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Relevant bibliographies by topics / Red-Figure vases

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Academic literature on the topic 'Red-Figure vases'

Author: Grafiati

Published: 20 April 2024

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Journal articles on the topic "Red-Figure vases"

1

Saunders, David. "Warriors’ Injuries on Red-Figure Vases." Mouseion: Journal of the Classical Association of Canada 10, no. 1 (2010): 1–21. http://dx.doi.org/10.1353/mou.2010.0020.

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Sutton, Robert F., and Martin F. Kilmer. "Greek Erotica on Attic Red-Figure Vases." American Journal of Archaeology 101, no. 2 (1997): 413. http://dx.doi.org/10.2307/506525.

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Oakley, John H., and Martin F. Kilmer. "Greek Erotica on Attic Red-Figure Vases." Phoenix 49, no. 1 (1995): 90. http://dx.doi.org/10.2307/1088372.

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Sanev, Goran. "Red-figure vases in the FYR Macedonia." Revue archéologique 55, no. 1 (2013): 3. http://dx.doi.org/10.3917/arch.131.0003.

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HERRING, EDWARD. "APULIAN VASE-PAINTING BY NUMBERS: SOME THOUGHTS ON THE PRODUCTION OF VASES DEPICTING INDIGENOUS MEN." Bulletin of the Institute of Classical Studies 57, no. 1 (2014): 79–95. http://dx.doi.org/10.1111/j.2041-5370.2014.00067.x.

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AbstractThis paper examines the place of vases depicting indigenous men in the wider context of Apulian red-figure pottery production. Through an analysis of 13,577 vases, it is shown that those depicting indigenous men were only ever a tiny part of the overall output. The overwhelming majority of surviving Apulian vases lack a proper archaeological provenance, but although this limits certainty, the evidence suggests that the vases in question were primarily used in Central Puglia. The iconography of the vessels shows indigenous men in a positive light, as successful warriors who participated

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Carpenter, T. H. "The Native Market for Red-Figure Vases in Apulia." Memoirs of the American Academy in Rome 48 (2003): 1. http://dx.doi.org/10.2307/4238802.

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Herring, Edward. "More than just pretty pictures: red-figure pottery production beyond Athens." Antiquity 89, no. 348 (2015): 1500–1502. http://dx.doi.org/10.15184/aqy.2015.137.

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Red-figure pottery first achieved prominence in the modern world through antiquarianism and the collection of souvenirs on the Grand Tour. This fundamentally shaped the scholarship of this class of pottery. Vases were valued for their completeness, their iconography—scenes depicting Greek myth and literature being particularly prized—and their aesthetic qualities. Famous private collections were formed, many of which subsequently entered the world's great museums. Less value was placed upon the vessels as archaeological objects. The contexts in which they were found, their associations with ot

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Minollari, Katarzyna. "Red-figure vases from Durres – A reflection of a local culture?" Journal of Archaeological Science: Reports 21 (October 2018): 1025–34. http://dx.doi.org/10.1016/j.jasrep.2016.12.007.

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9

Pöhlmann, Egert. "Reading and Writing, Singing and Playing on Three Early Red-Figure Vases." Greek and Roman Musical Studies 7, no. 2 (2019): 270–83. http://dx.doi.org/10.1163/22129758-12341350.

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Abstract The tools for reading and writing, the writing tablets and the papyrus scroll, were inherited by Greece from the East together with the Phoenician alphabet. The oldest papyrus scroll and writing tablets with Greek text were found in the tomb of a musician in Daphne dated to 430 BC. After 700 BC writing tablets were ubiquitous in Greece. However, black figure vases do not depict them. The first writing tablet appears on a red figure kylix of the Euergides Painter from Vulci (520). The first papyrus scrolls appear, together with writing tablets and the lyre, on a kylix from Ferrara (c.

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Peirce, Sarah. "Visual Language and Concepts of Cult on the "Lenaia Vases"." Classical Antiquity 17, no. 1 (1998): 59–95. http://dx.doi.org/10.2307/25011074.

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"Lenaia vases" is the traditional title given to a group of some seventy fifth-century Attic vases, black- and red-figure. These vases have in common that they show a cult-image of Dionysos, consisting of a mask or masks on a column, in combination with the conventional Attic imagery of the revelling ecstatic female worshippers usually called "maenads." The vases are important and their meaning much debated because they seem to hold out the promise of providing otherwise unavailable information about historical bacchic religion. There is no consensus on the character of the historical informat

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Dissertations / Theses on the topic "Red-Figure vases"

1

Xu, Jialin. "Techniques of red-figure vase-painting in late sixth- and early fifth-century Athens." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670015.

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Bowtell, Anne. "The group of Polygnotos." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260712.

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Scapin, Mathieu. "Les premiers ateliers à figures rouges en Italie du sud (440-375 av. J.-C.)." Thesis, Toulouse 2, 2016. http://www.theses.fr/2016TOU20126.

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Les premiers peintres des vases à figures rouges ont été classés par A.D. Trendall entre 1938 et 1989. Ses recherches, associées à ceux des historiens et archéologues, constituent un remarquable outil d’analyse pour les historiens de l’art. Elles permettent d’appréhender d’un seul coup d’œil le corpus de vases italiotes collectés auprès des collections privées ou des musées. A la manière de J. BEAZLEY pour les vases attiques, A.D. TRENDALL s’est attaché à attribuer des vases anonymes et sans provenance à des peintres qu’il a lui–même nommé. Néanmoins, depuis plusieurs années, ses classements s

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Moodie, Meg R. "Drawing the divide : the nature of Athenian identity as reflected in the depiction of the „other‟ in Attic red-figure vase painting in the fifth century BCE." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80201.

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Thesis (MPhil)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: During the fifth century BCE there were three defining periods in Athenian history that challenged its society: the Persian Wars (490 – 479 BCE); Periclean Athens (mid-fifth century); and the Peloponnesian War (431 – 404 BCE). As the development of identity is a reactionary process, these three periods had a profound effect on the Athenian identity and led to the redefinition of this self-image along the primordialist models. Two premises are combined in this study. Firstly that comparisons to contrary ethnicities are vital to

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Enríquez, de Salamanca Alcón Macarena. "Mégara Hyblaea au IVe siècle av. J.-C. : étude d'un corpus fragmentaire de vases à figures rouges sicéliotes provenant du secteur public de la cité." Electronic Thesis or Diss., Tours, 2022. http://www.theses.fr/2022TOUR2016.

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Cette thèse propose l'étude et l'analyse d'un corpus, majoritairement, inédit de fragments de vases à figures rouges sicéliotes, décorés de scènes liées à la sphère de Dionysos et d'Aphrodite. Ces fragments sont datés de la seconde moitié du IVe siècle av. J.-C. et proviennent, probablement, du secteur de l'agora de Mégara Hyblaea, une ancienne colonie grecque située en Sicile Orientale. Cette cité a été redécouverte grâce aux fouilles menées par G. Vallet et Fr. Villard entre 1949 et 1978. Suite à sa découverte, Mégara Hyblaea a été l'objet de nombreuses campagnes de fouilles, d'études et de

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Hoyt, Sue Allen. "Masters, pupils and multiple images in Greek red-figure vase painting." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1150472109.

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Beaumont, Lesley Anne. "Studies on the iconography of divine and heroic children in Attic red-figure vase-painting of the fifth century." Thesis, Online version, 1993. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.366348.

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Neer, Richard Theodore. "Pampoikilos representation, style, and ideology in Attic red-figure /." 1998. http://books.google.com/books?id=XIzWAAAAMAAJ.

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Thesis (Ph. D.)--University of California, Berkeley, May 1998.<br>"Spring 1998." "UMI Number: 9902178"--Prelim. p. "Printed in 2005 by digital xerographic process on acid free paper"--P. after T.p. Includes bibliographical references (p. 273-295).

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Chaput, Samuel. "Les représentations sexuelles sur les vases attiques à figure rouge : entre sexualité et «pornographie»." Thèse, 2015. http://hdl.handle.net/1866/18335.

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La résolution des images a dû être modifiée afin de respecter les droits d'auteurs. Voir le tableau comprenant la liste des vases afin de trouver ces images en meilleure qualité.<br>La présente étude sert à rassembler tous les vases attiques à figure rouge présentant des scènes sexuellement explicites connues à ce jour. Un examen attentif de ces sources permit de les décrire ainsi que de les comparer afin d'en faire ressortir les similitudes et les différences. Ces vases, étrangement, proviennent majoritairement d'Étrurie, ce qui surprend lorsqu'on sait qu'ils ont été fabriqués en Grèce. Grâce

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Books on the topic "Red-Figure vases"

1

John, Boardman. Athenian red figure vases: The Archaic period : a handbook. Thames and Hudson, 1991.

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2

John, Boardman. Athenian red figure vases: The classical period : a handbook. Thames and Hudson, 1988.

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Athenian red figure vases: The Archaic period : a handbook. Thames and Hudson, 1988.

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4

John, Boardman. Athenian red figure vases: The Archaic period : a handbook. 2nd ed. Thames and Hudson, 2000.

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5

Greek erotica on Attic red-figure vases. Duckworth, 1991.

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6

Red figure vases of South Italy and Sicily: A handbook. Thames and Hudson, 1989.

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Athenian red figure vases, the classical period: A handbook. Thames and Hudson, 1989.

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8

Buitron-Oliver, Diana. Douris: A master-painter of Athenian red-figure vases. Philipp von Zabern, 1995.

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9

A history of the study of South Italian black- and red-figure pottery. Archaeopress, 2011.

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10

internationale, Union académique, ed. Corpus vasorum antiquorum: Greece : Athens--National Archaeological Museum : Attic black- and red-figure hydriai. Academy of Athens, 2018.

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Book chapters on the topic "Red-Figure vases"

1

SABETAI, VICTORIA. "Boeotian Red-figured Vases:." In Red-figure Pottery in its Ancient Setting. Aarhus University Pres, 2012. http://dx.doi.org/10.2307/jj.608266.11.

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Oakley, John H. "Inscriptions on Apulian Red-Figure Vases:." In Epigraphy of Art. Archaeopress Publishing Ltd, 2016. http://dx.doi.org/10.2307/j.ctvxw3njw.12.

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3

Immerwahr, Henry R. "Red-Figure and Black-Figure Vases, 530–500 BC." In Attic Script. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198132233.003.0008.

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Abstract Black-Figured vases continue to be the main, though not the best, Attic product in the last third of the sixth century, and the two styles of writing, the fine and the sloppy, are still found.

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GUALTIERI, MAURIZIO. "Late ‘Apulian’ Red-figure Vases in Context:." In Red-figure Pottery in its Ancient Setting. Aarhus University Pres, 2012. http://dx.doi.org/10.2307/jj.608266.9.

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POYZADIYX, CLAUDE, and PIERRE ROUILLARD. "From Imported Attic Vases to the First Regional Productions in Sicily:." In The Regional Production of Red Figure Pottery. Aarhus University Press, 2014. http://dx.doi.org/10.2307/jj.608200.18.

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6

"Chapter Five. Attic Red-Figure And White-Ground." In Corinthian and Attic Vases in the Detroit Institute of Arts. BRILL, 2008. http://dx.doi.org/10.1163/ej.9789004164086.i-152.12.

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Anderson, Michael J. "Ilioupersis Combinations in Attic Vase-Painting." In The Fall of Troy in Early Greek: Poetry and Art. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198150640.003.0018.

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Abstract While the great majority of black- and red-figure Ilioupersis representations are not found in combination with other Ilioupersis scenes, examples survive in sufficient numbers to indicate that combination was practised with relative frequency. In the following pages I survey the known examples, and although the small pool of data makes the search for trends and development precarious, I attempt some categorization of the vases in terms of date, shape, and manner of combination.

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Stelow, Anna R. "Menelaus in Archaic Art." In Menelaus in the Archaic Period. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199685929.003.0005.

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This chapter explores the depiction of Menelaus in archaic art. Menelaus appears in Greek art by the mid-seventh century BC and continues to be depicted by artists into the classical period and beyond. One may roughly divide images of Menelaus into two categories: ‘with Helen’ and ‘everything else’. Early on, ‘everything else’—depictions of Menelaus without Helen—is in fact more frequent, so far as one can tell from the few images that remain. By the mid-sixth century, however, Menelaus is depicted with Helen almost exclusively. Menelaus-Helen images have been studied by art historians and philologists from the standpoint of Helen. Scant attention has been given, however, to what the pictures ‘say’ about Menelaus. Even though certain iconographic details change somewhat over the course of the sixth century, there is a mostly stable and coherent depiction of Menelaus in black- and early red-figure Athenian vases that differs from his depiction in the classical period. The chapter then provides an annotated catalogue of the known images in which Menelaus appears without Helen.

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BARRESI, SEBASTIANO. "Sicilian Red-figure Vase-painting:." In The Regional Production of Red Figure Pottery. Aarhus University Press, 2014. http://dx.doi.org/10.2307/jj.608200.16.

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HEDREEN, GUY. "Vase-painting and Narrative Logic:." In Red-figure Pottery in its Ancient Setting. Aarhus University Pres, 2012. http://dx.doi.org/10.2307/jj.608266.15.

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