Academic literature on the topic 'Rebetika'

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Journal articles on the topic "Rebetika"

1

Puchner, Walter, and Nikos Kotaridis. "Rebetes kai rebetiko tragudi (Rebetes und das rebetika-Lied)." Jahrbuch für Volksliedforschung 42 (1997): 204. http://dx.doi.org/10.2307/848065.

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2

Pennanen, Risto Pekka, and Panayotis Kounadis. "Review Essay: A Recent Reissue of Rebetika Recordings." Asian Music 26, no. 2 (1995): 137. http://dx.doi.org/10.2307/834437.

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3

Gauntlett, Stathis. "Antiquity at the musical margins: rebetika, ‘ancient’ and modern." Byzantine and Modern Greek Studies 39, no. 1 (2015): 98–116. http://dx.doi.org/10.1179/0307013114z.00000000055.

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4

Sarbanes, Janet. "Musicking and Communitas: The Aesthetic Mode of Sociality in Rebetika Subculture." Popular Music and Society 29, no. 1 (2006): 17–35. http://dx.doi.org/10.1080/03007760500142738.

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5

Arvaniti, Amalia, and Brian D. Joseph. "Early Modern Greek /b d g/: Evidence from Rebetika and Folk Songs." Journal of Modern Greek Studies 22, no. 1 (2004): 73–94. http://dx.doi.org/10.1353/mgs.2004.0003.

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6

Beaton, Roderick, John Bennet, Eleni Kallimopoulou, Panagiotis Poulos, and Chris Williams. "POPULAR MUSIC OF THE GREEK WORLD: A NOTE FROM THE ORGANISERS." Annual of the British School at Athens 115 (October 26, 2020): 401–2. http://dx.doi.org/10.1017/s0068245420000143.

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In May 2019 the British School at Athens hosted an international conference on popular music of the Greek world. The conference aimed to explore and evaluate the diversity of Greek music apparent in the rich variety of local traditions and in the richness of urban popular music both established and emerging, and to examine its causes from broader musical, sociological and artistic perspectives. Rather than focus on particular forms, such as traditional folk music, rebetika, or the ‘new wave’ of the 1960s exemplified by the international success of composers such as Hadjidakis and Theodorakis, the conference set out to situate these traditions in a broader Greek context and also an explicitly international one, in this way building upon a growing trend (Bucuvalas 2019; Tragaki 2019).
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7

Pennanen, Risto Pekka. "The development of chordal harmony in Greek rebetika and laika music, 1930s to 1960s." British Journal of Ethnomusicology 6, no. 1 (1997): 65–116. http://dx.doi.org/10.1080/09681229708567262.

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8

Tsounis, Demeter. "Kefi and Meraki in Rebetika Music of Adelaide: Cultural Constructions of Passion and Expression and Their Link with the Homeland." Yearbook for Traditional Music 27 (1995): 90. http://dx.doi.org/10.2307/768105.

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9

Nissen, James. "Rebetiko in diaspora: The London Rebetiko scene." Journal of Greek Media & Culture 8, no. 1 (2022): 19–42. http://dx.doi.org/10.1386/jgmc_00045_1.

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One of the most active rebetiko scenes outside Greece is in London. Drawing on ethnographic fieldwork at Rebetiko Carnival, engagement with the scene between 2014 and 2020, and personal interviews with key musicians, this article examines the meanings and the unique features of Rebetiko in London. It shows the roles of music in forming a diasporic musical community and maintaining connections with Greece, while also forging a cosmopolitan music scene characterized by cross-cultural creativity, gender consciousness and education and outreach. It thus demonstrates that Rebetiko is both recontextualized and transformed in London, nurtured by the city’s multiculturalism. This study suggests that, by considering this scene as part of an international network, Rebetiko could be conceptualized as not only in diaspora but as a diaspora in itself, as a transnational thread that links widely dispersed and diverse musicians and enables them to create new cultural homes. This research thus contributes towards a growing literature on Rebetiko in the Greek diaspora and reflects on wider issues relating to music in contexts of migration.
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10

Kaloyanides, Michael G., Costas Ferris, Stavros Xarchakos, and Nikos Gatsos. "Rebetiko." Ethnomusicology 33, no. 2 (1989): 367. http://dx.doi.org/10.2307/924420.

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