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Journal articles on the topic 'Redneck'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

McGuire, Sarah. "A defense of the modern, high-tech redneck on reality TV: Why the world loves Duck Dynasty and its resulting redemptive representation of Rednecks." SURG Journal 7, no. 3 (2014): 5–14. http://dx.doi.org/10.21083/surg.v7i3.2972.

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This article uses key terms and concepts from Television Studies to “close read” the reality TV show Duck Dynasty in its visual form. This article questions not only how Duck Dynasty represents rednecks, but also how the representation of the “redneck” is understood by the TV audience. It explores the success of Duck Dynasty as a reality TV show and argues that it redeems “rednecks” from Hollywood’s previous portrayals of the overly caricatured redneck stereotype. The Robertsons have the ability to convey truth – even if it is through a partially fake/mediated realm – and what they actually re

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2

Martinez, Amanda Marie. "Redneck Chic." Journal of Popular Music Studies 32, no. 2 (2020): 128–43. http://dx.doi.org/10.1525/jpms.2020.32.2.128.

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This article analyzes the Nashville-based country music industry's marketing practices and targeted audience between 1969 and 1978, an exciting period of racial and political diversification among country listeners and artists. During this era, growing numbers of non-white fans appeared at country concerts (drawn in large part by a previously unprecedented number of non-white artists who had earned commercial success during this period), and musicians such as Willie Nelson and Waylon Jennings—the “Outlaws”—attracted listeners who identified with the counterculture. These new fans differed from

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3

Leverton, Andrew, and Les Murray. "Subhuman Redneck Poems." World Literature Today 71, no. 3 (1997): 647. http://dx.doi.org/10.2307/40152999.

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4

HUBER, P. "REDNECK: A NEW DISCOVERY." American Speech 76, no. 4 (2001): 434–37. http://dx.doi.org/10.1215/00031283-76-4-434.

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5

Chun, Elaine Wonhee. "Listening to The Southern Redneck." American Speech 93, no. 3-4 (2018): 425–44. http://dx.doi.org/10.1215/00031283-7271261.

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6

Hayes, Chris. "Praise Song for the Redneck Riviera." Missouri Review 42, no. 2 (2019): 90–92. http://dx.doi.org/10.1353/mis.2019.0030.

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7

Basiliere, J. "Can a Redneck Love a Queer?" GLQ: A Journal of Lesbian and Gay Studies 23, no. 3 (2017): 434–36. http://dx.doi.org/10.1215/10642684-3818510.

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8

Lawson, William D. "You Might Be a Redneck Engineer If…" Journal of Professional Issues in Engineering Education and Practice 131, no. 1 (2005): 6–10. http://dx.doi.org/10.1061/(asce)1052-3928(2005)131:1(6).

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9

O'Connell, A. "An Exploration of Redneck Whiteness in Multicultural Canada." Social Politics: International Studies in Gender, State & Society 17, no. 4 (2010): 536–63. http://dx.doi.org/10.1093/sp/jxq019.

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10

GRINDAL, BRUCE. "Confrontation, Understanding, and Friendship in a Redneck Culture." Anthropology and Humanism 36, no. 1 (2011): 89–100. http://dx.doi.org/10.1111/j.1548-1409.2011.01082.x.

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11

Huber, Patrick J. "Redneck: A Short Note from American Labor History." American Speech 69, no. 1 (1994): 106. http://dx.doi.org/10.2307/455956.

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12

Rothschild, Teal. "Multiplicity in Movements: The Case for Redneck Revolt." Contexts 18, no. 3 (2019): 57–59. http://dx.doi.org/10.1177/1536504219864964.

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13

Besek, Jordan Fox, and Jeanine Cunningham. "On the Environmental Embeddedness of Redneck Identity and Politics: The Original Redneck Fishin’ Tournament and Invasive Species in a Rural Community." Sociologia Ruralis 60, no. 2 (2020): 394–413. http://dx.doi.org/10.1111/soru.12296.

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14

Conrad, David E., and Chester M. Morgan. "Redneck Liberal: Theodore G. Bilbo and the New Deal." American Historical Review 92, no. 3 (1987): 767. http://dx.doi.org/10.2307/1870095.

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15

Eagles, Charles W., and Chester M. Morgan. "Redneck Liberal: Theodore G. Bilbo and the New Deal." Journal of American History 73, no. 3 (1986): 795. http://dx.doi.org/10.2307/1903076.

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16

Falls, Susan. "‘Redneck Customs’: race and class at the demolition derby." Leisure Studies 32, no. 4 (2013): 429–45. http://dx.doi.org/10.1080/02614367.2012.674153.

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17

Bledsoe, Erik. "The Rise of Southern Redneck and White Trash Writers." Southern Cultures 6, no. 1 (2000): 68–90. http://dx.doi.org/10.1353/scu.2000.0048.

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18

Hubbs, Nadine. "“Redneck Woman” and the Gendered Poetics of Class Rebellion." Southern Cultures 17, no. 4 (2011): 44–70. http://dx.doi.org/10.1353/scu.2011.0061.

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19

Nelson, Lawrence J., and Chester M. Morgan. "Redneck Liberal: Theodore G. Bilbo and the New Deal." Journal of Southern History 53, no. 2 (1987): 342. http://dx.doi.org/10.2307/2209128.

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20

Morong, Jay. "Hick Flicks: The Rise and Fall of Redneck Cinema (review)." Film & History: An Interdisciplinary Journal of Film and Television Studies 35, no. 2 (2005): 101–3. http://dx.doi.org/10.1353/flm.2005.0050.

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21

Grimshaw, Michael. "‘Redneck religion and shitkickin' saviours?’: Gram Parsons, theology and country music." Popular Music 21, no. 1 (2002): 93–105. http://dx.doi.org/10.1017/s0261143002002052.

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The country singer Gram Parsons (1946-73) has in the last decade been increasingly cited as a seminal influence upon the development of contemporary alt.country and the roots/americana revivial. This article critiques Parsons and his music within the realm of contextual theology, using him as a bridge to examine the wider issue of what a theology of country music might entail. Both Parsons and Country Music in general are strongly religious in language, ethos and culture, yet the theology articulated both explicitly and implicitly is not evangelical as those outside the genre and culture might

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22

Revels, Tracy J. "Queering the Redneck Riviera: sexuality and the rise of Florida tourism." Journal of Tourism History 10, no. 3 (2018): 304–5. http://dx.doi.org/10.1080/1755182x.2018.1546459.

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23

O'Sullivan, Shannon E. M. "Playing “Redneck”: White Masculinity and Working-Class Performance on Duck Dynasty." Journal of Popular Culture 49, no. 2 (2016): 367–84. http://dx.doi.org/10.1111/jpcu.12403.

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24

Stone, Amy L. "Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism." Journal of American History 106, no. 2 (2019): 518–19. http://dx.doi.org/10.1093/jahist/jaz467.

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25

Ownby, Ted, and Stephen A. West. "From Yeoman to Redneck in the South Carolina Upcountry, 1850-1915." Journal of American History 96, no. 1 (2009): 219. http://dx.doi.org/10.2307/27694788.

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26

James, David R. "The Southern Redneck: A Phenomenological Class Study.Julian B. Roebuck , Mark Hickson III." American Journal of Sociology 91, no. 3 (1985): 753–54. http://dx.doi.org/10.1086/228347.

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27

Shirley, C. D. ""You might be a redneck if..." Boundary Work among Rural, Southern Whites." Social Forces 89, no. 1 (2010): 35–61. http://dx.doi.org/10.1353/sof.2010.0081.

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28

Thomas, J. David. "Jeff Foxworthy’s Redneck Humor and the Boundaries of Middle-Class American Whiteness." SAGE Open 6, no. 2 (2016): 215824401664777. http://dx.doi.org/10.1177/2158244016647772.

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29

Holladay, Holly Willson. "Back on the Porch: Southern Working‐Class Whiteness and the Liberal Redneck Revolution." Journal of Popular Culture 52, no. 3 (2019): 500–517. http://dx.doi.org/10.1111/jpcu.12804.

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30

Holladay, Holly Willson. "Reckoning with the “Redneck”: Duck Dynasty and the Boundaries of Morally Appropriate Whiteness." Southern Communication Journal 83, no. 4 (2018): 256–66. http://dx.doi.org/10.1080/1041794x.2018.1472797.

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31

Beech, Jennifer. "Redneck and Hillbilly Discourse in the Writing Classroom: Classifying Critical Pedagogies of Whiteness." College English 67, no. 2 (2004): 172. http://dx.doi.org/10.2307/4140716.

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32

Adams, Michael. "‘Redneck, Barbaric, Cashed up Bogan? I Don't Think So’: Hunting and Nature in Australia." Environmental Humanities 2, no. 1 (2013): 43–56. http://dx.doi.org/10.1215/22011919-3610342.

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33

Scott, David W. "Religiosity inSouth Park: Struggles Over Institutional and Personal Piety Among Residents of a “Redneck Town”." Journal of Media and Religion 10, no. 3 (2011): 152–63. http://dx.doi.org/10.1080/15348423.2011.599650.

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34

Poole, W. Scott. ":From Yeoman to Redneck in the South Carolina Upcountry, 1850–1915.(The American South Series.)." American Historical Review 114, no. 2 (2009): 446. http://dx.doi.org/10.1086/ahr.114.2.446.

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35

Huber, Patrick. "A Short History of Redneck: The Fashioning of a Southern White Masculine Identity." Southern Cultures 1, no. 2 (1995): 145–66. http://dx.doi.org/10.1353/scu.1995.0074.

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36

Souther, J. Mark. "The rise and decline of the Redneck Riviera: an insider's history of the Florida–Alabama Coast." Journal of Tourism History 5, no. 1 (2013): 96–98. http://dx.doi.org/10.1080/1755182x.2012.758966.

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37

Backe, Hans-Joachim. "A Redneck Head on a Nazi Body. Subversive Ludo-Narrative Strategies in Wolfenstein II: The New Colossus." Arts 7, no. 4 (2018): 76. http://dx.doi.org/10.3390/arts7040076.

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This article argues that Wolfenstein: The New Colossus, a AAA First-Person Shooter, is not only politically themed, but presents in itself a critical engagement with the politics of its genre and its player base. Developed at the height of #Gamergate, the game is interpreted as a response to reactionary discourses about gender and ability in both mainstream games and the hardcore gamer community. The New Colossus replaces affirmation of masculine empowerment with intersectional ambiguities, foregrounding discourses of feminism and disability. To provoke its players without completely alienatin

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38

Harvey H. Jackson III. "The Rise and Decline of the Redneck Riviera: The Northern Rim of the Gulf Coast since World War II." Southern Cultures 16, no. 1 (2010): 7–30. http://dx.doi.org/10.1353/scu.0.0097.

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39

Stanonis, Anthony J. "The Rise and Decline of the Redneck Riviera An Insider's History of the Florida-Alabama Coast (review)." Southern Cultures 18, no. 4 (2012): 110–12. http://dx.doi.org/10.1353/scu.2012.0035.

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40

Wel, Stephanie Vander. "Country Boys and Redneck Women: New Essays in Gender and Country Music ed. by Diane Pecknold and Kristine M. McCusker." Women and Music: A Journal of Gender and Culture 22, no. 1 (2018): 157–63. http://dx.doi.org/10.1353/wam.2018.0018.

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41

Hayes, Chris. "Heartland, and: Hey Y'all Watch This, and: Self-Portrait as a Series of Bluffs, and: Praise Song for the Redneck Riviera." Missouri Review 42, no. 2 (2019): 83–92. http://dx.doi.org/10.1353/mis.2019.0020.

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42

Buma, Michael. "“Stand tall, turn your three guitars up real loud, and do what you do”: The Redneck Liberation Theology of the Drive-By Truckers." Journal of Religion and Popular Culture 13, no. 1 (2006): 2. http://dx.doi.org/10.3138/jrpc.13.1.002.

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43

Tolnay, Stewart E. "From Yeoman to Redneck in the South Carolina Upcountry, 1850–1915. By Stephen A. West (Charlottesville, University of Virginia Press, 2008) 261 pp. $45.00." Journal of Interdisciplinary History 40, no. 3 (2010): 460–62. http://dx.doi.org/10.1162/jinh.2010.40.3.460.

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44

Smith, Howard Philips. "Julio Capó Jr. Welcome to Fairyland: Queer Miami before 1940.Jerry T. Watkins III. Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism." American Historical Review 125, no. 1 (2020): 271–73. http://dx.doi.org/10.1093/ahr/rhz1139.

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45

Krstić, Marija. "Serbs, the craziest of all – TV comedy show "Kursadžije" by Grand Production." Issues in Ethnology and Anthropology 4, no. 1 (2009): 87–105. http://dx.doi.org/10.21301/eap.v4i1.4.

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This paper is the result of research done on the TV comedy show (series) "Kursadžije" by Grand Production. The attention is directed towards understanding the motives of the Fool (buffoon) which appears as the characteristic of the main characters in the show. Kursadžije (a rough translation would be Course-attending-people) are attendants of a course for Special Balkan Forces and they are the representatives of the countries that constituted the former Socialistic Federative Republic of Yugoslavia. By using the theoretic guidelines of Klappe’s about the Fool as a social type, and the analysis

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46

Jackson, Edward. "All-American Redneck: Variations on an Icon, from James Fenimore Cooper to the Dixie Chicks. Matthew J. Ferrence. Knoxville: University of Tennessee Press, 2014. 191 pp. $41.94 cloth." Journal of Popular Culture 48, no. 2 (2015): 434–35. http://dx.doi.org/10.1111/jpcu.12272.

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47

Herring, S. "CARAVAGGIO'S REDNECKS." GLQ: A Journal of Lesbian and Gay Studies 12, no. 2 (2006): 217–36. http://dx.doi.org/10.1215/10642684-12-2-217.

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48

Gray, Herman. "Rednecks and Redemption." Review of Communication 3, no. 3 (2003): 206–15. http://dx.doi.org/10.1080/0308400.

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49

Morris, Edward W. "“Rednecks,” “Rutters,” and `Rithmetic." Gender & Society 22, no. 6 (2008): 728–51. http://dx.doi.org/10.1177/0891243208325163.

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50

Ângelo, Francisco Almeida, and Vicente de Assis Ferreira. "Avaliação do desempenho de aves caipira de cortes alimentadas com mandioca (Manihot esculenta Crantz) em substituição ao milho / Evaluation of the performance of redneck birds of cuts fed with cassava (Manihot esculenta Crantz) in replace of corn." Brazilian Journal of Animal and Environmental Research 4, no. 2 (2021): 2174–82. http://dx.doi.org/10.34188/bjaerv4n2-049.

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A fabricação de ração a base de mandioca é ecológica, não gera resíduo como a manipueira, além de atender a busca por ingredientes alternativos essencial para a redução nos custos de produção da atividade avicultura caipiras. O estudo ganhou importância quando o produtor alegou que devido à falta do milho no mercado e consequentemente a elevação do preço que chegou a R$ 0,75 kg e por não disponibilizar de recurso financeiro suficiente para a aquisição, ainda ter que enfrentar a inviabilização da atividade avícola. Foram utilizados 400 pintos de um dia no experimento e aos 94 dias, foi feita a

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