Journal articles: 'Reality TV show'

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Filonenko, Anastasia. "Reality Show in Modern System of Mass Communication (Based on Ukrainian Reality Shows)." Current Issues of Mass Communication, no. 22 (2017): 8–18. http://dx.doi.org/10.17721/2312-5160.2017.22.08-18.

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The purpose of our study was to understand the nature of the reality show phenomenon in the system of mass communication through analysis of Ukrainian media market of reality shows. For this purpose we have used a broad methodological base: a descriptive method for identifying the features of reality show and journalism, a bibliographic method for processing scientific sources, an inductive method to determine the functioning of reality show, the method of comparative analysis to understand relationship between journalism and reality show, historic-typological method to classify reality shows, methods of generalization and structuring to develop a modern structure of mass communication. The main results of the research are the following: we found that reality show is a product of journalistic activity; the concept of “reality show” and “reality television” is clearly determined. Reality show is a format of a television product in which the actions and emotions of true people in real-life or in specially modelled situations are observed, characterized by accomplishment of unusual actions and constant commentary on everything that happens to them. This category includes competitions, dating, makeover, etc. Reality TV is a type of television program that demonstrates non-played situations in which real people, whether ordinary citizens or politicians and stars of show business, find themselves. The value of our research is that the correlation between reality show, its types and reality TV is clearly established. Reality TV consists of: 1) reality shows; 2) studio/gaming shows (talk show, late night show, game show), 3) broadcasting events (sports, music events, awards ceremony, etc.). Reality TV belongs to the category of entertainment television. In this study the classification of reality shows has been improved, a whole series of functions of the reality show programs has been identified (entertainment, information, recreation, education, social integration and public control), it is proved that reality show has a great potential in the context of mass communication.

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Adam, David. "Reality TV show recreates famed social study." Nature 417, no. 6886 (May 2002): 213. http://dx.doi.org/10.1038/417213a.

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Noviani, Ratna. "Ibadah Kelas Ala Reality Show Televisi." Jurnal Pemikiran Sosiologi 1, no. 1 (December 14, 2015): 91. http://dx.doi.org/10.22146/jps.v1i1.23432.

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“ Reality show merupakan jenis tayangan televisi yang semakin diminati, dan bahkan mampu menempati posisi prime time di Indonesia. Kemiskinan dan kehidupan kaum miskin merupakan salah satu tema yang cukup populer yang diangkat dalam tayangan realitas ditelevisi.Tulisan ini membahas fenomena tayang anrealitas di Indonesia, khususnya bagaimana program tayangan realitas mengkonstruksi ibadah keagamaan dan distingsi kelas. Empat tayangan realitas yang disiarkan pada momen bulan suci Ramadan 1432 H yaitu Bukan Puasa Biasa(TransTV), Orang Pinggiran (Trans7), Jika Aku Menjadi-Ramadan (Trans TV), dan Big Brother Indonesia (Trans TV) menjadi focus kajian dalam tulisan ini. Kajian mendalam terhadap ke empat tayangan realitas tersebut menunjukkan bahwa ada proseses tetikasi dan obyektifikasi realitas kemiskinan guna mendefinisikan dan menggarisbawahi ibadah kelas.Tayangan realitas tentang kelas bawah cenderung menampilkan banalitas pesan tentang kemiskinan.Realitas hidup dan ibadah agama kelas bawah hanya menjadi project bagi kelas diatasnya untuk memperbaiki kualitas spiritual keagamaannya dan untuk membangun citra positif tentang sikaya.Persoalan kemiskinan, pada akhirnya, hanya dianggap sebagai problem individual yang bisa dilalui atau diatasi dengan religiu sitas dan ketekunan ibadah individual.”Kata kunci: Reality Show, Televisi, Ibadah, Kelas

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Kardiman, Agustinus, and Haryo Windratno. "Komodifikasi Anak Dalam Program Acara Reality Show Di Trans Tv." InterKomunika 1, no. 1 (September 9, 2016): 28. http://dx.doi.org/10.33376/ik.v1i1.4.

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This research is attempted to uncover forms, processes and ideologies associated with the commodification of children at those impressions by takes perspective of a critical discourse analysis of the commodification of children in the program "Janji Suci Raffi and Gigi" produced by Trans TV. Analysis used is critical discourse analysis Norman Fairclough. Fairclough critical discourse analysis is done in three stages: (1) analysis of texts; (2) the practice of discourse and (3) the practice of social culture. Based on discoveries of the analysis of texts Program "Janji Suci Raffi and Gigi", interviews with several sources and combined with the relevant libraries show that: (1) occurs commodification of children in the show program "Janji Suci Raffi and Gigi" in Trans TV; (2) The commodification of children occurs through the formation process of setting and moments by the production crew and Raffi through Rafatar to show patterns and behaviors as a toddler; (3) The ideology behind the process of commodification of children is a capitalist ideology. The capitalist ideology in Trans TV due to Trans TV is a private broadcasting media who have the goal of business and profit.

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Sgroi, Renee. "Consuming the Reality TV Wedding." Ethnologies 28, no. 2 (April 23, 2007): 113–31. http://dx.doi.org/10.7202/014985ar.

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This article investigates the intersection of weddings, the wedding industry, consumption, and reality TV by considering the reality TV series,Trista and Ryan’s Wedding.This show featured the real-life wedding of Trista Rehn and Ryan Sutter, who met on the seriesThe Bachelorette.The author argues that reality TV’s emphasis on the “real,” its narrative techniques (including product assimilation), and the wedding industry’s stress on having a “unique” wedding converge on this show to mobilize consumer fantasies and dreams of the traditional white wedding around specific consumer products. She concludes that examinations of weddings in North American culture must take into account not only the practices and rituals involved in these social and cultural events, but also consider the ways in which popular cultural forms such as reality TV work to produce particular kinds of images.

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Terek, Lidija. "Violent behavioural patterns in the reality show "Couples"." CM: Communication and Media 15, no. 48 (2021): 37–67. http://dx.doi.org/10.5937/cm15-27578.

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The paper is dealing with the problem of violent behaviour in the reality show "Couples" (Parovi), which is broadcasted on Happy TV, a commercial television with a national frequency in Serbia. Based on the idea that the conditions in reality shows are conducive to violence due to a large amount of character interaction and little plot, and guided by the results of the research that studied violent behaviours in reality shows in the UK, our research aimed to determine which forms of violent behaviour are most prevalent in this reality show, in what situations and under what circumstances violent behaviours mostly occur, as well as who commits violence most often. The results showed that the most common forms of violence were direct emotional/psychological violence, that the most frequent and diverse violent behaviour was expressed by the Production and TV hosts, that nearly all the violent behaviour of participants were a reaction to the Production's and hosts' provocation and manipulation, as well as that individuals , who have a history of violent behaviour, most often behaved violently during the show. The obtained results proved that the Production of this reality show intends to provoke conflicts and violent behaviours, to compensate for the lack of story.

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McGuire, Sarah. "A defense of the modern, high-tech redneck on reality TV: Why the world loves Duck Dynasty and its resulting redemptive representation of Rednecks." SURG Journal 7, no. 3 (August 18, 2014): 5–14. http://dx.doi.org/10.21083/surg.v7i3.2972.

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This article uses key terms and concepts from Television Studies to “close read” the reality TV show Duck Dynasty in its visual form. This article questions not only how Duck Dynasty represents rednecks, but also how the representation of the “redneck” is understood by the TV audience. It explores the success of Duck Dynasty as a reality TV show and argues that it redeems “rednecks” from Hollywood’s previous portrayals of the overly caricatured redneck stereotype. The Robertsons have the ability to convey truth – even if it is through a partially fake/mediated realm – and what they actually represent is a more subdued, modern form of redneck identity in comparison to classic Hollywood depictions. However, viewers cannot trust reality TV to wholly or singularly inform how they understand other social groups despite how “real” reality may appear on reality TV shows. Instead of viewing the redneck jokes and portrayal on reality TV as offensive, Duck Dynasty’s jokes and portrayals can be powerful tools for exposing the absurdity of the stereotypes previously perpetuated by Hollywood and can help subvert them. Keywords: Duck Dynasty; Duck Commander; Buck Commander; Robertson; redneck (representations of); reality TV; television studies; hillbilly; Southern culture; stereotypes; sitcom; American dream; American television

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Raducanu, Bogdan, and Daniel Gatica-Perez. "Inferring competitive role patterns in reality TV show through nonverbal analysis." Multimedia Tools and Applications 56, no. 1 (June 8, 2010): 207–26. http://dx.doi.org/10.1007/s11042-010-0545-8.

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McIntyre, Joanna. "Transgender idol: Queer subjectivities and Australian reality TV." European Journal of Cultural Studies 20, no. 1 (July 24, 2016): 87–103. http://dx.doi.org/10.1177/1367549416640535.

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Transgender is a marginalised category to which reality TV has given visibility, yet it is usually overlooked in observations regarding the minority groups that have gained mainstream representation through these programmes. Popular Australian reality TV shows have provided a unique space for the constructive representation of certain queer subjectivities. The Australian reality TV contestants in question present gendering that embraces ambiguity, that is, they demonstrate the deliberate disruption and blurring of gender/sex category divisions. This article examines the ways in which Australian reality TV’s representations of transgender contestants remain robustly queer while also being negotiated and made palatable for ‘family’ television audiences. It asserts the reality TV shows that feature transgender performance orchestrate a balance between queer expression and its containment. This article also takes as a case study a particularly successful Australian transgender reality TV contestant, Courtney Act. It argues Act’s representation of queerness was ‘managed’ within the normative framework of mainstream television yet she is still significantly troubled by gender binaries during her time on Australian screen. In 2014, she appeared as a contestant on the United States’ queer-themed reality TV show RuPaul’s Drag Race and again proved to be a reality TV success. This transnational intersection of transgender performance signalled the productive possibilities of international cross-pollination in regard to affirmative reality TV representations of marginalised subjectivities. At the same time, however, it also revealed the localised nature of reality TV, even in those shows with an international queer appeal.

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Moon, Kyuwon. "The social meaning of rising-falling tone in a ‘reality’ TV show." Sociolinguistic Journal of Korea 26, no. 3 (September 30, 2018): 89–116. http://dx.doi.org/10.14353/sjk.2018.26.3.04.

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Atkinson, Amanda Marie, and Harry Sumnall. "Neo-liberal discourse of substance use in the UK reality TV show, The Jeremy Kyle Show." Drugs: Education, Prevention and Policy 27, no. 1 (September 11, 2018): 15–26. http://dx.doi.org/10.1080/09687637.2018.1498456.

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Ekimova, Anastasia Victorovna. "Reconstruction As a Show In Contemporary Historical TV-research." Journal of Flm Arts and Film Studies 6, no. 4 (December 15, 2014): 137–46. http://dx.doi.org/10.17816/vgik64137-146.

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The article investigates numerous methods of representation of the past in contemporary TV-mocumentary exemplified by the series about British farming (British Farm). Despite the apparent authenticity of the television image, the attraction of the authors to usage of the on-screen real historical objects and documents reinforcing the narrative by opinions of noted experts, one cannot admit authenticity of the realm represented. The information in such historical series is often presented as a phenomenon, the task of which is rather to hide the true reality, than to represent it. Instead of reconstructing history through artistic means of docudrama, the TV-series mostly create it. For this purpose, effective techniques of artificial dramatization as a synthesis of live sound, vivid images, voiceover and an unusual angle are employed. The author considers the level of relations in contemporary screen document of historical data and pseudo household facts, interesting for the average viewer; knowledge of professional historians, based on authentic sources and documents, and the attraction of mass audience to myth and speculation, taking up science as entertainment. The relevance of this work is sustained by the growing influence of mass culture on contemporary TV, including documentary projects, which leads to the standardization of the screen document. The novelty of the article consists in the analysis of juxtaposition of the techniques of journalism and feature cinema in TV-series, and the impact of these combinations on the balance between the educational and entertaining components in the TV historic series.

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Mingant, Nolwenn Anne. "‘Not A Terrorist’: The Representational Alternative of Reality TV in All-American Muslim." CINEJ Cinema Journal 3, no. 1 (April 8, 2014): 4–27. http://dx.doi.org/10.5195/cinej.2013.74.

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The reality TV show All-American Muslim depicts the lives of five Muslim families of Lebanese descent in Dearborn. Although the project was conceived as mainstream entertainment and not as a political statement, it led to a controversy over the representation of ‘true’ Muslims. Indeed the interest of the show lies in the fact that it offers its participants an opportunity to express themselves in an otherwise hostile media environment. The reality TV format seems particularly apt at providing a different vision of American Muslim, a vision clashing with images usually conveyed by TV news and Hollywood films. The show proposes a radical shift in the representational paradigm by making the Muslim families typical representatives of the U.S.A.

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Choi, So-Mang, and Seung-Mook Kang. "Analysis on Narrative Structure of TV Audition Reality Show : Focusing on the and." Journal of the Korea Contents Association 12, no. 6 (June 28, 2012): 120–31. http://dx.doi.org/10.5392/jkca.2012.12.06.120.

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Furtak, Erin Marie. "What reality TV taught me about everyday assessment." Phi Delta Kappan 101, no. 7 (March 30, 2020): 38–41. http://dx.doi.org/10.1177/0031721720917539.

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Reality TV — or certain design-oriented TV shows — may be better known for their focus on competition, but what we actually see when we look more closely are models of collaboration and assessment that can illuminate important principles of classroom learning. Erin Furtak reflects on the ways that three of these shows — The Great British Baking Show, Top Chef, and Project Runway — embody principles of classroom assessment, such as setting clear learning goals, having authentic conversations about progress, collaboration, and multiple opportunities for success.

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Irawan, Rahmat Edi. "Representasi Pembawa Acara Program Talk Show di Televisi Indonesia." Humaniora 4, no. 2 (October 31, 2013): 782. http://dx.doi.org/10.21512/humaniora.v4i2.3506.

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Presentation of talk show host program has been known to be intelligent, smart, and is able to direct the conversation in the program well. The presentation is in line with the view of talk show programs packed seriously as a journalistic genre program with emphasis on the truth of the facts or information conveyed. However, in recent years there are different representations associated with the talk show host of the program. The representation shows that a talk show host is not such intelligent and smart, and is not able to direct the conversation in the program properly. The existence of this representation is consistent with the theory of social construction assuming that mass media play a major role in shaping the social reality in the society. As of this writing, the audience receives social reality as a representation. Like the previous presentation, as the television has broadcasted for a long time, people feel that the reality is normative and ideal conditions for them. Public realize that the social reality was only the reconstruction of the television when TV presents a representation of another social reality. Nevertheless, whatever the social reality that is deliberately made or reconstructed by the media, including television, in fact everything is a reality that is deliberately created just for the sake of the manager or owner of the television station.

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Fiołek-Lubczyńska, Bogumiła, and Agnieszka Barczyk-Sitkowska. "The Condition of Polish Autobiographical Documentaries – More Similar to a Reality Show?" Acta Universitatis Lodziensis. Folia Litteraria Polonica 35, no. 5 (April 27, 2017): 177–84. http://dx.doi.org/10.18778/1505-9057.35.14.

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The autobiographical documentary has a number of elements which resemble those of a reality show. Such documentaries can be considered to be young directors’ responses to this TV genre and its celebration of voyeurism. The purpose of this article is to outline the similarities and differences between these two genres. The article consists of four parts: the first discusses the essence of the autobiographical documentary, the second focuses on the reality show, the third analyses the movie Moje dwadzieścia okrążeń by Łukasz Konopa, and the fourth is a summary of the considerations made in the text.

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Lewis, Vek. "Performing Translatinidad: Miriam the Mexican Transsexual Reality Show Star and the Tropicalization of Difference in Anglo-Australian Media." Sexualities 12, no. 2 (March 24, 2009): 225–50. http://dx.doi.org/10.1177/1363460708100920.

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In 2004, a new celebrity hit the Australian television circuit. Billed as a mysterious, seductive Latina with a secret, she graced our shores in a TV reality show called ` There's Something About Miriam': a dating game with a twist. Set in Ibiza, Miriam vies for the attention of six eligible British bachelors without letting them in on her transsexual status. In her ambiguity, Miriam is the embodiment of all things seen as other and exotic; in the context of Anglo-Australian understandings, she is the marker of all things Hispanic. Wildly popular in Australia, Miriam stepped out of one reality show into another: the Australian version of Big Brother. The TV network promised to deliver more on this boy turned girl, whose body provided the right kind of slippage to become the site of inscription for a range of repeated tropical fictions.

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Atashi, Elham. "Iranian Diaspora, Reality Television and Connecting to Homeland." Media and Communication 6, no. 2 (June 29, 2018): 179–87. http://dx.doi.org/10.17645/mac.v6i2.1293.

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<p><em>Befarmaeed Sham</em>, an Iranian diasporic media production adapted from the original UK reality show “Come Dine with me” features Iranian diaspora of diverse backgrounds as contestants in a cooking reality show. The success of the show has been unprecedented among audiences back home in Iran, reaching millions of households. Using discourse analysis this article examines the potential of reality TV in widening the scope of public sphere and in providing a space for participation and representation. The key practices to illustrate this are ways diaspora position themselves as subjects through discursive practices to express agency in generating, participating and sharing opinions. Casual talk and the entertaining attribute of reality TV focused on the everyday life of ordinary people, constructs a space to normalize audience engagement with what is otherwise, restrictive taboo topics embedded in themes around belonging, homeland, gender, and identity. The article concludes that the broad system of discourse used by diaspora as participants in the reality show constructs a space for representation. It can be considered as a contribution to enhancing the public sphere to not only communicate and connect with their homeland but to express opinions on broader social issues as a practice of civic engagement. This unique adaptation of reality TV is an important aspect of globalization and in using new media to mobilize diaspora in connecting to homeland.</p>

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Folayan, Bolu John, Olubunmi Ajibade, Olubunmi Dipo Adedoyin, Toyin Segun Onayinka, and Toluwani Titilola Folayan. "The Big Brother Naija TV Reality Show as Coordinate of Media Functions and Dysfunctions." JOURNAL OF SOCIAL SCIENCE RESEARCH 17 (April 29, 2021): 61–72. http://dx.doi.org/10.24297/jssr.v17i.9015.

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The mass media play at least five basic functions which include news dissemination, surveillance of the environment, correlation of the components of the society, entertainment and transmission of social heritage. Sometimes, disruptions and impairments do occur in the performance of these roles and some of these basic functions become dysfunctions, which turn the media into purveyor of negative values. The present study investigates how popular the Nigerian TV reality show, Big Brother Naija (BBN), is perceived by its viewers. Three hundred heavy viewers of the programme were surveyed from Lagos and Ede, South-West Nigeria, and their opinions and attitudes were sought regarding; why they like or dislike the programme; the gratifications that those who like the programme derive and whether the BBN, as media content, is generally functional or dysfunctional to the society. Sixty-six per cent 66 (33.7%) of respondents like the programme because it entertains. Half of the respondents, 99(50.5%) dislike ‘immoral aspects’ of the programme. The viewers affirm that the eviction part of the programme was their highest form of gratification. Most respondents, despite public outcry against the programme, consider the programme to be “functional”. Findings reinforce the postulation that TV viewers are not passive consumers of media contents.

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Rezende, Renata, and Eleonora Leite Costa Lavinas. "Gastronomia midiática: reality shows e a estetização da comida na TV." Lumina 11, no. 3 (December 30, 2017): 75–94. http://dx.doi.org/10.34019/1981-4070.2017.v11.21240.

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Este artigo pertence a uma pesquisa ampliada sobre a forma como o tema culinária/gastronomia é apropriado e enquadrado pela mídia televisiva brasileira na atualidade. Se, há algumas décadas, a comida era apresentada na TV como um conjunto de técnicas e práticas culinárias elementares (como o passo a passo de uma receita, por exemplo), hoje o tema parece ter sido ampliado significativamente. Como percurso metodológico, realizamos um mapeamento das produções televisivas, cuja temática é pautada na culinária/gastronomia e, na sequência, por meio de observação simples, um enquadramento das produções, a partir de tipologias. O objetivo é problematizar a forma como se desenvolve a construção narrativa gastronômica na contemporaneidade midiática tendo como recorte particular o gênero televisivo reality show (o qual enquadramos também como tipologia), relacionando-a à estetização da vida contemporânea e ao culto ao espetáculo.

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Jin, Jay. "Playing Between Systems Theory, Affect, and Imitation in the Reality Tv Show Terrace House." ASAP/Journal 5, no. 2 (2020): 375–400. http://dx.doi.org/10.1353/asa.2020.0012.

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Watanabe, Hitomi. "Effects of Self-Evaluation Threat on Schadenfreude Toward Strangers in a Reality TV Show." Psychological Reports 118, no. 3 (May 11, 2016): 778–92. http://dx.doi.org/10.1177/0033294116648767.

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Schadenfreude toward strangers in a reality TV show may be affected by self-evaluation threat. This study extends previous work by adding a control group to positive and negative feedback groups in order to investigate the effects of self-evaluation threat. Sex of the target of schadenfreude and schadenfroh participant was considered. Among undergraduate students screened for low general self-esteem, 31 men ( M = 20.3 ± 1.6 years old) and 59 women ( M = 20.0 ± 1.2 years old) volunteered to participate. Participants performed a simple calculation task, and then received negative, positive, or no feedback regarding the task before completing the State Self-Esteem Scale and watching videos taken from American Idol that showed an applicant being criticized by judges. After watching videos, participants completed items related to schadenfreude. There were no differences in schadenfreude toward strangers between the three feedback groups. In addition to the Japanese tendency of reduced self-enhancement in self-threatening situations, targets with no psychological closeness may also explain the lack of a relationship between self-evaluation threat and schadenfreude.

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Kang, Shinjin, Donggyun Kim, and Youngbin Kim. "A visual-physiology multimodal system for detecting outlier behavior of participants in a reality TV show." International Journal of Distributed Sensor Networks 15, no. 7 (July 2019): 155014771986488. http://dx.doi.org/10.1177/1550147719864886.

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This study proposes an outlier detection system based on the visual-physiology multimodal data system for a Korean reality TV show, “Perfect on Paper.” The goal of this system is to provide the program production team and the master of ceremonies with real-time facial expressions and bio-signal analysis results of program participants. Using this information, the program production team and master of ceremonies can easily identify the participants with unusual behavior. We propose an insole-type hardware that measures the wearer’s skin conductivity, temperature, and motion. We also suggest a dynamic time warp-based clustering algorithm for the outlier and micro-expression detection technique. The system was developed starting from the program planning phase through a 6-month period in collaboration with the production team. The developed system analyzed the biometric information and facial expressions of 88 participants in 11 episodes and provided rapid feedback to the production team at the shooting spot in real time. Finally, we present a case where a visual-physiology multimodal system can be useful for a real TV broadcasting production.

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Woo, Hyung-Jin, and Joseph R. Dominick. "Acculturation, Cultivation, and Daytime TV Talk Shows." Journalism & Mass Communication Quarterly 80, no. 1 (March 2003): 109–27. http://dx.doi.org/10.1177/107769900308000108.

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This study explored the cultivation phenomenon among international college students in the United States by examining the connection between levels of acculturation, daytime TV talk show viewing, and beliefs about social reality. It was expected that international students who were heavy viewers of daytime TV talk shows and who scored low on a measure of acculturation about the United States would hold the most negative perceptions and attitudes concerning U.S. society. Three specific hypotheses were tested. International students who score low on acculturation and watch a great deal of daytime talk shows should (1) overestimate the frequency of certain undesirable behaviors in the United States, (2) have more negative attitudes toward human relationships in the United States, and (3) have more negative perceptions of human relationships in the United States. The first hypothesis received limited support while the second and third received strong support.

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Lee, So-Rim. "When Neoliberalism and Patriarchy Conspire: Plastic Surgery in the South Korean Reality TV Show Let Me In." TDR/The Drama Review 64, no. 2 (June 2020): 101–16. http://dx.doi.org/10.1162/dram_a_00922.

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The South Korean reality TV show Let Me In uses visual storytelling conventions to situate its participants within heteronormative narrative tropes. Operating in an economy of shame that masks the gendered violence inflicted by patriarchy through a world-famous cosmetic surgery industry, Let Me In ironically proffers a possibility of reading cosmetic surgery as queer(ing).

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Wijaya, Bambang Sukma. "DESIRE AND PLEASURE IN THE BRANDED REALITY SHOW AS A DISCURSIVE PSYCHOANALYSIS." Jurnal Humaniora 27, no. 1 (June 3, 2015): 27. http://dx.doi.org/10.22146/jh.v27i1.6406.

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The study of branded reality show is still very limited, especially in the perspective of discursive psychoanalysis. In fact, the phenomenon of reality show is currently growing in the television industry, so brands are inspired to create similar programs. This paper aims to analyze the desire and pleasure of success are presented and disclosed by branded reality show ‘Diplomat Success Challenge’ on a national TV channel in Indonesia. Using discursive psychoanalysis method in the Lacanian perspective, author found that participants in the ‘Diplomat Success Challenge’ saw competitors (other participants) as ‘other’ in imaginary phase which is the object of desire in having the pleasure of success, while the audience used the praticipants as reflection of their desire and pleasure of success. There are two tendencies of the spectatorship style in responding to the discourse. In one hand the audiences tend to be more emphatic and figural, while on the other hand they tend to be more logic and systematic. In addition, the desire and pleasure of success in the ‘Diplomat Success Challenge’ becomes a powerful discourse that alienated negative issues related to the Diplomat as a tobacco product brand. Thus, the politics of reality through a discourse of success in the branded reality show has successfully infiltrated into the subconscious and control the public consciousness.

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Xue, Jia-Ning, and Jong-Hoon Yang. "A Comparative Study of Gaming Design for South Korean and Chinese Reality Shows - Case Studies of the Korean TV Show the Great Escape and the Chinese TV Show the Escape Room -." Journal of acting studies 20 (November 30, 2020): 171–97. http://dx.doi.org/10.26764/jaa.2020.20.10.

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Petrovic, Radivoje, and Predrag Bajic. "Reality as a media doctrine of consciousness reconstruction through press." Zbornik Matice srpske za drustvene nauke, no. 172 (2019): 603–14. http://dx.doi.org/10.2298/zmsdn1972603p.

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The reality TV concept has a dominant role in some commercial television stations with national frequency in Serbia. The tabloids, known for sensationalism, banalisation and domination in the press market, became their ?extended hand?, the promoters of their values. The focus of this article is on daily newspapers in Serbia - the various reality TV-related content on their front pages. Through quantitative and qualitative analysis, the authors look for the principles, the communication technology and the goals for which the domestic press promotes ?the reality values?. They have analyzed front pages of eight daily newspapers in Serbia (Politika, Danas, Vecernje novosti, Blic, Kurir, Alo, Srpski Telegraf and Informer) that were published during October 2018 and found related content on about 28 percent from the total number of front pages (counting the current reality TV formats and the reality TV stars from the earlier seasons). The results show a clear distinction between the serious press and the tabloids. The tabloids are very strong accomplices in the process of diverting public attention from important topics to trivia (in that context, for researching, the authors use agenda-setting theory, framing theory and similar concepts). If we look at five declared tabloids only, the share of front pages with related content in the total number of front pages is about 44 percent. The research identified another phenomenon - fabricating some other topics into a ?reality concept?. Also, by comparison with previous studies, it was shown that the aforementioned is not an isolated case in the selected period - it is a continuous occurrence. Reality content as we see it on the domestic scene is becoming more trivial from season to season and becoming more dangerous for the power of rational reasoning by their users and observers. Based on all of that, this content can be viewed through the meaning of consciousness reconstruction.

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Chudy, Robert. "The Individual Aspect of Participation in TV Reality Show On The Example of a Music Talent Show – Case Study." Social Communication 4, no. 1 (June 1, 2018): 77–87. http://dx.doi.org/10.2478/sc-2018-0009.

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Abstract This article deals with issues related to musical programs such as talent shows. The author focused on the participant’s form examining the changes that took place in their life after taking part in the show. Based on numerous sources and because of the theoretical analysis, the author classified the traits of participants who succeed after the program. In the final part of the following paper, the author categorized are the changes that occur in the life of the program participant.

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Rubinstein, Gidi. "Modesty Doesn’t Become Me." Journal of Individual Differences 37, no. 4 (October 2016): 223–30. http://dx.doi.org/10.1027/1614-0001/a000209.

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Abstract. The objective of this study is to compare the Big Five of personality and the narcissism levels between candidates who auditioned for the show and control individuals, who had no intention to participate in a reality TV show. Ninety-two candidates who auditioned for the show and 94 control individuals who had no intention to do so filled in a demographic questionnaire, Costa and McCrae’s (1992) NEO-FFI-R, and Raskin and Hall’s (1981) Narcissistic Personality Inventory (NPI). The candidates were significantly less agreeable and neurotic, but more extroverted, conscientious, and narcissistic, than noncandidates. Gender personality differences between candidates and noncandidates are also presented. Reality TV shows are one of the modalities of the narcissistic culture, through which narcissistic individuals may channel their need for admiration.

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Suna, Laura. "Negotiating Belonging as Cultural Proximity in the Process of Adapting Global Reality TV Formats." Media and Communication 6, no. 3 (September 11, 2018): 30–39. http://dx.doi.org/10.17645/mac.v6i3.1502.

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This article focuses on aspects of belonging the producers of reality TV programmes address in the staging of emotions. Based on interview statements by 12 experts from the field of national and international reality TV format production, we argue as follows: on the one hand, producers in reality TV shows address belonging as a perceived cultural proximity to trans-local meta-narratives of a longing for change, romantic love, competition and victory. The producers associate these trans-local meta-narratives with allegedly universal emotions. On the other hand, the producers address belonging as a perceived cultural proximity to local cultural discourses on beauty ideals and combine these with a specific local cultural performance of emotions. The results show that an emotional repertoire is developed and negotiated in the adaptation process of trans-local formats. It refers to universalistic understanding of emotional display and negotiates specific “feeling rules” accordingly.

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Thornborrow, Joanna, and Deborah Morris. "Gossip as strategy: The management of talk about others on reality TV show ‘Big Brother’." Journal of Sociolinguistics 8, no. 2 (June 8, 2004): 246–71. http://dx.doi.org/10.1111/j.1467-9841.2004.00260.x.

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Kohl, Marie-Anne. "Dancing with Empty Water Bottles at L’ Afrique a un incroyable talent, Brought to You by Nestlé." Matatu 51, no. 1 (June 18, 2020): 169–92. http://dx.doi.org/10.1163/18757421-05101005.

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Abstract Departing from a close reading of a particular performance to examplify localisation processes of the global Reality TV talent show format, this paper offers an analysis of the relationship between talent shows and patronage. Based on a concrete music and dance performance analysis, it further contributes to the more general discussion of transnational format trade and format adaptation by putting a focus on the entanglement of patronage, intervention and transformation. The analysis of the performance in question addresses how the musicians and dancers approached a concrete problem by creating a sense of belonging, involvement and disorientation through aesthetic means. With their critical stance, they position themselves in a specific local performing arts tradition, which itself is connected to earlier theatre and TV talent contests. Referring to the concept of glocalisation, I suggest that local topics of critique and intervention are part of the localising effect of the Reality TV talent show format.

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Rybka, Sławomir. "Kobieta wyzwolona jako przykład emancypacji prezentowany w programie „Warsaw Shore: Ekipa z Warszawy”." Media Biznes Kultura, no. 1 (10) (2021): 129–42. http://dx.doi.org/10.4467/25442554.mbk.21.008.13974.

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A liberated woman as an example of emancipation presented in the TV show "Warsaw Shore: Ekipa z Warszawy” MTV is a TV channel that has had a revolutionary impact on the development of pop culture. This station, which initially broadcast only videoclips, under the influence of the development of the Internet, especially YouTube, was forced to change its profile. Nowadays MTV is dominated by reality shows, some of which are very controversial. In Poland, “Warsaw Shore: Ekipa z Warszawy” – local version of the American “Jersey Shore” format, is very popular. That TV show presents a specific woman’s image, which has been described as a “liberated woman”. Analysing 12 seasons of that show, seven main characteristics that make up the image were identified.

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Church, Scott Haden, Tom Robinson, Clark Callahan, Katherine Klotzer Barboza, and Daniel Montez. "Savvy viewers and (simulated) reality TV: An analysis of The Bachelor’s appeal to viewers." Journal of Popular Television 8, no. 1 (March 1, 2020): 23–43. http://dx.doi.org/10.1386/jptv_00009_1.

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The reality television programme The Bachelor (2002‐present) has received a large amount of academic attention since it premiered on ABC in 2002. The majority of that literature approaches the show critically to address issues relating to the representation of race, gender, consumerism, identity and relationships within the format of a competition. Other research on the show ruminates about its relationship to its ‘savvy’ viewers who know reality television is not truly real and yet paradoxically continue to be highly invested in the outcome of its shows. Yet other literature probes for the gratifications embedded in the viewing process and the perceptions of dating that the show cultivates in its viewers. The longevity of The Bachelor can be attributed to the sense of allegiance the viewers feel to the show. To that end, this study is an inquiry into perceptions of the show by its viewers. Using the Q sort methodology, this empirical study reveals insights into its appeal by providing clearly grouped audiences and their particular uses for the show. It also addresses the interface between reality television, social media and the mediated representation of romantic relationships.

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Miller, C. L., and R. A. Mendelson. "The impact of Viewing the reality TV show “the biggest Loser” on attitudes towards obese people." Canadian Journal of Diabetes 35, no. 2 (January 2011): 193. http://dx.doi.org/10.1016/s1499-2671(11)52202-6.

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Sung, Chit Cheung Matthew. "Doing gender in conflict talk: an analysis of gendered discourses in a U.S. reality TV show." Journal of English Studies 11 (May 29, 2013): 213. http://dx.doi.org/10.18172/jes.2625.

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This paper presents an analysis of gendered discourses in conflict talk by drawing upon interactional data from the U.S. reality TV show The Apprentice. It explores the ways in which women professionals enact their gender identities while engaging actively in conflict talk which is stereotypically coded as ‘masculine’. Specifically, I shall look at the different ways in which they construct their gendered identities by aligning themselves with different gendered discourses. It is found that these woman professionals are shown to draw upon different gendered discourses in constructing their feminine gender identities, namely the dominant discourses of femininity and resistant discourses. The paper also shows that the enactment of gendered identities in conflict talk may vary from one context to another.

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Milal, A. Dzo'ul, and Angga Cahya Pramono. "Impoliteness Addressed to Different Genders and their Responses in The Kitchen Nightmares, a TV Reality Show." Journal of Pragmatics Research 3, no. 2 (June 10, 2021): 131–46. http://dx.doi.org/10.18326/jopr.v3i2.131-146.

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This paper reveals the impoliteness strategies addressed to different genders and their corresponding responses. The data source is the video transcript of a TV reality show, The Kitchen Nightmares season 6 episode 2 for substantial and technical considerations. As it contains impolite expressions, abundant data can be gained to clarify the focal points. The subjects are the host and male and female participants in that show. This study uses a descriptive qualitative approach. In collecting the data, the researcher identifies the utterances containing impoliteness and their responses in the transcript. Then, they are classified and compared to discover the impoliteness strategies and their responses related to gender differences. It is discovered that, in this show, the types of impoliteness strategies addressed to male addressees are not different from those of female participants. Regarding responses, it is found out that male participants respond to the impoliteness differently from the females. It can be concluded from the show that gender difference is not effective as recipients of impoliteness, but it is operative as producers of the response towards impoliteness. Keywords: entertainment, gender, impoliteness, responses to impoliteness

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Lee, Mi Hee. "Analysis on value of Educare teachers through ‘Infinite Challenge Daycare Center’, the episode of MBC’s reality TV show." korean Jouranl of Early Childhood Education 18, no. 2 (August 31, 2016): 111–31. http://dx.doi.org/10.15409/riece.2016.18.2.111.

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Tharmapoopathy, Mathuri, Santosh Kumar, and Abishan Thavarajah. "Interview skills – psychiatry reel to reality." BJPsych Open 7, S1 (June 2021): S295. http://dx.doi.org/10.1192/bjo.2021.783.

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AimsThis reel analysis identifies quotes and actions of fictional characters from TV shows, namely: Hercules Poirot, Sherlock Holmes and House who can demonstrate learning points for clinical students to use within real psychiatric practice, using scientific theories such as the Hypothetico-deductive model, Empirical falsification and Occam's razor. This analysis explores what an ideal psychiatric interview consists of and what can be learnt from these characters and implemented within medical education.MethodEach show was watched by one researcher over the period of March to August 2020. The researcher noted insightful quotes which were relevant to one of the three philosophical theories. Quotes were included if they demonstrated deduction skills, revealed a character's ethos and supported the Calgary-Cambridge model of interviewing such as building rapport. 32 quotations were collected in total and narrowed to 6 quotations. These were then analysed, learning points were made and linked to the Calgary Cambridge model.ResultDr House demonstrates objectivity when taking a patient's history. He utilises empirical falsification when diagnosing to avoid missing a differential diagnosis. Detective Poirot displays how empathic listening allows disclosure of details in the history, which would have otherwise been omitted. Additionally, he illustrates the importance of collateral interviewing which allows one to identify misinterpretations and inconsistencies. Sherlock teaches us the importance of perception regarding mismatching information which can help to gather new facts. All three characters interview beginning with open questions to more closed questions, supplementing with deductive reasoning in order to solve cases. Objectivity, empirical falsification, empathetic listening and deductive reasoning are the key skills displayed by these characters, that medical students can most use in their own practices.ConclusionThe perfect interview discovers new information through synchronised collaboration, whilst adhering to the Hypothetico-deductive model of thought. A combination of the Calgary-Cambridge model of interviewing and skillset of the TV characters should be considered for implementation in some aspects of psychiatric interviewing. Medical education can utilise these TV shows to teach students how to conduct history-taking.

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Kingsolver, Ann. "Applying Anthropological Practice Through Global Engagement in the University of Kentucky Appalachian Center." Practicing Anthropology 36, no. 4 (July 1, 2014): 47–51. http://dx.doi.org/10.17730/praa.36.4.3621708u31x8x173.

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You want what? Help locating the last authentic hillbillies for your reality TV show? Here's a book we recommend: Back Talk from Appalachia: Confronting Stereotypes, by Billings, Norman, and Ledford [2000]-a phone response my coworker Shane and I have given repeatedly.

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Oliva, Mercè. "From the literary field to reality TV: The perils of downward celebrity migration." European Journal of Cultural Studies 23, no. 1 (July 28, 2019): 18–34. http://dx.doi.org/10.1177/1367549419861633.

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This article explores ‘downward celebrity migration’, that is, when a celebrity enters a field that is less legitimate than their field of origin. It does so by studying the case of Lucía Etxebarria, a Spanish literary celebrity who participated in a celebrity reality TV show ( Campamento de Verano (‘Summer Camp’)) in 2013. Using Bourdieu’s concepts of field and capital, this article analyses the ambiguous hierarchical position that Etxebarria occupied in the programme and how she was evaluated according to the specific rules of reality TV: authenticity, ordinariness, performance and submission to the programme’s authority. Etxebarria’s presence in the programme stirred up a heated debate about social, cultural and fame hierarchies, and she became the target of attacks that tried to undermine her symbolic capital through personal humiliation.

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Marquioni, Carlos Eduardo. "A experiência de segunda tela e o modelo de negócios suportado por publicidade: a sincronização de anúncios entre telas (o caso brasileiro de SuperStar)." Intercom: Revista Brasileira de Ciências da Comunicação 40, no. 3 (December 2017): 129–50. http://dx.doi.org/10.1590/1809-5844201738.

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Resumo A experiência de segunda tela tem reconfigurado o modo como a audiência assiste TV (tanto considerando TV social quanto a busca por conteúdos adicionais àqueles veiculados). O manuseio de gadgets concomitantemente ao ato de ver TV, enquanto pode promover distração da audiência, também expande potencialmente o alcance dos patrocinadores caso haja sincronização dos anúncios entre as múltiplas telas acessadas. Tal sincronização pode ser interessante para o modelo de negócios suportado por publicidade da TV comercial, e é aplicável especialmente no caso de fornecimento de apps pelas emissoras para materialização da experiência televisual adaptada. O artigo apresenta a sincronização de anúncios entre telas observada no caso do app fornecido pela Rede Globo para uso durante a veiculação da terceira temporada do reality show SuperStar.

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Tousi, Ayda Sabaghzadeh, and Zelha Altinkaya. "Impact of TV Advertising on Children’s Food Choices." International Journal of Marketing Studies 9, no. 6 (November 28, 2017): 24. http://dx.doi.org/10.5539/ijms.v9n6p24.

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This research emphasizes on the impact of TV advertising on children’s food choices. For this reason, a questionnaire was prepared and focused on Food Advertisement, TV Advertisement, School Advertisement, Musical Advertisement, Children’s Consumption Attitudes and analysis children’s opinions who are aging from 8 to 11 years old from primary school. In a college in Avcilar—Istanbul was chosen for the survey area. This study is proposed to discover the effect of TV food advertising on children as a target group. This survey will make use of statistical techniques Hypothesis was conveyed to show the significance ANOVA and factor analysis used. Also, SPSS statistical tool used for analyzing hypothesis.Results show that all of the four factors, food advertisement, TV advertisement, musical advertisement and musical advertisement affects the children’s food consumption behavior, the results emphasis on the reality of this hypothesis and its true, and importance of it and also show that in this research obtained the result which wanted. However, regression equation can be used to estimate. In this case, according to regression analysis, TV Advertisement and Musical Advertising can be used to estimate children’s food consumption behavior scores.

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Morgan, Michael, and Tatiana Merlo-Flores. "TV and teenagers in changing times." Comunicar 10, no. 19 (October 1, 2002): 170–78. http://dx.doi.org/10.3916/c19-2002-29.

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Data collected from 1.000 adolescents in Argentina in 1986 extended U.S.A. and other international comparative research to show that television plays a major role in shaping young people's conceptions of social reality. The study examined television usage Investigaciones realizadas en Argentina y Estados Unidos muestran que la televisión influye de forma determinante en las concepciones de la realidad de los adolescentes. El estudio que se presenta analiza los usos y el visionado de la televisión en un amplio abanico de contextos familiares y sociales. Se centra en los roles que los medios han jugado en los procesos de transición a la democracia en Argentinam, cuando ésta superaba el período dictatorial, propiciando determinados estados de opinión favorables u hostiles a la institucionalización de la democracia.

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王, 也. "Viewing the Innovation of the Reality TV Show through the Success and Failure of The Amazing Race." Journalism and Communications 03, no. 01 (2015): 5–9. http://dx.doi.org/10.12677/jc.2015.31002.

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Mares, Marie-Louise, and Gayathri Sivakumar. "“Vámonos means go, but that’s made up for the show”: Reality confusions and learning from educational TV." Developmental Psychology 50, no. 11 (2014): 2498–511. http://dx.doi.org/10.1037/a0038041.

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Kim Sue In. "The Landscape of Competition constructed in Linguistic Contents of a Reality Survival TV show Dancing9 Season 2." Korean Journal of Dance Studies 51, no. 6 (November 2014): 1–24. http://dx.doi.org/10.16877/kjds.51.6.201411.1.

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Druick, Zoë. "Property TV: Financialized femininity and new forms of domestic labour." European Journal of Cultural Studies 20, no. 5 (April 27, 2017): 560–74. http://dx.doi.org/10.1177/1367549417701759.

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This article argues that melodrama plays an important role in shaping the ambivalent narratives of property TV. Using the HGTV Canada show Buy Herself as a case study, the article considers the rise of what amounts to a new women’s genre as an attempt to frame and contain gendered experiences of the financialization of the domestic sphere. Positioning the show within neoliberalism’s faux feminism and superficial discourse of diversity, the article posits that the focus on the melodramatic struggles of real estate buyers in the reality genre of property TV brings to the fore anxieties and contradictions incited by the neoliberal imperatives to reframe the domestic sphere as real estate investment and normalize debt.

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Journal articles on the topic 'Reality TV show'

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