Relevant bibliographies by topics / Rebetiko

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Rebetiko'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Rebetiko"

1

Kaloyanides, Michael G., Costas Ferris, Stavros Xarchakos, and Nikos Gatsos. "Rebetiko." Ethnomusicology 33, no. 2 (1989): 367. http://dx.doi.org/10.2307/924420.

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Puchner, Walter, and Nikos Kotaridis. "Rebetes kai rebetiko tragudi (Rebetes und das rebetika-Lied)." Jahrbuch für Volksliedforschung 42 (1997): 204. http://dx.doi.org/10.2307/848065.

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Zaimakis, Yiannis. "Music-making in the social world of a Cretan town (Heraklion 1900–1960): a contribution to the study of non-commercial rebetiko." Popular Music 30, no. 1 (January 2011): 1–24. http://dx.doi.org/10.1017/s026114301000070x.

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AbstractDrawing on a range of biographical, historical, ethnographical and musicological sources, this article presents the social and historical factors contributing to the evolution in the early 20th century of a local variant of rebetiko around the Lakkos brothel district in Heraklion, the largest city in Crete. It explores the influence of a wider multicultural context on local music-making and reveals the relationship between the social life and economy of the Lakkos area and its musical and stylistic sensibilities. Emphasis is also placed on the musical culture of local subcultural space, particularly with respect to the functions of musical practices in everyday life and the poetics of improvised songs. Investigation of the social world in Lakkos suggests that the forerunners of rebetiko can be explored as a hybrid music scene associated with cross-cultural interaction between different social and ethnic groups and musical traditions. The societal and aesthetic codes of this scene, with its low life themes, coarse melodies and allegedly alien influences were seen by local elites as compromising the moral values of respectable society and subverting efforts to cultivate a national identity.
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Stamatis, Yona. "Singing the nation: Contemporary Greek rebetiko performance as carnivalesque." Journal of Interdisciplinary Voice Studies 2, no. 2 (August 1, 2017): 137–56. http://dx.doi.org/10.1386/jivs.2.2.137_1.

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Smith, Ole L. "The chronology of Rebetiko – a reconsideration of the evidence." Byzantine and Modern Greek Studies 15, no. 1 (January 1991): 318–25. http://dx.doi.org/10.1179/byz.1991.15.1.318.

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Anagnostou, Panagiota. "Did You Say Rebetiko? Musical Categories, Their Transformation, and Their Meanings." Journal of Social History 52, no. 2 (2018): 283–303. http://dx.doi.org/10.1093/jsh/shy031.

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Leboukas, Vassilis. "La thématique du rebetiko : un récit politique au carrefour de deux cultures." CEMOTI 11, no. 1 (1991): 41–50. http://dx.doi.org/10.3406/cemot.1991.960.

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LEBOUKAS, Vassilis. "La thématique du rebetiko : un récit politique au carrefour de deux cultures." CEMOTI, no. 11 (January 1, 1991): 41–50. http://dx.doi.org/10.4000/cemoti.397.

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GÜVEN, Uğur Zeynep. "BETWEEN THE TRADITIONAL AND THE CONTEMPORARY, FAMILIAR BUT DIFFERENT: AN ETHNOGRAPHIC RESEARCH ON REBETIKO PERFORMANCES." International Refereed Journal of Music Researches, no. 12 (2018): 0. http://dx.doi.org/10.17370/uhmad.2018.1.4.

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Zaimakis, Yiannis. "“Bawdy Songs and Virtuous Politics”: Ambivalence and Controversy in the Discourse of the Greek Left on rebetiko." History and Anthropology 20, no. 1 (February 4, 2009): 15–36. http://dx.doi.org/10.1080/02757200802650496.

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Dissertations / Theses on the topic "Rebetiko"

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Anagnostou, Panagiota. "Les représentations de la société grecque dans le rebetiko." Phd thesis, Université Montesquieu - Bordeaux IV, 2011. http://tel.archives-ouvertes.fr/tel-00881019.

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Cette recherche relève de la sociologie politique et aborde la musique, objet peu commun en politologie. Elleexamine le rebetiko, une musique populaire urbaine grecque, en postulant que l'analyse de musiques populairesoffre un accès privilégié aux représentations ambivalentes du pouvoir, à la participation au politique et à salégitimation. La construction d'un cadre théorique dynamique, capable de prendre en compte le changementincessant, tant musical que social, et de faire fusionner forme et contenu, approches extérieures et intérieures,conduit à adopter une méthode plurielle : historique, musicale et sociologique. La première partie propose derevisiter l'histoire du rebetiko, d'examiner ses conditions de production et sa réception pour la période quis'étend de la fin du XIXe à l'aube du XXIe siècle. A travers des articles de presse, je mets en évidence laconstruction et la fluidité de cette catégorie musicale, sa place dans l'ensemble plus large de la musiquepopulaire, ainsi que les processus de son authentification et traditionalisation. Un corpus de vingt-cinq chansons,encore populaires aujourd'hui, est ensuite analysé. Y sont décelés emprunts et appropriations, traces du passé,mais aussi potentiels oublis de réserve. Enfin, j'explore la réception actuelle du rebetiko et interprète différentsrécits tissés sur cette musique, recueillis grâce à la méthode des entretiens collectifs non-directifs enrichie parl'écoute d'extraits musicaux. Tout au long du parcours, des passerelles entre le musical et le social sont établies.Echafaudées à partir et dans le rebetiko, de multiples configurations identitaires et mémorielles dévoilentl'ambiguïté des divisions et des transformations de la société grecque.
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Stavrinides, Christos. "National identity in Greek cinema : gender representation and Rebetiko." Thesis, University of Sheffield, 2011. http://etheses.whiterose.ac.uk/14994/.

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Since the foundation of the modern Greek state in 1832 there has been a major controversy amongst Greeks as to what is truly Greek. Two central viewpoints stand out and form the two versions of the Greek national identity - the Hellenic and the Romeic. Each notion of Greekness is depicted by distinctively different characteristics in terms of its origins, mentality, behavioural norms, musical preferences as well as domestic and international relations. For most of the twentieth century the Hellenic and the Romeic were expressed through cultural discourses such as film and music. The purpose of this study is to examine the expression of these versions of Greek identity in Greek Cinema and the various ways in which this leads to gender representation. Three films are used as case studies: Stella (1955), Never on Sunday (1960) and Diplopennies (1966). Through musical, textual, sociological and historical analysis, the thesis identifies the ways in which the two notions of Greekness are portrayed in the films, primarily through the personification of these identities in the male and female protagonists. The thesis illustrates how these portrayals result in the engendering of the two identities and the attribution of gender traits to the main characters. Moreover, the study delineates how in Greek Cinema the musical genre Rebetiko became indissolubly associated with the Romeic identity and, indeed, its prime signifier. Rebetiko, through its association with the protagonists, contributes to their personification of the Romeic identity and, with its gendered traits, constitutes a central factor in the formation of gender in the films. Finally, the thesis elucidates how the film musical, the only film genre in Greek Cinema to be associated with the Hellenic identity, forms the battlefield on which the two identities confront each other and are expressed more distinctly and dramatically than in any other genre.
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Koglin, Daniel. "The Others That Are Us. Comparing Controversial Meanings of Rebetiko in Greece and Turkey." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A72033.

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Tragaki, Dafni. "Urban ethnomusicology in the city of Thessaloniki (northern Greece) : the rebetiko music revival today." Thesis, Goldsmiths College (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401905.

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Kollia, Zafiria. "L'Identité néo-hellénique entre l'Orient et l'Occident. A propos de la chanson populaire urbaine : Le Rébéttiko." Nice, 1996. http://www.theses.fr/1996NICE2001.

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Objet : une recherche sur l'identité nationale et ou culturelle des grecs, conduite à Athènes. Elle se réfère au concept psychosocial d'identité collective et reprend le cadre théorique propose par Michel Oriol qui oppose dialectiquement sa production par les appareils officiels (totalisation institutionnelle) et celle qui est effectuée par les acteurs sociaux concrets (totalisation existentielle). Celle-ci est particulièrement manifestée en Grèce par l'importance de la chanson populaire qui marque l'opposition entre la bourgeoisie orientée vers l'occident et les couches dominées orientées vers 1 orient. L’étude socio historique de la chanson et l'analyse de contenu de cent interviews semi directifs conduits à Athènes, dans les deux milieux sociaux. Confirment cette opposition, mais montrent que les milieux populaires souhaiteraient l'institutionnalisation (par l'éducation) de leurs ressources identitaires
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Cassino, Valeria. "Un canto polytropo Geografie dell'Assenza e musiche d'Altrove in Vinicio Capossela." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/7132/.

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Nella poetica di Vinicio Capossela la geografia non è soltanto questione di meridiani e paralleli, ma è soprattutto quella che ognuno di noi si costruisce attraverso i viaggi, i racconti, la creatività: le strade e le vicende della nostra vita sono secondo lui «come le colonne delle cartine antiche, fanno la nostra geografia». Una geografia fatta di luoghi reali per lui significativi - per esempio Calitri, terra d'origine di suo padre, o Milano, città in cui vive - ma anche di mondi inventati, abitati da creature prodigiose e miti letterari, che tutti insieme formano il canto “polytropo” (multiforme) di Capossela. Un canto permeato da un perenne sentimento di clandestinità e da un desiderio insoddisfatto di “barrio”, di casa. Il sentimento dell'assenza è profondamente legato alla biografia del cantautore e alla sua geografia personale, ma anche al mondo affascinante e nascosto delle musiche da cui egli trae ispirazione, le cosiddette “musiche dell'Assenza” o “musiche d'Altrove”, in senso sia spaziale che temporale. In questo lavoro trovano spazio principalmente il tango e il rebetiko e le implicazioni culturali e linguistiche che essi hanno avuto nell'immaginario di Capossela, il quale ha riadattato alcune canzoni di questi due generi; per quanto riguarda il castigliano attraverso la singolare pratica della “traduzione ad orecchio”, mentre per quanto riguarda il greco riscrivendo completamente i testi. In particolar modo sarà descritto l'incontro di Capossela con la Grecia e con il rebetiko, che ha dato vita ad una fase inedita e particolarmente feconda della sua produzione, con la nascita del disco “Rebetiko Gymnastas”, il libro “Tefteri” e il docu-film “Indebito”, creato in collaborazione con il regista Andrea Segre.
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Emmanouelides, Evangelos. "Anthropus Pananthropus : a work in three continuous movements for Symphony Orchestra with rebetiko trio, alto saxophone and double bass." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69727.

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Tsounis, Demeter. "Rebetika music-making in Adelaide : diaspora musical style and identity /." Title page, contents and abstract only, 1997. http://web4.library.adelaide.edu.au/theses/09PH/09pht88195.pdf.

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Horn, Kipps 1949. "Rebetika music in Melbourne, 1950-2000 : old songs in a new land, new songlines in an old land." Monash University, School of Music-Conservatorium, 2002. http://arrow.monash.edu.au/hdl/1959.1/8015.

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Books on the topic "Rebetiko"

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Rebetiko worlds. Newcastle: Cambridge Scholars, 2007.

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Anderson, Peter J. Rebetiko row: A history of rebetiko music. [Bloomington, IN]: Xlibris, 2011.

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Zelepos, Ioannis. Rebetiko: Die Karriere einer Subkultur. Köln: Romiosini, 2001.

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Das Rebetiko: Eine Studie zur städtischen Musik Griechenlands. Hamburg: Verlag der Musikalienhandlung K.D. Wagner, 1987.

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Papachristopoulos, Nikos. Rebetika tragoudia. Athēna: Vivliorama, 2004.

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Georgiou, Haralambos. Rebetiki mezedes ke lihoudies. Athens: Alfa, 1987.

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Gauntlett, Stathis. Rempetiko tragoudi: Symvolē stēn epistēmonikē tou prosengisē. Athēna: Ekd. tou Eikostou Prōtou, 2001.

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Ed, Emery, ed. Songs of the Greek underworld: The Rebetika tradition. London: Saqi, 2000.

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D̲elopoulos, Kyriakos. Palēozōē movorēssa: Rempetikē phantasia apo 3,500 titlous rempetikōn tragoudiōn. Athēna: Ekdoseis Kastaniōtē, 2005.

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Pherrēs, Kōstas. Rempetiko: Myth-istorēma. Athēna: Ekdot. Organismos Livanē "Nea Synora", 2000.

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Book chapters on the topic "Rebetiko"

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Tragaki, Dafni. "Acoustemologies of rebetiko love songs." In Music as Atmosphere, 184–201. [1.] | New York : Routledge, 2019. | Series: Ambiances, atmospheres and sensory experiences of spaces: Routledge, 2019. http://dx.doi.org/10.4324/9780815358718-10.

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Gerasopoulos, Vassilis. "The Malleable and Inevitable Path of Demonizing (Sub)Culture: The Case of Greek Rebetiko." In Crime and Music, 247–69. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49878-8_13.

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Pufahl, Mario. "Interview mit Dr. Andreas Rebetzky, Vice President IT & Organisation bei der Sto Group." In Sales Performance Management, 317–20. Wiesbaden: Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-05653-7_12.

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"The Semantic Space of Rebetiko." In Greek Rebetiko from a Psychocultural Perspective, 139–200. Routledge, 2017. http://dx.doi.org/10.4324/9781315562742-13.

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"Introduction: The Discursive Construction of Rebetiko." In Greek Rebetiko from a Psychocultural Perspective, 15–36. Routledge, 2017. http://dx.doi.org/10.4324/9781315562742-9.

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"Rebetiko as a Conceptual and Experiential System." In Greek Rebetiko from a Psychocultural Perspective, 201–24. Routledge, 2017. http://dx.doi.org/10.4324/9781315562742-14.

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"Discursive Mode I (Myth): Telling Tales of Rebetiko." In Greek Rebetiko from a Psychocultural Perspective, 37–74. Routledge, 2017. http://dx.doi.org/10.4324/9781315562742-10.

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"Rebetiko in Istanbul: A View from the Bosporus." In Greek Rebetiko from a Psychocultural Perspective, 105–38. Routledge, 2017. http://dx.doi.org/10.4324/9781315562742-12.

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"Musical Preferences, Activities and Training." In Greek Rebetiko from a Psychocultural Perspective, 228–32. Routledge, 2017. http://dx.doi.org/10.4324/9781315562742-16.

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"Discursive Mode II (Ritual): Performing Rites of Rebetiko." In Greek Rebetiko from a Psychocultural Perspective, 75–104. Routledge, 2017. http://dx.doi.org/10.4324/9781315562742-11.

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