Relevant bibliographies by topics / Recording studios

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Recording studios'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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Journal articles on the topic "Recording studios"

1

Long, Marshall. "Acoustics of Recording Studios." Acoustics Today 9, no. 2 (2013): 8. http://dx.doi.org/10.1121/1.4817483.

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LL. "Bats copy calls in mini recording studios." New Scientist 246, no. 3279 (April 2020): 18. http://dx.doi.org/10.1016/s0262-4079(20)30801-0.

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Case, Alexander U. "Recording studios—Optimized, contrived, and augmented spaces." Journal of the Acoustical Society of America 137, no. 4 (April 2015): 2428. http://dx.doi.org/10.1121/1.4920859.

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Drury, G. M. "Professional video recording: alternatives for broadcast studios." Journal of the Institution of Electronic and Radio Engineers 55, no. 5 (1985): 183. http://dx.doi.org/10.1049/jiere.1985.0054.

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Thompson, Paul, and Brett Lashua. "Producing music, producing myth? Creativity in Recording Studios." IASPM@Journal 6, no. 2 (December 31, 2016): 70–90. http://dx.doi.org/10.5429/2079-3871(2016)v6i2.5en.

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Gibson, Chris. "Recording Studios: Relational Spaces of Creativity in the City." Built Environment 31, no. 3 (September 1, 2005): 192–207. http://dx.doi.org/10.2148/benv.2005.31.3.192.

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Brewer, Roy. "String musicians in the recording studios of Memphis, Tennessee." Popular Music 19, no. 2 (April 2000): 201–15. http://dx.doi.org/10.1017/s0261143000000118.

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ROY BREWERIntroductionFrom the mid-1960s to mid-1970s, Memphis, Tennessee was home of one of the most successful recording industries in the USA and its popular recorded releases began to rival those of Nashville, Los Angeles, New York and Detroit. Solo artists, song writers, session musicians and arrangers became overnight successes and a rebellious and influential upstart recording industry emerged. But the growth was too fast and, fuelled by zealous egos and competition, an infrastructure was never formed resulting in a musical and financial cataclysm from which the Memphis music community
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Jacobs. "The Innovation of Re-Recording in the Hollywood Studios." Film History 24, no. 1 (2012): 5. http://dx.doi.org/10.2979/filmhistory.24.1.5.

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Herbst, Jan-Peter. "Recording studios as museums? Record producers’ perspectives on German rock studios and accounts of their heritage practice." Popular Music 40, no. 1 (February 2021): 91–113. http://dx.doi.org/10.1017/s026114302100009x.

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AbstractRecording studios are shrouded in mystery. Some have become sites of pilgrimage; other studios have been converted into heritage museums. These practices are driven by city authorities, commercial heritage institutions or music fans. This interview study gives a voice to an understudied group: record producers and studio owners as the people in charge of popular music creation. Three German rock and metal producers expressed their opinion on the usefulness of studio museums and explained their own heritage practices. Their insights demystify the ‘magical aura’ associated with recording
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Van Schyndel, A. J. "Digital Voice Indexing for Professional Studios." Journal of Visual Impairment & Blindness 84, no. 10 (December 1990): 516–17. http://dx.doi.org/10.1177/0145482x9008401007.

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A self-contained voice-indexing system using digital recording techniques was developed in 1981 to provide high-quality voice indexing in a studio environment. One goal was to design a simple operating procedure that would not require a technician. A major revision has resulted in a prototype second-generation digital voice indexer. The original design concepts are described, as well as improvements in the new prototype.
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Dissertations / Theses on the topic "Recording studios"

1

Wadsworth, Peter James. "Strawberry Recording Studios and the development of recording studios in Britain c.1967-93." Thesis, University of Manchester, 2007. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:86691.

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This thesis studies the development of the British recording studio from the mid-1960s to the early-1990s. Although there are now a growing number of academic studies of popular music they have, so far, largely failed to study the evolving process by which artists were able to reproduce their music for mass distribution. Consequently, this dissertation investigates the image portrayed of the studio and its utilisation and representation by a combination of human, technological and locational factors. The first part of the thesis constructs an overview of the recording studio industry, as based
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Lefford, M. Nyssim 1968. "Recording studios without walls : geographically unrestricted music collaboration." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/62095.

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Klepko, John. "Acoustical optimization of control room 'A' at the McGill University Recording Studios." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22439.

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The loudspeaker system and the room interface are the two main components in any listening environment. Research will be conducted focusing on the room component using Control Room 'A' of the McGill University Recording Studio in an attempt to optimize the monitoring situation. The sound field of the room will be broken down and analyzed in both time and frequency domains. The problem areas of the room will be identified and the surfaces altered by means of absorption, reflection and diffusion.
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Watson, John Lawrence, and not supplied. "An investigation into the identification of objective parameters correlating with the subjective functional performance of critical listening rooms." RMIT University. Applied Sciences, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080218.092220.

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The link to subjective parameters and objective parameters in the field of room acoustics has been the source of much research. This thesis surveys some of the available objective room acoustical analysis methods, quantify their advantages and disadvantages with respect to the measurement of acoustical qualities of professionally operated critical listing rooms, and implements these methods in a range of critical listening rooms. In conjunction with the objective room analysis, a subjective component of research was also performed. A series of anechoically recorded standard instrument sounds w
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Jackson, Christophe E. "Construction and characterization of a portable sound booth for onsite voice recording /." Birmingham, Ala. : University of Alabama at Birmingham, 2009. https://www.mhsl.uab.edu/dt/2010r/jackson.pdf.

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Thesis (M.S.)--University of Alabama at Birmingham, 2009.<br>Title from PDF t.p. (viewed June 30, 2010). Additional advisors: Stephen A. Watts, Paul A. Richardson, John T. Tarvin. Includes bibliographical references (p. 36-38).
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Meynell, Anthony. "How recording studios used technology to invoke the psychedelic experience : the difference in staging techniques in British and American recordings in the late 1960s." Thesis, University of West London, 2017. https://repository.uwl.ac.uk/id/eprint/3837/.

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This thesis focuses on a time in the mid-1960s where practice in the studio changed from a formal arena where previously rehearsed songs were recorded, to a playground where sonic possibilities were explored and sound manipulation became normal practice. This abuse of technology and manipulation of reality became part of the creative process in the studio, providing soundscapes that resonated with the counter-cultural ethos of upsetting the established order, and were adopted by the mainstream during the 1967 ‘Summer of Love”. Following a discussion of current literature, practice as research
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Watson, Allan. "Sound practice : a relational economic geography of music production in and beyond the recording studio." Thesis, Loughborough University, 2012. https://dspace.lboro.ac.uk/2134/10432.

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This thesis develops a relational geography perspective on creative work and practice, with a specific focus on the recording studio sector. Drawing on an extensive social network analysis, a questionnaire survey, and nineteen semi-structured interviews with recording studio engineers and producers in London (UK), the thesis reveals how recording studios are constituted by a number of types of relations. Firstly, studios are spaces that involve a material and technological relationality between studio workers and varied means of production. Studios are material and technological spaces that in
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Olson, Ted. "Recording Review of Charlie Poole with The Highlanders: Complete Recordings." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1165.

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Olson, Ted. "Recording Review of Parchman Farm: Photographs and Field Recordings, 1947-55." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1169.

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Olson, Ted. "Recording Review of Folksongs of Another America: Field Recordings from the Upper Midwest, 1937-1946." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1143.

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Books on the topic "Recording studios"

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PC recording studios for dummies. Hoboken, N.J: Wiley, 2005.

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Strong, Jeff. PC Recording Studios For Dummies. New York: John Wiley & Sons, Ltd., 2005.

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Newell, Philip Richard. Recording spaces. Oxford, Eng: Focal Press, 1998.

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Recording spaces. Oxford, Eng: Focal Press, 2000.

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Recording studio design. Boston, Mass: Focal Press, 2003.

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Recording studio design. 3rd ed. Oxford: Focal, 2012.

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Building a recording studio. 5th ed. Los Angeles: Synergy Group, 1996.

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Harris, John. Tips for recording musicians. Tonbridge, Kent: PC Publishing, 1995.

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The AudioPro home recording course: A comprehensive multimedia audio recording text. Emeryville, CA: MixBooks, 1996.

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The musician's home recording handbook: Practical techniques for recording great music at home. San Francisco: GPI Books, 1992.

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Book chapters on the topic "Recording studios"

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Romero, Sergio Ospina. "Recording studios on tour." In Phonographic Encounters, 17–39. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003006497-3.

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Loar, Josh. "Recording/Mixing/Mastering Studios (Project and Commercial) for Music, Film, Etc." In The Sound System Design Primer, 463–73. New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315196817-48.

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Toft, Robert. "Studio Techniques." In Recording Classical Music, 143–52. New York, NY: Routledge, 2020.: Focal Press, 2019. http://dx.doi.org/10.4324/9781351213783-16.

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Haigh, Caroline, John Dunkerley, and Mark Rogers. "Studio techniques and working on location." In Classical Recording, 13–33. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Audio Engineering Society presents...: Focal Press, 2020. http://dx.doi.org/10.4324/9780429316852-3.

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Huber, David Miles, and Robert E. Runstein. "Studio Tips and Tricks." In Modern Recording Techniques, 573–90. Edition 9. | New York; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315666952-22.

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Huber, David Miles, and Robert E. Runstein. "Studio Acoustics and Design." In Modern Recording Techniques, 75–103. Edition 9. | New York; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315666952-3.

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Crich, Tim. "The Studio Setup." In Recording Tips for Engineers, 25–55. Fourth edition. | New York ; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315649085-3.

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"RECORDING STUDIOS." In Music in the 20th Century (3 Vol Set), 523–24. Routledge, 2016. http://dx.doi.org/10.4324/9781315702254-388.

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"Recording Studios in Urban Music Scenes." In Cultural Production in and Beyond the Recording Studio, 85–103. Routledge, 2014. http://dx.doi.org/10.4324/9780203728260-6.

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"Recording Studios in Project Networks (1)." In Cultural Production in and Beyond the Recording Studio, 104–18. Routledge, 2014. http://dx.doi.org/10.4324/9780203728260-7.

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Conference papers on the topic "Recording studios"

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Broerman, Eugene L., Mitchel A. Smolik, and Christine M. Scrivner. "Helmholtz Absorbers: Experiments in Controlling Resonant Pulsation Without the Use of Orifice Plates." In ASME 2007 Pressure Vessels and Piping Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/pvp2007-26246.

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Pressure drop has been used for more than half a century to control resonant pulsation in reciprocating compressor piping. Although avoiding these resonances is the preferred method, this is not possible in many high-speed/variable-speed installations. In these cases, resonant pulsation is often managed by using orifice plates to dampen the response. Helmholtz absorbers are an old technology, used to improve the acoustics of ancient Greek theaters and modern recording studios alike. Although their application in the field of piping acoustics has been well documented, this paper presents new wa
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Salam, Muhammad T., Sebastien Desgent, Sandra Duss, Lionel Carmant, Dang K. Nguyen, and Mohamad Sawan. "New subdural electrode contacts for intracerebral electroencephalographic recordings: Comparative studies on neural signal recording in vivo." In 2011 IEEE Biomedical Circuits and Systems Conference (BioCAS). IEEE, 2011. http://dx.doi.org/10.1109/biocas.2011.6107772.

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Thomas, A. H. "Ferromagnetic resonance studies of assemblies of fine magnetic particles." In International Conference on Storage and Recording Systems. IEE, 1994. http://dx.doi.org/10.1049/cp:19941134.

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Chooruang, Komkrit, and Mustafa M. Aziz. "Experimental studies of shingled recording using contact recording test system." In 2013 10th International Conference on Electrical Engineering/Electronics, Computer, Telecommunications and Information Technology (ECTI-CON 2013). IEEE, 2013. http://dx.doi.org/10.1109/ecticon.2013.6559498.

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Shiong, Albert Tan Chok, Maria Anastasia Suriadi, and Zhang Qide. "Studies on Air Flow Induced Vibration in a Simplified Hard Disk Drive using LES." In 2006 Asia-Pacific Magnetic Recording Conference. IEEE, 2006. http://dx.doi.org/10.1109/apmrc.2006.365925.

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Erol, İhsan Emre, Tamer Bayrak, and Deniz Yengin. "Use of Virtual Reality Technology In the Digitalization Process of Education: Four Model Museum." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.034.

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Along with the developing technology and the social risks human faces, the society’s trends towards digital technology is inevitable. Undoubtedly, the interest of individuals in digital technologies has directly affected all sectors. The transformation of societies depending on their technological needs and conveniences offered by technology has formed new supply-demand balances, and sectoral changes have occurred in line with the demands of the society that was formed by the supply-demand balance. From a sectoral point of view, communication and related technologies have also been affected by
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Trinh, Tan D., Sukumar Rajauria, Robert Smith, Erhard Schreck, Qing Dai, and Frank E. Talke. "Laser Current Studies in Heat-Assisted Magnetic Recording." In ASME 2019 28th Conference on Information Storage and Processing Systems. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/isps2019-7511.

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Abstract In heat-assisted magnetic recording (HAMR), optical power from a laser diode mounted on the slider is used to heat up a nanometer scale area on the disk surface to approximately 450°C, facilitating the writing process. Controlling optical power or current that is applied to the laser diode in HAMR is a critical task. In this study, a fully integrated system of HAMR heads and disks is used to study laser current as a function of the magnetic write width (MWW), the operating radius, and the head-disk clearance. Our experimental results show that the laser current is a linear function of
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Xu, Shuxiang, Zhenkun Luo, Zhongming Xie, Weining Li, and Ping Ma. "Experimental studies of wide-angle eye holographic recording." In Soviet-Chinese Joint Seminar on Holography and Optical Information Processing, edited by Andrei L. Mikaelian. SPIE, 1992. http://dx.doi.org/10.1117/12.140339.

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Chalioris, C., V. Tsioukas, M. Favvata, and C. Karayannis. "RECORDING HISTORIC MASONRY BUILDINGS USING PHOTOGRAMMETRY - TWO CASE STUDIES." In 4th International Conference on Computational Methods in Structural Dynamics and Earthquake Engineering. Athens: Institute of Structural Analysis and Antiseismic Research School of Civil Engineering National Technical University of Athens (NTUA) Greece, 2014. http://dx.doi.org/10.7712/120113.4602.c1597.

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Shen, Y., G. Q. Zhang, W. B. Yu, and Z. Z. Guo. "Studies on holographic recording performance for different doped LiNbO3crystals." In International conference on Communication Technology and Application. Southampton, UK: WIT Press, 2014. http://dx.doi.org/10.2495/cta140691.

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Reports on the topic "Recording studios"

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Edward K. Miller. High Bandwidth Transmission and Recording Systems: Studies and Improvements. Office of Scientific and Technical Information (OSTI), November 2006. http://dx.doi.org/10.2172/914427.

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Alawaji, Yasmine, Abdulsalam Alshammari, Ricardo Carvalho, Nesrine Mostafa, and Jolanta Aleksejuniene. Accuracy of Estimating Periodontitis and Its Risk Association Using Partial-Mouth Recordings for Surveillance Studies. A Systematic Review and Meta-Analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, June 2021. http://dx.doi.org/10.37766/inplasy2021.6.0032.

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Job, Jacob. Mesa Verde National Park: Acoustic monitoring report. National Park Service, July 2021. http://dx.doi.org/10.36967/nrr-2286703.

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In 2015, the Natural Sounds and Night Skies Division (NSNSD) received a request to collect baseline acoustical data at Mesa Verde National Park (MEVE). Between July and August 2015, as well as February and March 2016, three acoustical monitoring systems were deployed throughout the park, however one site (MEVE002) stopped recording after a couple days during the summer due to wildlife interference. The goal of the study was to establish a baseline soundscape inventory of backcountry and frontcountry sites within the park. This inventory will be used to establish indicators and thresholds of so
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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made w
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