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Journal articles on the topic 'Reality shows'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Filonenko, Anastasia. "Reality Show in Modern System of Mass Communication (Based on Ukrainian Reality Shows)." Current Issues of Mass Communication, no. 22 (2017): 8–18. http://dx.doi.org/10.17721/2312-5160.2017.22.08-18.

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The purpose of our study was to understand the nature of the reality show phenomenon in the system of mass communication through analysis of Ukrainian media market of reality shows. For this purpose we have used a broad methodological base: a descriptive method for identifying the features of reality show and journalism, a bibliographic method for processing scientific sources, an inductive method to determine the functioning of reality show, the method of comparative analysis to understand relationship between journalism and reality show, historic-typological method to classify reality shows,

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Sanjeev, Sharma. "INVASION OF FOREIGN REALITY SHOWS AND ADVENT OF CELEBRITY REALITY T.V SHOWS ON INDIAN SATELLITE TELEVISION." International Journal of Education &Applied Sciences Research 1, no. 3 (2014): 24–50. https://doi.org/10.5281/zenodo.10683234.

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Millan, Marília Pereira Bueno. "Reality shows: uma abordagem psicossocial." Psicologia: Ciência e Profissão 26, no. 2 (2006): 190–97. http://dx.doi.org/10.1590/s1414-98932006000200003.

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Desde os primórdios da civilização, o ser humano mostra necessidade de representar cenicamente seus dramas pessoais e vicissitudes existenciais. O "reality show" é uma das versões pós-modernas da encenação da vida humana. Este artigo, por meio de uma pesquisa bibliográfica, analisa criticamente as relações existentes entre o "reality show" e aspectos psicossociais do comportamento humano. Conclui-se que tais programas televisivos são o retrato da contemporaneidade, ou seja, revelam a morte do sujeito, a fugacidade das experiências vividas, a desvalorização da história e o culto à imagem e à su

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Holmes, Bob. "Animal “reality shows” go scientific." New Scientist 197, no. 2639 (2008): 22–23. http://dx.doi.org/10.1016/s0262-4079(08)60167-0.

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Cohen, Jonathan, and Gabriel Weimann. "Who's Afraid of Reality Shows?" Communication Research 35, no. 3 (2008): 382–97. http://dx.doi.org/10.1177/0093650208315964.

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Elbaz, Gilbert. "Talk Shows, Reality Shows: French Specificities and Postmodern Implications." Humanity & Society 24, no. 3 (2000): 252–71. http://dx.doi.org/10.1177/016059760002400304.

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Hershman Shitrit, Michal, and Jonathan Cohen. "Why Do We Enjoy Reality Shows." Journal of Media Psychology 30, no. 2 (2018): 104–11. http://dx.doi.org/10.1027/1864-1105/a000186.

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Abstract. The increased popularity of reality shows has been followed by criticism that they rely on viewers’ enjoyment of the humiliation and degradation of participants. This study included 163 Israelis who reported on their own willingness to participate in reality shows and how they would react if family members were to participate. Positive correlations between these responses and reported viewing enjoyment dispel the myth that viewers’ enjoyment comes primarily from watching others suffer and being humiliated.

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Garcia Horcajo, Miquel. "Telerealitat a l'era dels reality shows." Tripodos, no. 27 (March 1, 2011): 13–30. https://doi.org/10.51698/tripodos.2011.27.13-30.

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Reality show formats are a key part of the entertainment programming of television today. The limits of privacy have changed in society, both on television and in social networks. In the midst of programs that deal with problems and feelings of anonymous characters in a banal and decontextualized way, the author calls for reality programs with social commitment, in which emotions and universal values can be handled with dignity, sensitivity and respect.

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Faiz, Zikra, Asmaa Azeem, and Ibtasam Thakur. "IMPACT OF REALITY TV SHOWS ON UNIVERSITY STUDENT’S PERFORMANCE." Pakistan Journal of Social Research 04, no. 03 (2022): 464–70. http://dx.doi.org/10.52567/pjsr.v4i03.736.

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Reality TV shows are often featured; these are considered as a type of television programs which do not featured by professional actors. The purpose of the present study was to figure out the impact of reality television shows on the young adult students at university-level. The objectives of the present study were to find out the impact of reality TV shows on university students and to find out the pros and cons of a reality TV show for university students. The quantitative approach was adopted, whereas the research design was descriptive to determine the impact of reality TV shows on univers

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Sanjeev, Sharma. "ORIGIN OF REALITY SHOWS AND ITS PSYCHOLOGICAL IMPACT ON YOUTH." International Journal of Marketing & Financial Management 2, no. 4 (2014): 115–40. https://doi.org/10.5281/zenodo.10793017.

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<strong>INTRODUCTION</strong>: Reality television is a different genre of television programme that documents natural situations and actual occurrences, and often features a new face or totally new cast. The genre often produces a emotional personal drama and conflict to a much greater extent than any  non-fiction such as documentary shows. The genre has  set various standard , such as reality TV confessionals used by  crew and cast members to express their  feelings and thoughts, which often double as the shows' is narrated . In competiti

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Sanjeev, Sharma. "A STUDY OF SOCIAL IMPACT OF REALITY SHOWS ON YOUTH IN NORTHWEST MUMBAI." International Journal of Marketing & Financial Management 2, no. 4 (2014): 141–58. https://doi.org/10.5281/zenodo.10793043.

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<strong>INTRODUCTION:</strong> After 1992 when our economy was liberalised and went global, that was the need of the hour, but it also exposed us to outside world, their culture, foods, way of living and even information through communication etc. one such thing that India witnessed in the process of liberalisation was satellite television and end number of foreign channels, their shows  and foreign movies that were full of abusive language ,filthy words, partial or full nudity etc but it also got us opportunity to gel with knowledge about the world, regions, professionalism, technology,

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12

Bajwa, S. S., and Surender Pal Singh. "Reality shows on Indian television: An analysis." Asian Journal of Research in Social Sciences and Humanities 12, no. 7 (2022): 19–25. http://dx.doi.org/10.5958/2249-7315.2022.00359.8.

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13

Ayish, Muhammad. "TELEVISION REALITY SHOWS IN THE ARAB WORLD." Journalism Studies 12, no. 6 (2011): 768–79. http://dx.doi.org/10.1080/1461670x.2011.614816.

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Kyrychenko, Alуona. "Virtual Reality Technology for Contemporary Concert Shows." Issues in Cultural Studies, no. 36 (December 28, 2020): 206–18. https://doi.org/10.31866/2410-1311.36.2020.221068.

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The purpose of the article is to characterise contemporary concert shows in the context of virtual reality technology. The research methodology is based on the application of an interdisciplinary approach to the analysis of concert shows; the theoretical approach is to study scientific literature; analytical and comparative are to determine the influence of the technological component on the direction of contemporary shows. The scientific novelty lies in the fact that virtual technology integrated into a concert show is considered for the first time. Conclusions. Virtual/augmented reality tech

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15

Dural, Ahmed Baran. "Reality Shows and Isolated Societies: The “Mahmut Tuncer Show” as a Case Study." International Journal of Diversity in Organizations, Communities, and Nations: Annual Review 10, no. 1 (2010): 173–84. http://dx.doi.org/10.18848/1447-9532/cgp/v10i01/39811.

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Oravcová, Jitka. "Opinions of University Students (Future Teachers) on Reality Shows." New Educational Review 24, no. 2 (2011): 339–56. https://doi.org/10.15804/tner.11.24.2.26.

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The paper deals with the issue of a reality show as a controversial TV programme. The formation of children’s opinions on media products (also the reality show) is influenced by the media literacy of adults; i.e., also by teachers. This paper presents the results of research into the opinions of future teachers on the quality of reality shows and the students’ possible participation in reality shows with respect to the life and value orientation of respondents.

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Vuksanović, Divna. "Reality show, a philosophical question." Napredak 4, no. 2 (2023): 79–92. http://dx.doi.org/10.5937/napredak4-45306.

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From the point of view of the philosophy of media, the text tries to point out the importance of analyzing reality shows in the context of philosophical reflections on this topic, primarily in the domain of socio-humanistic research, as well as regarding the current role and position of the media in society, at a global level. In our opinion, the reality show is a typical media product of late capitalism, calculated on profit and entertainment. However, the basic concept and effect of reality shows on the audience depend on the idea of production, and the content of these formats varies from "

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ARULCHELVAN, Sriram. "UNDERSTANDING REALITY TELEVISION: A STUDY OF TAMIL TELEVISION REALITY SHOWS IMPACT ON AUDIENCE." Anthropological Researches and Studies 9, no. 1 (2019): 79–86. http://dx.doi.org/10.26758/9.1.8.

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19

Papacharissi, Zizi, and Andrew L. Mendelson. "An Exploratory Study of Reality Appeal: Uses and Gratifications of Reality TV Shows." Journal of Broadcasting & Electronic Media 51, no. 2 (2007): 355–70. http://dx.doi.org/10.1080/08838150701307152.

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20

Chawla, Taranjeet Kaur. "COVID-19 and reality television shows in India." Media Asia 48, no. 4 (2021): 366–67. http://dx.doi.org/10.1080/01296612.2021.1935571.

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21

Czapnik, Sławomir, and Ineza Drewniak. "Kobiety a neoliberalna biopolityka. Przypadek polskich reality shows." Teoria Polityki 5 (2021): 127–45. http://dx.doi.org/10.4467/25440845tp.21.009.13789.

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Celem artykułu jest pogłębiona analiza wizerunku kobiet w polskiej Reality TV, przeprowadzona przy użyciu kategorii biopolityki Michela Foucaulta, uzupełnionej przez myśl Marksowską i marksistowską. Tekst składa się z trzech rozdziałów. Pierwszy dotyczy show Superniania, które pomogło zwrócić uwagę na kwestię biowładzy w sferze reprodukcji. Drugi rozdział omawia show randkowe, Hotel Paradise i Love Island. Wyspa Miłości, poruszając zagadnienia seksu i miłości. Ostatnia część skupia się na programie Damy i wieśniaczki, który pokazuje klasowy wymiar sprawowania biowładzy nad kobietami. Women and

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22

Agarwal, Nidhi. "Impact of Reality Shows on Delhi-NCR Youth." International Journal for Research in Applied Science and Engineering Technology 8, no. 10 (2020): 712–19. http://dx.doi.org/10.22214/ijraset.2020.31990.

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23

Kazachkova, A. Yu, and L. A. Kruglova. "Musical Reality Shows on Russian Television (2017–2018)." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 26, no. 1 (2020): 48–59. http://dx.doi.org/10.15826/izv1.2020.26.1.006.

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24

Gavrić, Goran. "From global to reality TV shows in Serbia." Kultura, no. 166 (2020): 170–92. http://dx.doi.org/10.5937/kultura2066170g.

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25

Pelham, Fran. "Reality TV: Taking the Shows To Another Level." Popular Culture Review 13, no. 2 (2002): 155–60. http://dx.doi.org/10.1002/j.2831-865x.2002.tb00583.x.

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26

Hrabarchuk, Olha. "Reality Show: Inside the Picture." Culturology Ideas, no. 14 (2'2018) (2018): 87–93. http://dx.doi.org/10.37627/2311-9489-14-2018-2.87-93.

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The article is devoted to the analysis of the popular television phenomenon — a reality show. Analysing the contents of the Ukrainian real television, several types of reality shows were identified according to two criteria: the presence of a competition and the content of the plot. The content of reality shows can be divided into show pranks, peeping, transformation, survival, romantic, life situations, travel, audits and judicial. At the same time, reality, peeping, transformation, survival and romantic shows are built on a competitive basis. Separately there are professional and intellectua

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27

Zhang, Lanqi. "Analysis on the Cost Allocation and Economic and Social Benefits of Reality Shows." Financial Forum 10, no. 4 (2021): 1. http://dx.doi.org/10.18282/ff.v10i4.2369.

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<p>Reality shows are an innovative form of shows that combine the flexibility of the ruleset, the authenticity of the participants' performance, and the participation and interaction of the audience. Reality shows originated in Europe and the United States. They were introduced to China in the late 1990s. They have experienced a development process from imitation to localization. They are currently in a stage of rapid growth. With the rapid development of reality shows, a series of issues such as its public welfare, cultural nature, and value orientation have also been reflected. Scholar

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28

Yuan, Ye. "Format and Content Features of Modern Television Music Reality Shows in Russia and China." Theoretical and Practical Issues of Journalism 13, no. 4 (2024): 789–804. https://doi.org/10.17150/2308-6203.2024.13(4).789-804.

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The paper presents the results of a study of the features of top-rated music reality shows aired on Russian and Chinese television channels. The following goals were set: to analyze the main specifics of music reality shows as a special television format, to determine the genre characteristics of music programs, to identify the key moments of the emergence of music reality shows, to consider the entertainment functions of reality shows, to determine the format and content characteristics. The study took place in the first half of 2024. Content analysis was chosen as the main research method, w

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., Sanaullah, Muhammad Imran Khan, and Fahmida Bibi. "IMPACT OF TV REALITY SHOWS ON BEHAVIOR OF UNIVERSITY STUDENTS IN KHYBER PAKHTUNKHWA, PAKISTAN." Journal of Social Sciences Development 3, no. 03 (2024): 192–203. https://doi.org/10.53664/jssd/03-03-2024-16-192-203.

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The aim of this study is to provide systematic review on tv reality show and behavior of university students. With reality TV's popularity rising globally, young adults, particularly university students are significantly impacted by the content they consume. Reality shows often depict aspirational lifestyles, dramatic conflicts, and unique social dynamics, which can shape viewers' attitudes, behaviors, and social expectations. For this purpose, articles form Web of science, Scopus, PubMed, EBSCO were extracted. Moreover, thesis, books and articles were also utilized in this study. The knowledg

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Tahir, Maria, and Ahmad Bilal. "IMPACT OF REALITY TV COSMETIC SHOWS ON BODY IMAGE SATISFACTION IN YOUNG WOMEN." Pakistan Journal of Social Research 05, no. 02 (2023): 516–27. http://dx.doi.org/10.52567/pjsr.v5i02.1133.

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This study is aimed at identifying the impact of reality TV cosmetic shows on body image satisfaction in young women and cosmetic surgery decisions. A total sample of 161 women and girls with cosmetic surgery decisions were selected from the government hospital surgery ward and from private clinics of cosmetic surgeons from different areas of Bahawalpur and Lahore by using purposive sampling technique. A correlational research design was used in this research. To investigate the impact of reality TV cosmetic shows on surgery decisions. A questionnaire was employed in the current research to co

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Ahirika, Osondu Godswill, Jacob Okon, and Mboho Mbuk. "Convergences of Convenience Among Youths and Survival Induction in The Trends of Nigerians Reality Tv Shows." International Journal of Social Science and Human Research 07, no. 03 (2024): 2070–75. https://doi.org/10.5281/zenodo.10866389.

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This paper focuses on Reality TV Shows as a trending performance genre which has the capacity to unify the audience in space and idea, and also initiate financial reward to participants. The method of the research is qualitative, while Uses and Gratification Theory is the theoretical framework. The paper argues that there are many current innovations in performance and that a more friendly and enterprising one is Reality television show. Reality television showsinterrogate members of the audience live without embellishmentand easilystimulate immediacy and naturalness. It further argues that Re

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Zhang, Puxin. "Thoughts on the Problems of Workplace Observation Reality Show and Its Innovation Path." Scientific and Social Research 4, no. 3 (2022): 139–43. http://dx.doi.org/10.26689/ssr.v4i3.3685.

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The innovative of workplace observation reality shows integrates the popular “observation” element with workplace themes, breaking through the solidified thinking of early workplace reality shows and love observation programs, as well as returning reality shows with workplace themes to the audience. This paper studies the narrative strategy and value connotation of workplace observation reality shows, explores the development and communication path of workplace observation reality shows, as well as summarizes the program characteristics of workplace observation reality shows. At the same time,

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Tengku Mohd Azzman Shariffadeen, Tengku Siti Aisha, and Aini Maznina A. Manaf. "Religiosity and Its Impact on Twitter Use and Viewing of Islamic Reality Television Shows among University Students in Malaysia (Pengaruh Keagamaan Terhadap Penggunaan Twitter dan Tontonan Program Realiti Islamik Dikalangan Pelajar Universiti di Malaysi)." Journal of Islam in Asia (E-ISSN: 2289-8077) 15, no. 3 (2018): 356–82. http://dx.doi.org/10.31436/jia.v15i3.709.

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Islamic reality shows presents an alternative brand of entertainment for the Malaysian Muslim community. This television genre can also be perceived as an innovative form of da’wah. Through watching these shows, television viewers interested in faith-based content can increase their religious knowledge, educate themselves on the Islamic beliefs and practices, and identify with suitable Muslim role models featured on these shows. Thus, a major focus of this study is to examine use of social media and television viewing related to Islamic reality shows among Malaysian undergraduate students. The

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34

Ashurovich, Karimov Amrullo. "The role of reality shows on uzbek national television." ACADEMICIA: An International Multidisciplinary Research Journal 10, no. 7 (2020): 740. http://dx.doi.org/10.5958/2249-7137.2020.00845.9.

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35

Sunny Yoon. "Public sphere, private affairs and reality shows in media." Korean Journal of Cultural Sociology 18, no. ll (2015): 493–532. http://dx.doi.org/10.17328/kjcs.2015.18..013.

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36

Baydar Çavdar, Gökçe. "Populist styles and eanings in Acun Medya reality shows." Connectist: Istanbul University Journal of Communication Sciences, no. 67 (December 31, 2024): 61–86. https://doi.org/10.26650/connectist2024-1505745.

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37

Mirkov, Lidija. "The role of vulgarism in reality shows in Serbia." Kultura, no. 166 (2020): 104–18. http://dx.doi.org/10.5937/kultura2066104m.

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森, 陽兵. "Acceptable Boundaries for Radical Expressions in Japanese Reality Shows." IIAI Letters on Institutional Research 3 (2023): 1. http://dx.doi.org/10.52731/lir.v003.108.

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39

Zhu, Weihua. "Criticism in Korean and Chinese workplace observation reality shows." Journal of Pragmatics 240 (April 2025): 35–52. https://doi.org/10.1016/j.pragma.2025.02.011.

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Zhen, Chen. "Content strategies of Chinese reality shows in the era of media convergence." Litera, no. 12 (December 2023): 103–11. http://dx.doi.org/10.25136/2409-8698.2023.12.69298.

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The scientific article is devoted to the study of content strategies used in Chinese reality shows during the period of media convergence. In the era of rapid media development and the merging of various platforms, the evolution of content approaches in Chinese reality programs is analyzed. The study focuses on the impact of this evolution on viewers and the role of reality TV in China's cultural and media landscape.The article is devoted to a detailed study of the content strategies of Chinese reality shows in the context of the modern era of media convergence. The authors analyze the impact

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Zhukov, V. "Trends of unification and originality of reality shows in the cultural space of Ukraine." Culture of Ukraine, no. 78 (December 23, 2022): 60–64. http://dx.doi.org/10.31516/2410-5325.078.07.

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The purpose of the article is to analyze the causes and consequences of the unification of reality shows in the cultural space of Ukraine. The research methodology is based on a cultural approach to the study of the latest television morphology. The article discusses the main levels at which the trend of unification of reality shows in the Ukrainian TV-Internet space takes place. The article is complemented by an art history analysis of the features of reality shows as the latest morphological formation of a tool for embodying changes in the structure of the narrative by a modern viewer.

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Boateng, Jojo. "The Perception of Intimacy: Are Dating Reality TV Shows Affecting Relationships?" Canadian Journal of Family and Youth / Le Journal Canadien de Famille et de la Jeunesse 15, no. 2 (2023): 33–43. http://dx.doi.org/10.29173/cjfy29870.

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A common theme that has emerged in relationship literature is the effect that TV reality shows have on determining one's perception and engagement in intimacy. For instance, the introduction of technology has shifted the way we participate in courtship practices. Now, individuals use mediums, such as dating apps, to find a partner and engage in intimacy. However, this discussion has ignored other mediums, such as TV shows, that center intimacy and relationships. In this article, we explore how the emergence of dating reality TV shows has shaped the way we perceive intimacy and engage in dating

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Weidman, Amanda. "Stigmas of the reality stage." Indian Theatre Journal 6, no. 1 (2022): 11–23. http://dx.doi.org/10.1386/itj_00024_1.

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This article focuses on the symbolic work around gender accomplished by singing reality shows in South India. Examining moments from Tamil-, Malayalam- and Telugu-language reality shows aired in the 2010s, and using ethnographic research conducted during the shooting of episodes of one of these popular reality shows, Airtel Super Singer Junior, in Chennai from the early 2010s, it shows how, through the reality shows’ staging and contest format, contestants are subjected to different and often conflicting regimes of evaluation. While the shows’ emphasis on performance and visual presentation an

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Goulart, Gustavo Souza, and Vanessa Angélica Balestrin. "MARKETING DE ENTRETENIMENTO: A INFLUÊNCIA MIDIÁTICA DA PUBLICIDADE INSERIDA NAS GRAVAÇÕES DE REALITY SHOWS." REVISTA FOCO 16, no. 6 (2023): e2109. http://dx.doi.org/10.54751/revistafoco.v16n6-007.

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Este trabalho de conclusão de curso aborda o tema do marketing de entretenimento, com foco na influência midiática da publicidade inserida nas gravações de reality shows. O estudo baseia-se em uma pesquisa bibliográfica, explorando fontes acadêmicas, artigos e livros relevantes na área de comunicação e marketing. Utilizando palavras-chave como "marketing de entretenimento", "publicidade em reality shows" e "influência midiática", foram realizadas buscas em bases de dados acadêmicas para obter uma ampla variedade de perspectivas e descobertas. A revisão bibliográfica aborda os conceitos-chave r

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Zhukov, Vladyslav. "Popular Reality Shows in the Modern Mediatised Communicative Culture of Ukraine: Socio-cultural Aspect." Issues in Cultural Studies, no. 40 (December 21, 2022): 166–75. https://doi.org/10.31866/2410-1311.40.2022.269370.

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The purpose of the article is to analyse the sociocultural influence of popular reality shows in the context of modern mediatised culture of Ukraine. The research methodology is based on the cultural approach to the study of modern television morphology. The article examines the major sociocultural messages and communicative strategies, due to which reality show itself broadcasts certain cultural values. The research is complemented by an art history analysis of the existence features of modern morphological formation of reality show as an image of “innovative vision” of the screen

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Stirr, Anna. "Revolution and reality shows: Nepal’s CPN and the media worlds of late capitalism." Indian Theatre Journal 6, no. 1 (2022): 25–40. http://dx.doi.org/10.1386/itj_00025_1.

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As performance reality television shows have become popular in Nepal, singers, musicians and dancers from the various communist parties’ cultural groups have begun to take part in them and draw on them for artistic inspiration. Yet reality shows are also closely associated with neo-liberal capitalism, and these artists’ participation has thus been criticized by some on the political left. This article examines the resulting interaction of aesthetics and values when communist artists, reality show expectations and cultural criticism meet. I draw on twenty years’ engagement with Nepal’s music in

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Ashaari, Muhamad Faisal, and Nabil Ahmad. "[Title Participants' Views on Achievements after Participating in Religious Reality TV Show] Pandangan Peserta tentang Pencapaian Selepas Menyertai Program Realiti TV Agama di Malaysia." Jurnal Islam dan Masyarakat Kontemporari 23, no. 1 (2022): 62–75. http://dx.doi.org/10.37231/jimk.2022.23.1.627.

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Religious reality TV is a reality genre that has entertainment elements in line with Islam. In Malaysia, there are religious reality TV shows organised to produce contemporary preachers who can guide the Muslim community about Islam. They were given the training to improve their skills in public speaking and other training to bring religious messages to the audience efficiently. This study aims to identify the views of religious reality TV show participants about their achievements and life direction as preachers who have the skills to convey a religious message to audiences. This qualitative

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Han, Ruyuan, Mohd Nor Shahizan Ali, and Mohd Azul Mohamad Salleh. "Media Consequences of Marriage Reality Shows: Long-term Effects on Audience Knowledge Attitudes and Behaviors." Review of Communication Research 12 (October 21, 2024): 152–68. https://doi.org/10.52152/rcr.v12.9.

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Marriage reality shows have become a significant genre within reality television, often portraying idealized or dramatized versions of romantic relationships and marriage. These shows influence viewers' perceptions and expectations regarding marriage, relationships, and conflict resolution. Despite their popularity and cultural impact, the long-term effects of these shows on audience knowledge, attitudes, and behaviors remain underexplored. The primary aim of this study is to investigate the long-term effects of marriage reality shows on audience knowledge, attitudes, and behaviors related to

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Oliver, Mary Beth, and G. Blake Armstrong. "Predictors of Viewing and Enjoyment of Reality-Based and Fictional Crime Shows." Journalism & Mass Communication Quarterly 72, no. 3 (1995): 559–70. http://dx.doi.org/10.1177/107769909507200307.

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Telephone surveys were conducted in Virginia and Wisconsin to explore attitudinal predictors of exposure to and enjoyment of reality-based and fictional crime programs. Punitive attitudes about crime, higher levels of racial prejudice, and higher levels of authoritarianism were associated with more frequent viewing and greater enjoyment of reality-based programming, but were unrelated to enjoyment of fictional programming. Reality-based viewing and enjoyment were also more common among younger respondents, respondents with lower levels of education, and respondents who were heavier television

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Kyung Mi, Bae. "Elements of TV Travel Shows Motivating Viewers to Travel: Focus on Korean TV Reality Shows." International Journal of IT Business Strategy Management 4, no. 1 (2018): 23–28. http://dx.doi.org/10.21742/ijibsm.2018.4.1.05.

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