Relevant bibliographies by topics / Red in interior decoration

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Red in interior decoration'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Red in interior decoration"

1

Chauhan, Sadhana. "COLOR COMBINATION IN INTERIOR AND EXTERIOR DECORATION." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (December 31, 2014): 1–2. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3626.

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Color is an integral part of our life, as much as this colorful world of ours is beautiful, as much as it is a world of these colors. In childhood, we are taught only the names of three primary colors: yellow, blue and red, but the truth is, we cannot limit colors to any number. There is no count of colors, because there are innumerable colors in this world. The reason for this is that by combining any two colors, we can create a third color and by altering the amount of those two colors we can create many light and dark colors. In this way, we can create innumerable colors from different cohesion (Buipdanjapavade). Color is the peak of beauty, and beauty is directly related to the heart. These colors are used in different forms of art and are used in different forms of art on an ornamental, artistic and symbolic basis. Like "Baiga women tattoo on their body, which itself is a modified structure consisting of many signs". 2 It is mainly found in the use of green color, which does not just enhance the beauty of the body, but it has all kinds of colors in it. There is also a belief in Baigao that the ability to resist from enemies also increases, as they increase the power of hands and feet. Tattooing is considered to be the jewel of the tribals, especially women, in their body, embellishes a variety of shapes. These figures have their own religious, spiritual, cultural and social importance. रंग हमारे जीवन का एक अभिन्न हिस्सा है, जितनी खुबसुरत हमारी यह रंगीन दुनिया है, उतनी ही विलक्षण इन रंगो की दुनिया है। बचपन में हमे सिर्फ तीन प्राथमिक रंगो के नाम सिखाये जाते है:- पीला, नीला और लाल, परन्तु सच तो यह है कि, किसी संख्या में रंगो को सीमित नही कर सकते। रंगो की कोई गिनती नही होती, क्योंकि इस दुनिया में असंख्य रंग है। इसका कारण यह है कि किन्ही भी दो रंगो को मिलाकर हम एक तीसरे रंग का निर्माण कर सकते है और उन दो रंगो की मात्रा में फेरबदल करके हम अनेक हल्के और गहरे रंगो का निर्माण कर सकते है। इस तरह हम अलग अलग सामंजस्य (ब्वउइपदंजपवदे) से असंख्य रंगो का निर्माण कर सकते है। रंग सुन्दरता की चरम विघा है और सुन्दरता का सीधा संबंध हृदय से है। यही रंग कला के भिन्न भिन्न रूपो में प्रयुक्त किऐ जाते है और कला की विभिन्न विघाओ में अलंकारिक, कलात्मक व सांकेतिक आधार पर उपयोग में लाऐ जाते है। जैसे ‘‘ बैगा स्त्रीयाॅ अपने शरीर पर गोदना गुदवाती है, जो स्वयं कई चिन्हो से मिलकर बनी एक संश्रृष्ट संरचना होती है ’’ 2 इसमें मुख्यतः हरे रंग का प्रयोग पाया जाता है, जो महज शरीर का सौन्दर्य ही नही बढाते वरन् उसमें तमाम तरह की विपदाओ से प्रतिरोध करने की क्षमता को भी बढाते है, जैसे हाथो व पैरो की शक्ति को बढाते है, ऐसी बैगाओ में मान्यता है। गोदना आदिवासियों का आभूषण माना जाता है, विशेषकर महिलाऐ अपने शरीर में तरह तरह की आकृतियाॅ गुदवाती है। इन आकृतियों का अपना धार्मिक, आध्यात्मिक, सांस्कृतिक और सामाजिक महत्व होता है।
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Usanova, Alla L., and Sergei M. Budkeev. "“RED CORNER”: SEMANTIC INTERPRETATIONS IN THE URBAN INTERIOR OF THE FIRST HALF OF THE 20TH CENTURY." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 58 (2020): 278–88. http://dx.doi.org/10.37816/2073-9567-2020-58-278-288.

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In the early 1990s, the return of religious consciousness led to a revival of interest in religious culture and norms of behavior. The appearance of icons and holy images in the interior was often accompanied by a violation of ethical standards at their placement. Analysis of a representative space in the domestic urban interior of the first half of the twentieth century in the context of historical processes allows us to determine its artistic significance and to reveal semantic transformations of the concepts “red corner” and “place of honor”. According to patriarchal tradition, home iconostasis, located in the so-called “red” corner (opposite to the entrance of the house), is the center in all respects: sacred, ritual, and artistic — aesthetic. Changes in the way of life, traditions and conditions of urban inhabitants (middle class, urban peasants) in the late nineteenth and early twentieth centuries are associated with economic and political events in the country. The influx of population into the cities aggravated the housing problem and caused the spread of new forms of mass urban housing: tenement houses, workers' dormitories, while industrial revolution contributed to the erosion of estate boundaries in interior design, subject filling and spatial orientation of dwelling`s representative part. During the anti-religious campaign, the Soviet government massively banished the images of saints from the visible space of a private dwelling, yet, making use of the sacred essence and moral significance of the shrines location, it produced manipulations for changing the meaning: “red corners” are an indispensable attribute of administrative and public interiors and hostels. The phrase “red corner” is filled with a new ideological meaning, whereas the meaning of this memorial space remains its moral and spiritual education connotations. Since the mid-1930s, with the beginning of mass housing construction, stimulation of consumer demand by the state began to shape artistic and everyday traditions in the interior of the Soviet standard dwelling. Spatial organization of the new townsman`s dwelling differed little from interiors of the peasant hut. A visible (front) part of the interior (the front corner), still acted as a semantic center of the dwelling, performing representative functions. However, the object complex (bookcase with books, radiotracks, reproductions of paintings, etc.) located in the visible area begins to represent the level of tenant`s cultural claims, while the decoration (lace and embroidered napkins) emphasizes strengthening of its prestigious status for the dwelling`s interior. Thus, a retrospective analysis of semantic content of the concept of “red corner”, including its historical and artistic context, allows us concluding that the subject-spatial organization of the dwelling not only reflects the person's idea of the world, but serves as a visible indicator of spiritual, moral, ideological and cultural transformations of society.
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Elsadek, Mohamed, Minkai Sun, and Eijiro Fujii. "Psycho-physiological responses to plant variegation as measured through eye movement, self-reported emotion and cerebral activity." Indoor and Built Environment 26, no. 6 (March 15, 2016): 758–70. http://dx.doi.org/10.1177/1420326x16638711.

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The aim of the study was to investigate the effects of different variegation of interior plant foliage on visual attention, subjective emotions and cerebral activity. Thirty Egyptian male subjects were presented with five different varieties of Hedera helix for 60 s in random orders. During this time, eye movements and cerebral activity were recorded, and subjective data were then gathered via a semantic differential scale. The results show clear evidence in support of the use of green-yellow and bright green-coloured plants in locations in which comfort and calmness are required, while red and dark green plants can be used to improve energy in places such as offices and children’s areas. In contrast, the green-white plants stimulated mostly negative emotions. These findings suggest that landscape and interior designers should pay more attention for choosing foliage colours during indoor decoration.
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Krismanto, Robertus, Rudyanto Soesilo, and Bernadeta Tyas Susanti. "MAKNA ELEMEN PENDUKUNG INTERIOR PADA ARSITEKTUR RUMAH IBADAH." Jurnal Muara Sains, Teknologi, Kedokteran dan Ilmu Kesehatan 4, no. 2 (October 29, 2020): 221. http://dx.doi.org/10.24912/jmstkik.v4i2.7819.

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The architecture and interior of the Church of the Sacred Heart of the Lord Jesus Ganjuran (HKTY) Bantul Yogyakarta in the form of joglo with supporting elements in the form of interior furniture, statues, decoration, domes, glass paintings. This study uses a qualitative method with a case study at the Church of HKTY Ganjuran research focus on finding the meaning of interior supporting elements. Retrieval of data through interviews, observation, documentation, and literature study. The results of the study that the supporting elements of the interior have meaning to support people praying or worshiping. On some furniture there are ornaments about pelicans that have the meaning of the Sacred Heart, the Most Holy, who is willing to give life, for his children to stay alive. Sculptures in Javanese outfit so that people near are easy to pray with God because they come with Javanese faces. The decoration on the dome above the priest's sanctuary contained symbol images of the four gospels and The Most Holy Trinity. That is, when the Imam consecrated and looked up always always permeated the four holy Gospels and The Most Holy Trinity. This kind Samaritan glass painting is located on the east side of the Ganjuran church priest's home so that Catholics after attending the Eucharist are ready to do for anyone in need, because faith without works is dead. The colors used are green which means fertility, growth and indicates hope. The yellow color of gold means the glory of God, the red color means martyrdom, sacrifice and black has a meaning of origin and harmony. The people when praying are increasingly directed towards God because they are helped by the architecture and interior of the church which is a condition for meaning.Keywords: HKTY Ganjuran Church; interior supporting elements. ABSTRAK Arsitektur dan interior Gereja Hati Kudus Tuhan Yesus Ganjuran (HKTY) Bantul Yogyakarta berupa joglo dengan elemen pendukung interior berupa furnitur, patung -patung, ragam hias, kubah, lukisan kaca. Penelitian ini menggunakan metode kualitatif dengan studi kasus pada Gereja HKTY Ganjuran fokus penelitian pada menemukan makna elemen pendukung interior. Pengambilan data melalui wawancara, observasi, dokumentasi, dan studi pustaka. Hasil penelitian bahwa elemen pendukung interior mempunyai makna untuk mendukung umat berdoa atau beribadat. Pada beberapa perabot terdapat ornamen tentang burung pelikan yang mempunyai makna Hati KudusYang Maha Kudus, yang bersedia memberikan hidup, bagi anak-anaknya agar tetap hidup. Patung - patung dengan busana Jawa agar umat dekat mudah untuk berdoa dengan Tuhan karena hadir dengan wajah Jawa. Ragam hias pada kubah yang berada di atas panti imam ini terdapat gambar simbol ke empat Injil dan Tritunggal Maha Kudus. Maksudnya ketika Imam melakukan konsekrasi dan menengadah keatas selalu meresapi tentang ke empat Injil suci dan Tritunggal Maha Kudus. Lukisan kaca orang Samaria yang baik hati ini terletak di sisi timur panti imam gereja Ganjuran agar umat Katolik seusai mengikuti perayaan ekaristi siap sedia berbuat bagi siapapun yang membutuhkan, sebab iman tanpa perbuatan adalah mati. Warna – warna yang dipergunakan yaitu warna hijau mempunyai makna kesuburan, pertumbuhan dan menandakan pengharapan. Warna kuning emas bermakna kemuliaan Allah, warna merah menunjukkan kemartiran, pengorbanan dan warna hitam mepunyai makna asal mula dan kesejatihan. Umat ketika berdoa semakin terarah kepada Tuhan karena terbantu oleh arsitektur dan interior gereja yang syarat akan makna.
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Huilaja, L., M. E. Kubin, and R. Riekki. "Contact allergy to finished woods in furniture and furnishings: a small allergic contact dermatitis epidemic to western red cedar in sauna interior decoration." Journal of the European Academy of Dermatology and Venereology 30, no. 1 (January 21, 2015): 57–59. http://dx.doi.org/10.1111/jdv.12937.

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Rahman, Sabrina. "‘Out of All That Is Alive and Felt’: The Austrian Werkbund and the Design of Social Democracy." Journal of Design History 32, no. 4 (May 20, 2019): 340–55. http://dx.doi.org/10.1093/jdh/epz015.

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Abstract This article analyses the interior designs of the Austrian Werkbund in the context of political designs for social democracy, focussing particularly on the 1932 Werkbundsiedlung as a site of aesthetic and cultural inclusion. By embracing the vernacular idioms of Central and Eastern European folk art, the Historicist style associated with nineteenth-century Austrian imperialism and the innovations of modern technology, the Werkbund represented an attempt to come to terms with the cultural legacy of the empire and to define the future of the Austrian state. In doing so, a comfortable, decidedly sentimental approach to design came to function as a site of encounter between history and ethnicity, offering a visual continuity between pre-1918 imperial Vienna and inter-war Red Vienna. Werkbund designers such as Josef Frank, Paul Fischel, Heinrich Kulka, Adolf Loos, Heinz Siller and Oskar Wlach were thus well positioned to contribute to the programme of eclectic decoration that was sponsored by the social democratic welfare initiatives of 1920s and 1930s Vienna.
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Arjonilla, Paz, María José Ayora-Cañada, María José de la Torre-López, Elena Correa Gómez, Ramón Rubio Domene, and Ana Domínguez-Vidal. "Spectroscopic Investigation of Wall Paintings in the Alhambra Monumental Ensemble: Decorations with Red Bricks." Crystals 11, no. 4 (April 14, 2021): 423. http://dx.doi.org/10.3390/cryst11040423.

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The Alhambra Monumental Ensemble (Granada, Spain) is a unique well-preserved palatine city from the medieval Islamic period, and it constitutes the best example of Nasrid architecture. In this work, we focus on the study of one of its most unknown decorations: Wall paintings with the appearance of red bricks. These faux-brick decorations are found in many different locations within the Alhambra complex, including both exterior and interior walls, arches and vaults. We have considered locations from different Nasrid reigns to gain information about their characteristics in terms of materials, execution techniques and conservation state. They have been studied combining a non-invasive methodology using portable equipment (X-ray fluorescence (XRF) and Raman spectroscopy) with complementary studies on selected samples (Scanning Electron Microscopy-Energy Dispersive X-ray Spectroscopy (SEM-EDS) and Raman microimaging). In general, those located in the exterior are poorly preserved, in contrast with the good conservation state of the interior motifs. The red rectangles of these decorations were painted over a white finishing layer, which acted also as the edge lines between these false bricks. The red colour was always due to hematite (α-Fe2O3), as revealed by its characteristic Raman bands. The use of a natural red ochre pigment (very abundant in the region) could be hypothesised considering XRF and SEM-EDS results. In general, the white layer was made of lime mortar and the presence of CaCO3 in the painting layers suggests the use of lime-based techniques (either fresco or mezzo fresco). Only in one of the indoor locations, a different execution technique, based on gypsum (CaSO4·2H2O) plaster, was used. The identification of calcium oxalate in this location, in the form of weddellite (CaC2O4·2H2O), can be interpreted as the result of organic binder degradation. Furthermore, superficial contamination with gypsum was always detected in outdoor locations.
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SIEDIN, V., O. HRABOVETS, V. KOVBA, V. ULIANOV, and V. MYKALO. "USING OF ROCKS OF FACING OF BUILDINGS PSACEA IN THE EDUCATIONAL PROCESS." Ukrainian Journal of Civil Engineering and Architecture, no. 2 (August 23, 2021): 88–98. http://dx.doi.org/10.30838/j.bpsacea.2312.270421.88.755.

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Problem statement. The problem of improving the learning process can be solved by increasing the educational collections of minerals and rocks that can be found every day, but for various reasons, do not pay attention to them. The best samples of various stone materials were usually used for cladding. Similarly, in the external and internal cladding of the academy buildings were used varieties of rocks that differ in strength, color, texture, structure and inclusions of minerals and are the best examples of decorative building materials. Purpose of the article. All this diverse stone decoration of the Academy can be used in the educational process, in particular, for the study of minerals and rocks within the discipline “Engineering Geology”, which is read to all students of the Faculty of Civil Engineering and Architecture, as well as the Faculty of Civil Engineering and Ecology. Conclusion. All this diverse stone decoration of the Academy is quite possible to use in the educational process, in particular, for the study of minerals and rocks in the framework of teaching the discipline “Engineering Geology”, which is read to all students of the Faculty of Civil Engineering and Architecture, as well as the Faculty of Civil Engineering and Ecology. Thanks to the polished surface of large slabs of facing rocks, it is possible to visually and more fully identify rocks while studying the relevant disciplines, which is convenient for teaching students of all specialties. It is expedient to use facing materials of buildings of educational institution in the course of studying of geological disciplines, especially for students-architects for what it is necessary to provide target excursions on buildings of academy. Various rocks, with which the interior elements are faced, serve as a good addition to the existing educational collections of the Department of Engineering Geology and Geotechnics.
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Jiang, Fu Liang, Zeng Guang Yang, Xiang Wu Qi, and Xiang Yang Li. "The Indoor Radon Concentration Measurement and Analysis in a University and its Adjacent Areas." Applied Mechanics and Materials 737 (March 2015): 512–15. http://dx.doi.org/10.4028/www.scientific.net/amm.737.512.

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Radon is a radioactive gas, high concentrations of radon in the environment can cause lung cancer, leukemia and other diseases. In this paper, indoor radon concentration in different places were measured and analyzed by using the RAD-7 radon monitor in a university and its adjacent areas. On-site measurements show that within 24 hours the indoor radon concentration versus time has certain regularity, different interior architectural decoration materials has a certain influence on the radon concentration, the radon concentrations in long confined spaces are significantly higher than those places frequently ventilated, floor height and ventilation conditions have a greater impact on the radon concentration. This research can provide a reference for future prevention and control of radon hazards.
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Cinalli, Angela. "Documenting an unknown funerary complex at Cyrene: ‘The Garden Tomb’. Architectural evolution and epigraphic issues." Libyan Studies 45 (November 2014): 7–18. http://dx.doi.org/10.1017/lis.2014.5.

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AbstractThe Garden Tomb is a remarkable funerary complex in the Southern Necropolis of Cyrene, consisting of two burial chambers set within a courtyard with a monumental Doric façade. The architectural arrangement of the main tomb, most likely dating back to the fourth century BC, shows at least three phases of re-use and alterations of the original interior, in use until the Late Imperial period. Three sculptures belonging to the tomb and the decorative features of the exterior (entrance doorkymation) and interior (red, blue and ochre wall paint in the main burial) of the monument are noteworthy. The epigraphic apparatus, drawn in charcoal on the walls of the main burial, is significant both in terms of the form of the letters and its content: one of the two inscriptions appears to give the price of loculi for sale.
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Dissertations / Theses on the topic "Red in interior decoration"

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Meter, Maryke. "An Internet based information resource for marketing purposes with specific reference to interior design." Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-12212005-155229/.

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Lee, Soeun. "Comparative study of interior design programs in South Korea and the United States." Online access for everyone, 2005. http://www.dissertations.wsu.edu/Thesis/Spring2005/s%5Flee%5F050505.pdf.

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Moorman, Jillissa Lynn. "Interior design versus interior decoration evaluating the public's perception of design television shows /." [Ames, Iowa : Iowa State University], 2008.

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Marian, Kristi. "Interior design magazine's hall of fame award what does the hall of fame tell us about the interior design profession? /." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Thesis/Fall2009/k_marian_111709.pdf.

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Thesis (M.A. in interior design)--Washington State University, December 2009.
Title from PDF title page (viewed on Jan. 14, 2010). "Department of Interior Design." Includes bibliographical references (p. 24-28).
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Basto, Maria Fernanda Silva Lopes Pinto. "Os interiores artísticos das duas camarinhas reais do último "Yacht" "Amélia"-um panorama sobre a história dos interiores e das artes decorativas inglesas do séc. XIX." Master's thesis, Instituições portuguesas -- -Universidade Lusíada, 1997. http://dited.bn.pt:80/30411.

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Wong, Kwok-kit, and 黃國傑. "Triad involvement in interior decoration business in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31979117.

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Wong, Kwok-kit. "Triad involvement in interior decoration business in Hong Kong." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22030566.

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Morrow, Carol A. Built Environment Faculty of Built Environment UNSW. "Women and modernity in interior design: a legacy of design in Sydney, Australia from the 1920s to the 1960s." Awarded by:University of New South Wales. School of Built Environment, 2005. http://handle.unsw.edu.au/1959.4/23312.

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This thesis argues that women were seminal to the development of interior design as a discipline and profession in Sydney, Australia. Covering the period from the 1920s to the 1960s, this study identifies Thea Proctor, Nora McDougall, Margaret Lord, Phyllis Shillito and Mary White as foundational leaders who progressively advanced interior design in Sydney through individual and collective understandings of design. Focussing on their contributions to this development, this study explains complex interrelationships between women and modernity in interior design. This emergence of the discipline and profession in Sydney situates the initiatives of these five women at a transitional phase of the field???s global development when ???interior decoration??? is challenged by modern attitudes and artistic theories of ???design???. Working as individuals, Proctor and her successors advance the profession???previously characterised as a ???natural??? pursuit for women of ???taste??? and ???style??????by their artistic, rational and practical approaches to interior design. At a time when no distinct discipline exists in Sydney, the women offer instruction and forge new directions by reformulating previous overseas traditions: incorporating a wide-range of aesthetic and theoretical conceptions of design, demonstrating common and different approaches to practice, and integrating changes in requisite knowledge and skills in response to their times. The women???s programs are conventional and progressive, common and diverse, universal and particular in content and meaning. Working within a variety of settings, the women importantly establish professional jurisdiction situating interior design in a modernist context. Significantly, their contributions challenge past readings that have diminished the early women of interior design, and at the same time, embody all the conflicts, ruptures, paradoxes and contradictions that are cental to modernity. This research redresses the lack of institutional history of interior design in Sydney and links theories of modernism and modernity to issues of gender and profession to explain the women???s significant contributions to interior design at a critical juncture of the field???s development. As such, their stories and legacy of design in Sydney contribute to a wider picture of women and modernity in interior design.
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Wang, Hsin-Chen. "Wanplex and Water Canyon /." Online version of thesis, 1991. http://hdl.handle.net/1850/11312.

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McKee, Cameron Taylor. "The Caldwell Theater Complex /." Online version of thesis, 1995. http://hdl.handle.net/1850/12251.

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Books on the topic "Red in interior decoration"

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Red on red: Creating stunning interiors using reds and pinks. Boston: Little Brown and Co., 2001.

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William Morris & Red House. London: National Trust, 2005.

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Deborah, Italiano, ed. Energy: The little book of colour healing. London: Mitchell Beazley, 2002.

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1947-, Montgomery Susan J., ed. The Aloha Boathouse and the Iris Bathroom: Two installations by the Grueby Faience and Tile Company from the Two Red Roses Foundation. Tampa: Two Red Roses Foundation, 2013.

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Stanley, Abercrombie, ed. Interior design & decoration. 5th ed. Upper Saddle River, N.J: Prentice Hall, 2002.

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Linong, Dai, ed. China interior. [Berlin]: Braun, 2007.

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Interior design. 3rd ed. New York: Harry N. Abrams, 2003.

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Cerver, Francisco Asensio. Residential decoration. [Barcelona]: Arco, 1997.

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Cerver, Francisco Asensio. Residential decoration. [S.l.]: Arco Editorial S. A., 1995.

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1969-, Puente Moisés, ed. Interior. Spain: Ministerio de Fomento, 2014.

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Book chapters on the topic "Red in interior decoration"

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Finlay, James. "Recreating Historic Schemes of Interior Decoration." In Interior Finishes & Fittings for Historic Building Conservation, 173–86. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444344837.ch13.

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Modesti, Adelina. "Architectural Patronage, Interior Design and Decoration." In Women’s Patronage and Gendered Cultural Networks in Early Modern Europe, 187–204. New York: Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781315200125-9.

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Kaur, Rajinder, and Ila Gupta. "The Implementation of Phulkari Embroidery Pattern in Interior Decoration." In Understanding Built Environment, 171–86. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-2138-1_16.

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Lan, Ju-Hung, and Ming-Shu Tsai. "Developing Intelligent Interior Design Decoration Components by BIM Technologies." In HCI International 2014 - Posters’ Extended Abstracts, 101–6. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07857-1_18.

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Li, Yan. "Study on the application of “3D printing” in interior decoration." In Machinery, Materials Science and Engineering Applications, 543–48. CRC Press/Balkema P.O. Box 11320, 2301 EH Leiden, The Netherlands: CRC Press/Balkema, 2016. http://dx.doi.org/10.1201/9781315375120-78.

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Du, Jian, Xiaochao Guo, Duanqin Xiong, Yanyan Wang, Wei Pan, Shuang Bai, Liu Yang, and Juan Liu. "Experimental Study on Color Optimization of Fighter Cockpit Interior Decoration." In Man-Machine-Environment System Engineering, 539–54. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-6978-4_63.

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Yu, Qiu, and Qiu Jing. "The Application of Computer Technology in the Interior Decoration Project." In Intelligence Computation and Evolutionary Computation, 467–73. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-31656-2_66.

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Iby, Elfriede. "The “Chinese Cabinets” in the Historical Context of Schönbrunn Palace’s Interior Decoration." In Investigation and Conservation of East Asian Cabinets in Imperial Residences (1700-1900), 11–24. Wien: Böhlau Verlag, 2015. http://dx.doi.org/10.7767/9783205201922-001.

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Brecoulaki, Hariclia. "Greek Interior Decoration: Materials and Technology in the Art of Cosmesis and Display." In A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, 672–92. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118373057.ch41.

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Ibrahim, Tarek, Gouda Dabour, Minghua Ren, Gad El-Qady, Philip Goodell, Ibrahim Gaafar, Luis Sandoval, and Munazzam Ali. "Potential Heavy Mineral-Enriched Black Sand Deposits South Ras Banas Red Sea Coast (Egypt)." In Petrogenesis and Exploration of the Earth’s Interior, 129–32. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-01575-6_31.

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Conference papers on the topic "Red in interior decoration"

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Wang, Lin, Hao Zhou, Anqing Xu, Bin Xue, Mengqian Li, and Haoliang Chu. "Application of Virtual Reality in Interior Decoration." In Proceedings of the 3rd International Conference on Mechatronics Engineering and Information Technology (ICMEIT 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icmeit-19.2019.71.

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Kuang, Yang, and Jie Jiang. "Research of Interior Decoration System Based on VRML." In 2015 International Industrial Informatics and Computer Engineering Conference. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/iiicec-15.2015.195.

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Ali, AbdulmounimTaha. "Interior Design and Decoration From Attention to Distinction." In Seventh International Conference on Advances in Social Science Management and Human Behaviour SMHB 2018. Institute of Research Engineers and Doctors, 2018. http://dx.doi.org/10.15224/978-1-63248-160-3-30.

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Liu, Huilin. "Interior Decoration System Design Based on 3D Scene Modeling." In 2017 International Conference on Smart Grid and Electrical Automation (ICSGEA). IEEE, 2017. http://dx.doi.org/10.1109/icsgea.2017.51.

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Zhang, Sijia, and Weida Shi. "Application of the Interior Decoration Materials in Environmental Engineering." In 5th International Conference on Information Engineering for Mechanics and Materials. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icimm-15.2015.4.

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Wenjin, Zhao. "Art Relationship between Theme Wall Decoration and Interior Space." In 2014 Conference on Informatisation in Education, Management and Business (IEMB-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/iemb-14.2014.9.

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"Application Research of Indoor Plant Wall in Interior Decoration Design." In 2018 7th International Conference on Advanced Materials and Computer Science. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/icamcs.2018.081.

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Meng, Xia, Saba Ghazanfar Ali, Ping Li, Anum Masood, Bin Sheng, and Jie Ren. "An Interior Decoration System via Virtual Reality and Artificial Intelligence." In 2018 IEEE International Conference on Progress in Informatics and Computing (PIC). IEEE, 2018. http://dx.doi.org/10.1109/pic.2018.8706286.

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Hsu, Yen-Kun, Szu-Hsien Peng, and Meng-Shiou Wu. "Application of Virtual Reality in Building Interior Decoration Engineering Practice." In 2019 IEEE International Conference on Architecture, Construction, Environment and Hydraulics (ICACEH). IEEE, 2019. http://dx.doi.org/10.1109/icaceh48424.2019.9042171.

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Zhao, Wenjin. "The Artistic Relationship Between Themed Wall Decoration and Interior Space." In 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.017.

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You might also be interested in the extended bibliographies on the topic 'Red in interior decoration' for particular source types:
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