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1

Stamm, K. Brad. Music industry economics: A global demand model for pre-recorded music. Lewiston, N.Y: Edwin Mellen Press, 2000.

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2

W, Kutnick Richard, ed. Off the record: Everything related to playing recorded dance music in the nightclub industry. 2nd ed. Cleveland: Pacesetter Pub. House, 1985.

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3

Dolphin, Jamelle Baruck. Recorded in Hollywood: The John Dolphin story. North Charleston, SC: Create Space, 2011.

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4

Recorded music in American life: The phonograph and popular memory, 1890-1945. New York: Oxford University Press, 1999.

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5

Rick, Kennedy. Jelly Roll, Bix, and Hoagy: Gennett Studios and the birth of recorded jazz. Bloomington: Indiana University Press, 1994.

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6

Ashburne, Michael. Sampling in the record industry. Oakland, CA: Law Offices of Michael Ashburne, 1994.

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7

Wright, Christine. Music master: British record industry prefix list. Hastings: John Humphries, 1985.

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8

Raine, Michael, and Johan Nordström, eds. The Culture of the Sound Image in Prewar Japan. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789089647733.

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This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a ‘culture of the sound image’, it restores complexity to a media transition that is often described simply as slow and reluctant. In that vibrant sound culture, the talkie was introduced on the radio before it could be heard in the cinema, and pop music adaptations substituted for musicals even as cinema musicians and live narrators resisted the introduction of recorded sound. Taken together, the essays show that the development of sound technology shaped the economic structure of the film industry and its labour practices, the intermedial relation between cinema, radio, and popular music, as well as the architecture of cinemas and the visual style of individual Japanese films and filmmakers.
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9

L, Schurk William, ed. Tarnished gold: The record industry revisited. New Brunswick, N.J: Transaction Books, 1986.

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10

Kashif. Everything you'd better know about the record industry. Venice, Calif: Brooklyn Boy Books, 1995.

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11

A, Greenberg Gary, ed. Everything you'd better know about the record industry. Venice, Calif: Brooklyn Boy Books, 1996.

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12

George, Howard. Getting signed!: An insider's guide to the record industry. Boston, MA: Berklee Press, 2004.

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13

Whelan, Keith. Directory of record and CD retailers: 1990-1991 edition : a comprehensive guide to stores carrying used, rare, or specialty records, tapes, CD's and memorabilia. Wharton, N.J: Power Communication Group, 1990.

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14

Sweeney, Tim. Tim Sweeney's guide to releasing independent records. Torrance, CA: TSA Books, 1996.

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15

Elliot, Mike. Gettin'a record deal. New York (200 Park Ave., S., Suite 16, New York 10003): CleverMinded Communications, 1992.

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16

Just for the record. Cincinnati, Ohio: Positive Feedback Communications Press, 1986.

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17

Hutchison, Thomas W. Record label marketing. 2nd ed. Burlington, MA: Focal Press, 2009.

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18

Hutchison, Thomas W. Record label marketing. 2nd ed. Burlington, MA: Focal Press, 2010.

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19

Hutchison, Thomas W. Record label marketing. 2nd ed. Burlington, MA: Focal Press, 2010.

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20

Amy, Macy, and Allen Paul, eds. Record label marketing. Oxford: Focal, 2006.

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21

Schwartz, Daylle Deanna. Start & run your own record label: Winning marketing strategies for today's music industry. 3rd ed. New York: Billboard Books, 2009.

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22

Schwartz, Daylle Deanna. Start & run your own record label: Winning marketing strategies for today's music industry. 3rd ed. New York: Billboard Books, 2009.

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23

Start & run your own record label: Winning marketing strategies for today's music industry. 3rd ed. New York: Billboard Books, 2009.

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24

Staff, Bryan. For the record: A history of the recording industry in New Zealand. Auckland, N.Z: D. Bateman, 2002.

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25

Bordowitz, Hank. Dirty little secrets of the record business. Chicago: Chicago Review Press, 2007.

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26

Bordowitz, Hank. Dirty little secrets of the record business. Chicago, IL: Chicago Review Press, 2005.

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27

Hustwit, Gary. Releasing an independent record. San Diego: Rockpress Pub., 1991.

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28

Start & run your own record label. New York: Billboard Books, 2003.

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29

Floyd, John. Sun Records: An oral history. New York, N.Y: Avon Books, 1998.

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30

Start and run your own record label. New York: Billboard Books, 1998.

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31

Rudsenske, J. Scott. Start an independent record label. Edited by Denk James P. New York: Schirmer Trade Books, 2005.

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32

Amy, Macy, and Allen Paul, eds. Record label marketing. 2nd ed. Burlington, MA: Focal Press, 2010.

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33

Sutton, Allan. American record companies and producers 1888-1950: An encyclopedic history. Denver, Colorado: Mainspring Press, 2018.

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34

Appetite for self-destruction: The spectacular crash of the record industry in the digital age. London: Simon & Schuster, 2009.

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35

Holzman, Keith. The complete guide to starting a record company. 2nd ed. Los Angeles, Calif: Solutions Unlimited, 2007.

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36

The complete guide to starting a record company. Los Angeles, Calif: Solutions Unlimited, 2004.

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37

Richard, Branson, and Richardson Perry, eds. Virgin: A history of Virgin Records. Axminster, Devon: A Publishing Company, 1996.

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38

Bonner, David. Revolutionizing children's records: The Young People's Records and Children's Record Guild series, 1946-1977. Lanham, Md: Scarecrow Press, 2008.

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39

Appetite for self-destruction: The rise and fall of the record industry in the digital age. New York: Free Press, 2009.

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40

Dawson, Jim. What was the first rock'n' roll record? Boston: Faber and Faber, 1992.

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41

Rick, Kennedy. Little labels--big sound: Small record companies and the rise of American music. Bloomington: Indiana University Press, 1999.

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42

Cox, Peter. Spinning around: The Festival Records story. Sydney: Powerhouse Pub., 2001.

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43

Making tracks: Atlantic Records and the growth of a multi-billion dollar industry. London: Souvenir Press, 1988.

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44

Steve, Propes, ed. What was the first rock 'n' roll record? Boston: Faber and Faber, 1992.

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45

Bowman, Robert M. J. Soulsville, U.S.A.: The story of Stax Records. London: Books With Attitude, 1997.

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46

Bowman, Robert M. J. Soulsville, U.S.A.: The story of Stax Records. New York: Schirmer Books, 1997.

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47

Bowman, Rob. Soulsville U.S.A.: The story of Stax Records. London: Books with Attitude, 1998.

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48

Knopper, Steve. Appetite for self-destruction: The spectacular crash of the record industry in the digital age. Berkeley, CA: Soft Skull Press, 2010.

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49

Label launch: A guide to independent record recording, promotion, and distribution. New York: St. Martin's Griffin, 2002.

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50

Secrets of negotiating a record contract. 2nd ed. Milwaukee, WI: Hal Leonard Books, 2010.

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