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Dissertations / Theses on the topic 'Reception of greek drama'

Author: Grafiati

Published: 23 November 2024

Last updated: 31 July 2025

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1

Vedelago, Angelica. "The Reception of Sophocles'"Antigone" in Early Modern English Drama." Doctoral thesis, Università degli studi di Padova, 2019. http://hdl.handle.net/11577/3425407.

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This thesis analyses the reception of Sophocles’ Antigone in early modern English drama in the form of translation and adaptation. It focusses on the only two extant texts that can be defined as a translation or an adaptation of Sophocles’ Antigone by English authors in the early modern period: "Sophoclis Antigone" (1581), a Latin translation by Thomas Watson, and "The Tragedy of Antigone, The Theban Princesse" (1631), an English adaptation by Thomas May. Opting for the historicist strand within reception studies, I argue that these two English Antigones intersect at a crossroads of contexts –

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2

Riley, Kathleen. "The reception and performance of Euripides' Herakles : reasoning madness." Oxford [u.a.] Oxford Univ. Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780199534487.001.0001.

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3

Zaroulia, Marilena. "Staging the Other/Imagining The Greek : Paradigms of Greekness in the reception of post-1956 English drama in the post-colonels Athens (1974-2002)." Thesis, Royal Holloway, University of London, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498255.

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This thesis investigates performances of and critical responses to English plays that have been written and performed in the post-1956 period and subsequently been staged in Athens in the years following the downfall of the colonels' dictatorship. Theatre productions and reviewing are located within or positioned against the specific socio-political, ideological and cultural matrices that helped determine each intervention. The central focus of the thesis is an exploration of the relation between theatre and Greek national identity. Starting from Benedict Anderson's definition of the nation as

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4

SIDOTI, NELLO. "La circolazione della tragedia in età pre-alessandrina: le testimonianze." Doctoral thesis, Urbino, 2018. http://hdl.handle.net/11576/2657901.

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5

Karaferias, Philippos. "Larmes politiques : Étude sur la fonction politique du deuil et des lamentations rituelles dans la tragédie athénienne et ses mises en scène contemporaines en Grèce (XXe-XXIe siècles)." Electronic Thesis or Diss., Université Grenoble Alpes, 2024. http://www.theses.fr/2024GRALL009.

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La lamentation poétique dans le contexte d'une tragédie antique a impliqué la recherche scientifique de différentes manières. Dans le cadre de cette thèse, les aspects qui promeuvent la dimension politique de la lamentation seront étudiés : c'est-à-dire les lamentations théâtrales de la Grèce antique et la manière dont la dimension politique qui y est souvent contenue influence par le théâtre la réalité politique du Ve siècle. À travers une analyse de vocabulaire et une analyse structurelle des lamentations choisies, on tentera de montrer comment le deuil, un outil rituel, peut critiquer les p

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6

Taietti, G. D. "The Greek reception of Alexander the Great." Thesis, University of Liverpool, 2017. http://livrepository.liverpool.ac.uk/3007776/.

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The present thesis explores how the personality, image, and deeds of Alexander the Great have been interpreted, reshaped, and exploited by the Greeks from Antiquity to the Modern era. The main focus is the understanding of the metamorphosis of the historical persona of Alexander into a god-like mythological figure and a Hellenic national hero, researching the origins of the Alexander-myth and how it operates in response to different historico-political, social and cultural stimuli for the Greeks. The thesis is structured in two sections: first, the modern, and secondly, the ancient, which, whi

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7

Meineck, Peter. "Opsis : the visuality of Greek drama." Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/12117/.

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How were Greek plays viewed in the fifth century BCE and by deepening our understanding of their visual dimension might we increase our knowledge of the plays themselves? The aim of this study is to set out the importance of the visual (opsis) when considering ancient Greek drama and provide a basis for constructing a form of “visual dramaturgy” that can be effectively applied to the texts. To that end, this work is divided into five sections, which follow a “top-down” analysis of ancient dramatic visuality. The analysis begins with a survey of the prevailing visual culture and Greek attitudes

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8

Geller, Grace. "Translations and adaptations of Euripides' Trojan Women /." Norton, Mass. : Wheaton College, 2010. http://hdl.handle.net/10090/15122.

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9

Stefanidou, Agapi. "The Reception of epic Kleos in Greek Tragedy." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1386695983.

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10

Kampourelli, Vassiliki. "Space in Greek tragedy." Thesis, King's College London (University of London), 2002. https://kclpure.kcl.ac.uk/portal/en/theses/space-in-greek-tragedy(bd3d0365-0a17-47b5-a2b0-e7739f9c0255).html.

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11

Yoneta, Lawrence Masakazu. "Shelley's reception of Greek antiquity : rationalism, idealism and historicism." Thesis, University of Bristol, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.682720.

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The central argument of this thesis is that Percy Bysshe Shelley perceived modern relevance in the experience of the ancient Greeks. While their art, architecture, literature, philosophy and mythology were a constant inspiration for his thought and writing, a knowledge of their moral values, religious beliefs, social customs, political institutions and historical events provided him with clues to ideal society. Three chief factors are identified that determined the ways in which Shelley formed an idea of Greek antiquity: rationalism, idealism and historicism. Rationalism was an intellectual le

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12

Hawley, Richard. "Women in Greek drama : speech, status and stereotype." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365565.

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13

Bloxham, John Andrew. "The reception of Greek thought in American conservatism since 1945." Thesis, University of Nottingham, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.718464.

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This thesis examines appropriations of ancient Greek thought in modern American conservatism from World War II to the second Iraq War. It questions the depth of conservatives' engagement with antiquity and explores how contemporary concerns have influenced modern interpretations of ancient texts. It also examines how the application of these interpretations has reinforced and invigorated conservative critiques of modernity. Chapter One looks at the reception of Greek thought after World War II, when different factions joined together to form the modern conservative movement. Chapter Two examin

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14

Waters, M. "The reception of Ancient Greek tragedy in England 1660-1760." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1435225/.

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The dissertation enquires into some of the forms that the reception of ancient Greek tragedy took in England between 1660 and 1760. It looks at those critics and translators who engaged most with ancient Greek tragedy and whose engagement was accompanied by an interest in ancient theory and native English literature. Chapter 1, after examining works by George Gascoigne and Francis Kinwelmershe, Thomas Goffe, Thomas May and Christopher Wase, considers William Joyner’s original tragedy The Roman Empress (1670) in order to see what use Joyner made of Sophocles’ Oedipus and Euripides’ Hippolytus a

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15

Bardel, Ruth. "Casting shadows on the Greek stage : the stage ghost in Greek tragedy." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323009.

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16

Friedle, Simon. "Thomas Hobbes and the reception of early-modern Epicureanism." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/265540.

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This thesis is a study of Epicurean motifs (Epicurea) within the philosophical system of Thomas Hobbes in general; it examines all aspects of Hobbesian philosophy, viz. first philosophy, physics, anthropology, ethics, and politics within the context of the revival of early-modem Epicureanism and atomism in England as well as Europe. Thereby, it not only attempts to set Hobbes's understanding of Epicureanism in the general context of its reception in the seventeenth century but also to explore the specific Epicurean elements within Hobbes's philosophy. As a consequence, this thesis argues that

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17

Peirce, L. Meghan. "Botswana's Makgabaneng: An Audience Reception Study of an Edutainment Drama." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1304698745.

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18

Plant, Irene Elizabeth. "Ancient drama : stagecraft and signcraft." Thesis, King's College London (University of London), 1999. https://kclpure.kcl.ac.uk/portal/en/theses/ancient-drama--stagecraft-and-signcraft(d99beb86-ebb2-4f7d-8f0d-10f923015ec9).html.

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19

Lioliou, Theocharia. "Tackling racist conflicts in greek primary schools through drama." Thesis, Birmingham City University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.631679.

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The recent transformation of Greece from a homogenous country into one that is a receptacle for people from different cultures occurred in a society unprepared for such change, resulting in severe cases of racism, inside and outside school. The purpose of this study was to explore for the first time in the Greek setting the response of young children who had displayed prejudiced behaviour to a series of drama lessons. It also examines the efficacy of process drama in the hands of a novice in this approach drama teacher. The project was based in antiracist education theory, combining elements f

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20

Streeter, Joshua Aaron. "Greek Tragedy and Its American Choruses in Open Air Theaters from 1991 to 2014: The Cases of Gorilla Theatre Productions and The Classic Greek Theatre of Oregon." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu155534000939454.

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21

Bocksberger, Sophie Marianne. "Telamonian Ajax : a study of his reception in Archaic and Classical Greece." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:a9bacb2a-7ede-4603-9e6a-bf7f492332ed.

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This thesis is a systematic study of the representations of Telamonian Ajax in archaic and classical Greece. Its aim is to trace, examine, and understand how and why the constitutive elements of his myth evolved in the way they did in the long chain of its receptions. Particular attention is paid to the historical, socio-cultural and performative contexts of the literary works and visual representations I analyse as well as to the audience for which these were produced. The study is divided into three parts, each of which reflects a different reality in which Ajax has been received (different

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22

Inkret, Andreja. "Play-within-a-play and related forms in Greek drama." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547762.

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23

Moloney, Eoghan Patrick. "Theatre for a new age : Macedonia and ancient Greek drama." Thesis, University of Cambridge, 2003. https://www.repository.cam.ac.uk/handle/1810/272022.

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24

Salis, Loredana. "'So Greek with consequence' : classical tragedy in contemporary Irish Drama." Thesis, Ulster University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421897.

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25

Chakrabarty, Sushanta Kumar. "The Influence of Greek and Latin tragedies on English drama." Thesis, University of North Bengal, 1996. http://hdl.handle.net/123456789/1209.

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26

Evans, Samantha Jane. "The self and ethical agency in Euripides' Hippolytus and Medea." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326624.

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27

Poli-Palladini, Letizia. "Studies on Aeschylus' 'Seven against Thebes'." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326948.

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28

Allan, William. "A study of Euripides' Andromache." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363480.

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29

Webb, Montgomery Paul. "Revelation and chiasm the drama of supernatural warfare /." Theological Research Exchange Network (TREN), 2005. http://www.tren.com.

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30

Fung, Kai Chun. "The reception of Elizabethan and Jacobean drama in the Romantic period: the case of John Ford." Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/1866.

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31

Fung, Kai Chun. "The reception of Elizabethan and Jacobean drama in the Romantic period the case of John Ford /." University of Sydney, 2007. http://hdl.handle.net/2123/1866.

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32

von, Bergen Louise. "Nordisk teater i Montevideo : Kontextrelaterad reception av Henrik Ibsen och August Strindberg." Doctoral thesis, Stockholms universitet, Institutionen för litteraturvetenskap och idéhistoria, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1210.

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The primary purpose of this dissertation is to study the dialogue between the Scandinavian drama and the Uruguayan theatre; how drama from Scandinavia has been received in the Río de la Plata during the last hundred years; how it has been adapted and activated to be meaningful to the audience; how it has been integrated within the Uruguayan theatre and society and how the play changes with that new dialogue. As this is the first study of Scandinavian plays in Uruguay a secondary purpose is to document what has been put on stage; fifty-three productions, ninety percent of which were plays by He

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33

Rosenberg, Anna. "As handsome as a Greek : the reception and creative appropriation of Federico García Lorca in Modern Greek poetry (1933-1986)." Thesis, King's College London (University of London), 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629432.

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This thesis examines the relationship between Federico Garda Lorca and Modern Greek poetry as witnessed during the period 1933 to 1986. Exploring Lorca's vast popularity in Greece and arguing for his Hellenization, it is divided into two parts relating to reception and creative appropriation respectively. The first part deals with three forms of reception: translations, criticism, and poetic tributes to Lorca. Translations of his work, with a particular focus on poetry, and critical attention Lorca the poet and person received, are discussed in view of the social, political, and ideological co

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34

Rojcewicz, Stephen J. "Our tears| Thornton Wilder's reception and Americanization of the Latin and Greek classics." Thesis, University of Maryland, College Park, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10260313.

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<p> I argue in this dissertation that Thornton Wilder is a <i>poeta doctus</i>, a learned playwright and novelist, who consciously places himself within the classical tradition, creating works that assimilate Greek and Latin literature, transforming our understanding of the classics through the intertextual aspects of his writings. Never slavishly following his ancient models, Wilder grapples with classical literature not only through his fiction set in ancient times but also throughout his literary output, integrating classical influences with biblical, medieval, Renaissance, early modern, an

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35

ZARANTONELLO, MARIANNA. "The Arabic Reception of Pagan Greek Poetry and Poets in the ʿAbbāsid Period". Doctoral thesis, Università degli studi di Padova, 2022. http://hdl.handle.net/11577/3459402.

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Il presente studio indaga le dinamiche di ricezione della poesia greca pagana in lingua araba durante l’epoca ʿabbāside, nel contesto del cosiddetto movimento di traduzione e della tradizione filosofico-letteraria che si sviluppò a partire da esso. Questo specifico fenomeno di ricezione è avvenuto sia per via di traduzione passiva di testi greci in siriaco e in arabo sia attraverso un’assimilazione più libera di frammenti testuali e motivi narrativi, ma ha avuto, in generale, una portata piuttosto limitata. La poesia greca sembra essere stata ai margini degli interessi degli intellettuali arab

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36

Black, Elaine. "The Euripidean priestess : women with religious authority in the plays of Euripides." Thesis, University of Reading, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343227.

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37

Foster, Clare Louise Elizabeth. "'A very British Greek play' : a critical investigation of the origins and tradition of Greek plays in Greek in England, 1880-1921." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708816.

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38

Griffiths, Emma Marie. "Trailing clouds of glory : a study of child figures in Greek tragedy." Thesis, University of Bristol, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286028.

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39

Lalioti, Vassiliki. "Social memory and ethnic identity : ancient Greek drama performances as commemorative ceremonies." Thesis, Durham University, 2001. http://etheses.dur.ac.uk/3850/.

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This thesis is an ethnographic account of ancient Greek drama performances that take place in contemporary Greece. It illuminates an aspect of them that has not been taken into account until today: it treats them as commemorative ceremonies that produce, reproduce, and transmit social memory. The interrelation and interdependence between social memory and ethnic identity construction processes are analysed and it is shown that ancient drama performances, due to specific characteristics, constitute something more than mere theatrical events (as they are defined within the Western tradition). Th

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40

Polyakov, Maxim. "The power of time : old age and old men in ancient Greek drama." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:2d238e6d-e040-479a-ae8f-dcf5ecd7e838.

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The study of old age in the humanities has developed significantly in the last few decades, but there is still much scope for progress. This thesis, therefore, seeks to contribute to the growing academic discourse in this area by considering ageing as it is represented in ancient Greek theatre. At the same time, it seeks to take its place within Classical Studies by developing new readings of the plays. To develop a context for its analysis, this study begins with consideration of the contemporary demographics, social position, and stage portrayal of old age, and following this dedicates a cha

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41

Troiani, Sara. "Tra testo e messinscena: Ettore Romagnoli e il teatro greco." Doctoral thesis, Università degli studi di Trento, 2020. http://hdl.handle.net/11572/265461.

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The thesis aims to analyse the reception of the ancient Greek drama by the Italian scholar Ettore Romagnoli (1871-1938), considering his critical essays, translations, and theatre performances. The mutual interaction of these three aspects represents the methodological approach to understand how Romagnoli conceived the interpretation of Greek theatre and its dramatic production in the modern age. The thesis consists of three parts. The first one analyses Romagnoli’s ideas on classical studies and the modern translations of ancient Greek poetry within the Italian culture in the early 20th Centu

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42

Faúndez, Viveros Ximena. "Greek y Edipo Rey: la recepción contemporánea de un clásico." Tesis, Universidad de Chile, 2018. http://repositorio.uchile.cl/handle/2250/171044.

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Tesis para optar al grado de Magíster en Literatura<br>La investigación analiza la obra dramática Greek (estrenada y publicada en 1980) escrita por Steven Berkoff a partir de su vinculación con Edipo Rey, la tragedia de Sófocles. El objetivo de este informe es comprender los elementos del contexto de recepción presentes en Greek que inciden en su construcción. Se aborda qué aspectos de la tragedia clásica se mantienen en la obra contemporánea y de qué manera son transformados, qué concepciones culturales y dramáticas subyacen a esta nueva versión analizando el contexto sociopolítico contemporá

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43

Kaferly, Diane Helene Amelia. "Katà stoixēion : the collected letters of Aristophanes, Euripides and Sophocles." Thesis, University of St Andrews, 1986. http://hdl.handle.net/10023/15437.

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This research, a computer-assisted analysis of fifth century drama covering thirty-six plays: eleven of Aristophanes, eighteen of Euripides, and seven of Sophocles, contains detailed information concerning the distribution of letters in their works. 4 A general letter count was refined in terms of vowels and consonants, and the six consonant groups: gutturals, labials, dentals, liquids, aspirates, and sibilants. Each play was examined individually first as a whole and then in part, the trimeter sections, for as a letter or a group is to the whole so should it be to the part. And if not, why no

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44

Odirile, Shumie T. "Mareledi: An Audience-Reception Study of an HIV/AIDS Entertainment-Education Serial Television Drama in Botswana." Ohio University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1461322756.

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45

Karagiozis, Nectaria. "Children's reception and uses of fairy tale narratives in a Greek second language learning environment." Thesis, University of Ottawa (Canada), 2001. http://hdl.handle.net/10393/9033.

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Children perceive stories in particular ways and they use the rules and the roles depicted in their content to negotiate and formulate their everyday world (Wolf and Heath, 1992). This qualitative research study investigates children's construction of meaning and use of fairy tale narratives in a Greek second language learning environment. Twenty-two participants from the Canadian Greek Heritage Language School participate in the study. The students are asked to reflect on their engagements with specific Greek fairy tales, and then to express the ideas and feelings produced through their inter

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46

Andreiomenos, Giorgos. "The reception of Kalvos by modern Greek criticism : an account of the bibliography 1818-1960." Thesis, University of Birmingham, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519513.

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This thesis deals with the reception of Kalvos by Greek criticism and consists of ten Chapter in three parts. The first chapter refers to the positive reactions of European critics to Kalvos's first scholarly and poetic appearances in public. Chapter two discusses the reception of Kalvos by nineteenth century criticism, expressed primarily by Heptanesian literati and the Romantics of the Old Athenian School. The third chapter examines the treatment of Kalvos's poetry by Kostis Palamas and the contribution of the latter to the development of Kalvian Studies. Chapter four assesses the legacy of

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47

Drummen, Annemieke [Verfasser], and Anna [Akademischer Betreuer] Bonifazi. "Language on stage. Particles in ancient Greek drama / Annemieke Drummen ; Betreuer: Anna Bonifazi." Heidelberg : Universitätsbibliothek Heidelberg, 2017. http://d-nb.info/1180985966/34.

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48

Sakellari, Alexandra. "The scenic presentation of the Electra-myth in Greek, German and American drama." Thesis, University of Bristol, 1994. http://hdl.handle.net/1983/844c957b-a33e-4e4a-a6ba-a3b3bd83174d.

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49

Van, Essen-Fishman Lucy. "Character through interaction : Sophocles and the delineation of the individual." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:c23353ec-cc60-453e-8c58-b13d01840a19.

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In this thesis, I argue that Sophoclean characters take shape through a number of different kinds of interaction. On the most basic level, interaction occurs between characters; interactions between characters, however, provide a framework for interactions between those characters and a variety of more abstract concepts. These interactions, by allowing characters to situate themselves with respect to concepts such as, for example, the social roles which shape the society of the play, provide a more complex picture of the personalities depicted onstage; a fuller view of Antigone’s personality,

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50

Garde, Ulrike 1964. "The Australian reception of Austrian, German and Swiss drama : productions and reviews between 1945 and 1996." Monash University, German Studies, 2000. http://arrow.monash.edu.au/hdl/1959.1/8820.

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