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Books on the topic 'Reed Dance'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Reef dance. New York: St. Martin's Paperbacks, 2003.

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2

Reef dance. New York: St. Martin's Minotaur, 2001.

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3

Groves, Michelle. Read and dance. Edited by Murray Annabelle, McLeod Siobhan, and Jones Jean Johnson. Guildford: Labanotation Institute, 1998.

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4

Baron, Alan. Red fox dances. Cambridge, Mass: Candlewick Press, 1997.

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5

Red fox dances. Cambridge, Mass: Candlewick Press, 1996.

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6

Patrick, Denise Lewis. Red dancing shoes. New York: Tambourine Books, 1993.

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7

Sager, Paula. Red thread, two women. [San Francisco]: Pacific Editions, 2006.

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8

Buzo, Alessandro. Teia: Rede de cultura e cidadania. [São Paulo, Brazil]: Cultura em Ação, 2007.

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9

Franks, Jill. "Reel Irish": Nationalizing Irish step dance and vaunting the Celtic tiger. Rock Hill, SC: Dept. of English, Winthrop University, 2006.

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10

Franks, Jill. "Reel Irish": Nationalizing Irish step dance and vaunting the Celtic tiger. Rock Hill, SC: Dept. of English, Winthrop University, 2006.

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11

Franks, Jill. "Reel Irish": Nationalizing Irish step dance and vaunting the Celtic tiger. Rock Hill, SC: Dept. of English, Winthrop University, 2006.

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12

Making words dance: Reflections on Red Smith, journalism, and writing. Kansas City, Mo: Andrews McMeel Pub., 2010.

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13

Smith, Red, and Robert Schmuhl. Making words dance: Reflections on Red Smith, journalism, and writing. Kansas City, Mo: Andrews McMeel Pub., 2010.

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14

Marcien, Ferland, Delannoy Léo, and Dandeneau David 1948-, eds. Red River echoes: The life and music of Marcel Meilleur. Winnipeg: Pemmican Publications, 2003.

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15

Symposium on Dance, Music, and Art in Religions (1994 Turku, Finland). Dance, music, art, and religion: Based on papers read at the Symposium on Dance, Music, and Art in Religions held at Åbo, Finland, on the 16th-18th August, 1994. Åbo, Finland: Donner Institute for Research in Religious and Cultural History, 1996.

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16

Gumpert, Gregor. Die Rede vom Tanz: Körperästhetik in der Literatur der Jahrhundertwende. München: W. Fink, 1994.

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17

Geiger-Garagayev, Gerasim. Red Square Dance. Xlibris Corporation, 2006.

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18

Geiger-garagayev, Gerasim. Red Square Dance. Xlibris Corp, 2006.

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19

Dance Dance Dance Level 3 Early Red Rocket Readers. Red Rocket, 2004.

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20

Red Dancer. Faber & Faber, Limited, 2017.

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21

Decure, John. Reef Dance (J. Shepard Mysteries). St. Martin's Minotaur, 2003.

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22

Kosstrin, Hannah. The Wandering Frog That Did Not Travel Well. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199396924.003.0004.

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American critical reactions to Anna Sokolow’s Mexican works Wandering Frog (1940) and Lament for the Death of a Bullfighter (1941) displayed the differences between Mexican and American modernism. US critics read the dances as ethnic instead of revolutionary within an anticommunist American critical discourse of ethnic and ethnologic dance. The resonance of Sokolow’s choreography among the transnational Left in the 1930s fell flat given the United States’ wartime demonization of Communism and shift in American dance coverage from leftist to mainstream newspapers and magazines. This spectatorial mismatch ended in a loss of nuance in the public readings of her dances, but created space for dances like Kaddish (1945) to be transgressive while appearing universal. Kaddish and Mexican Retablo (1946) display Sokolow’s feminist subversion of ritual in reaction to the Holocaust. They account for a human tragedy she railed against and publicly mourned in its aftermath.

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23

Nobviosa, The World Of The Forbidden Obvious. USA: CreateSpace Independent Publishing Platform, 2012.

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24

Underground Dance (Rigby Red Giant). Rigby Educational Publishers, 2007.

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25

Underground Dance (Rigby Red Giant). Rigby Educational Publishers, 2007.

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26

Dance of the Red Death. Greenwillow Books, 2015.

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27

The Red Dancer. faber and faber, 2001.

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28

Red Fox Dances. Bt Bound, 1999.

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29

Skinner, Richard. The Red Dancer. Faber and Faber, 2002.

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30

Baron, Alan. Red Fox Dances. Candlewick, 1997.

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31

Red Giant: Year 1 - Underground Dance (Red Giant). Rigby Educational Publishers, 2000.

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32

The Dance Of The Red Death. Orion Publishing Co, 2014.

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33

James, Susan. This Is My Dance: Sing, Dance, and Read With Me (Kindermusik Library). Kindermusik International, 2000.

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34

James, Susan. This Is My Dance: Sing, Dance, and Read With Me (Kindermusik Library). Kindermusik International, 2000.

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35

James, Susan. This Is My Dance: Sing, Dance, and Read With Me (Kindermusik Library). Kindermusik International, 2000.

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36

Entertainment, Hit. Barney's Read with Me, Dance with Me. Hit Entertainment, 2003.

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37

Shirley, Jackson. My Dad Can't Dance (Read with Ladybird). Ladybird Books Ltd, 1997.

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38

(Illustrator), Julian Mosedale, ed. My Dad Can't Dance (Read with Ladybird). Ladybird Books Ltd, 2001.

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39

Kosstrin, Hannah. Honest Bodies. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199396924.001.0001.

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Honest Bodies: Revolutionary Modernism in the Dances of Anna Sokolow argues that Sokolow’s choreography circulated American modernism among Jewish and communist channels of the international Left from the 1930s to the 1960s in the United States, Mexico, and Israel. Integrating archival materials, interviews, and theories from dance, Jewish, and gender studies, this book illuminates Sokolow’s choreography for social change alongside her teaching of Martha Graham’s technique. Tracing dances with her companies Dance Unit, La Paloma Azul, Lyric Theatre, and Anna Sokolow Dance Company, along with presenters and companies including the Negro Cultural Committee, the New York State Committee for the Communist Party, Nuevo Grupo Mexicano de Clásicas y Modernas, and Inbal Dance Theater, this book highlights Sokolow’s work among developments in ethnic definitions, diaspora, and nationalism in the United States, Mexico, and Israel. Critical reception documented Sokolow’s career from a leading proletarian choreographer to one of modernist alienation, and reflected the assimilation of her generation of Jews, children of Eastern European immigrants, from the marginalized working class to the American middle-class mainstream. Equally affected by the Holocaust and the Second Red Scare, Sokolow’s choreography evidences her political–aesthetic statements that resonate as clearly in today’s political climate as they did then. Sokolow’s kinesthetic imprints circulated American corporeality through modern dance training, as her students in New York, Mexico City, and Tel Aviv fit their bodies into Graham’s codified shapes. Honest Bodies details how cultural ideologies circulate internationally through choreography and dancers’ physicalities and how American modernism influenced and was influenced by this circulation’s physical residue.

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40

Amos, Janine. Tea Dance (Joshua Jones Easy-to-Read Books). Heinemann Young Books, 1993.

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41

Red Giant: Year 1 - Underground Dance - Teacher's Guide (Red Giant). Rigby Educational Publishers, 2000.

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42

Griffin, Bethany. Dance of the Red Death (Masque of the Red Death Series, Book 2). Greenwillow Books, 2013.

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43

Weisbrod, Alexis A. Defining Dance, Creating Commodity. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.021.

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This chapter examines how the rhetoric utilized inSo You Think You Can Dance(United States) presupposes details of dance training, including the experience of certain types of bodies and the expectations of racial identity in regards to highly skilled bodies. The structure of the show emphasizes the language of the judges and producers over the work of the dancers. This language, which establishes values and comparisons between bodies, is used to train audience members to read dancing bodies. Examining these patterns of rhetoric, this chapter defines the termconceived body, identifying how it is constructed on both contemporary and hip-hop dancers during the course of the television show’s first eight seasons. Finally, the racialized construction of these dancing bodies is addressed in relation to the spectacle and commodification created by and on these bodies.

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44

(Illustrator), James E. Ransome, ed. Red Dancing Shoes. HarperTrophy, 1998.

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45

Red Giant: Year 1 - Underground Dance - Shared Reading Pack (Red Giant). Rigby Educational Publishers, 2000.

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46

Impressive Dance Moves Read Me Try This at Home. Capstone Global Library Ltd, 2014.

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47

Boynton, Sandra. Hog wild!: A frenzy of dance music. 2017.

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48

Red Dancer (Strike Fighters, No 5). Harpercollins (Mm), 1991.

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49

Willard, Tom. Red Dancer (Strike Fighters, No 5). Harpercollins (Mm), 1991.

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50

Karkou, Vicky, Sue Oliver, and Sophia Lycouris, eds. The Oxford Handbook of Dance and Wellbeing. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199949298.001.0001.

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This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online. For more information, please read the site FAQs.

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