in the Translation of Dual-Readership Fiction." Thesis, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/20509.

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This thesis explores the components that are involved in the translation of a text that are interpretable by two distinct readerships. It examines: - theory that provides an understanding of dual-readership texts for children and adults; - examples of dual-readership texts, their translations, and analyses of these; - Bled by Daniel Danis and my English translation as a test case of a contemporary dual-readership source text and translation. The ultimate goal of this thesis is to shed light on what could be a new sub-domain of translation studies, namely, research on dual-readership translati

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16

Kweyama, Mdunyiswa. "Bringing dance into the realm of theatre : Making sense differently for actors and audiences." Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/13140.

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Includes bibliographical references.<br>This study investigates what happens when dance is introduced into the realm of theatre. Firstly, it looks at how the audience relates to the combination of dance and text. Secondly, it questions whether dance contributes to the actors’ experience of creating a play. To explore these questions, two productions were created. The first was an adaptation of an existing play text that had already been performed in a realistic style; and the second was based on a novel, a text that was not originally written for performance, but which was adapted. The study a

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17

Lauritzen, Zachary. "Giving High Needs Students Voice: A Grant Proposal to Create a Touchscreen App to Gather Real Time Student Instructional Feedback." Thesis, University of Oregon, 2019. http://hdl.handle.net/1794/24527.

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This application is for the U.S. Department of Education’s Education Innovation and Research Program to secure funding for the development of an application for touchscreen devices that allows students to record real time instructional feedback to their instructors that is collected during, rather than at the conclusion of, a lesson. Student feedback to teachers can be a valuable tool to help improve instruction. This feedback, shared with teachers, would help identify areas for instructional shifts to better meet the needs of students. Embedded in this proposal are the following research ques

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18

Harris, Sarah E. "From the Fictional to the Real: Creative Writing and the Reading Public." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/297049.

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In this project, I argue for the importance of public engagement as a method of scholarship for the discipline of creative writing, in writing studies, and the broader humanities. I do so by using historical study, ethnography and survey data, in order to trace the history of creative writing's disciplinarity, define its contemporary practices as socially collaborative and inventive, and show how those practices align with the goals and methods of public engagement projects. This dissertation contributes to a growing body of work in composition studies calling for collaboration between composi

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19

Tuszynski, Stephanie. "IRL (In Real Life): Breaking Down the Binary of Online Versus Offline Social Interaction." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143431168.

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20

Mendes, Julia Guimarães. "Teatros do real, teatros do outro: os atores do cotidiano em cena contemporânea." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-31102017-145052/.

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Esta tese se propõe a investigar as potencialidades estéticas e críticas vinculadas à presença dos atores do cotidiano no âmbito das artes cênicas contemporâneas, com recorte em criações produzidas no Brasil e na Europa neste início de século XXI. O termo compreende pessoas que não necessariamente possuem formação artística e são convidadas a participar de uma criação a partir de uma perspectiva autorreferencial. Parte-se da hipótese de que a incorporação dos atores do cotidiano colabora para alterar o próprio \"regime de visibilidade\" (RANCIÈRE, 2009) dos corpos e subjetividades no âmbito da

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21

Monks, Jacqueline. "The transience of the interior self: Exploring the lost Real within a creative visual praxis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/575.

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This research investigates psychological ideas of the interior self as transient and its relationship to the Real within a creative practice that includes video, projection and animation. The significance of the research is in the critical development of my creative practice and its creative outcome as a means of visually manifesting ideas of the interior self as explored by the theorist Slavoj Zizek. Theoretically, the notion of the interior self is defined as a transient state of co-existing contradictions. Its definition is located in Zizek’s reading of Jacques Lacan’ s triad of orders that

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22

Bloomberg, Benjamin Arthur Philips. "Hyperproduction : an audio-centric framework for the abstract modeling of live performance to guide audience attention and perspective using connected real-time systems." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/95591.

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Thesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2014.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 99-103).<br>Hyperproduction is a conceptual framework and a software toolkit which allows producers to specify a descriptive computational model and consequently an abstract state for a live experience through traditional operating paradigms such as mixing audio, operation of lighting, sound or video systems. The hyperproduction system is able to interpret this universal state a

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23

Tchernev, John Martin. "Creating and Maintaining Identification with Characters in Narrative Films: The Impact of Protagonist Motivations and Key Story Moments on Real-Time Audience Identification and Liking." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429807335.

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24

Delpanno, Greta. "Gender Marketing nella televisione advertising, canali tv e audience tra Italia e Stati Uniti a confronto." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022. http://amslaurea.unibo.it/25130/.

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Premettendo che il dibattito sociale sulla parità di genere è in continua evoluzione e il concetto stesso di genere sta oggigiorno assumendo delle connotazioni differenti rispetto a un tempo, con il presente elaborato si ha intenzione di indagare dove e in che misura siano ancora presenti gli stereotipi di genere nella televisione. Considerata la retorica attuale sull’importanza dell’individuo di esprimersi secondo le proprie scelte personali senza farsi influenzare da vecchi preconcetti sui ruoli di genere, spariranno dagli scaffali gli articoli con la scritta “da uomo” o “da donna” e i pro

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25

Hara, Tenshi. "Analyses on tech-enhanced and anonymous Peer Discussion as well as anonymous Control Facilities for tech-enhanced Learning." Doctoral thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-205517.

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An increasing number of university freshmen has been observable in absolute number as well as percentage of population over the last decade. However, at the same time the drop-out rate has increased significantly. While a drop in attendance could be observed at the same time, statistics show that young professionals consider only roughly thirty percent of their qualification to originate in their university education. Taking this into consideration with the before mentioned, one conclusion could be that students fail to see the importance of fundamental classes and choose to seek knowledge els

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26

Bresnick, Donna Hicks. "The imaginary audience real or imagined? /." 1988. http://catalog.hathitrust.org/api/volumes/oclc/19617669.html.

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Thesis (M.S.)--University of Wisconsin--Madison, 1988.<br>Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 60-62).

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Krieg, Elizabeth K. "Sex, wealth, and power : audience and the real Orange County." 2006. https://scholarworks.umass.edu/theses/2572.

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28

Gibbons, Christina T. "Shifting relations: Reading autobiographers as they read their audiences." 1993. https://scholarworks.umass.edu/dissertations/AAI9408278.

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Literary critics of the last thirty years have asked readers to focus on everything except their own relationship to writers. Critics of fiction, of narratology, and of reader response, as well as post-structuralists, have all concentrated on the condition and effects of the text. Critics of autobiography have tended to view the genre in James Olney's terms as "metaphors of self," a form in which writers define and represent themselves. Wayne Booth and Philippe LeJeune are among the few critics who recognize that reading can be experienced as a relationship between writer and reader. Autobiogr

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Tsoulis-Reay, Alexa. "Convergence, concern and the "real" girl: teenage girls' everyday media cultures." 2009. http://repository.unimelb.edu.au/10187/4893.

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This is a revisionist audience study examining the everyday media cultures of twenty-four young teenage girls from Melbourne in Australia. It argues that in an era of proliferated and convergent media, audience studies cannot restrict its vision to a single media text, technology, or genre.<br>It takes a broad approach to girls’ media culture and considers the full range of media that girls engage with on a daily basis. It identifies a hegemonic discourse about girls’ media use which it calls “(feminist) new media effects”. This anxiety takes as its key concern the proliferation of media a

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30

SU, MU-CHUN, and 蘇木春. "An analysis of real-time online newspapers' practices to attract audience and to increase readers' clicks." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/22166867310584044971.

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碩士<br>國立聯合大學<br>臺灣語文與傳播學系碩士班<br>105<br>Digital convergence allows for the digitization of newspapers. Real-time online news media is on the rise, with both the quantity and the timeliness of online news surpassing newsprint, leading to a reduction of newsprint subscriptions and directly impacting advertisements. Nevertheless, errors and quality problems have surfaced with real-time online news, posing challenges to the professionalism of journalists. Through in-depth interviews with journalists, this study attempts to analyze the impact of digitization on traditional newsprint and its subsequ

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Baird, Kevin Craig. "No Clergy A piece for flexible small ensemble generated in real time based on audience feedback (Original composition) /." 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3173626.

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Thesis (Ph.D.)--State University of New York at Buffalo, 2005.<br>Title from PDF title page (viewed on Feb. 1, 2006) Available through UMI ProQuest Digital Dissertations. Thesis adviser: Cort Lippe. Includes bibliographical references.

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LIN, CHIEH-HSN, and 林潔欣. "Exploring the Factors of Audiences’ Motivations and Purposes to Read Inspirational Book from the Perspective of Media Experience." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/68j3uw.

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碩士<br>輔仁大學<br>大眾傳播學研究所碩士在職專班<br>106<br>This study is mainly to explore the motives and reading purposes of readers before reading the inspirational book. The main research questions are: the definition and evolution of motivational books through field data analysis, whether readers will influence the selection of books due to changes in the external environment. Whether the direction of the reader, the reader's motivation for reading is related to the internal self-requirement, whether the reader's reading purpose is rational or perceptual, and whether the Fan theory of reading books is as sam

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Felten, Pol. "“Everyone in the realm has a voice”: Game of thrones, twitter and television fan engagement." Master's thesis, 2015. http://hdl.handle.net/10071/10091.

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With the broad adoption of Twitter and other social networks, the concept of social TV has sought to explain emerging viewing behaviours of active audiences to use social media alongside television to connect with like-minded fans and discuss televised content online. TV programmes on their part took the opportunity to engage fans in these online spaces to drive live viewing. This dissertation will examine how fan engagement practices are leveraged by the HBO series Game of Thrones on Twitter, raising the fundamental question of the nature of interaction between television professionals a

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