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1

ill, Sweat Lynn, ed. The family storytelling handbook: How to use stories, anecdotes, rhymes, handkerchiefs, paper, and other objects to enrich your family traditions. New York: Macmillan, 1987.

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2

The saturated world: Aesthetic meaning, intimate objects, women's lives, 1890-1940. Knoxville: University of Tennessee Press, 2006.

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3

Zwebner, Janet. Uh! oh! Passover Haggadah: With hidden objects you'll (almost) never find. [St. Helier, Jersey?]: Yellow Brick Road, 1994.

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4

Sieg, Lauren. Assessment of cultural affiliation of human remains and funerary objects from the Delaware Water Gap National Recreation Area: A NAGPRA report. Bushkill, Pa: Delaware Water Gap National Recreation Area, 2008.

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5

Sieg, Lauren. Assessment of cultural affiliation of human remains and funerary objects from the Delaware Water Gap National Recreation Area: A NAGPRA report. Bushkill, Pa: Delaware Water Gap National Recreation Area, 2008.

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6

Sieg, Lauren. Assessment of cultural affiliation of human remains and funerary objects from the Delaware Water Gap National Recreation Area: A NAGPRA report. Bushkill, Pa: Delaware Water Gap National Recreation Area, 2008.

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7

Castle, Larry. Marbles: The guide to machine-made marbles. Ogden, Utah: Utah Marble Connection, 1992.

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8

Vicki, Scudamore, and Edliq Emily S. ill, eds. Marbles: A player's guide. New York: Sterling Pub. Co., 1998.

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9

Rothstein, Bret L. Shape of Difficulty: A Fan Letter to Unruly Objects. Pennsylvania State University Press, 2019.

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10

Ernst, Bruno. Adventures With Impossible Objects. Taschen America Llc, 1996.

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11

Horsten, Leon. Metaphysics and Mathematics of Arbitrary Objects. Cambridge University Press, 2019.

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12

Gordon, Beverly. The Saturated World: Aesthetic Meaning, Intimate Objects, Women?s Lives, 1890?1940. Univ Tennessee Press, 2006.

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13

Closen, Michael, and John Brunkowski. RV & Camper Toys: The History of RVing in Miniature. Iconografix, 2008.

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14

Djurić, Dragan. Strategy Tools as Symbolic Objects in Managerial Language Games: Toward a Radical Constructivist Process Perspective. Springer Gabler, 2015.

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15

Telescope, Tom. The Newtonian System of Philosophy: Explained by Familiar Objects, in an Entertaining Manner, for the Use of Young Persons. Franklin Classics Trade Press, 2018.

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16

Boyd, Barbara Weiden. Homer in Love. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190680046.003.0008.

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Chapter 7 considers a second central theme in Ovid’s Homeric reception, desire, and its evocation through repetition. The erotic tradition of Homeric reception that Ovid inherited can be seen in the longest extant fragment of the elegiac poem Leontion, in which the Hellenistic poet Hermesianax offers a catalogue of ancient poets and the women they loved. In Tristia 1.6, Ovid expands upon the central trope of this catalogue, in which poetry is personified as the beloved object of a poet’s desire. The love-poet, suggests Ovid, strives continually to renew his love by recreating the great loves of past poetry, aspiring always to surpass them. Discussions of Ovid’s treatment of Penelope in Heroides 1, Calypso in Ars amatoria Book 2, and Circe in the Remedia amoris explore Ovid’s continuing interest in figuring himself as a second Homer by imagining Homer as an elegiac poet.
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17

Peterson, Marlow, and Larry Castle. Marbles: The Guide to Machine-Made Marbles. Utah Marble Connection, 1992.

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18

Scudamore, Vicki, and Shar Levine. Marbles: A Player's Guide. Sterling, 1998.

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19

Puss In Boots Look and Find: DreamWorks. Lincolnwood, USA: Louis Weber, C.E.O., Publications International, LTD, 2011.

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