Relevant bibliographies by topics / Rearticulation

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Rearticulation'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Rearticulation"

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Schaefer, Sérgio. "The Rearticulation of Formal Sediments in Guimarães Rosas’s Literary Discourse." Signo 42, no. 74 (May 26, 2017): 139. http://dx.doi.org/10.17058/signo.v42i74.8982.

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This article aims at analysing both the esthetical form and the rearticulation of its internal sediments as proposed by João Guimarães Rosa in his literary works. The analysis’ theoretical support is based on Theodor W. Adorno’s Teoria Estética. The broad objective of this study is to show that Rosa’s esthetical formalization is a call for changing. At the end of the article, a brief comparative study is made between Guimarães Rosa’s and Dostoievski’s calls for changing. Accordingly, some of the main issues of Bakthin’s theories about the works of the Russian writer will be reminded of and some of the main differences and similarities between Rosa’s and Dostoievski’s formal rearticulations will be pointed out.
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Gormley, Steven. "Rearticulating the Concept of Experience, Rethinking the Demands of Deconstruction." Research in Phenomenology 42, no. 3 (2012): 374–407. http://dx.doi.org/10.1163/15691640-12341237.

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Abstract A principle aim of this paper is to convince friends and critics of deconstruction that they have overlooked two crucial aspects of Derrida’s work, namely, his rearticulation of the concept of experience and his account of the experience of undecidability as an ordeal. This is important because sensitivity to Derrida’s emphasis on the ordeal of undecidability and his rearticulation of the concept of experience—a rearticulation that is already under way in his early engagement with Husserl and continued in later work—necessitates a rethinking of what the ‘experience of undecidability’ entails. Rather than signaling a withdrawal from politics or a normatively impotent ethics of ‘mere openness to the other,’ Derrida’s account of the experience of undecidability not only points to a fundamental aspect of our basic ethical experience but also leads to a number of ethico-political demands, which I summarize as the demand to maintain an ethos of interruption.
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Fontana Sierra, Laura. "Pandemic and rearticulation of social relations." Perifèria. Revista d'investigació i formació en Antropologia 25, no. 2 (July 2, 2020): 101. http://dx.doi.org/10.5565/rev/periferia.770.

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Yaghoobi, Claudia. "Over Forty Years of Resisting Compulsory Veiling." Journal of Middle East Women's Studies 17, no. 2 (July 1, 2021): 220–39. http://dx.doi.org/10.1215/15525864-8949450.

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Abstract While text-based and cyberspace campaigns against compulsory veiling in Iran have received much attention, Iranian diasporic creative writers have also engaged in this resistance through their writings, but they have remained almost unacknowledged. This article argues that diasporic literary narratives have functioned as part of what has led to today’s online platforms and cyberactivism. The article approaches these literary narratives as forms of counterdiscourse, rearticulating alternative narratives about women’s movements against compulsory veiling. Produced in diaspora, these transnational feminist works raise questions of authenticity and legitimacy. However, these authors emerge as activists from their position abroad, pushing back against the limits placed by the state on women’s bodies; in posing these challenges, they contribute to dissent from the mainstream narrative and to a rearticulation of the movement even as their works are viewed as marginal.
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Bloomfield, Mandy. "Palimtextual Tracts: Susan Howe’s Rearticulation of Place." Contemporary Literature 55, no. 4 (2014): 665–700. http://dx.doi.org/10.1353/cli.2014.0039.

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Eibye-Jacobsen, Danny, and Claus Nielsen. "Point of View The rearticulation of annelids." Zoologica Scripta 25, no. 3 (July 1996): 275–82. http://dx.doi.org/10.1111/j.1463-6409.1996.tb00166.x.

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Welsch, Tricia. "Sound Strategies: Fritz Lang's Rearticulation of Jean Renoir." Cinema Journal 39, no. 3 (2000): 51–65. http://dx.doi.org/10.1353/cj.2000.0010.

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Larocco, Steve. "Pain as semiosomatic force: The disarticulation and rearticulation of subjectivity." Subjectivity 9, no. 4 (September 20, 2016): 343–62. http://dx.doi.org/10.1057/s41286-016-0009-3.

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Cicigoj, Katja. "Art and/is (non)work: Towards a rearticulation of concepts." Maska 29, no. 165 (December 1, 2014): 96–107. http://dx.doi.org/10.1386/maska.29.165-168.96_1.

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Sikes, Alan. "The performing genome: Genetics and the rearticulation of the human." Text and Performance Quarterly 22, no. 3 (July 2002): 163–80. http://dx.doi.org/10.1080/10462930216610.

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Dissertations / Theses on the topic "Rearticulation"

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Rimmer, Dawn. "A critical rearticulation of Foucault's panoptic paradigm : fingerprinting as a failing project." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3617.

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Using a critical rearticulation of Michel Foucault's broad output, this thesis analyses juridical fingerprinting in England to illuminate panoptic systems as inevitably failing projects. Explicitly, it presents original scholarship in delineating twenty criteria that summarise Foucault's contribution to surveillance studies literature and which comprise the theoretical framework for this thesis. In narrating the story of the incremental panoptification of fingerprinting, it elucidates his interpretation of Jeremy Bentham's Panopticon design and how fingerprinting fails to meet this specific description of panopticism. This thesis also assesses a supplementary argument that whilst Foucault's work has influenced discourse of almost every genre, the inaccurate rendering of his texts has been frequent. The criticism of 'traditional' readings of Foucault centres on the ahistorical spatiality which eclipses discourse on moments of rupture and change that were so crucial to his genealogy. The thesis asserts that closer evaluation of Foucault's panopticon is required for application to contemporary surveillance assemblages, carefully rejecting the inappropriate extensions offered by petit Foucauldians who have limitedly engaged with his work. Utilising Pyrrhonian scepticism in line with Foucault's own, this thesis exposes accepted understandings of surveillance, especially fingerprinting, as flawed. By describing fingerprint technology as existed historically and as exists now, whilst predicting a future of intensified (but still failing) panoptification, this thesis explores the fundamental fragility of the mechanism. Furthermore, such corporal surveillance is therefore ineffective as a regime of governmental population control.
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Murray, Alastair J. H. "Reconstructing realism : a reinterpretation, rearticulation, and reevaluation of the theory of political realism." Thesis, University of Bristol, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297198.

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Chahinian, Talar. "The Paris attempt rearticulation of (national) belonging and the inscription of aftermath experience in French Armenian literature between the wars /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1581455071&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Simoneaux, Brent A. "Rearticulating the Zoomable User Interface." Miami University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1313178580.

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Boican, A. D. E. "Rearticulating socialist subjectivities : class and gender in Romanian fiction during communism." Thesis, University College London (University of London), 2016. http://discovery.ucl.ac.uk/1482200/.

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This thesis proposes a socio-cultural analysis of the articulation of socialist subjectivities in Romanian fiction during the communist period. The question underpinning my research, therefore, concerns the way in which the literary articulation of subjectivity changed across two historical divides: from the inter-war period to Socialist Realism and from Socialist Realism to the literature of the troubling decade. This thesis will be argued over four chapters, two of which will examine the works of Mihail Sadoveanu while a further two will dissect the works of Augustin Buzura. Through the close reading of the works of Sadoveanu and Buzura, whose careers span the two aforementioned historical divides, this thesis will trace the complex rearticulating of class and gender subjectivities as they evolved throughout the communist period, as well as the importance of the communist regime's social legacies as regards the understanding of post 1989 social developments in Romania. Central to the communist regime's project of social transformation was the creation of an egalitarian society by default of the abolition of capitalist classes and gender inequalities. While the regime claimed that the material basis of these inequalities had been eliminated and social emancipation was well advanced, critics considered that the official egalitarian discourse had erased social and individual differences and engendered the so-called "faceless masses". In contrast to these views, this thesis will argue that the communist regime did indeed transform social relationships in many ways, generating new class and gender inequalities, rather than eliminating them. Thus, far from being uniform, socialist societies were heterogeneous, fragmented and were straddled by social antagonisms. This thesis will thus argue that the changes that took place in the literary articulation of class and gender during communism are of significance to both the understanding of the communist regimes as well as their lasting legacies.
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Millan, Roberto. "Illustrating autobiography : rearticulating representations of self in Bitterkomix and the visual journal." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20268.

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Thesis (MPhil)--Stellenbosch University, 2012.
ENGLISH ABSTRACT: This thesis explores an analysis of autobiographical illustration, as it relates directly to autobiographical devices employed in Bitterkomix and my own visual journals. The result is a practitioner-specific approach that frames my own work within a discourse of comics and consequently within the larger discourse of visual narrative. These devices are analysed in the works of artists in Bitterkomix who employ autobiography, not only as a means of effecting more intimate interactions between the reader and the narrative, but also as a form of legitimising narrative. A principal deduction that I have made is that autobiographical writing operates through the filter of memory and language translation. A divergence occurs within Bitterkomix, as well as within my own work, between the artist as himself and the artist as his autobiographical self - the two are never identical. I choose to define autobiographical illustration as an interpretative and experimental visual writing process used to affirm and negate perceived concepts of self through the filters of memory, language translation and imagination. Imagination acts as an extension of current memory from which perceived past, present and future identity constructs emanate and extend. These constructs are by no means indicative of historical fact but often appear to be so given autobiography's association as a referential text. The visual journal as an autobiographical object, like Bitterkomix, seeks to legitimise itself in 'naturalising narrative' by feigning to make it the outcome of a documentative process. It is exactly the tension between autobiography's perceived characteristic as a genre that involves 'real' experiences and its actual function as a narrative construction of identity that merits its use as a strategic device. I argue how my visual journals constitute autobiographical narrative objects and archives of autobiographical illustrative form and content. This tension is amplified in my visual journals in their association as deeply personal objects and as a result of what is perceived to be the artist's natural process. Most importantly, these narrative objects are placed within the public's gaze and are made to be read as autobiographical texts, ultimately as documents of this process.
AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek outobiografiese illustrasie wat direk verband hou met outobiografiese praktyke wat in Bitterkomix en in my eie visuele joernale gebruik word. Die resultaat is 'n praktisyn-spesifieke aanslag wat my eie werk binne die diskoers van stripkuns plaas, en sodoende binne die groter diskoers van visuele narratief. Hierdie praktyke word geanaliseer in die werk van Bitterkomix-kunstenaars wat outobiografie gebruik, nie net as 'n manier om meer intieme interaksies tussen die leser en die narratief te bewerkstellig nie, maar ook om die narratief legitiem te maak. Ek maak die afleiding dat outobiografiese skryfwerk deur die filters van geheue en taal werksaam is. In beide Bitterkomix en my eie werk is 'n skeiding tussen die kunstenaar self en die kunstenaar se outobiografiese self sigbaar – die twee is nooit identies nie. Ek verkies om outobiografiese illustrasie te definieer as 'n interpretatiewe en eksperimentele visuele skryfproses wat gebruik word om waargenome begrippe van die self deur die filters van geheue, vertaling en verbeelding te bevestig en te negeer. Die verbeelding dien as 'n voortsetting van huidige geheue waaruit waargenome identiteitskonstrukte van die verlede, hede en toekoms voortvloei. Hierdie konstrukte is geensins aanduidend van historiese feite nie, maar kom dikwels so voor gegewe outobiografie se assosiasie as verwysende teks. My argument is dat my visuele joernale beide outobiografiese narratiewe objekte én argiewe van outobiografiese illustratiewe vorm en inhoud is. Visuele joernale as outobiografiese objekte, soos in die geval van Bitterkomix, probeer sigself legitiem maak deur middel van 'naturaliserende narratief', deur voor te gee dat dit die resultaat van 'n dokumenterende proses is. Dit is juis die spanning tussen outobiografie se aard as 'n genre wat gegrond is op 'ware' ervaringe, en outobiografie se funksie as 'n narratiewe konstruksie, wat die gebruik daarvan as 'n strategiese middel die moeite werd maak. Hierdie spanning word in my visuele joernale verhoog deur hulle diep persoonlike aard, en as gevolg van wat gesien word as die kunstenaar se natuurlike proses. Belangriker nog is dat hierdie narratiewe objekte binne die publiek se sigveld geplaas word om as outobiografiese tekste gelees te word, en ook uiteindelik as dokumente van die proses.
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Fitzpatrick, Timothy. "Rearticulating Indigenous Identity: Evolving Notions of Citizenship and Ecuador's Contemporary Indigenous Movement." Thesis, Boston College, 2004. http://hdl.handle.net/2345/462.

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Thesis advisor: Deborah Levenson
A historical analysis of the political strategies employed by indigenous activsts throughout Ecuador's contemporary indigenous movement. Particular attention is paid to evolving notions of citizenhsip at the national level, land reform, institutional mobilization and identity politics
Thesis (BA) — Boston College, 2004
Submitted to: Boston College. College of Arts and Sciences
Discipline: History
Discipline: College Honors Program
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Moran, Taylor Catherine. "Why We Are Angry: Rearticulating Fisher's Narrative Paradigm with Interactivity and Hypertext." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/73664.

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In December 2012, the brutal gang rape and murder of Jyoti Singh in New Delhi, India sparked international outrage leading to numerous protests. Singh’s story raised many questions regarding sexual violence and rape culture in India. We Are Angry is a digital narrative that responds to sexual assault and misogyny in India through the story of a victim whose tragedy mirrors that of Singh and many others. The purpose of this thesis is to explore the rhetorical potential of digital narratives through the analysis of We Are Angry. Specifically, I used Fisher’s Narrative Paradigm as a lens to determine how the use of hypertext impacts the narrative’s inherent rationality, fidelity, and coherence. This thesis illustrates that digital narratives’ use of hypertext allows the creator to develop a narrative in a way that can expand the reader’s knowledge on prominent international social justice issues. Hypertext further enhances the level of fidelity and coherence for a reader who may not be familiar with the Indian setting.
Master of Arts
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Rylander, Jonathan J. "Rearticulating the Mission of the Writing Center: Making Room for LGBTQ Perspectives." Miami University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1310142899.

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Neufeld, Beverly Diane. "Rearticulating the meaning of community in international theory : territoriality, identity and the political." Thesis, London School of Economics and Political Science (University of London), 2006. http://etheses.lse.ac.uk/1909/.

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The thesis examines the concept of community in international relations theory. It is my contention that articulating the concept of community as the sovereign state in international relations ultimately places limits on political space, hampering the extent to which the discipline is able to understand and explain the varieties of global politics and political actors that increasingly affect international relations. The thesis argues that in order to redefine political space, it is necessary rearticulate the meaning of community in international theory. To examine the feasibility of rearticulation, the thesis focuses on international theory. The first chapter sets out the problem of political space in international relations, arguing that it tends to be rather narrowly and problematically demarcated by the sovereign state. With the meaning of community in international relations therefore in need of rearticulation, the second chapter turns to social theory for a concept of community that is not framed by the sovereign state, and argues that the concept of community may be understood by way of three components: territoriality, identity and the political. The subsequent three chapters examine exemplars from international theory for each of these three components. These three chapters consider the extent to which it is viable to seek rearticulation, what this might involve and the extent to which it is already underway in international relations. The thesis determines that rearticulation is possible, given that the existing work on territoriality, identity and the political suggests that the necessary conceptual tools are already employed in the discipline and are applicable for rearticulating the meaning of community. Moreover, with the addition of work from social theory, the thesis concludes that rearticulation is not only feasible but also essential. The conclusion sets out what is required to continue the process of rearticulating the meaning of community in international theory.
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Books on the topic "Rearticulation"

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Visweswaran, Kamala. Un/common cultures: Racism and the rearticulation of cultural difference. Durham, NC: Duke University Press, 2010.

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Un/common cultures: Racism and the rearticulation of cultural difference. Durham, NC: Duke University Press, 2010.

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Walker, R. B. J. State sovereignty, global civilization, and the rearticulation of political space. [Princeton, N.J.]: Center of International Studies, Woodrow Wilson School of Public and International Affairs, Princeton University, 1988.

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Metzler, Christopher J. The construction and rearticulation of race in a post-racial America. Bloomington, IN: AuthorHouse, 2008.

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The construction and rearticulation of race in a post-racial America. Bloomington, IN: AuthorHouse, 2008.

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Nostalgic angels: Rearticulating hypertext writing. Norwood, N.J: Ablex Pub. Corp., 1997.

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Visweswaran, Kamala. Un/common Cultures: Racism and the Rearticulation of Cultural Difference. Duke University Press, 2010.

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Law and Cultural Studies: A Critical Rearticulation of Human Rights. Taylor & Francis Group, 2017.

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Zambrana, Rocío. Colonial Debts. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478013198.

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With the largest municipal debt in US history and a major hurricane that destroyed much of the archipelago's infrastructure, Puerto Rico has emerged as a key site for the exploration of neoliberalism and disaster capitalism. In Colonial Debts Rocío Zambrana develops the concept of neoliberal coloniality in light of Puerto Rico's debt crisis. Drawing on decolonial thought and praxis, Zambrana shows how debt functions as an apparatus of predation that transforms how neoliberalism operates. Debt functions as a form of coloniality, intensifying race, gender, and class hierarchies in ways that strengthen the colonial relationship between Puerto Rico and the United States. Zambrana also examines the transformation of protest in Puerto Rico. From La Colectiva Feminista en Construcción's actions, long-standing land rescue/occupation in the territory, to the July 2019 protests that ousted former governor Ricardo “Ricky” Rosselló, protests pursue variations of decolonial praxis that subvert the positions of power that debt installs. As Zambrana demonstrates, debt reinstalls the colonial condition and adapts the racial/gender order essential to it, thereby emerging as a key site for political-economic subversion and social rearticulation.
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Shain, Farzana, and Kalwant Bhopal. Neoliberalism and Education: Rearticulating Social Justice and Inclusion. Taylor & Francis Group, 2015.

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Book chapters on the topic "Rearticulation"

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Hart, Jeffrey A., and Aseem Prakash. "Rearticulation of the State in a Globalizing World Economy." In Globalization and the Politics of Resistance, 91–109. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230519176_7.

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Garrido-Vergara, Luis. "End of the Authoritarian Regime and Rearticulation of the Political Elites in Chile." In Species of Capital in the Political Elite, 89–104. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41172-5_4.

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Hung, Po-Yi. "Ritual: The Renovation of Tea Ceremonies and Bulang Villagers’ Rearticulation of a Collective Ethnic Identity." In Tea Production, Land Use Politics, and Ethnic Minorities, 133–62. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137494085_6.

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Azak, Umut. "Secularists as the Saviors of Islam: Rearticulation of Secularism and the Freedom of Conscience in Turkey (1950)." In Secular State and Religious Society, 59–78. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137010643_4.

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Suarez, Eduardo Crespo, Florentino Moreno, and Amparo Serrano Pascual. "From the logic of permanence to the logic of fragmentation: Socio-productive conditions and rearticulation of the middle-class." In Economic Restructuring and the Growing Uncertainty of the Middle Class, 93–113. Boston, MA: Springer US, 1998. http://dx.doi.org/10.1007/978-1-4615-5655-8_7.

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Sum, Ngai-Ling. "Rearticulation of Spatial Scales and Temporal Horizons of a Cross-Border Mode of Growth: the (Re-) Making of ‘Greater China’." In Globalization, Regionalization and Cross-Border Regions, 151–75. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230596092_7.

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Utting, Peter. "Rearticulating Regulatory Approaches: Private-Public Authority and Corporate Social Responsibility." In Authority in the Global Political Economy, 241–75. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584297_10.

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Lau, Dorothy Wai-sim. "Rearticulating Bruce Lee and His ‘Hip Hop Fury’ in Fan-Made Videos." In Lasting Screen Stars, 291–303. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-40733-7_21.

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DiPlacidi, Jenny. "Rearticulating the Economics of Exchange: Incest and After Marriage in the Gothic." In After Marriage in the Long Eighteenth Century, 159–79. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-60098-7_8.

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Baldauf, Richard B. "Rearticulating the Case for Micro Language Planning in a Language Ecology Context." In Language Planning and Policy: Language Planning in Local Contexts, edited by Anthony J. Liddicoat and Richard B. Baldauf Jr, 18–42. Bristol, Blue Ridge Summit: Multilingual Matters, 2008. http://dx.doi.org/10.21832/9781847690647-003.

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