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Dissertations / Theses on the topic 'Realist artist'

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1

Mujica, Alejandro. "Escape Artist." Master's thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5346.

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My thesis, Escape Artist, is a composite novel written as a fictitious memoir, similar in style to Tim O'Brien's The Things They Carried, that describes my experiences between the years 2001 and 2011. During that time I went through Marine Corps Boot Camp, became a military police officer, patrolled Yuma, AZ, was sent to Iraq for a seven-month tour as a security detail just before the start of Operation Iraqi Freedom, and made it back home four years later. The novel also looks into my struggles with Post-Traumatic Stress Disorder symptoms, how they affected the people around me, and what I've
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Mace, Joan Y. "Rupturing the "reality" of reality TV| Contemporary video artists examining the discursive effects of the reality TV phenomenon." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1568901.

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<p> Since reality TV exploded onto the scene at the turn of the millennium, its impact on culture and society has been evaluated within various disciplines. The televisual phenomenon's influence on the art world, however, has been scarcely examined. This thesis rectifies this omission by exploring the uncharted intersection of reality TV and contemporary art history. Examining the artworks of video/installation artists Gillian Wearing, Phil Collins, Alex Bag, Kalup Linzy, Ryan Trecartin, and Keren Cytter through the theoretical frameworks of Jean Baudrillard, Judith Butler, and Gilles Deleuze
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Hughes, Betsy Ann O'Brien 1952. "The issue of realism in Raphael Soyer's artist portraits, My friends and the Homage to Thomas Eakins." Thesis, The University of Arizona, 1990. http://hdl.handle.net/10150/558138.

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Vincent, Frédéric. "L'artiste-curateur. Entre création, diffusion, dispositif et lieux." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H313/document.

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Cette thèse étudie les différents types d'artistes-curateurs qui se manifestent depuis plus de deux siècles au moment où les artistes organisateurs d'expositions sont de plus en plus présents sur la scène artistique contemporaine. Par-delà le phénomène de mode, une vue d'ensemble des artistes-curateurs est dressée, une typologie de ceux-ci proposée. L'ensemble des réflexions et des recherches porte sur les liens entre art et réception de l'art à travers l'étude de la french theory (Gilles Deleuze, Félix Guattari, Jean-François Lyotard, Jacques Rancière, Jacques Derrida), du réalisme spéculatif
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Araújo, Humberto Alves de. "X. de Castro, O Artista dos Cromos: O Romântico que foi o Maior Poeta Realista do Ceará." http://www.teses.ufc.br, 2008. http://www.repositorio.ufc.br/handle/riufc/3455.

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ARAÚJO, Humberto Alves de. X. de Castro, o artista dos cromos: o romântico que foi o maior poeta realista do Ceará. 2008. 142f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2008.<br>Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2012-06-29T13:50:28Z No. of bitstreams: 1 2008_DIS_HAARAUJO.pdf: 4107400 bytes, checksum: 6cc8dd53024bac13d12e193598e6c660 (MD5)<br>Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-23T16:16:22Z (GMT) No. of bitstreams:
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Sewerin, Mikael. "The Deconstruction of Maturity in Joyce's Portrait of the Artist as a Young Man." Thesis, Stockholms universitet, Engelska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-113427.

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This thesis examines the use of irony in Joyce’s Portrait, claiming that it has the effect of deconstructing common notions of maturity that are engrained within the Bildungsroman tradition, and that this was Joyce’s intention. In Portrait, irony plays the role of psychological reality, undercutting Stephen’s unrealistic expectation to see his life follow a traditional path of teleological progression. This essay proceeds by looking at the novel’s symbolic, thematic and literary cues, as well as through an analysis of its structure, and Stephen’s psychological and behavioral tendencies through
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Morandini, Sofia <1994&gt. "Immersive storytelling in artistic, cinematic and theatrical virtual reality pieces." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19130.

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Nel contesto della narrazione immersiva il presente studio si pone l’obiettivo di esplorare e discutere il potenziale dei dispositivi di realtà virtuale quali mezzi per veicolare storie coinvolgenti e interattive. Grazie all’analisi comparativa di teorie narrative tradizionali relative al campo letterario, teatrale e cinematografico si giunge alla formulazione di una teoria della narrazione propria della realtà virtuale, ponendo l’enfasi su aspetti quali l’interazione, l’immersione e la centralità dell’utente nella storia. In base alla teoria fornita sulla realtà virtuale, si descrivono vari m
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Ebeling, Charlotte. "'Dreamers, madmen and poets' : illusion, reality and the role of the artist in the fiction of Sven Delblanc." Thesis, University of Wales Trinity Saint David, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683117.

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Godbey, Margaret J. "Vying for Authority: Realism, Myth, and the Painter in British Literature, 1800-1855." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/81444.

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English<br>Ph.D.<br>Over the last forty years, nineteenth-century British art has undergone a process of recovery and reevaluation. For nineteenth-century women painters, significant reevaluation dates from the early 1980s. Concurrently, the growing field of interart studies demonstrates that developments in art history have significant repercussions for literary studies. However, interdisciplinary research in nineteenth-century painting and literature often focuses on the rich selection of works from the second half of the century. This study explores how transitions in English painting durin
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AraÃjo, Humberto Alves de. "X. de Castro, o artista dos cromos: o romÃntico que foi o maior poeta realista do CearÃ." Universidade Federal do CearÃ, 2008. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=1992.

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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior<br>Analisa a produÃÃo poÃtica de X. de Castro, dentro da perspectiva da historiografia literÃria, identifica as correntes estÃticas nas quais se insere e ressalta seu valor intrÃnseco e o que nela hà de original. Estabelece as aproximaÃÃes e afastamentos do estilo individual do autor em relaÃÃo aos estilos de Ãpoca predominantes no perÃodo no qual ele se insere e identifica as influÃncias de outros escritores sobre sua obra. Estuda criticamente os poemas romÃnticos de X. de Castro, com especial Ãnfase sobre os poemas inÃditos em livro
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Selle, Hella. "Virtuella artister på scen : Samspelet mellan artister och publiken i livekonsertvideor." Thesis, Malmö universitet, Malmö högskola, Institutionen för konst, kultur och kommunikation (K3), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-18793.

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Denna studie är en inventering av tre lösningar till hur det digitala kan sättas in i ett livekonsertsammanhang, med hjälp av bland annat AR. Studien undersöker genom en videoanalys, de tre virtuella artisterna Gorillaz, Hatsune Miku och K/DAs liveuppträdanden. Tre konsertvideor från ett särskilt tillfälle med motsvarande musikvideo användes som material för analysen. Utifrån frågeställningen undersöks hur de olika semiotiska fälten samspelar, samt ett avsnitt där sambandet mellan grafisk design och AR diskuteras. Frågorna som studien fokuserat på är hur den digitala aspekten av en virtuell ar
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Curtin, Tansy. "Contemporary German photography and American realism : is colour the only link? /." Title page, table of contents and abstract only, 2004. http://web4.library.adelaide.edu.au/theses/09ARAHM/09arahmc9782.pdf.

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Wood, Susan M. "Seeing into the mirror the reality of fiction in the work of Carrie Mae Weems /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4900.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on November 6, 2007) Includes bibliographical references.
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Nascimento, Fabiana Angélica do 1972. "A novela Pole Poppenspäler de Theodor Storm e o tema da oposição entre o artista e o burguês." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269865.

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Orientador: Mário Luiz Frungillo<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-26T21:19:29Z (GMT). No. of bitstreams: 1 Nascimento_FabianaAngelicado_M.pdf: 1238592 bytes, checksum: 01a7a70e9d018c3f112053fde2aa7f39 (MD5) Previous issue date: 2015<br>Resumo: O objetivo deste trabalho é analisar a novela Pole Poppenspäler como uma narrativa organizada ao redor do tema da oposição entre o artista e o burguês. Tal perspectiva de análise abrangerá não só o tratamento dado a essa temática, bastante cara à lite
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Bailie, J. E. C. "Transcribing reality : how the nature of audio and visual media have affected culture, perception, and the role of the artist." Thesis, City, University of London, 2017. http://openaccess.city.ac.uk/20257/.

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The research presented in this thesis was motivated by my own need as a composer to position my work within the broadening of artistic practice that has become a significant aspect of the contemporary music scene. Roughly speaking, this research consists of two interconnected topics: the nature of the complex relationship between reality and the means we have to record it, and a rethinking of the audio visual correlations that might arise as a result of such an investigation into the workings of media. Through the study of these two topics, further important issues will be brought to light suc
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Oliveira, Maria Amélia de Jesus. "REALISMO FANTÁSTICO E MÁGICO EM O DONO DO MAR DE JOSÉ SARNEY." Pontifícia Universidade Católica de Goiás, 2015. http://localhost:8080/tede/handle/tede/3237.

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Made available in DSpace on 2016-08-10T11:07:12Z (GMT). No. of bitstreams: 1 MARIA AMELIA DE JESUS OLIVEIRA.pdf: 542911 bytes, checksum: c26593fd3157cae77c44ab147f7f5ec6 (MD5) Previous issue date: 2015-04-01<br>This study concerns the identification and the analysis of the characteristics of this fantastic work in O dono do mar, José Sarney, as the highlight and all the supernatural and magical dream like atmosphere that surrounds the story, giving it an aspect linked to unusual dense and terror, that soon will characterize the work as a narrative that leans towards Realism fantastic and Rea
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Gomiero, Federica <1997&gt. "L'oltreverso artistico dei Millenials. La Virtual Reality come mezzo di espressione e rivoluzione dei giovani artisti." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21192.

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Per oltreverso si intende – nella letteratura cyberpunk – un mondo immateriale che si trova al di là del mondo fisico, luogo dove nasce la fantasia e l'immaginazione. Se nella letteratura, l'oltreverso è considerato irraggiungibile, nel XXI secolo, esiste un mezzo per poterlo esplorare, la realtà virtuale. La VR è uno strumento dalle mille potenzialità per il mondo tecnologico – Zuckerberg ha da poco annunciato l’arrivo del metaverse -, ma anche per l’arte contemporanea. La tesi si concentra, quindi, sugli universi virtuali realizzati da artisti appartenenti alla generazione dei Millenials, pr
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Benbalit, Tatiana I. "The shaping of Modest Moussorgsky's musical language : an assimilation of social, artistic and folk influences /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/11252.

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Silva, Andrea Fraga da. "O corpo artista no ambiente virtual: imersão e interatividade em cibercenários interativos." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-05072009-220947/.

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Nesta dissertação apresenta-se uma reflexão sobre a pesquisa de dança com cibercenários interativos, realizada entre 2001 e 2007. A partir do ponto de vista de quem dança, são analisadas as experiências de imersão e interatividade na relação entre corpo e ambiente virtual/tecnológico. Na sua qualidade de imagem digital, estes cenários podem ser atualizados em diversas situações, como, por exemplo, no monitor do computador, na forma de instalação, ou em CAVE (ambiente de realidade virtual), em que estão abertos para a interação de qualquer pessoa. A montagem cênica é uma dessas possibilidades d
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Pimenta, Raul Dias. "Entre fronteiras: gótico, realismo mágico e slipstream. o zumbi que se alimenta dos gêneros." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7797.

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Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2017-09-22T18:59:32Z No. of bitstreams: 2 Dissertação - Raul Dias Pimenta - 2017.pdf: 1424876 bytes, checksum: 0cacb140dd619601c6885ec1f848e218 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-09-25T11:43:39Z (GMT) No. of bitstreams: 2 Dissertação - Raul Dias Pimenta - 2017.pdf: 1424876 bytes, checksum: 0cacb140dd619601c6885ec1f848e218 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made availab
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Santana, Molina Jorge. "Subterfugios para hacer una pintura realista." Tesis, Universidad de Chile, 2009. http://www.repositorio.uchile.cl/handle/2250/101433.

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Harvell, Marta Krogh. "A New Literary Realism: Artistic Renderings of Ethnicity, Identity, and Sexuality in the Narratives of Philip Roth." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc115092/.

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This dissertation explores Goodbye, Columbus and Five Short Stories (1959), the Ghost Writer (1979), the Counterlife (1986), the Facts (1988), Operation Shylock (1993), Sabbath's Theater (1995),and the Human Stain (2000), arguing that Roth relishes the telling of the story and the search for self within that telling. with attention to narrative technique and its relation to issues surrounding reality and identity, Roth's narratives stress unreliability, causing Roth to create characters searching for a more complex interpretation of self. Chapter I examines Roth’s negotiation of dual identitie
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Keener, Anne M. "The Reality of the Unseen." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1404930395.

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Durante, Raphael Dall´anese. "Considerações sobre o caráter da liberdade no jogo entre homem e aparelho." Universidade Presbiteriana Mackenzie, 2009. http://tede.mackenzie.br/jspui/handle/tede/2029.

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Made available in DSpace on 2016-03-15T19:43:38Z (GMT). No. of bitstreams: 1 Raphael DallAnese Durante.pdf: 1430058 bytes, checksum: 5ebdc1c90224c85f622a002bc89e8145 (MD5) Previous issue date: 2009-06-22<br>Fundo Mackenzie de Pesquisa<br>This research aims to present comments about the nature of freedom in the game between man and apparatus. Starting from a realistic method of investigation considering the movement of the game as part of a real universe, where the relationship of continuity and alterity are conditions of this ludic activity we tried to estabilish theoretical relations be
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Coelho, Lucas Rodrigues. "JOSÉ J. VEIGA: NARRATIVAS DE FRONTEIRAS." Pontifícia Universidade Católica de Goiás, 2015. http://tede2.pucgoias.edu.br:8080/handle/tede/3564.

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Submitted by admin tede (tede@pucgoias.edu.br) on 2016-12-12T17:54:05Z No. of bitstreams: 1 LUCAS RODRIGUES COELHO.pdf: 792518 bytes, checksum: b83c3b74ded9744558548239c84e64ea (MD5)<br>Made available in DSpace on 2016-12-12T17:54:05Z (GMT). No. of bitstreams: 1 LUCAS RODRIGUES COELHO.pdf: 792518 bytes, checksum: b83c3b74ded9744558548239c84e64ea (MD5) Previous issue date: 2015-12-18<br>The object of this study is Os pecados da tribo, by Jose J. Veiga. The reflection on the artist's fictional work, with its elements of fantastic literature and wonderful Latin American realism, led us to ana
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André, Waldirene. ""Simulacros" e a fotografia: considerações sobre uma relação essencial na obra da artista Regina Silveira." Universidade Presbiteriana Mackenzie, 2007. http://tede.mackenzie.br/jspui/handle/tede/1910.

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Made available in DSpace on 2016-03-15T19:42:48Z (GMT). No. of bitstreams: 1 Waldirene Andre.pdf: 1709311 bytes, checksum: c4df1f46cf8d2f86aa00a9efe10c7ecf (MD5) Previous issue date: 2007-03-05<br>Starting at the articulation of projective codes and at the visual experience of the viewer coming from the arbitrary manipulation of projected shadows and of graphic constructions conceived in order to distort images in perspective, the artist Regine Silveira imposes to the visible world its most important visual paradoxes, Simulacros. Having as basic data the shadow, where all the present visual
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Milbach, Juliette. "Etre artiste en Union soviétique : le parcours d'Arkadii Plastov (1893-1972) : réalisme, socialisme, nationalité." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010653.

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Le parcours d’Arkadiï Plastov est un exemple original au sein du système artistique soviétique. Fils d’un peintre d’icône, il est élevé dans un village de la Volga. Avant de devenir le peintre de la campagne qui a fait sa notoriété en Union soviétique, il apprend l’art à Moscou dans les institutions d’ancien régime, se formant tout particulièrement à la sculpture et ignore parfaitement le langage des avant-gardes. Il se fait un nom en tant que peintre dans la capitale en 1935 au moment où s’élabore la méthode artistique du réalisme-socialiste et réalise des compositions monumentales pour les e
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Sánchez, Resalt Ana María. "La Propaganda "cultural" soviética en la Segunda Guerra Mundial: los casos del Comité para los Asuntos de las Artes y Literatúrnaya Gazeta." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/398143.

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Esta Tesis trata sobre la propaganda soviética durante la Gran Guerra Patriótica, en concreto sobre el modo en el que prensa y arte fueron puestos al servicio de la propaganda en este periodo. Para determinar cómo sociedad y sistema fueron “rehechos” por la propaganda “cultural”, hemos analizado documentos del Comité para los Asuntos de las Artes y el periódico cultural Literatúrnaya Gazeta. Partiendo de la consideración de la propaganda como herramienta para la construcción del imaginario (de clase) del pueblo soviético, en nuestro análisis hemos buscado referencias al papel del artista como
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Rinman, Marie-Louise. "Forms of Interaction in Mixed Reality Media Perfomances - a study of the artistic event DESERT RAIN." Licentiate thesis, KTH, Numerical Analysis and Computer Science, NADA, 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-1450.

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Munhoz, Liliane de Paula. "A trilogia morrisoniana: metaficção historiográfica e realismo fantástico à luz de uma perspectiva feminina." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7224.

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Submitted by Erika Demachki (erikademachki@gmail.com) on 2017-04-25T19:56:24Z No. of bitstreams: 2 Tese - Liliane de Paula Munhoz - 2017.pdf: 1821411 bytes, checksum: 642db2f2c2dd0325a6850e2f3fe6dfcc (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-04-26T12:43:33Z (GMT) No. of bitstreams: 2 Tese - Liliane de Paula Munhoz - 2017.pdf: 1821411 bytes, checksum: 642db2f2c2dd0325a6850e2f3fe6dfcc (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made availabl
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Ribeiro, Thiago Fernandes Soares. "O Brasil mágico de Bernardo Élis." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/9298.

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Submitted by Fernando Souza (fernandoafsou@gmail.com) on 2017-08-22T16:25:11Z No. of bitstreams: 1 arquivototal.pdf: 2687790 bytes, checksum: 96ee79943c3e0b44db4821d2ce09cdc9 (MD5)<br>Made available in DSpace on 2017-08-22T16:25:12Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 2687790 bytes, checksum: 96ee79943c3e0b44db4821d2ce09cdc9 (MD5) Previous issue date: 2016-11-09<br>The present work, The magical Brazil of Bernardo Élis, intents to study the representation of the magical in the short stories from the introductor of the modernism in Goiás state, in Brazil, through the theory of
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Nechvatal, Joseph. "Immersive ideals / critical distances a study of the affinity between artistic ideologies in virtual reality and previous immersive idioms /." Newport : University of Wales College, Newport, 1999. http://www.eyewithwings.net/nechvatal/iicd.pdf.

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Thesis (Ph.D.)--University of Wales College, Newport, 1999.<br>CAiiA Research Centre (Centre for Advanced Inquiry in the Interactive Arts) Thesis submitted to the University of Wales for the degree of Doctor of Philosophy. Includes bibliographical references (p. 400-456). Available in PDF via the World Wide Web.
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Heyer, Gina Margareta. "Explorations of the painted real : technological mediation in the work of four artists." Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6633.

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Thesis (MA)--University of Stellenbosch, 2011.<br>ENGLISH ABSTRACT: This thesis is an investigation into the relationship between photorealistic painting and specific devices used to aid the artist in mediating the real. The term 'reality' is negotiated and a hybrid theoretical approach to photorealism, including mimesis and semiotics, is suggested. Through careful analysis of Vermeer's suspected use of the camera obscura, I argue that camera vision already started in the 17th century, thus signalling the dramatic shift from the classical Cartesian perspective scopic regime to the model o
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Morais, João Batista Martins de. "Estética da confissão em fanny hill e teresa filósofa: o papel da pornografia na ascensão do romance moderno." Universidade Federal da Paraíba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/9299.

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Submitted by Fernando Souza (fernandoafsou@gmail.com) on 2017-08-23T12:03:16Z No. of bitstreams: 1 arquivototal.pdf: 1419953 bytes, checksum: 8b1d1b2f92292fe9c8925f26d3d1b370 (MD5)<br>Made available in DSpace on 2017-08-23T12:03:16Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1419953 bytes, checksum: 8b1d1b2f92292fe9c8925f26d3d1b370 (MD5) Previous issue date: 2014-04-01<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The licentious novel of the so-called "Century of Lights" was allied to the epistolary method of composition by which an atmosphere of intimacy i
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Fuller, David 1960. "The significance of the photographic message." Thesis, The University of Arizona, 1989. http://hdl.handle.net/10150/277233.

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Photographic realism is an effective framework for communicating meaning. In other words, the purpose is to convey an idea--not, for example, to depict a landscape. Misuse of photographic images may arise from a photographer's deliberate attempt to imbue an image with the meaning he or she desires. Thus, we might question photography's objective nature, although this should not be confused with realism. The latter refers to the imitative or representational quality of the subject, the former refers to scientific validity or truth. The issue of objectivity suggests useful concepts for art educa
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Nechvatal, Jospeh. "Immersive ideals/critical distances : a study of the affinity between artistic ideologies based in virtual reality and previous immersive idioms." Thesis, University of South Wales, 1999. https://pure.southwales.ac.uk/en/studentthesis/immersive-ideals--critical-distances(da015b14-2ee9-4d37-ad31-0b3f8ab7dda5).html.

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My research into Virtual Reality technology and its central property of immersion has indicated that immersion in Virtual Reality (VR) electronic systems is a significant key to the understanding of contemporary culture as well as considerable aspects of previous culture as detected in the histories of philosophy and the visual arts. The fundamental change in aesthetic perception engendered by immersion, a perception which is connected to the ideal of total-immersion in virtual space, identifies certain shifts in ontology which are relevant to a better understanding of the human being. This un
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Fayad, Maria Elizete de Azevedo. "Poesia e realismo em Rio do sono , de José Godoy Garcia." Pontifícia Universidade Católica de Goiás, 2009. http://localhost:8080/tede/handle/tede/3274.

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Made available in DSpace on 2016-08-10T11:07:28Z (GMT). No. of bitstreams: 1 Maria Elizete de Azevedo Fayad.pdf: 425818 bytes, checksum: 50b203e7257904587ce4007b9a8ff665 (MD5) Previous issue date: 2009-12-16<br>José Garcia Godoy (1918-2001), a poet with political and social issues, was unnoticed in the history of Goias' culture. Aware of the limited source of research on his work, this study examines the master piece Rio do sono" (1948), by verifying the realistic readableand in his poems focusing on the historical conception of empirical reality and realism as a convention. To this end, we
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Burden, Alan G. "Affordances in collaborative robotic production for artisan crafts and hybrid design." Thesis, Queensland University of Technology, 2022. https://eprints.qut.edu.au/235059/1/Alan_Burden_Thesis.pdf.

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This thesis showed an industrial robot arm and augmented reality can complement handcrafting skills. The research studied artisans, finding a common technique was patternmaking – creating 2D templates for bending into 3D objects. A design process modified a workshop industrial robot to create 2D patterns. Additionally, a customised robot tool was designed for cutting and scoring materials, and an augmented reality headset allowed an artisan to control and see the robot’s planned actions. The findings show a hybrid approach of human and robot crafting techniques allowing artisans to make design
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Clark-Fookes, Tricia. "Exquisite pressure: Entanglements at the intersection of artistry, pedagogy and digital technology." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/211435/1/Tricia_Clark-Fookes_Thesis.pdf.

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This study examines the teaching-artist's philosophies and practice in the digital arts context, interrogating the limitations and potential at the nexus of teaching-artistry, arts learning and digital technology to create enhanced learning and capitalise on the capacities of learners. The practice at the heart of this research features the performative workshop 'Creature Interactions: an interactive workshop', staged at the Out of the Box Festival, Sydney Opera House, and XinTiandi Festival in Shanghai. The performative workshop features large-scale digitally interactive projections presented
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Pereira, Edineyalison Wallas Henriques Ferreira. "Falha a fala, fala a bala: a construção épica em cidade de Deus, de Paulo Lins." Universidade Federal da Paraí­ba, 2013. http://tede.biblioteca.ufpb.br:8080/handle/tede/6246.

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Made available in DSpace on 2015-05-14T12:39:48Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1018985 bytes, checksum: 0fe972e15efcc344f3b012178990107b (MD5) Previous issue date: 2013-03-28<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>In this piece of work, entitled Falha a fala, fala a bala: The epic construction in Cidade de Deus, by Paulo Lins, we propose a textual analysis of this novel, in which we seek to comprehend how the narrative techniques used and the hero characterization proposed by the narrator are articulated. There is no unity in Cidade de Deu
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Glomm, Anna Sandaker. "Graphic revolt! : Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3171.

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This thesis examines the relationship between the three artists' workshops Røde Mor (Red Mother), Folkets Ateljé (The People's Studio) and GRAS, who worked between 1968 and 1975 in Denmark, Sweden and Norway. Røde Mor was from the outset an articulated Communist graphic workshop loosely organised around collective exhibitions. It developed into a highly productive and professionalised group of artists that made posters by commission for political and social movements. Its artists developed a familiar and popular artistic language characterised by imaginative realism and socialist imagery. Fol
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Serrão, Raquel de Araújo. "Sabor, emoção e tradução em Como Água Para Chocolate." Universidade Estadual da Paraíba, 2010. http://tede.bc.uepb.edu.br/tede/jspui/handle/tede/1766.

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Made available in DSpace on 2015-09-25T12:19:29Z (GMT). No. of bitstreams: 1 Raquel de Araujo Serrao.pdf: 1547014 bytes, checksum: 43647a759ed489b5fd8c5658c7a8eaa8 (MD5) Previous issue date: 2010-03-30<br>sem Resumo
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Duran, Adrian R. "Il Fronte Nuovo delle Arti realism and abstraction in Italian painting at the dawn of the Cold War, 1944--1950 /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 0.87 Mb., p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3220804.

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Björsson, Kerstin. "Mer än bara konstnär? : Att närma sig en triangelkomposition i begrepp, förutsättning och realitet." Thesis, Linköping University, Department of Culture and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-17215.

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<p>Syftet är att granska relationen mellan konstnären och marknaden. Flertalet frågor behandlas, såsom om konsten och konstnärer står inför ett paradigmskifte, varför det är fult att säga konst och pengar i samma mening och vad verksamma konstnärer tycker om situationen.</p><p>Uppsatsen redogör för begreppet konstnär ur ett historisk och sociologiskt perspektiv. Förutsättningar för konstnären gås igenom med fokus på kulturpolitiken från 1974 tills idag, och marknaden. Fyra konstnärer har intervjuats för att skapa en bild av den realiteten som de verkar i, hur de ser på konstnärskapet och den b
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Espindola, Alexandra Filomena. "Vida na arte - realismo/naturalismo e modernismo." reponame:Repositório Institucional da UNISUL, 2014. http://www.riuni.unisul.br/handle/12345/450.

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Made available in DSpace on 2016-11-30T14:52:45Z (GMT). No. of bitstreams: 2 108749_Alexandra.pdf: 6743332 bytes, checksum: bf90ac7ad8888c6a4b4f9853f9f5664f (MD5) license.txt: 214 bytes, checksum: a5b8d016460874115603ed481bad9c47 (MD5) Previous issue date: 2014<br>Esta pesquisa tem como objetivo compreender como a "vida na arte" do século XIX permanece e/ou descontinua na arte do início do século XX, a partir de duas ferramentas que criamos para podermos ler o realismo/naturalismo e o modernismo. Para cumprirmos esse objetivo primeiro, tivemos de percorrer alguns caminhos, como: fazer um
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Smith, Olga. "Between reality and fiction : the art of French photography since the 1970s." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.

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Torres, Jos? Wanderson Lima. "O Aleph e seus duplos: mimesis e auto-reflexividade na obra de Jorge Luis Borges." Universidade Federal do Rio Grande do Norte, 2012. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16393.

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Made available in DSpace on 2014-12-17T15:07:20Z (GMT). No. of bitstreams: 1 JoseWLT_TESE.pdf: 1108969 bytes, checksum: bf9b38dbe3bdad6921a8da52cbd0de7b (MD5) Previous issue date: 2012-06-02<br>This study approach the Jorge Luis Borges s prose of fiction under the perspective of mimesis and the self-reflexivity. The hypothesis is that the Aleph is a central symbol of the Borges s fictional universe. The rewriting and the retake of this symbol along of his work entail to a reflection about the possibilities and the limits of mimesis. This study is divided in three parts which contain two chap
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Silva, José Alexandre da. "Espectros de Zola: a persistência instável da estética realista/naturalista na obra Morro Velho de Avelino Fóscolo." Centro de Ensino Superior de Juiz de Fora (CES/JF), 2013. https://repositorio.ufjf.br/jspui/handle/ufjf/7031.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2018-08-23T17:40:36Z No. of bitstreams: 1 josealexandredasilva.pdf: 633531 bytes, checksum: 08d1a5c77728969e823f15875c3f2ef5 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-08-24T11:15:28Z (GMT) No. of bitstreams: 1 josealexandredasilva.pdf: 633531 bytes, checksum: 08d1a5c77728969e823f15875c3f2ef5 (MD5)<br>Made available in DSpace on 2018-08-24T11:15:28Z (GMT). No. of bitstreams: 1 josealexandredasilva.pdf: 633531 bytes, checksum: 08d1a5c77728969e823f15875c3f2ef5 (MD5) Previous issue date
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Medeiros, Daniel Lucas de. "Atividade paranormal e o realismo no cinema de terror contemporâneo." reponame:Repositório Institucional da UNISUL, 2017. http://www.riuni.unisul.br/handle/12345/3630.

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The subgenre found footage has proliferated since the turn of the millennium and today represents a significant portion of the production of American horror film - especially the independent one. Characterized by the use of diegetic cameras – inserted within the narrative universe of the films –, which are usually handled by the characters themselves, the productions made within this style approximate the relationship that the public has with a supposedly (and simulated) amateur image and, consequently, more realistic. This dissertation aims to analyze how the subgenre found footage relates to
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Lemos, Sandra Maria Fontinha de. "O realismo do romance contemporâneo de Bernardo de Carvalho: uma narrativa labiríntica em abismo." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/14736.

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Made available in DSpace on 2016-04-28T19:58:52Z (GMT). No. of bitstreams: 1 Sandra Maria Fontinha de Lemos.pdf: 666400 bytes, checksum: bb556759d39af6bc2c85747eaa036b1e (MD5) Previous issue date: 2014-04-29<br>This academic research clings to the analysis of the novel O Sol Se Põe Em São Paulo, by Bernardo Carvalho as a representative sample of the Brazilian contemporary novel. In this paper we intend to show the features that define the different phases of the genre and the features which are still being used in the contemporary novel. For that we tried to understand the architectura
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