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Books on the topic 'Realist artist'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Gorak, Jan. God the artist: American novelists in a post-realist age. University of Illinois Press, 1987.

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2

Su, Shufen, Liyun Lin, and Ruihua Chen. Xun hua: Xian shi zhu yi hua jia Wu Yaozhong = Searching for Wu Yaozhong's paintings : stories of a realist artist. Yuan jing chu ban shi ye you xian gong si, 2012.

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3

Geoff, Gaylard, and Roberts Tom 1935-, eds. Australian impressionist & realist artists: 210 works by 70 living australian artists. Graphic Management Services, 1990.

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4

Jin, Jinyoung Anna. Art, War, and Exile in Modern Korea. Amsterdam University Press, 2024. https://doi.org/10.5117/9789048560059.

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This book celebrates the life and works of Lee Qoede (1913–1965), who focused on art’s social purpose and representation of civilians. He believed “art must be an integral part of the struggle in reality. It cannot simply be a still-life of apples, flowers, or scenery.” Born in South Korea, he was a prisoner of war, defected to North Korea, was politically purged, and died at fifty-two. His works were banned in South Korea until 1988. This monograph explores Lee Qoede’s art within the context of Cold War politics and international leftist exchanges, including his experiences of civilian massac

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5

Galloway, Paul. Realism. Currency Press in association with Melbourne Theatre Company, 2009.

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6

Erehwon Center for the Arts, ed. Philippine social realists. Erehwon Artworld Corporation, 2019.

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7

K, Ghosh P. Understanding Indian art: Artist, historian S.P. Verma : realism to expressionism. Aryan Books International, 2014.

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8

Vine, Billy. Blade runner: Classical realism and the name of the artist. LCP, 2001.

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9

Collier, Andrew. Critical realism. Verso, 1994.

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10

Stephen, Lacey. British Realist Theatre. Taylor & Francis Group Plc, 2004.

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11

Richard, Edwards. The world around the Chinese artist: Aspects of realism in Chinese painting. University of Michigan, 1989.

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12

Richard, Edwards. The world around the Chinese artist: Aspects of realism in Chinese painting. Center for Chinese Studies, 2000.

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13

Stepʻanyan, Hrant. Hrant Stepʼanyan: XX dari nkarich' = Hrant Stepanian : XX century artist = Grant Stepani︠a︡n : armi︠a︡nskiǐ zhivopisets XX veka = Hrant Stepanian : peintre arménien du XX siècle = Hrant Stepanyan : Maler des XX. Jahrhunderts = Hrant Stepaniaʼn : artista del siglo XX. Edit Print, 2007.

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14

1896-, Helm MacKinley, ed. Mexican painters: Rivera, Orozco, Siqueiros and other artists of the social realist school. Dover Publications, 1989.

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15

1926-, Vickrey Robert, ed. Robert Vickrey: The magic of realism. Hudson Hills Press, 2009.

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16

Cortes, José Pedro. A necessary realism: José Pedro Cortes. Pierre von Kleist editions, 2018.

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17

Helm, MacKinley. Modern Mexican painters: Rivera, Orozco, Siqueiros and other artists of the social realist school. Dover, 1989.

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18

Tomorrow, Korea. Brilliant critics .: 10 curators 10 artists. Korea Tomorrow, 2017.

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19

Bietoletti, Silvestra. I macchiaioli: Gli artisti, la storia, le opere. Giunti, 2001.

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20

Marin, John. John Marin: Between realism and abstraction. Kennedy Galleries, 1997.

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21

Ruenov, Ruen. D-r Gatev, edin nov realist ot vremeto na postkomunizma. Sofii︠a︡ Dauntaun, 2010.

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22

A, Leni͡a︡shin V., ed. The Soviet character: Paintings by Soviet artists, 1960s-1980s. Aurora Art Publishers, 1986.

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23

Edwards, Carol. Realism: A study in human structural anatomy. 2nd ed. Pearson Prentice Hall, 2009.

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24

Málaga, Centre Pompidou, ed. El nuevo realismo: New realism. Turner, 2016.

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25

Mario, Sartor, ed. Realismo magico: Fantastico e iperrealismo nell'arte e nella letteratura latinoamericane. Forum, 2005.

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26

Convegno internazionale di studi "Realismo magico, fantastico e iperrealismo nell'arte e nella letteratura latinoamericane" (2004 Udine, Italy). Realismo magico: Fantastico e iperrealismo nell'arte e nella letteratura latinoamericane. Forum, 2005.

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27

McClelland, Elizabeth. The art of Shirley Aley Campbell. Ohio Artists Now, 1995.

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28

Sloan, John. Revolutionaries of realism: The letters of John Sloan and Robert Henri. Princeton University Press, 1997.

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29

Stebbins, Theodore E. Life as art: Paintings by Gregory Gillespie and Frances Cohen Gillespie. Harvard University Art Museums, 2003.

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30

God the artist: American novelists in a post-realist age. University of Illinois Press, 1987.

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31

Edward Hopper 2018 12 x 12 Inch Monthly Square Wall Calendar by Flame Tree, American Realist Painter Art Artist. BrownTrout Publishers, 2017.

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32

Friedlander, Jennifer. Corporeal Realism. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190676124.003.0007.

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This chapter compares two realist representations of the human body: Körperweltern (Bodyworlds), Gunther Von Hagens’s unprecedented public display of chemically preserved human corpses, and Cloaca, Belgian artist Wim Delvoye’s electromechanical replication of the functions of the human digestive system from ingestion to excretion. A comparison between these two displays points to the unexpected way in which the droll defecating machine creates more of a disturbance to the categories of true and false and human and inhuman than does the display which stages a confrontation between living specta

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33

Dohanos, Stevan. American Realist. F&W Pubns, 1985.

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34

Nesher, Dan. On Beauty of Artworks as Aesthetic True Representations of Reality. The Rowman Littlefield Publishing Group, 2022. https://doi.org/10.5040/9780761875444.

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This book is aimed to explain the creation of artworks and their evaluation, and offers a new concept of aesthetics and beauty of artworks. Following and reconstructing Peircean realist epistemology, Aesthetics is one of the three normative sciences, along with Logic (Theoretic) and Ethics, which are the three different modes of representing reality. Aesthetics is the mode of artistic representation of reality, and the created artworks are judged beautiful when proven as an aesthetic true representation of reality. Artists aim to represent reality truly, and hence, beautifully, in order to enh

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35

Renker, Elizabeth. Reality Categories in Periodical Poems. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808787.003.0003.

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One of the larger questions hovering over scholarship in American literary realism is how certain orders of experience came to count as “real,” and, crucially, as opposed to what. Yet, ironically, most scholarship on realism has not “counted” poems as part of the evolving discourse of realism. Periodical poems about reality categories are in fact extremely common in print culture after 1866. This chapter traces the larger dialogic scene in which poems articulate an array of emergent realist and idealist positions as antitheses. Individual poems work out (or take confused sides in) these larger

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36

Spence, David. Manet: A New Realism (Great Artists Series). Barron's Educational Series, 1997.

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37

Souter, Gerry. American Realism. Parkstone International, 2012.

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38

Doud, Tim, and Zoë Charlton, eds. Out of Place: Artists, Pedagogy, and Purpose. punctum books, 2021. http://dx.doi.org/10.53288/0367.1.00.

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Broad in scope, Out of Place: Artists, Pedagogy, and Purpose presents an overview of the different paths taken by artists and artist collectives as they navigate their way from formative experiences into pedagogy. Focusing on the realms in- and outside the academy (the places and persons involved in post-secondary education) and the multiple forms and functions of pedagogy (practices of learning and instruction), the contributions in this volume engage individual and collective artistic practices as they adapt to meet the factors and historical conditions of the people and communities they ser

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39

Australian Impressionist & Reallist Artists (210 Works by 70 living Australian Artists). Graphic Management Services, 2001.

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40

Williams, Jay, ed. The Oxford Handbook of Jack London. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199315178.001.0001.

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Robert Scholes and Clifford Wulfman define modernism and modernity this way: “Modernity is a social condition. Modernism was a response to that condition.” Modernity “is an urban condition” “reached in certain parts of the world in the late nineteenth century … a mass phenomenon” characterized by the rise of technology, print culture, and material consumption. Jack London, who is routinely categorized as a naturalist and realist, can also be called a modernist. The word modern appears often in the pages of this handbook, and though it is not new to call London a modernist, the breadth of schol

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41

Bowers, Maggie Ann. Magic(al) Realism. Taylor & Francis Group, 2004.

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42

Bowers, Maggie Ann. Magic(al) Realism. Taylor & Francis Group, 2004.

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43

Bowers, Maggie Ann. Magic(al) Realism. Taylor & Francis Group, 2004.

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44

Bowers, Maggie Ann. Magic(al) Realism. Taylor & Francis Group, 2004.

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45

Bowers, Maggie Ann. Magic(al) Realism. Taylor & Francis Group, 2004.

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46

(Foreword), Len Leone, and Harlan Ellison (Introduction), eds. James Bama: American Realist. Flesk Publications, 2006.

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47

American Realism. Parkstone International, 2009.

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48

Brusen, Claus. Imaginaire II: Magic Realism. Fantasmus-Art, 2012.

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49

MAGIC(AL) REALISM. 2004.

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50

Magic(al) realism. Routledge, 2004.

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