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Relevant bibliographies by topics / Red Bull Theatre

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Journal articles
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Academic literature on the topic 'Red Bull Theatre'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Red Bull Theatre"

1

Rory Loughnane. "Reputation and the Red Bull Theatre, 1625–42." Yearbook of English Studies 44 (2014): 29. http://dx.doi.org/10.5699/yearenglstud.44.2014.0029.

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2

Pancheva, Svetlana. "Words as Diagnosis: The Plays of Konstantin Iliev." Theatre Research International 25, no. 2 (2000): 147–48. http://dx.doi.org/10.1017/s0307883300012967.

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The playwright Konstantin Iliev (b. 1937) states: ‘The theatre, in its origins, is an art form recreating human relationships and, certainly, the most human means of communication is language. The colour red, for example, influences both the bull and the spectator in a specific manner but the word “blood” leaves the animal indifferent.’ Indeed language in each of Iliev's plays has a special function, both constructive and opening up the richness of human characters into their multiple parts. Iliev's plays are exploring the tangle of human relations, almost with a scientific method of analysis, man's ‘disease’ and his life, man and his surrounding world.

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3

Bailey, Rebecca A. "Eva Griffith,A Jacobean company and its playhouse: the Queen’s Servants at the Red Bull Theatre (c. 1605–1619)." Seventeenth Century 29, no. 2 (March 25, 2014): 211–12. http://dx.doi.org/10.1080/0268117x.2014.900724.

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Coffin, Charlotte. "Book review: ‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication, and A Jacobean Company and its Playhouse: The Queen’s Servants at the Red Bull Theatre (c. 1605–1619)." Cahiers Élisabéthains: A Journal of English Renaissance Studies 91, no. 1 (November 2016): 147–50. http://dx.doi.org/10.1177/0184767816663125c.

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Rowland, Richard. "Eva Griffith, A Jacobean Company and its Playhouse: The Queen's Servants at the Red Bull Theatre (c.1605–1619), Cambridge University Press, 2013, pp. xiii + 291, £60.00, ISBN: 978-1-1070-4188-2." British Catholic History 32, no. 2 (October 2014): 240–42. http://dx.doi.org/10.1017/s0034193200032210.

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6

Shurgot, Michael W. "Telling the Story: Oregon Shakespeare Festival Actors ed. by Mary Z. Maher and Alan Armstrong, and: A Jacobean Company and its Playhouse; The Queen’s Servants at the Red Bull Theatre (1605-1619) by Eva Griffith." Shakespeare Bulletin 33, no. 2 (2015): 387–92. http://dx.doi.org/10.1353/shb.2015.0029.

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7

Barroll, Leeds. "Moving Shakespeare Indoors: Performance and Repertoire in the Jacobean Playhouse ed. by Andrew Gurr, Farah Karim-Cooper, and: A Jacobean Company and Its Playhouse: The Queen’s Servants at the Red Bull Theatre (c. 1605–1619) by Eva Griffith." Shakespeare Quarterly 67, no. 2 (2016): 278–82. http://dx.doi.org/10.1353/shq.2016.0034.

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8

Bula, Andrew. "Literary Musings and Critical Mediations: Interview with Rev. Fr Professor Amechi N. Akwanya." Journal of Practical Studies in Education 2, no. 5 (August 6, 2021): 26–31. http://dx.doi.org/10.46809/jpse.v2i5.30.

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Reverend Father Professor Amechi Nicholas Akwanya is one of the towering scholars of literature in Nigeria and elsewhere in the world. For decades, and still counting, Fr. Prof. Akwanya has worked arduously, professing literature by way of teaching, researching, and writing in the Department of English and Literary Studies of the University of Nigeria, Nsukka. To his credit, therefore, this genius of a literature scholar has singularly authored over 70 articles, six critically engaging books, a novel, and three volumes of poetry. His PhD thesis, Structuring and Meaning in the Nigerian Novel, which he completed in 1989, is a staggering 734-page document. Professor Akwanya has also taught many literature courses, namely: European Continental Literature, Studies in Drama, Modern Literary Theory, African Poetry, History of Theatre: Aeschylus to Shakespeare, European Theatre since Ibsen, English Literature Survey: the Beginnings, Semantics, History of the English Language, History of Criticism, Modern Discourse Analysis, Greek and Roman Literatures, Linguistics and the Teaching of Literature, Major Strands in Literary Criticism, Issues in Comparative Literature, Discourse Theory, English Poetry, English Drama, Modern British Literature, Comparative Studies in Poetry, Comparative Studies in Drama, Studies in African Drama, and Philosophy of Literature. A Fellow of Nigerian Academy of Letters, Akwanya’s open access works have been read over 109,478 times around the world. In this wide-ranging interview, he speaks to Andrew Bula, a young lecturer from Baze University, Abuja, shedding light on a variety of issues around which his life revolves.

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Munro, Lucy, Anne Lancashire, John H. Astington, and Marta Straznicky. "Popular Theatre and the Red Bull." Early Theatre 9, no. 2 (January 1, 2006). http://dx.doi.org/10.12745/et.9.2.732.

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10

Collins, Eleanor. "Eva Griffith. A Jacobean Company and its Playhouse: The Queen’s Servants at the Red Bull Theatre (c. 1605-1619). Cambridge: Cambridge University Press, 2013. Pp 305." Early Theatre 18, no. 1 (April 27, 2015). http://dx.doi.org/10.12745/et.18.1.2576.

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Dissertations / Theses on the topic "Red Bull Theatre"

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Richards, Keith Owen. "The Red Bull as community theatre in Clerkenwell." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37230.pdf.

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2

Griffith, Eva. "Playhouse, company, repertoire : the Queen's servants at the Red Bull theatre, Clerkenwell, c. 1605-1619." Thesis, King's College London (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408274.

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Books on the topic "Red Bull Theatre"

1

A Jacobean Company And Its Playhouse The Queens Servants At The Red Bull Theatre C 16051619. Cambridge University Press, 2013.

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Book chapters on the topic "Red Bull Theatre"

1

Kean, Margaret. "A Harmless Distemper." In Epic Performances from the Middle Ages into the Twenty-First Century, 181–93. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198804215.003.0013.

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This chapter considers how the epic underworld becomes accessible from the early modern London stage. It examines plays by Kyd, Dekker, and others, but the main focus is on Thomas Heywood’s The Silver Age (1613), where katabatic movement on stage successfully translocates the descent narratives of erudite classical poetry into popular dramatic performance. The Silver Age retells the myth of Proserpina’s abduction by Pluto but it reconfigures Ovid’s account to fit within an episodic drama based around the life story of the Theban hero, Hercules. Heywood’s play offers an unusually independent and sustained response to classical materials, and an additional literary interest in Statius will be proposed. The chapter also employs recent work by theatre historians to reflect on the collaborative nature of early modern dramatic production, and on the repertoire and specific skill-set developed at the Red Bull Playhouse in the early years of the Jacobean era.

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