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Books on the topic 'Redfield Conservatory of Music'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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1

Moskovskai︠a︡ gosudarstvennai︠a︡ konservatorii︠a︡ im. P.I. Chaĭkovskogo. The Moscow Conservatory. 2nd ed. Moscow: Moscow Conservatory, 2001.

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2

Cringan, Alexander T. Conservatory sight-singing method: As used in the Toronto Conservatory of Music. Winnipeg: Whaley, Royce, 1994.

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3

Music, talent, and performance: A conservatory cultural system. Philadelphia: Temple University Press, 1988.

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4

Columbian, Conservatory of Music (Toronto Ont ). The Columbian Conservatory of Music, Toronto, 1912-1913. Toronto: Southam Press, 1995.

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5

London Conservatory of Music and School of Elocution. London Conservatory of Music and School of Elocution. [S.l: s.n., 1987.

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6

San Francisco (Calif.). Planning Dept. 50 Oak Street: San Francisco Conservatory of Music. San Francisco, CA: San Francisco Planning Dept., 2002.

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7

There's music in these walls: A history of the Royal Conservatory of Music. Toronto: Dundurn Group, 2005.

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8

Giles, Joan Gorst. Forty years in four movements: The history of the Victoria Conservatory of Music's first forty years. Victoria, B.C: Victoria Conservatory of Music, 2005.

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9

Åberg, Sven. Styles and actions: Paradoxes and agreements in the conservatory teacher's practice. Stockholm: Santérus Academic Press, 2010.

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10

Åberg, Sven. Styles and actions: Paradoxes and agreements in the conservatory teacher's practice. Stockholm: Santérus Academic Press, 2010.

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11

Plasket, Donna Jean. Training musicians and developing people: Can a music conservatory do it all? [Boston: s.n.], 1992.

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12

Trowsdale, G. Campbell. Independent and affiliated non-profit conservatory-type music schools in Canada: A speculative survey. [S.l.]: Prepared for Dr. Lorne Watson, chairman Conservatory Project Committee, Canadian Music Council, 1988.

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13

Schnurr, Stephen J. Organs of Oberlin: The College Conservatory of Music and its pipe organs. Oak Park, Ill: Chauncey Park Press, 2013.

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14

San Francisco (Calif.). Planning Dept. 50 Oak Street: San Francisco Conservatory of Music : final environmental impact report. San Francisco: San Francisco Planning Dept., 2003.

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15

San Francisco (Calif.). Dept. of City Planning. The San Francisco Conservatory of Music, at 50 Oak Street: Initial study. San Francisco, CA: Dept. of City Planning, 2002.

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16

Royal Conservatory of Music (Toronto, Ont. ). Piano syllabus: Royal Conservatory of Music official examination syllabus : introductory level through ARCT. Mississauga, Ont: Frederick Harris Music, 2001.

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17

Burner, Victor Joseph. Concerto: A musical sojourn in Moscow : a guide to the Moscow Conservatory. Pasadena, CA: V. Burner, 1995.

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18

Maryland. Governor's Task Force on Peabody. The report of the Governor's Task Force on Peabody. [Annapolis]: The Task Force, 1989.

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19

Music, Royal Conservatory of. Viola syllabus: Official examination syllabus of the Royal Conservatory of Music, grades 1 through ARCT. Mississauga, Ont., Canada: F. Harris Music, 1994.

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20

Music, Royal Conservatory of. Voice syllabus. 2nd ed. Mississauga, Ont: Frederick Harris Music, 1998.

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21

Wilkins, James Richard. The impossible task: A history of Shenandoah College and Conservatory, 1875 to 1985, and the moving and rebuilding of the colleges in Winchester, Virginia, 1955 to 1985 : also a brief history of the Old John Kerr School and early education in the Winchester, Virginia area. [Winchester, Va.]: J.R. Wilkins, 1985.

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22

Creech, Robert E. Partners in music: A national conference on the role of conservatory training in Canada : organized by the Association of Colleges and Conservatories of Music for the Canadian Music Council, held at the Royal Conservatory of Music, Toronto, Ontario, June 3-6, 1989 : conference report. [Toronto?]: [s.n.], 1989.

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23

Creech, Robert E. Partners in music: A national conference on the role of conservatory training in Canada : organized by the Association of Colleges and Conservatories of Music for the Canadian Music Council, held at the Royal Conservatory of Music, Toronto, Ontario, June 3-6, 1989 : conference report. [Toronto?]: [s.n.], 1989.

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24

Library, Oberlin College Conservatory of Music. Every Monday morning: A discography of American labor songs in the Conservatory Library at Oberlin College. Oberlin, Ohio: Oberlin College Library, 1993.

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25

San Francisco Conservatory of Music. Memories, milestones, and the future of music: The first 90 years. [San Francisco, CA: The Conservatory, 2007.

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26

Music, Royal Conservatory of. Voice: Syllabus. Oakville, Ont: F. Harris Music, 1991.

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27

1945-, Barlow Klarenz, ed. The Ratio book: A documentation of The Ratio Symposium, Royal Conservatory, The Hague, 14-16 December 1992. Köln, Germany: Feedback Studio, 2001.

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28

Music, Royal Conservatory of. Syllabus. 2nd ed. Mississauga, Ont: F. Harris Music, 1997.

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29

Shanghai yin yue xue yuan, ed. Shanghai yin yue xue yuan xue shu wen cui, 1927-2007: Zuo qu li lun yan jiu juan : Essays of the Shanghai Conservatory of Music : Composition theory. Shanghai Shi: Shanghai yin yue xue yuan chu ban she, 2007.

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30

The brothers Hambourg. Toronto: R. Brass, 1997.

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31

Anne, Marshman, and National University of Singapore. Yong Siew Toh Conservatory of Music, eds. Performer's voices across centuries and cultures: Selected proceedings of the 2009 Performer's Voice International Symposium, Yong Siew Toh Conservatory of Music, National University of Singapore, 29 Oct-2 Nov 2009. London: Imperial College Press, 2012.

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32

Piano syllabus. Oakville, Ont: F. Harris Music, 1994.

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33

Shanghai yin yue xue yuan, ed. Shang hai yin yue xue yuan xue shu wen cui, 1927-2007: Wai guo yin yue yan jiu juan = : Essays of the Shanghai Conservatory of Music : Western music. Shanghai Shi: Shanghai yin yue xue yuan chu ban she, 2007.

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34

Music, Royal Conservatory of. Orchestral instruments syllabus. [Oakville, Ont.]: F. Harris Music, 1999.

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35

DesRoches, Michael. Sir Edmund Walker scholarships. [Toronto: s.n., 1990.

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36

Anger, Joseph Humfrey. The modern enharmonic scale as the basis of the chromatic element in music: A new phase in the science of harmony : a lecture delivered at the Toronto Conservatory of Music (under the auspices of the Toronto Clef Club), December 1st, 1906. Toronto: W. Tyrrell, 1994.

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37

Kingsbury, Henry. Music, Talent & Performance A Conservatory Cultural System. Temple University Press, 1998.

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38

Snyder, Jean E. Burleigh at the National Conservatory of Music. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039942.003.0004.

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This chapter focuses on Harry T. Burleigh's study at the National Conservatory of Music in New York City. It begins with a background on the National Conservatory of Music, founded by music philanthropist Jeannette Thurber. Her school became a magnet for talented music students from across the nation. Its faculty included some of the most renowned musicians in the United States and Europe, and it modeled principles for postsecondary music education that attracted Harry, particularly the openness to African Americans as well as women and handicapped students. The chapter also discusses the difficulty experienced by Burleigh before he won a four-year tuition scholarship for the Artist's Course at the National Conservatory of Music. Finally, it considers the influence of African American soprano Sissieretta Jones on Burleigh's early recital career.
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39

London Conservatory of Music and School of Elocution., ed. London Conservatory of Music and School of Elocution. [S.l: s.n., 1987.

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40

Schabas, Ezra. There's Music In These Walls. Dundurn Press, 2005.

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41

Women musicians of Uzbekistan: From courtyard to conservatory. 2015.

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42

Milton, Salkind, Crawford Caroline, Elkus Elizabeth Britton, Albert Agnes, Brumbaum Ava Jean Pischel, Melikian Zaven, Kurka May, et al., eds. Milton Salkind and the San Francisco Conservatory of Music. 1995.

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43

Arbans Complete Conservatory Method for Trumpet Dover Books on Music. Dover Publications, 2011.

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44

Scales and Arpeggios: Official Guitar Technique for Royal Conservatory of Music Examinations- Grades 1 Through 10 (Royal Conservatory of Music, Toronto, Guitar Series). The Frederick Harris Music Co., 1990.

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45

McPherson, Bruce, and James Klein. Measure by Measure: A History of New England Conservatory from 1867. New England conservatory, 1995.

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46

Encarnacao, John, and Diana Blom. Teaching and Evaluating Music Performance at University: Beyond the Conservatory Model. Taylor & Francis Group, 2020.

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47

Encarnacao, John, and Diana Blom. Teaching and Evaluating Music Performance at University: Beyond the Conservatory Model. Taylor & Francis Group, 2020.

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48

Encarnacao, John, and Diana Blom. Teaching and Evaluating Music Performance at University: Beyond the Conservatory Model. Taylor & Francis Group, 2020.

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49

Encarnacao, John, and Diana Blom. Teaching and Evaluating Music Performance at University: Beyond the Conservatory Model. Taylor & Francis Group, 2020.

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50

Snyder, Jean E. Introducing Antonín Dvořák to African American Music. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039942.003.0005.

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This chapter focuses on how Harry T. Burleigh, during his study at the National Conservatory of Music, became Czech composer Antonín Dvořák's most direct link to the African American music traditions in which he was keenly interested. Burleigh's second year at the conservatory would be a momentous one not only for him but also for the conservatory and for American music when Dvořák was appointed director. By the end of the academic year, Dvořák would complete the composition of his most famous American work, Symphony No. 9 in E Minor, “From the New World.” Burleigh would be intimately involved in the process of its creation. Dvořák validated the artistic value of African Americans' folk music during his time at the conservatory.
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