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Hiscock, Matthew. "Reception Theory, New Humanism, and T. S. Eliot." Classical Receptions Journal 12, no. 3 (April 14, 2020): 323–39. http://dx.doi.org/10.1093/crj/clz033.
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Abstract T. S. Eliot has been a major, if challenging, figure for students of reception and the Classical Tradition, and is implicated in an important debate on historicist versus aestheticist models of reception study. This article challenges assumptions about his position on, and practice of, reception. The politics implicit in theorists’ references to Eliot is teased out, and the position he took in response to inter-war New Humanism is shown to be predominantly historicist. An analysis of The Family Reunion (1939) then suggests that the Modernist-poetic approach he therefore took to the Oresteia broke so decisively with existing models of reception as to have called the fact of reception into question. The play is also shown to build on H.D.’s experiments in translation and to respond to Aeschylean receptions by Robinson Jeffers and Eugene O’Neill. It is further suggested that it anticipates several aspects of recent Reception Theory.
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Knight, Mark. "Wirkungsgeschichte, Reception History, Reception Theory." Journal for the Study of the New Testament 33, no. 2 (November 26, 2010): 137–46. http://dx.doi.org/10.1177/0142064x10385858.
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Hambali, Muhammad, Imam Suyitno, Roekhan ., and Martutik . "Reader Response on Public Figure Opinion in Social Media." Webology 19, no. 1 (January 20, 2022): 4158–73. http://dx.doi.org/10.14704/web/v19i1/web19274.
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The purpose of this study is to describe the public's reception of essays by Indonesian public figures, namely Dahlan Iskan, on social media. The ease with which social media is used to communicate has increased the involvement of the audience in receptive to a work. In fact, audience receptions on social media are often used as a reference in assessing whether or not a work is good. Therefore, research on reader reception on social media is interesting to do. This research uses qualitative methods and the research approach used is reception study. In this study, the theory of active audiences in the form of the encoding-decoding model proposed by Stuart Hall is also used. The results showed that there were three typologies of audiences in receptive to Dahlan Iskan's essays, namely there were four models of readers in receptive to DI essays on social media. The four reader models include (a) dominant-hegemonic readers, (b) negotiating readers, (c) oppositional readers, and (d) recreational readers. The categorization of this reader model is based on the position of the reader towards the text being received. Apart from these four categories, ideological-political readership models are also found, namely readers who are not dominant, negotiating, in opposition, or recreational. Readers of this model respond to the work by relating it to political conditions. Whatever works are received, readers of the ideological-political model always relate the content of the work and comment negatively on the political conditions in Indonesia.
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Jung, Kyunghoon, Ba-ro Kim, Minkyu Kim, Jungsik Park, YeiBeech Jang, and Woobin Im. "Film Reception and Dominant Desire: A Study on the Reception of Roaring Currents with Psychoanalytic Text-Mining." Criticism and Theory Society of Korea 22, no. 2 (June 30, 2017): 85–113. http://dx.doi.org/10.19116/theory.2017.22.2.85.
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Nurmansyah, Ihsan. "Resepsi Hadis Tuntunan Sebelum dan Setelah Pernikahan Dalam Film Papi dan Kacung Episode 12-13." Living Islam: Journal of Islamic Discourses 2, no. 2 (November 24, 2019): 281. http://dx.doi.org/10.14421/lijid.v2i2.2015.
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This paper discusses the study of living hadith in the film “Papi dan Kacung” (read: PdK) episodes 12-13 uploaded by Qoryyan on Instagram in 2019. The film is a short film of Islamic nuances which in each scene shows a reception of the Prophet’s hadith, especially about guidance before and after marriage. In addition, one of the episodes of the film has received more comments from Instagram account users compared to other episodes. Therefore, to find out the variety of receptions on the Prophet’s hadith in the film “PdK” episodes 12-13 using reception theory introduced by Ahmad Rafiq. The results of this study are 1) exegetical reception manifested in the reading of the Book Riyadhus Shalihin and Minhajul Muslim: Konsep Hidup Ideal dalam Islam; 2) the aesthetic reception contained in the reading of the two hadith books accompanied by the backsound "I Came to Know Love"; 3) functional receptions are realized more inclined towards informative ie before men are married they should look for women who are righteous, while after marriage the husband helps with homework.
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Easterbrook, Rhiannon. "Reception." Greece and Rome 71, no. 1 (March 6, 2024): 171–77. http://dx.doi.org/10.1017/s0017383523000323.
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We have two volumes in Bloomsbury's Classical Receptions in Twentieth-Century Writing series edited by Laura Jansen, namely, Derek Walcott and the Creation of a Classical Caribbean by Justine McConnell, and J. R. R. Tolkien's Utopianism and the Classics by Hamish Williams. Both texts have three main chapters to which is devoted one aspect of the author's reception of the classical world. In the former, McConnell identifies three recurring approaches or processes in Walcott's creation of a ‘classical Caribbean’, often drawing on postcolonial theory. These are: non-linear or non-colonial temporalities (explored under the heading ‘Time’), ‘Syncretism’, and ‘Re-creation’. At the same time, McConnell not only analyses the St. Lucian author's relationship to classical culture and education, but situates his work within that of other Caribbean writers. McConnell paints a cohesive picture of Walcott's (self-)positioning in these entanglements of times, places, and traditions, and makes a number of useful observations about classical reception more broadly.
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Qudratullah, Qudratullah. "PEMAKNAAN KHALAYAK TERHADAP KONFLIK SELEBRITI PADA TAYANGAN INFOTAINMENT." Al-Din: Jurnal Dakwah dan Sosial Keagamaan 5, no. 1 (January 6, 2020): 128–37. http://dx.doi.org/10.35673/ajdsk.v5i1.576.
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AbstractInfotainment news about artists that air on television is always unique and interesting to watch. This is caused by conflicts displayed on the television screen. To still be able to exist, celebrities carry out a strategy by creating a variety of controversial and behavioral behaviors which are then widely covered and broadcast by infotainment on television. The conflict news program carried out by these celebrities contained codes for each event. So this study tries to find out how the analysis of public receptions on the contents of messages in the reporting of celebrity conflicts in infotainment. This study uses a reception analysis method by conducting interviews with informants who have met certain criteria. The theory used is the Encoding-Decoding Theory by Stuart Hall. The results show that there are 3 reception categories in celebrity conflict news on the audience. Four people in the Dominant Hegemonic category, one in the Negotiated category, and one in the Oppositional category. Keywords: News, Celebrities, Infotainment, Reception Analysis, Encoding-Decoding.
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King, Rob E. "Bibliographic Metaparatexts and the Author Function of Librarians." Narrative 32, no. 1 (January 2024): 80–100. http://dx.doi.org/10.1353/nar.2024.a916606.
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ABSTRACT: Through subject heading analysis of a popular culture franchise’s bibliographic records across its transmedia, library catalogers as well as metadata librarians are shown as authors of impactful metaparatext. In terms of reception studies, metaparatext intervenes in readers’ receptions of sought narratives. In this study, the Hellraiser franchise is chosen for rich subject analysis, providing one narrative mediated in books, VHS, DVD, Blu-ray, and graphic novels temporally across decades and assigned descriptive metadata, such as subject headings, by librarians. The subject analysis produces an accumulated narrative of metaparatext authored by cataloging and metadata librarians that attempts to describe the “aboutness” of the narrative text from the satellite positionality of bibliographic records—outside of the text, a paratext of aboutness. When it is acknowledged that librarians’ bibliographic services fulfill a paratextual author function in the process of text-to-reader reception, value is added to the field of bibliographic librarianship, and its impact on theories of reception and narratology is established. In this study, the analysis of Hellraiser ’s accumulated narrative produces a three-narrative structure, that of the patron’s narrative, the cataloger’s narrative, and the popularity and audience narrative. These three narratives mirror the messaging and reception process exhibited in the rhetorical triangle, producing the context for reader, author, and historicity or “the where” of reception. In situating bibliographic metadata as impactful metaparatext that intervenes in a reader’s reception of a narrative, this paper extends the research of library experts Jack Andersen, Rachel Sagner Buurma, Jon Shaw, and Roswitha Skare in its inclusion of reception studies and subject analysis lens of accumulated narrativity.
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Wulandari, Yosi, Wachid Eko Yosi, and Fitri Merawati. "TRANSFORMASI CERITA KOLONIAL DALAM TEKS “ORANG RANTAI”." tuahtalino 13, no. 1 (July 5, 2019): 96. http://dx.doi.org/10.26499/tt.v13i1.1113.
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The purpose of this study is to describe (1) the authors' reception of the colonial discourse in the text of "Orang Rantai"; (2) forms of transformation of the colonial story in the text of "Orang Rantai". This research is descriptive qualitative research type with content analysis method. The approach of this research is the literature of intertextuality appeals with the application of literary receptions theory. The theory of literary reception used is Hans Robert Jauss, Jaus states that the aesthetics of the reception itself is essentially a synthesis of poetic theory and also the theory of interpretation or often called hermeneutics. The object of this research is the story of "Orang Rantai”. The subject of this research is the story of the people "Orang Rantai" is a story that originated from the area Sawahlunto West Sumatra which began as an oral literature, the book “Orang Rantai” written by TIM Lecturer Department of Language and Literature Indonesia UNP, and short story "Orang Rantai" by Pinto Anugrah. Data were collected by interview, transliteration, data inventory, literature study, analysis and interpretation, and conclusions. The result of this study is the transformation of colonial discourse in the text of the chain of content is maintained but there is a change of shapes and styles of storytelling based on the author's receptions of the text of the preceding chain. Transformation of the text is a manifestation as the writer can not avoid the influence of the preceding text and the story is the present according to the times..
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بصافي, رشيدة. "الترجمة المرجعية المعرفية والمنهجية لنظرية التلقي." Traduction et Langues 13, no. 1 (August 31, 2015): 71–78. http://dx.doi.org/10.52919/translang.v13i1.833.
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Cognitive and methodological reference translation of the theory of reception
The most prominent feature of the concept of reception in cognitive reality and literature is that it falls into a kind of conflict between existentialism and its philosophical and logical directions and conceptions. This led to the occurrence of ideological political conflicts in German thought with the Marxist system; which opposed the reception theory. On the other hand, we realized that the theory of reception gives great attention to attributing complete freedom to the individual in order to live his existential and cognitive reality; a fact that made the theory of reception a revolution against this system, which tightened its grip on the reader, making him directed by this compulsion for a long time in Germany. On the basis of these assumptions, the theory of reception built its critical and cognitive principles on the fact that the reality of the text is just an image without dimensions. Perhaps what prompted this kind of study and the cognitive vision adopted by the reception theory in its traetment of the cognitive reality, namely the literary text, its great interest in the merit of reception and the principle of perception itself. These principles, which became later the main pillar in the theory of reception, are perhaps the most important ones: the freedom of the reader, the making of meaning or the concept through participation, and finally the essential purpose of aesthetic pleasure.
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Dean, Carolyn J. "Metahistory: The Historical Imagination in Nineteenth-Century Europe, by Hayden White." American Historical Review 124, no. 4 (October 1, 2019): 1337–50. http://dx.doi.org/10.1093/ahr/rhz863.
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Abstract Hayden White’s 1973 Metahistory tossed the entire concept of historical science out the window, claiming that historians are fundamentally artists who imbue historical action with aesthetic and ethical purpose. The book urged historians to grapple with whether and how their writing creates rather than reflects reality. It also celebrated the ethics and art of history-writing and diminished historians’ empirical claims. There were two receptions of White’s work: the first, amply documented, was among intellectual historians and others in humanities’ disciplines, especially literary theory; the second took place within the mainstream of the discipline and has received little attention. This essay assesses how mainstream historians’ reception of Metahistory unfolded from the 1970s, and with what consequences. Historians focused on White’s purported conflation of language and reality and neglected his argument about how and why historians resist theory. In so doing, he demonstrated—and the reception of his work demonstrates in turn—that historians most effectively resist theory when they seem most to engage it.
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Huda, Nur, and Athiyyatus Sa’adah Albadriyah. "LIVING QURAN: RESEPSI AL-QUR’AN DI PONDOK PESANTREN AL-HUSNA DESA SIDOREJO PAMOTAN REMBANG." Al-Munqidz : Jurnal Kajian Keislaman 8, no. 3 (September 7, 2020): 358–76. http://dx.doi.org/10.52802/amk.v8i3.266.
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This study aims to analyze the al-Qur'an reception at Al-Husna Islamic Boarding School Sidorejo Pamotan Rembang. This research is a qualitative research using inductive descriptive method. Qualitative research is a research procedure that analyzes descriptive data in the form of speech or written observations. Inductive descriptive method aims to describe and analyze data to obtain a general description or description of the al-Qu'ran reception at Al-Husna Islamic Boarding School. This research confirms that the Qur'an is a holy book that is always in harmony with all situations and conditions (ṣāliḥ li kulli zamān wa makān). The theory used by the researcher here is Karl Mannheim's sociological theory of meaning, which focuses on three typologies of meaning, namely objective, expressive, and documentary meanings. This study yielded at least two findings. First, there were several types of receptions at the Al-Husna Islamic Boarding School. Second, the meanings inherent in the reception include, a) objective meaning, that the variety of reception behavior at Al-Husna Islamic Boarding School is part of a symbol of obedience and disbelief towards the pondok regulations, b) the meaning of expression is manifested in the form of self-internalization with values positive values in the continuous learning process of the Koran, and c) documentary meaning is manifested in the form of local contextualization of a comprehensive cultural system.
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Tjin, Yohanes. "Inner-Biblical Exegesis as a Form of Reception." RERUM: Journal of Biblical Practice 2, no. 1 (December 12, 2022): 1–16. http://dx.doi.org/10.55076/rerum.v2i1.63.
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There are certain assumptions with inner-biblical exegesis which, in light of reception theory, can not be maintained. Reception theory stresses the social context and function of the act of reading which is also present in inner-biblical exegesis and must be analyzed. Hence, a proper methodology is needed to study inner-biblical exegesis. Through comparative analysis between reception theory and inner-biblical exegesis, in this article, I argue that inner-biblical exegesis can be seen as a form of reception. Two distinctive features of inner-biblical exegesis—directionality and intentionality—fit nicely with the concept in reception theory—the first- and second-degree texts. Furthermore, seeing inner-biblical exegesis as a form of reception necessitates an understanding of its social function as it is influenced by and seeks to influence its social-historical context. Therefore, studying inner-biblical exegesis is not only limited to identifying strategies of interpretation but also its social-historical context and, hence, its social function.
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Szabóová, Lucia. "Recepčná estetika Wolfganga Isera a Hansa-Roberta Jaußa ako jeden zo spôsobov hľadania významu literárneho textu." Nová filologická revue 14, no. 1 (July 25, 2022): 118–30. http://dx.doi.org/10.24040/nfr.2022.14.1.118-130.
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Reception theory deals with the reception of literary text itself as well as its effect on a potential reader. On one hand, the reception aesthetics examines how readers in different historical situations react to a literary text, and thus deals with real readers whose reactions point to a certain historically conditioned literary experience. On the other hand, Wolfgang Iser's Theory of the Aesthetic Response observes the impact of a literary text on its implied reader and how it provokes a reaction. The aim of this study is to emphasize (in some moments) the variously used and applied theoretical and philosophical starting points in Wolfgang Iser's reception aesthetics and the reception theory of Hans-Robert Jauß.
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Do, Hieu Van. "Reception aesthetics in Vietnam." Science and Technology Development Journal 16, no. 2 (June 30, 2013): 47–57. http://dx.doi.org/10.32508/stdj.v16i2.1462.
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Reception aesthetics is a theory of literature which has exerted major impacts throughout the world from the late 1960s to the late 1980s in the West, espacially dymanically in China from the 1980s of the 20th century to the first decade of the 21st century. In Vietnam, although this theory was born quite early (1985), its mark is still not deeply engraved; thus a lot of potentials not having been discovered and utilized. Recreating the complete appearance of reception aesthetics in Vietnam and explaining the cause of that appearance is an important basis for discussion about the reception of foreign theory. How to make Vietnam literature theory integrated and successfully communicated with the world literature theory? How to make the most effective use of the Western theory in solving problems of the local literature? How to build a firm theory background imbued with national identities in the context of globalization? etc. are the author’s issues of great concerns.
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Ramadhan, Alwi Putra, Novin Farid Styo Wibowo, Moch Fuad Nasvian, and Mohd Hilmi Bakar. "Analysing sexual communication messages in Durex condom advertisement from marital standpoints." Jurnal Studi Komunikasi (Indonesian Journal of Communications Studies) 8, no. 1 (March 27, 2024): 001–10. http://dx.doi.org/10.25139/jsk.v8i1.7051.
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This research aims to explore the reception of sexual communication messages within the context of marital relationships in the Durex "Unequal Dinner" advertisement series. The method employed in this study is qualitative-descriptive, utilising Stuart Hall's Encoding-Decoding Theory to understand the reception by the subjects. Data was collected through in-depth interviews with four married female subjects born between 1981 and 1996 from the millennial generation. They reside in East Java, Indonesia, have been married for less than 10 years, and are parents. The research highlights differences in the reception of the subjects, stemming from their diverse experiences and backgrounds. Factors such as geographical distance, societal culture, and sexual education influence how they receive the sexual communication messages presented in the advertisement. Simultaneously, a dominant-hegemonic narrative position was observed in the subjects' receptions, indicating a close alignment between their experiences and the sexual communication messages conveyed by the Durex "Unequal Dinner" advertisement series. However, it does not guarantee the subjects' interest in purchasing Durex products.
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Thiselton, Anthony C. "Reception Theory, H. R. Jauss and the Formative Power of Scripture." Scottish Journal of Theology 65, no. 3 (July 27, 2012): 289–308. http://dx.doi.org/10.1017/s0036930612000129.
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AbstractFormation constitutes the key link between reception theory, Jauss and scripture. The Bible shapes readers by showing them what lies beyond the self. Hans Robert Jauss (1921–97) remains the effective founder of reception theory or reception history. He was a literary theorist, who specialised in romance literature. Following Hans-Georg Gadamer, he insisted that texts carry ‘a still unfinished meaning’, and focused on their historical influence. The exposition of how communities or thinkers have received texts includes de-familiarisation; sometimes the ‘completion’ of meaning, as in much reader-response theory; and instances of when a text ‘satisfies, surpasses, disappoints, or refutes the expectations’ of readers. Reception theory can often trace continuity in the reception of texts, as well as disjunctions, reversals and surprises. It offers a more disciplined approach to scripture than most reader-response theories. Clearly horizons of expectation play a major role in the interpretation of biblical texts. I suggest six direct parallels with biblical interpretation. (1) Like Francis Watson and others, Jauss rejects any value-neutral objectivism in interpretation. (2) The readers’ horizon of expectation derives partly from earlier readings of the text. (3) Horizons can move and change, and thus transform readers as these change. (4) Biblical genres display all of Jauss’ accounts of the responses of readers. For example, parables of reversal may surpass what the Christian believer expects, or disappoint the unbeliever. (5) Like Gadamer, Jauss emphasises the importance of formulating constructive questions in approaching texts. (6) Jauss’ ‘levels of reading’ correspond closely with Bakhtin's notion of polyphony. I compare Ormond Rush's work on reception and otherness, and Luther's insistence that the Bible often confronts us as our adversary to judge and to transform us. Finally, we illustrate the history of reception from Ulrich Luz on Matthew, from Childs on Exodus, and from my commentaries on 1 Corinthians and 1 and 2 Thessalonians.
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Jan, Myjkowski. "Remarks on the theory of hearing-a traveling wave part two." Archives of Otolaryngology and Rhinology 8, no. 2 (May 4, 2022): 007–8. http://dx.doi.org/10.17352/2455-1759.000145.
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In the paper, attention was paid to the procedure of reception and transforming auditory information, which does not comply with Bekesy’s traveling wave theory. This concerns the sound reception below the hearing threshold in some animals and birds. Discussed are some issues related to the traveling wave theory with an explanation of directional hearing. Indicated was a possibility of reception, especially, of high frequencies, directly on the receptor, without the basilar membrane, due to the conduction of sound waves through soft tissues and a bone.
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Namestiuk, Svitlana, Alyona Tychinina, and Yulia Vilchanska. "The transitivity as a genrological factor of intertextuality." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 23 (2020): 72–77. http://dx.doi.org/10.34079/2226-3055-2020-13-23-72-77.
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The transitivity of the plot in the aspect of the reception theory exposed the phenomenon of culturological transit, which has its own laws – actually cover the receptive segment of literary science. The article emphasizes the functions of the narrator in creating the personosphere when generating a classical plot. The types of narratives have been selected in M. Bulgakov’s works. The triple argumentation of the receptive theory allows exploring the process of the immanent perception of canonical artistic text. In our case, by studying the existing versions (generative models) of Bulgakov’s «Master and Margarita», we adhere to the signposted methodological contour.
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Botha, P. J. "Resepsieteorie: Konkurrent of Komplement van die Teksimmanemte Eksegese?" Verbum et Ecclesia 10, no. 2 (July 18, 1989): 113–27. http://dx.doi.org/10.4102/ve.v10i2.1001.
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Reception theory: competitor or complement of text-immanent exegetical methodology? Due to the underlying principles on which it was based and which suggest a critical view of positivism and its idea of applying an exegetical “method” to a text, it seems as if the reception theory could only be regarded as an alternative to text-immanent exegesis. This paper reflects on the possibility of incorporating the insights of the reception theory into a text-immanent model so as to form a comprehensive exegetical approach.
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Siuta, Halyna. "Terminology of receptive stylistics: the adaptation of other-disciplinary concepts." Terminological Bulletin, no. 5 (2019): 104–11. http://dx.doi.org/10.37919/2221-8807-2019-5-13.
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Receptive stylistics is the latest trend in the stylistics of text. It studies the mechanisms of text perception, in view of the account time, socio-cultural and individual psychological factors of perception. This integrative model of textology combines the ideas of hermeneutics, phenomenology, receptive aesthetics and poetics, traditional poetics, linguоsynergetics etc. Maximum openness to the researching of the intellectual and communicative nature of the text is reflected in the terminology of receptive stylistics. One of the theoretical platforms of receptive stylistics is receptive aesthetics (aesthetics of the reception). Terminology of this scientific branch was actively accepted and integrated into the special language of the new stylistic direction. First of all, we are talking about key concepts such as aesthetic experience and horizon [expectations] of the author / reader, horizons of perception / understanding. empty spaces / semantic gaps in the structure of the text, identification of the reader with the text, specification of the text, actual dimension of the text, etc. Today, the Ukrainian receptive theory is structured by the concept of actualization of the text, the horizon of the text, the constitution of the text, the communicative certainty / uncertainty of the text. Emphasizing theoretical and methodological cores of contemporary Ukrainian receptive theory, it is necessary to focus on the national historical and cultural context of its constructing. Especially important from this point of view is the treatise by Ivan Franko From the Secrets of Poetic Art. Most of the theses of this work present a progressive vision of the deep psychological mechanisms of reading the artistic text in the measure of active perception, as lingual and aesthetic communication, dialogue between the author and the reader through the text. Also, the concurrence of Ivan Franko’s views with fundamental receptive principles of studying artistic text constitutes the scientific concepts of aesthetics, inductive aesthetics, perception, reception, suggestion, resonance, sensory vibration, etc. Consequently, the concept of reading and interpreting works of verbal art, formed in the treatise From the Secrets of Poetic Creativity, implicitly contains the basic principles of receptive aesthetics and poetics. Cardinally new philosophy of reconnaissance of the nature of artistic text, psycholinguistic mechanisms of influence on the reader, regularities of reception and interpretation at the end of the 20th century presented linguistic synergetic. Actual, and in some aspects methodological for receptive theory has become the following concepts of linguistic synergetic: nonlinearity of development, stability / instability of development, openness of the system, rhizomes, energy of the text, energy resonance, author’s energy, reader energy, etc. In contemporary receptive stylistic studies they do not stagnate, but are in a state of active deepening, refinement. For example, the concept energy of the text is coordinated with such established, well-known categories of stylistics as linguistic and literary tradition, lingual and cultural memory, reception and interpretation. Process of terminological borrowing and assimilation of units of other disciplines contributes to the development of an integrative terminological paradigm optimally adapted to the needs of the reciprocal description of the nature of artistic text.
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Sukiman, Uki. "RESEPSI SASTRA NOVEL SARAH KARYA ‘ABBAS MAHMUD AL-‘AQQAD." Adabiyyāt: Jurnal Bahasa dan Sastra 12, no. 1 (July 31, 2013): 208. http://dx.doi.org/10.14421/ajbs.2013.12110.
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Sarah’s novel is a unique masterpiece of an author dubbed as Imlaq al-'Arab (The Giant), ‘Abbas Mahmud al-‘Aqqad. This novel is unique because it is the only of his work written in the form of novels among his works. It's pretty awesome because al-'Aqqad has written about 83 books in various fields of science and 10 anthologies of poetries. The presence of this novel provokes some responses of various groups of litterateurs, writers, and readers, either a positive or a negative response, particularly when it is associated with al-‘Aqqad’s side of life as well as the condition of society in his time of life. To review this novel, the author uses the Reception Theory in Literature. The theory emphasizes the reader's reception of a literary text as an important factor in the interpretation of literature. In fact, the reader as interpreter presents diversity of meaning in accordance with the Horizon of Expectations as Hans Robert Jauss said. In addition, the diversity of reader reception is also based on characters of literature itself. It always presents 'open plek' according to Walfgang Iser. It will be filled and solidified differently by the readers. The method used is the Critical Approach that aims to discuss the reception developments of review, criticism, commentary, analysis, or other forms of research such as graduating papers, theses, and dissertations. Reader’s reception toward the novel of Sarah published in1964 up to 2005 shows on three receptions feature. First, the novel is supposed as a novel presenting the women's psychological analysis. Second, Sa>rah novel is as an autobiographical novel that describes the author's love story. Third, Sarah novel is a realist novel depicting the reality of class conflict and describing the attitude of women leaders and scholars of Egypt in facing of modernization.
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Jackson, Lucy. "Ghostly Reception and Translation ad spiritum: The Case of Nicholas Grimald’s Archipropheta (1548)." Translation and Literature 32, no. 2 (July 2023): 139–56. http://dx.doi.org/10.3366/tal.2023.0546.
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When considering the landscape of drama and theatre performance in the sixteenth century in terms of classical reception, original plays written in Latin have not been accorded full attention. The many hundreds of Latin plays written and performed in England alone in this century were potentially vital locations for experimentation and for the reception not only of obvious Roman models but also of ancient Greek plays. In this article, one example, the biblical Latin drama Archipropheta by the scholar, poet, and playwright Nicholas Grimald (1519–1562), is examined to show how it is haunted by ancient Greek tragedy. This haunting speaks to the anti-chronological way in which reception of this kind might have worked, with audiences’ first encounters with Greek tragedy as such being shaped by the receptions of Greek tragedy they had already witnessed in original Latin plays such as this.
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Astari, Rika, and Rika Astari. "Indonesian Muslim Society's Reception of Sensation Language and Invitation to Polygamy on Social Media." Indonesian Journal of Islam and Muslim Societies 13, no. 2 (December 31, 2023): 369–98. http://dx.doi.org/10.18326/ijims.v13i2.369-398.
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Poligami Asyik Channel is one of the media used by Ustad Awan (UA) to socialize polygamy invitations. The language on this polygamous YouTube uses sensational language. Even though this invitation to polygamy is packaged in sensational language, it is still defeated by personal and interpersonal experiences that are discussed on social media and represented in stories from films and soap operas. This paper aims to map the forms of reception, the factors behind the reception and their impact on public discourse on polygamy law.This research is qualitative and based on primary and secondary data. Primary data was obtained from distributing questionnaires to participants in the Daurah Poligami online training (December 2022) and studies on the Poligami Asyik Channel (from December 1 to December 23, 2022). Data are sorted and classified based on Stuart Hall's reception theory. The stages of data processing started with the reduction of netizens' expressions /receptions in the comments column. The observation of data display is carried out in the form of a summary and synopsis based on reception expression patterns. The analysis follows an interpretation technique that starts with a restatement of the data followed by a description, ends with an interpretation of the dataThe results of the study show that invitations to polygamy using sensational language increase public rejection of polygamy. The public reception is through personal and interpersonal expressions that are discussed on social media and then represented in public entertainment media (soap operas and films). The difference in the reception then becomes a hybrid reception that further dramatizes polygamy law, so that it is not in line with Islamic law.
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Jambak, Mellinda Raswari, Indah Rarasati, and Arif Rahman Hakim. "Analisa Qashidah Nahdliyyah Karya M. Faisol Fatawi: Kajian Resepsi Sastra Prespektif Hans Robert Jauss." Afshaha: Jurnal Bahasa dan Sastra Arab 1, no. 2 (November 24, 2022): 137–48. http://dx.doi.org/10.18860/afshaha.v1i2.17840.
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Every human being has his own view in assessing a literary work. These views can be collected and used as an assessment of a literature. The existence of different receptions in responding to a literary work raises a unique thing. By studying literature through Hans Robert Jauss's theory of literary reception, it can be a material for introspection for authors and readers as well as assessing the superiority or value of the literary work. This study aims to (1) describe how UIN Malang students respond to Qasidah Nahdliyyah, (2) describe the horizon of readers' expectations of Qashidah Nahdliyyah, (3) describe the factors that cause differences in responses and horizons of readers' expectations. The theory used is Hans Robert Jauss' literary reception called Horizon Harapan. This research is presented in the form of a table containing the results of the researcher's questionnaire to several students. The results of this study are the discovery of factors that cause variations in responses and horizons of readers' expectations in the form of: (1) the reader's experience in studying literary works, (2) the reader's knowledge of poetry and its building elements, (3) self-identity, education, and The respondent's family background is not a factor in the differences in literary receptions.
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Saybulaeva, Saida A. "Destructive Aspects of Reception: Issues of the Theory and Practice." Juridical World 2 (January 25, 2024): 22–26. http://dx.doi.org/10.18572/1811-1475-2024-2-22-26.
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This article discusses the issues of negative reception in theoretical interpretation and practical implementation. Certain types, features and political and legal consequences of forced reception are indicated. Separate types of reception are investigated as: forced, colonial, occupation and neocolonial. The practical aspects of the application and consequences of such a receipt in state legal systems are analyzed. The relevance of legal borrowing as the main method of institution and improvement of organizational and functional aspects of the national and foreign policy of the state is emphasized, provided that appropriate legal material is received, qualified and constructive incorporation of the received provisions into the national legal system, ensuring the harmonization of innovative regulatory material with functioning legal norms.
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Prinsloo, J. "Beyond Propp and Oedipus: Towards expanding narrative theory." Literator 13, no. 3 (May 6, 1992): 65–82. http://dx.doi.org/10.4102/lit.v13i3.771.
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Aspects of theory surrounding both narrative and reception of film is examined and interrogated. The structural analysis offered by Propp, among other theorists, and insights of psychoanalysis are considered to rework the Oedipal scenario. This paper draws on ideas around transgression and refers to aspects of Oedipus’s life which are largely ignored as the focus of psychic scenario. The narratives of two films. On the Wire and Mississippi Masala are examined in relation to contradictions surrounding their reception.
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Lauta, O. D., and S. M. Geiko. "Phenomenolological review v. cierer of reading proceedings in the context of its «litery anthropology»." Humanitarian studios: pedagogics, psychology, philosophy 1, no. 100 (April 30, 2020): 64–70. http://dx.doi.org/10.31548/hspedagog2020.01.064.
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The phenomenological review of V. Izer's reading process in the context of «literary anthropology» is analyzed. The philosopher makes a distinction between interpretation and reception. The first, in his opinion, gives the imagination a «semantic definition», and the second – a sense of aesthetic, object. The first passes within the limits of the «semantic orientations» of the literary theory, and the second – within the limits of the cultural and anthropological context. The article deals with the philosophical analysis of the reception aesthetics. For the supporters of this theoretical direction, there is an inherent shift of attention from the problems of creativity and literary work to the problem of its reception or, in other words, from the level of psychological, sociological or anthropological interpretation of the creative biography, to the level of perceived consciousness. Receptive aesthetics gives the reader privilege in the «text/reader» paradigm and gives him the cognitive and affective ability to create his own text from this text.
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Volek, Emil, and Robert C. Holub. "Reception Theory: A Critical Introduction." German Studies Review 9, no. 3 (October 1986): 679. http://dx.doi.org/10.2307/1429959.
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Stolica, Danica. "Positioning of the reception theory." Kultura, no. 148 (2015): 248–58. http://dx.doi.org/10.5937/kultura1548248s.
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Adelmann, Kent. "Lyssnandets århundrade?" Educare, no. 1 (March 1, 2011): 43–64. http://dx.doi.org/10.24834/educare.2011.1.1216.
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The purpose of this study is to contribute to the knowledge about the importance of listening in modern sound technology and the importance of tradition in reception analysis of literary conversations. The object of inquiry is The poetics of the talking book, a dissertation about how different groups of listeners understand the reception of audio books in literary conversations. The problem explored is: What is the significance of listening in this dissertation? This text analysis has two points of departure. The first point of departure concerns the language used in the dissertation. Results from the study show that the language used is mainly influenced by literary reception and reader response theory, and is therefore misleading to the reader when it comes to listening reception of the talking book. The second point of departure concerns the analytical conceptions used in the dissertation. Results from the study show that the conceptions used comes solely from literary reception and reader response theory, which means that the authors twelve references from listening reception and listening theory are never used in the analysis. The conclusion is that the dissertation seems to be a contradictory representation of a modern expression of audio books, listening research and sound technology and, at the same time, a traditional expression of the western tradition, dominating discourse and literature reception.
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Verón, Eliséo. "Audiences between production and reception: Problems of a theory of recognition." Punctum. International Journal of Semiotics 9, no. 2 (2023): 11–25. http://dx.doi.org/10.18680/hss.2023.0017.
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Today, there is a crisis within the media universe that concerns precisely the articulation between supply and demand: the concepts and tools for measuring reception, audiences, and the public are in crisis within the practice of producers. At the very moment when media research was beginning to show interest in reception, the media field was entering a zone of strong turbulence. There is also likely a link between these two processes, one within the media field and the other within the scholarly field. To address the problem of reception, I consider it essential to delve into the links between these two histories: the history of media and the history of media research.
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Vechinski, Matthew James. "The Theory and Practice of Reception Study: Reading Race and Gender in Twain, Faulkner, Ellison, and Morrison." Reception: Texts, Readers, Audiences, History 15 (July 2023): 135–38. http://dx.doi.org/10.5325/reception.15.1.0135.
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Febriana Putri, Maisyaroh, and Rianna Wati. "THE POWER OF NETIZENS FOR THE POPULARITY OF THE KKN DI DESA PENARI THREAD." Matapena: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya 6, no. 1 (June 17, 2023): 180–91. http://dx.doi.org/10.36815/matapena.v6i01.2339.
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The thread KKN di Desa Penari, which was written by the SimpleMan Twitter account, has recently been the subject of discussion in cyberspace. This article focuses on the topic of netizens' reception of the KKN di Desa Penari thread, which was written by the SimpleMan account on Twitter social media. This research uses qualitative research. The material object of this research is the KKN di Desa Penari thread from SimpleMan's Twitter account. The formal object of this research is the comments of netizens in the thread. The research data is the contents of the thread, netizens' reception of the thread, and various information related to the research topic. Data interpretation techniques are carried out by uncovering how netizen responses can influence the popularity of the thread by using literary reception theory. The theory of literary reception has two basic concepts, namely horizon of expectation' and 'open space'. These two things form the basis for understanding the theory of literary reception. The phenomenon of 'the power of netizens' turned out to be very influential in the popularity of threads written by the SimpleMan Twitter account KKN di Desa Penari. This horror genre thread has succeeded in gaining popularity and trending # 1 on Twitter social media. Keywords: KKN di Desa Penari, the power of netizens, literary reception
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Filimowicz, Michael. "A mixed framework for new media art reception." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 4, no. 1 (December 15, 2014): 41–65. http://dx.doi.org/10.7146/se.v4i1.20482.
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In this essay I propose a theoretical assemblage integrating several discursive perspectives towards audience reception in the context of new media art creation, with a focus on sonic works. After reviewing the historical origins of reception theory in reader response and its later appropriation by communication and cultural studies, I argue that a mixed discursive perspective offers a potential refinement of contemporary reception theory as applicable to new media production, in which technological abstractions and complexities may be rich for purposes of production, but fall short in appreciation and communicative value for an audience
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Razbojnikova-Frateva, Maja. "The Late Kafka." Bulgarski Ezik i Literatura-Bulgarian Language and Literature 63, no. 3 (June 9, 2021): 331–37. http://dx.doi.org/10.53656/bel2021-3-7-kafka.rec.
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In “Kafka's Reception in Bulgaria until 1989” Mladen Vlashki combines the modern theory of cultural transfer with the sociological theories of the field and with the system theory. The monograph presents the most essential characteristic of the writer's work, against the background of which the hypothesis of future difficulties in front of Kafka's reception in view of the literary field in Bulgaria acquires density. A solid reconstruction of the trajectories of Kafka's reception in France, England and the United States has been made, which imposes it as a classic of modernity. Compared to the reception in other socialist countries and in the context of the Cold war, additional factors determining the Bulgarian reactions are revealed. Emphasis is placed on the "cases" Minko Nikolov and Dimitar Stoevski.
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Derdar, Bachir. "Arab reception of the theory of the new rhetoric of C. Perelman and L. T achievements of researchers and expectations of readers yteca." Journal of Arts and Social Sciences [JASS] 10, no. 1 (April 30, 2019): 69. http://dx.doi.org/10.24200/jass.vol10iss1pp69-84.
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The Arab reception of Western critical methods poses an infinite number of thorny problems, which the specialists are still unable to solve. This is applied in the human sciences field and also in other fields. The reception of the new rhetoric theory can serve as an illustrative example of this civilizational and cultural problem, because the examination of all the elements of this reception (the chronology of interaction through translation, terminology production, transfer of concepts and their integration, theorical and practical guideness) reveals the importance of the problem. In spite of this remark, the reception of the new rhetoric theory is distinguished by the concealment of some constitutive elements that have facilitated the tasks of the concerned Arab researchers, specifically the interest it gives to the rhetorical heritage. The problems mentioned are: Arab equivalents / plethora and dispersion, lexical dependence of the source language, neglectof the socio-cultural dimension, neglect of the textual approach in the translation of terms. These problems are referred to in this article, in three forms of reception: the presentation of the theory, the theoretical recall, and the conceptual support inthe practical studies.
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Derdar, Bachir. "Arab reception of the theory of the new rhetoric of C. Perelman and L. T achievements of researchers and expectations of readers yteca." Journal of Arts and Social Sciences [JASS] 10, no. 1 (April 30, 2019): 69–84. http://dx.doi.org/10.53542/jass.v10i1.3216.
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The Arab reception of Western critical methods poses an infinite number of thorny problems, which the specialists are still unable to solve. This is applied in the human sciences field and also in other fields. The reception of the new rhetoric theory can serve as an illustrative example of this civilizational and cultural problem, because the examination of all the elements of this reception (the chronology of interaction through translation, terminology production, transfer of concepts and their integration, theorical and practical guideness) reveals the importance of the problem. In spite of this remark, the reception of the new rhetoric theory is distinguished by the concealment of some constitutive elements that have facilitated the tasks of the concerned Arab researchers, specifically the interest it gives to the rhetorical heritage. The problems mentioned are: Arab equivalents / plethora and dispersion, lexical dependence of the source language, neglectof the socio-cultural dimension, neglect of the textual approach in the translation of terms. These problems are referred to in this article, in three forms of reception: the presentation of the theory, the theoretical recall, and the conceptual support inthe practical studies.
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SAOUDI, Djahida, and Abdelghani Kbaili. "The theory of mental spaces in Arabic cognitive linguistic research between theory and application." Milev Journal of Research and Studies 8, no. 1 (June 30, 2022): 340–57. http://dx.doi.org/10.58205/mjrs.v8i1.864.
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The continuous development of linguistics has produced many branches of science, most recently cognitive linguistics with the theories based on it for studying semantics and syntax.
Accordingly, this article deals with the theory of mental spaces (MS) from an applied and theoretical Arabic perspective. As one of the theories of cognitive linguistics, the purpose of this research is to determine the value of MS theory in Arabic research through the field of cognitive linguistics. Knowing the nature of the Arab reception of this theory is based on the following questions: what is MS theory and its procedures? What is the Arabic perception of MS theory in Arabic linguistic research? What is the nature of the Arabic application of MS theory?
The answer to these questions required a descriptive approach to determining the status of Arab reception of MS theory, and the most important result was that the theory of MS did not receive sufficient and comprehensive Arab linguistic study of all its issues.
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Maryani and Wendi Parwanto. "Tujuh and Sembilan Sacred Tombs Sites in Ketapang, West Kalimantan: Historical-Archaeological Studies and Receptions." Journal of Islamic History and Manuscript 1, no. 2 (December 1, 2022): 123–40. http://dx.doi.org/10.24090/jihm.v1i2.6960.
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This study aims to expose the history of Islam in Ketapang by referring to Tujuh and Sembilan sacred tombs and narrating the reception (in the living al-Quran) of the community on the grave and its elements (part of the Quranic text, motifs, and others). This research is field research, using a narrative-analytic model, as well as using a historical approach and the living Quran theory (on reception). The results of this study are: 1) The history of Tujuh and Sembilan sacred tombs are the tombs of pious people who spread Islam in Ketapang around the 14th century A.D. Second, the typology of people's reception in the sentence kullu nafsin dzaiqatul maut is represented in three forms of reception, namely, hermeneutical or exegesis reception, aesthetic reception, and functional reception.
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EISENSTAEDT, JEAN. "LIGHT AND GRAVITATION: ABOUT MICHELL’S THEORY." International Journal of Modern Physics D 03, no. 01 (March 1994): 179–80. http://dx.doi.org/10.1142/s021827189400023x.
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Through the reception of Michell’s theory on the influence of gravitation on the propagation of light, I shortly review the main developments on the subject. It appears that Einstein was aware of the idea of the bending of light in a Newtonian context.
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Ахмедшаева, Мавлюда Ахатовна. "Reception of Law as a Factor of Modernization of National Law." Studia Politologiczne 2020, no. 58 (November 15, 2020): 126–46. http://dx.doi.org/10.33896/spolit.2020.58.8.
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The article analyzes the reception of law, its understanding, its role in the development and modernization of the national legal system. Various scientific views on the reception of law and on its role in the modernization of the legal system are presented and analyzed. It is stated that to date there is no single holistic doctrine of the reception of law, which often leads to a different concept of this legal phenomenon. This circumstance confronts the theory of law with the need to develop a doctrine of the reception of law, including concepts, areas, limits, and conditions for the reception of law. The article puts forward substantiated proposals and recommendations aimed at improving the reception of law in the legal system of Uzbekistan in the future.
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Fowl, Stephen. "Effective History and the Cultivation of Wise Interpreters." Journal of Theological Interpretation 7, no. 2 (2013): 153–61. http://dx.doi.org/10.2307/26421562.
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Abstract Theological interpreters' longstanding interest in premodern biblical interpretation makes it reasonable to explore the theory and practice of reception history and H-G. Gadamer's notion of Wirkungsgeschichte. I argue that, although debates about attending to premodern interpretation through producing histories of reception, on the one hand, and arguments about Wirkungsgeschichte, on the other hand, are or can be closely related to each other, they are not necessarily connected. Claims about the importance of premodern interpretation for theological interpreters can be deeply grounded in attention to Wirkungsgeschichte and the cultivation of an effective historical consciousness, but this account of Wirkungsgeschichte is separable from the theory and practice of reception history.
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Fowl, Stephen. "Effective History and the Cultivation of Wise Interpreters." Journal of Theological Interpretation 7, no. 2 (2013): 153–61. http://dx.doi.org/10.2307/jtheointe.7.2.0153.
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Abstract Theological interpreters' longstanding interest in premodern biblical interpretation makes it reasonable to explore the theory and practice of reception history and H-G. Gadamer's notion of Wirkungsgeschichte. I argue that, although debates about attending to premodern interpretation through producing histories of reception, on the one hand, and arguments about Wirkungsgeschichte, on the other hand, are or can be closely related to each other, they are not necessarily connected. Claims about the importance of premodern interpretation for theological interpreters can be deeply grounded in attention to Wirkungsgeschichte and the cultivation of an effective historical consciousness, but this account of Wirkungsgeschichte is separable from the theory and practice of reception history.
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Kudryavtseva, Tamara V. "Early Works of A.M. Gorky: Translations, Publications, Interpretations." Studia Litterarum 6, no. 3 (2021): 116–33. http://dx.doi.org/10.22455/2500-4247-2021-6-3-116-133.
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Within the framework of comparative, contextual, and receptive analysis, this article examines the specificity of the early Gorky’s German reception (1900–1910). The article is an attempt to explain Gorky’s rapid entry into the Germanophone cultural space taking into consideration the problematics of Gorky’s early work and its specific implementation on the one hand and the specificity of the literary process in Germany in these years on the other. The article also takes into account editorial policies and practices as well as the overall political and literary orientation of the press and publishers. Some examples show the impact of Gorky’s work on the literary practice of German writers (R. Huch, G. Hauptmann, F. Wolf, etc.). The article reveals typical patterns of reception when German writers, translators, literary critics and, researchers of that time turn to Gorky’s work.
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Dahlan, Syahruni Junaid, Ahmad Muzammil, and Masykur Rauf. "STUDENT'S RECEPTION TOWARD SHAKESPEARE’S SELECTED CONTEMPORARY PLAYS." Elite : English and Literature Journal 9, no. 2 (December 15, 2022): 178–91. http://dx.doi.org/10.24252/elite.v9i2.32913.
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Literary reception is a literary genre that examines literary texts by considering the reader as the giver of the welcome or response. Researchers choose to analyze literary receptions in Shakespeare's plays, namely "Romeo and Juliet" and "Macbeth" as an interesting source of data to be studied and analyzed more deeply because of the difficulty of readers in responding to a literary work. This study aims to determine the reader's response to the two plays by Shakespeare. The data source of this research is the play script of "Romeo and Juliet" and "Macbeth" by William Shakespeare. The method used in this study is a qualitative descriptive method. This study uses Iser’s Reception theory with instruments in the form of documentation and observation studies because this research is reviewed by noting and marking the parts that are considered important and useful for the reader. Based on the results of this study, it is clear that there are reader responses in Shakespeare's plays. Then the results of the research are in the form of a questionnaire containing nine questions with excellent answers or responses from readers in engaging the two plays by Shakespeare.
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Polak, Paweł. "Philosophy in science – a case study of the reception of the Special and the General Theory of Relativity in Kraków and Lwów before 1925." Studia Historiae Scientiarum 15 (November 24, 2016): 245–73. http://dx.doi.org/10.4467/23921749shs.16.010.6153.
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A centenary of Einstein’s General Theory of Relativity brings forward some questions with regard to the impact of Einstein’s theory on philosophy. This theory, and the chronologically earlier Special Theory of Relativity, have had many important philosophical implications. In Poland they provoked interesting philosophical discussions before WWII. The history of those discussions reveals numerous noteworthy facts concerning the relationships between mathematics, physics and philosophy. A case study of the reception of the Special and General Theory of Relativity in Kraków and Lwów before 1925 focuses on the peculiar specificity of exact sciences and philosophy in Polish Galicia. The concept of “philosophy in science” coined by Michael Heller is particularly suitable for describing this specificity. The article begins with a short overview of the early reception of the Special Theory of Relativity in Kraków. Next, it shows how the discussions during the 10th and 11th Congresses of Polish Physicians and Natural Scientists (Lwów 1907, Kraków 1911) influenced the reception of the STR. What is also discussed are the roots of the specificity of the reception in Lwów, i.e. the influence of the considerations about the foundations of mechanics and a public philosophical debate around Einstein’s theories. In order to demonstrate how different the reception of these theories was in Kraków, a description is provided of a methodological debate between S. Zaremba and T. Banachiewicz. Some notes are also added about the concurrent styles of philosophy of science (philosophy of nature). The article ends with conclusions about the specificity of Kraków’s and Lwów’s styles of philosophy in science. This study reveals that in this period Einstein’s theories significantly stimulated philosophical considerations in Poland. These considerations have become an important supplement to the scientific activity in Kraków and Lwów.
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Adhitya, Novandy. "Reader Reception Analysis of the Novel "“Bencana di Planet Poa”" In "Goodreads" Cyber Literary Site." JELA (Journal of English Language Teaching, Literature and Applied Linguistics) 5, no. 1 (June 3, 2023): 1–10. http://dx.doi.org/10.37742/jela.v5i1.91.
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This article was created to discuss how the Reader's Reception of Djokolelono's novel Disaster on Planet Poa, whose popularity had soared when it was republished, and the rise of contemporary science fiction works in Indonesia, as well as to discuss how the acceptance of this Novel differs from function and target of its users, i.e. Goodreads literary cyber site. This research method uses qualitative descriptive research, with reception theory from Stuart Hall, which divides reader reception into three types: dominant, negotiation, and opposition. This study used content analysis techniques from data obtained from the Goodreads comment column, which was then entered into a table and reviewed with reception analysis techniques. This research found differences in readers' Reception of the Novel Disaster on Planet Poa, Where the Majority of readers chose the negotiated reception with as many as 13 readers and the dominant reception with 12 readers. In comparison, only three readers chose opposition reception.
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Sloistova, Maria S. "TYPOLOGY AND STRATEGIES OF CREATIVE RECEPTION: A CASE STUDY OF ENGLISH POSTMODERNIST POETRY AND PROSE." Вестник Пермского университета. Российская и зарубежная филология 12, no. 2 (2020): 110–19. http://dx.doi.org/10.17072/2073-6681-2020-2-110-119.
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The paper focuses on complex research and description of creative reception theory and typology. There are provided definitions of such terms as reception, creative reception, creative reception strategies, and others. The author builds the typology of creative reception on the basis of works by E. V. Abramovskikh, S. Ye. Trunin, M. V. Zagidullina, V. I. Tyupa, and M. Naumann. This typology includes two types (or levels) of creative reception, defined as classic and postmodernist. Each of the types is characterized by a number of strategies, i. e. ways of representing an artistically received text in one’s own work. The classic type strategies (formal, authentic, neutral and antithetical) focus primarily on plot transformation. As for the postmodernist level, the author singles out two strategies: congenial and play. The theory and typology of creative reception is substantiated with some examples of reminiscences and allusions to English and world poetry. The examples under analysis are taken from the following prose works by the outstanding English postmodernist writer John Robert Fowles (1926–2005): the novel The French Lieutenant’s Woman (1969), the collection of long short stories The Ebony Tower (1974), the philosophic book The Aristos (1964), and also the lyric collection Selected Poems, published posthumously in 2012. The collection has not been translated into Russian yet. Therefore, the poem under analysis (Islanders) has been translated into Russian by the author of the present paper. The paper also deals with indirect Biblical reception which is found in the allusion to the ivory tower. The allusion gave the title The Ebony Tower both to Fowles’ long short story and collection as a whole. The author of the paper draws a conclusion about the dominant creative reception strategies in the literary works under analysis and also about the possible use of the presented creative reception typology in analyzing works by other writers.
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Campbell, Crystal Z. "Reception." World Literature Today 93, no. 2 (2019): 25. http://dx.doi.org/10.1353/wlt.2019.0095.
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