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Journal articles on the topic 'Reenactor'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Strauss, Mitchell D. "Pattern Categorization of Male U.S. Civil War Reenactor Images." Clothing and Textiles Research Journal 20, no. 2 (March 2002): 99–109. http://dx.doi.org/10.1177/0887302x0202000205.

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2

Hagijanto, Andrian Dektisa. "Membaca Ambiguitas pada Ilustrasi Visual Narasi Pembelajaran Sejarah di Media Sosial." Mudra Jurnal Seni Budaya 36, no. 2 (June 11, 2021): 204–13. http://dx.doi.org/10.31091/mudra.v36i2.1469.

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Sejarah dipelajari melalui berbagai metode menggunakan berbagai media yang berkembang mengikuti perkembangan teknologi. Belajar sejarah tidak lagi membosankan karena dimungkinkan sang pembelajar bebas memilih media yang cocok dan disukainya, termasuk penggunaan berbagai ilustrasi visual. Belajar sejarah menjadi semakin menarik, ketika dilakukan oleh reenactor yang melibatkan penggunaan kostum dan merekayasa impresian sebagaimana serdadu pada jaman perang dahulu. Namun pembelajaran sejarah ternyata menciptakan berbagai narasi yang sarat kepentingan serta menjadi artikulasi dari hidden agenda. Pembelajaran yang juga berpotensi menciptakan kebingungan visual, ketika banyak kreator konten mencampuir-adukan ilustrasi visual secara bebas dan mengabaikan otentisitasnya. Alih-alih sebagai pendongkrak daya tarik yang bebas menggunakan cuplikan dokumentasi sejarah, film komersiil, bahkan dokumentasi drama teatrikal peringatan peperangan sebagai ilustrasi visual pendukung konten tentang pertempuran. Ilustrasi visual itu disusun serampangan yang hanya mengutamakan dramatisasi, mengabaikan otentisitas dan time frame. Ilustrasi visual itu malah menjadi bentuk ambiguitas konten kesejarahan. Paper ini menggunakan metode penelitian kualitatif dengan studi pustaka dan wawancara kemudian analisis visual menggunakan sudut pandang semiologi Barthesian.

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3

Prvulovic, Milos, and Josep Torrellas. "ReEnact." ACM SIGARCH Computer Architecture News 31, no. 2 (May 2003): 110–21. http://dx.doi.org/10.1145/871656.859632.

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4

Smalec, Theresa. "The Reenactors by Juliana Francis Kelly." Theatre Journal 68, no. 3 (2016): 465–66. http://dx.doi.org/10.1353/tj.2016.0085.

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5

Bozhok, Nikolay Sergeevich. "Inclusive culture of urban communities: on the example of historical reenactors." Урбанистика, no. 3 (March 2020): 61–74. http://dx.doi.org/10.7256/2310-8673.2020.3.33758.

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The relevance of this research is substantiated by the need for examination and generalization of positive experience of the implementation of inclusive practices initiated by nongovernmental entities – formal and informal associations of reenactors. The subject of this research is the inclusive culture of urban communities of historical reenactors. The key goal lies in determination of specificity of inclusive culture based on he analysis of normative-value system of the reenactors movement and relevant sociocultural practices implemented in public space of Russian cities. The theoretical-methodological framework is comprised of the conceptual provisions of inclusive model of urban culture elaborated by the participants of cross=disciplinary project of the Russian Foundation for Basic Research “Inclusive Culture of Social Time: current urban context (Lower Volga Region)”. The novelty of this consists in introduction of new empirical material into the scientific discourse, which allows revealing the inclusive readiness and specificity of inclusive culture of reenactors, which are a part of the All-Russian Social Movement “Clubs of Historical Reconstruction”. The author concludes on affiliation of the associations of reenactors to the inclusive community, which shares the fundamental inclusive values – acceptance and support of the diversity and engagement. An important aspect of inclusive culture of reenactors is participation in practical activity, aimed at creation of a barrier-free urban environment and interactive communication space for the purpose of representation of the world and national cultural and historical experience.

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6

Brædder, Anne, Kim Esmark, Tove Kruse, Carsten Tage Nielsen, and Anette Warring. "Doing pasts: authenticity from the reenactors’ perspective." Rethinking History 21, no. 2 (April 3, 2017): 171–92. http://dx.doi.org/10.1080/13642529.2017.1315969.

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7

Cole, T. B. "Civil war reenactors revere, learn from the past." JAMA: The Journal of the American Medical Association 275, no. 15 (April 17, 1996): 1146–48. http://dx.doi.org/10.1001/jama.275.15.1146.

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8

Cole, Thomas B. "Civil War Reenactors Revere, Learn From the Past." JAMA: The Journal of the American Medical Association 275, no. 15 (April 17, 1996): 1146. http://dx.doi.org/10.1001/jama.1996.03530390010004.

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9

Hall, Gregory. "Selective Authenticity: Civil War Reenactors and Credible Reenactments." Journal of Historical Sociology 29, no. 3 (January 13, 2015): 413–36. http://dx.doi.org/10.1111/johs.12089.

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10

Gau, Colleen. "Physiologic Effects of Wearing Corsets: Studies with Reenactors." Dress 26, no. 1 (January 1999): 63–70. http://dx.doi.org/10.1179/036121199805297827.

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11

FEINBERG, RICHARD. "Early European-Polynesian contact reenacted." American Ethnologist 33, no. 1 (February 2006): 114–25. http://dx.doi.org/10.1525/ae.2006.33.1.114.

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12

Novak, Jelena. "Vivier reenacted: Singing beyond masculine." New Sound, no. 46 (2015): 139–50. http://dx.doi.org/10.5937/newso1545139n.

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Vivier: A Night Report is a kind of poetical archive of musical details, protocols, experiences, concepts, memories, fears, desires and sorrows connected to Canadian composer Claude Vivier's (1948-1983) unusual destiny. All characters from Marko Nikodijević's opera originate from Vivier's life and works but they are re-indexed, or reenacted differently. The countertenor voice of Vivier is what primarily makes him different from all the rest of the characters. Even it could be claimed that the rest of the voices are dominated by Vivier's vocal presence on stage. Vivier stands as symbol for minority, queer, vulnerable. During his short life he was trying to get his own voice, voice as the personification of freedom and possibility to be heard. Finally he gets vivid, imaginative opera in which both his physical and personified voices are shining by creativity that his art emanate. He gets his singing voice, and he finally gets heard.

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13

Kong, Jiahui, Haibin Shen, and Kejie Huang. "DualPathGAN: Facial reenacted emotion synthesis." IET Computer Vision 15, no. 7 (April 26, 2021): 501–13. http://dx.doi.org/10.1049/cvi2.12047.

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14

Zeng, Xianfang, Yusu Pan, Mengmeng Wang, Jiangning Zhang, and Yong Liu. "Realistic Face Reenactment via Self-Supervised Disentangling of Identity and Pose." Proceedings of the AAAI Conference on Artificial Intelligence 34, no. 07 (April 3, 2020): 12757–64. http://dx.doi.org/10.1609/aaai.v34i07.6970.

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Recent works have shown how realistic talking face images can be obtained under the supervision of geometry guidance, e.g., facial landmark or boundary. To alleviate the demand for manual annotations, in this paper, we propose a novel self-supervised hybrid model (DAE-GAN) that learns how to reenact face naturally given large amounts of unlabeled videos. Our approach combines two deforming autoencoders with the latest advances in the conditional generation. On the one hand, we adopt the deforming autoencoder to disentangle identity and pose representations. A strong prior in talking face videos is that each frame can be encoded as two parts: one for video-specific identity and the other for various poses. Inspired by that, we utilize a multi-frame deforming autoencoder to learn a pose-invariant embedded face for each video. Meanwhile, a multi-scale deforming autoencoder is proposed to extract pose-related information for each frame. On the other hand, the conditional generator allows for enhancing fine details and overall reality. It leverages the disentangled features to generate photo-realistic and pose-alike face images. We evaluate our model on VoxCeleb1 and RaFD dataset. Experiment results demonstrate the superior quality of reenacted images and the flexibility of transferring facial movements between identities.

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15

Bozhok, Nikolay Sergeevich. "Cultural identity of urban communities of the historical reenactors." Урбанистика, no. 3 (March 2019): 18–27. http://dx.doi.org/10.7256/2310-8673.2019.3.29882.

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The object of this research is the cultural identity of urban communities of the historical reenactors. The subject of the author’s scientific interest is the mechanisms and practices substantiating the specificity of positive cultural identity of the communities, united within the framework of the historical reenactment movement. The article examines the dominant trends in the development of modern reenactment movement: trend towards the fragmentation of movement and complication of the structure of collective identity, and intention towards unity. Special attention is given to the identification of mechanisms that allow retaining and maintaining balance between the processes of differentiation and integration of reenactment movement. Methodologically, the author’s understanding of the specificity of collective identity of the historical reenactors is based on the theoretical ideas of H. Blumer, N. Smelser and P. Sztompka, as well as the theory of new social movements that focus attention on their sociocultural dimension. The scientific novelty consists in the fact that this article is first to comprehensively analyze cultural components of the collective identity of the historical reenactment movement; as well as determine its structural components, mechanism and characteristic attributes. It is substantiated that under the influence of the modern global trends, cultural identity of reenactors along with the basic components attaints the new ones that contribute to the expansion of cultural-historical mobility and cohesion of reenactment movement.

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16

Hall, Dennis. "Civil War Reenactors and the Postmodern Sense of History." Journal of American Culture 17, no. 3 (September 1994): 7–11. http://dx.doi.org/10.1111/j.1542-734x.1994.00007.x.

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17

Browne, Ray B. "Wargames: Inside the World of 20th-Century War Reenactors." Journal of American Culture 28, no. 1 (March 2005): 164. http://dx.doi.org/10.1111/j.1542-734x.2005.160_38.x.

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18

Turner, Rory. "Bloodless Battles: The Civil War Reenacted." TDR (1988-) 34, no. 4 (1990): 123. http://dx.doi.org/10.2307/1146047.

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19

Hitch, Neal V. "War Games: Inside the World of 20th-Century War Reenactors." Journal of Popular Culture 38, no. 6 (November 2005): 1113–14. http://dx.doi.org/10.1111/j.1540-5931.2005.00185.x.

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20

Winter, Jay. "UNFINISHED BUSINESS: REMEMBERING THE GREAT WAR BETWEEN TRUTH AND REENACTMENT." Transactions of the Royal Historical Society 30 (November 11, 2020): 119–40. http://dx.doi.org/10.1017/s0080440120000067.

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AbstractThis paper analyses the phenomenon of historical reenactment of Great War battles as an effort to create what is termed ‘living history’. Thousands of people all over the world have participated in such reenactments, and their number increased significantly during the period surrounding the centenary of the outbreak of the Great War. Through a comparison with representations of war in historical writing, in museums and in the performing arts, I examine the claim of reenactors that they can enter into historical experience. I criticise this claim, and show how distant it is from those who do not claim to relive history but (more modestly) to represent it. In their search for ‘living history’, reenactors make two major errors. They strip war of its political content, and they sanitise and trivialise combat.

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21

Noh, Yeo-Gyeong, and Jin-Hyuk Hong. "Designing Reenacted Chatbots to Enhance Museum Experience." Applied Sciences 11, no. 16 (August 12, 2021): 7420. http://dx.doi.org/10.3390/app11167420.

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The increased availability of chatbots has drawn attention and interest to the study of what answers they provide and how they provide them. Chatbots have become a common sight in museums but are limited to answering only simple and basic questions. Based on the observed potential of chatbots for history education in museums, we investigate how chatbots impact history education and improve the overall experience according to their appearance and language style. For this, we built three models, designed by factors on embodiment and reflection, and 60 sets of answer–questions, designed for the National Museum of Korea. We conducted a study with a total of 34 participants and carried out a variety of analyses covering individual learning styles, museum experience scales, gaze data, in-depth interviews and observations from researchers. We present various results and lessons regarding the effect of embodiment and reflection on the museum experience. Our findings show how people with different learning styles connect with chatbot models and how visitors’ behavior in the museum changes depending on the chatbot model. Specifically, the chatbot model equipped with embodiment and reflection shows its superiority in enhancing the museum experience, in general.

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22

Brædder, Anne. "Embodied Simulations of Pasts." Public History Review 25 (December 31, 2018): 28–45. http://dx.doi.org/10.5130/phrj.v25i0.6391.

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Building on theories from body phenomenology, new materialism and a theoretical concept of historical consciousness, this article argues that embodied simulations of pasts used in reenactment and living history in open-air museums make reenactors and living historians experience pasts as present and make the actors reflect on pasts. This is an argument for saying that historical consciousness has an embodied dimension that has not yet been explored in depth because most research about how ordinary people use pasts exposes how pasts on a reflexive level are present and usable to them. But what the research does not reveal, is how pasts are also physically present to people and that this process of materialization also has an effect on how people interpret, use and reflect on pasts. Two different kinds of reenactment done in Denmark are analysed and compared to build up the argument: World War II reenactors and volunteering living historians in different open-air museums communicating life and work in Denmark in the 19-20thcentury. Firstly, the material space they do their simulations of pasts in is analysed; Secondly, the things they use to simulate the pasts; Thirdly, their embodiments and their bodies’ movements, senses, habits and performances in their simulations of pasts. In conclusion, it is discussed how the reenactors and the living historians reflect on pasts in their embodied simulations of pasts. KEYWORDSReenactment; Living History; World War II; Historical consciousness; Embodiment; Materiality

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23

Dektisa, Andrian. "Parody Idioms in the Visual Characteristics of KNIL Andjing NICA Reenactors." International Journal of Creative and Arts Studies 2, no. 1 (February 12, 2017): 16. http://dx.doi.org/10.24821/ijcas.v2i1.1436.

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This research is to study the phenomena of wearing military costumes of the past as an alternative ‘means’ of visual communication. People in Indonesia like old military costumes and celebrate them as reenactors (a name for the wearers of old military uniforms) in various social activities that can be categorized into two types of stage, namely main and parallel stage. The main stage is related to learning military history, while parallel stage correlates to euphoria for military fashion. Both stages become an expression of mockery toward postcolonial mimicry and create a cultural postcoloniality that takes place in the contemporary life in Indonesia. This research applies Rose’s visual method that emphasizes the aspect of site image itself by making interviews and getting observation data in the groups of KNIL Andjing NICA reenactors in Surabaya, Bojonegoro, Bandung, and Jakarta. It also applies Barthian semiotics unit analysis.

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24

Moss, Jane. "CREATION REENACTED: THE WOMAN ARTIST AS DRAMATIC FIGURE." American Review of Canadian Studies 15, no. 3 (October 1985): 263–72. http://dx.doi.org/10.1080/02722018509480818.

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25

Gil-Solla, Alberto, Martín López-Nores, Yolanda Blanco-Fernández, José J. Pazos-Arias, and Manuel Ramos-Cabrer. "Reenact: Harnessing Technology to Enjoy Learning History." Journal of Media & Mass Communication 1, no. 1 (2015): 57–60. http://dx.doi.org/10.12720/jmmc.1.2.57-60.

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26

Beretta, Véronique, Jean-Nicolas Despland, Martin Drapeau, Luc Michel, Ueli Kramer, Michael Stigler, and Yves de Roten. "Are Relationship Patterns With Significant Others Reenacted With the Therapist?" Journal of Nervous and Mental Disease 195, no. 5 (May 2007): 443–50. http://dx.doi.org/10.1097/01.nmd.0000253766.35132.30.

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27

Waheed, Saima, Seemab Far Bukhari, and Ashraf Iqbal. "Role of Producers in Giving Awareness and Treating Reenacted Crime Stories in Pakistani TV Channels." Global Sociological Review V, no. IV (December 30, 2020): 1–9. http://dx.doi.org/10.31703/gsr.2020(v-iv).01.

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This research study explains the “Role of producers in giving awareness and treating reenacted crime stories in Pakistani TV Channels” and how is awareness given and crime being treated by using camera angles, animation, indoor & outdoor sets and props by the producers. Study is based on the notion of awareness regarding crimes and reenacted crime shows and role of producers during production of any program. Research study analyzed content of program to monitor the agenda of crime shows. Two methodologies of research quantitative and qualitative by using method of content analysis and framing analysis has been used in study. Data was collected by analyzing content of programs and observing the production techniques which used in reenactment crime shows. Study discussed production elements of shows that play significant role to set agenda of sensationalism & exaggeration of crimes among viewers.

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28

Strauss, Mitchell D. "Identity Construction Among Confederate Civil War Reenactors: A Study of Dress, Stage Props, and Discourse." Clothing and Textiles Research Journal 21, no. 4 (September 2003): 149–61. http://dx.doi.org/10.1177/0887302x0402100401.

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29

Stewart, Duncan, and William Boze. "The Reproduction of the Godspeed." Marine Technology and SNAME News 24, no. 02 (April 1, 1987): 115–30. http://dx.doi.org/10.5957/mt1.1987.24.2.115.

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The authors, and designers, of the reproduction of the 17th century Godspeed present the criteria used to design, build, launch, and sea trial the 1984 reproduction. Foul weather notwithstanding, the reproduced Godspeed reenacted the Atlantic crossing in 1985 and is now homebased at Jamestown, Virginia.

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30

Kitsnik, Lauri. "Record. Reenact. Recycle. Notes on Shindō Kaneto’s Documentary Styles." Arts 8, no. 1 (March 22, 2019): 39. http://dx.doi.org/10.3390/arts8010039.

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In his work, the filmmaker Shindō Kaneto sought to employ various, often seemingly incongruous, cinematic styles that complicate the notions of fiction and documentary film. This paper first examines his ‘semi-documentary’ films that often deal with the everyday life of common people by means of an enhanced realist approach. Second, attention is paid to the fusion of documentary and drama when reenacting historical events, as well as the subsequent recycling of these images in a ‘quasi-documentary’ fashion. Finally, I uncover a trend towards ‘meta-documentary’ that takes issue with the act of filmmaking itself. I argue that Shindō’s often self-referential work challenges the boundaries between fiction and non-fiction while engaging in a self-reflective criticism of cinema as a medium.

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31

Gutiérrez, Gustavo. "The Option for the Poor Arises from Faith in Christ." Theological Studies 70, no. 2 (May 2009): 317–26. http://dx.doi.org/10.1177/004056390907000205.

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The author argues that the preferential option for the poor (1) constitutes a part of following Jesus that gives ultimate meaning to human existence and thus gives believers “reason to hope”; and (2) helps us understand faith in terms of a hermeneutics of hope, an interpretation that must be constantly enacted and reenacted throughout our lives and human history.

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Jung, Kwanghee, Vinh T. Nguyen, Seung-Chul Yoo, Seungman Kim, Sohyun Park, and Melissa Currie. "PalmitoAR: The Last Battle of the U.S. Civil War Reenacted Using Augmented Reality." ISPRS International Journal of Geo-Information 9, no. 2 (January 29, 2020): 75. http://dx.doi.org/10.3390/ijgi9020075.

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Various efforts are used to preserve American history including relying on formal education, distributing information (text, video or visual aids) on social channels, displaying artifacts in historical centers or more recently, virtual reality applications posted on a shared medium. However, many of the newly developed applications are designed specifically for dedicated hardware rather than for a broad audience, thus creating a barrier for disseminating cultural values. In this paper, we propose a web-based Augmented Reality (AR) application, namely PalmitoAR, which provides an intuitive way of observing one of the most significant historical Civil War battlefields, Palmito Ranch Battlefield located in Cameron County, Texas. The proposed AR application is designed to resurrect a series of events through (i) a printed map of Palmito Ranch with embedded markers that enables viewers to experience the battle without being present at the site, (ii) a mobile device with a WebGL supported browser that allows 3D contents to be rendered, and (iii) an AR library (A-Frame.io) that enables enthusiasts to recreate similar work. Our methodology strongly relies on the benefits of a simple, robust algorithm for AR marker recognition to position 3D models in a specific context and time. As a result, the proposed AR application is complementary to existing work and provides a seamless experience for a wide range of viewers. We evaluated and improved the application with the help of twenty-six users to gather perspectives on the specific benefits of employing AR in learning about battlefields and reenactment. The technology acceptance model was adapted to access an individual’s acceptance of information technology.

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Muelleman, Robert L., Edward J. Mlinek, and Paul E. Collicott. "Motorcycle crash injuries and costs: Effect of a reenacted comprehensive helmet use law." Annals of Emergency Medicine 21, no. 3 (March 1992): 266–72. http://dx.doi.org/10.1016/s0196-0644(05)80886-8.

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34

Bradley, Sandra L., Anita De Bellis, Pauline Guerin, Bonnie Walters, Alison Wotherspoon, Maggie Cecchin, and Jan Paterson. "Reenacted Case Scenarios for Undergraduate Healthcare Students to Illustrate Person-Centered Care in Dementia." Educational Gerontology 36, no. 9 (August 3, 2010): 809–23. http://dx.doi.org/10.1080/03601270903534754.

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35

Zay, Orsolya. "Egy Árpád-kori veremház rekonstrukciója." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 2 (2013): 33–40. http://dx.doi.org/10.26080/krrmkozl.2013.2.33.

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In 2010 a group of historical reenactors decided to build a house-reconstruction in Hungary from the 11th–13th centuries. We took part some historical festivals in Europe where the organizers showed high quality experimental archeology to the tourists. We chose a Historical Park in Hungary and got a place where we started the building operations. Informations from archeological and ethnographical articles and monographies were collected after that we search people who have experiences in this theme. after collecting the informations about the houses we planned our building. The group made written notes and photos during the experiment. We only worked in weekends, so that we finished the main procession in 2012. We didn’t want to exactly follow or contradict to anybody, only made our idea but persisted in archeological remains.

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Ellis, Phil. "Picking Up (On) Fragments." Archaeologies of Tele-Visions and -Realities 4, no. 7 (September 9, 2015): 68. http://dx.doi.org/10.18146/2213-0969.2015.jethc082.

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This article discusses the implications for archival and media archaeological research and reenactment artwork relating to a recent arts practice project: reenacttv: 30 lines / 60 seconds. It proposes that archival material is unstable but has traces and fragments that are full of creative potential to re-think and re-examine past media historical events through a media archaeological approach to reenactment. The article contains images and links to videos from the final reenactment artworks as well as from rehearsals in Vienna and Bradford.

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37

Gonçalves, Davi Silva. "Humorous expression reenacted in translation: the recreation of three characters from Stephen Leacock’s sunshine sketches." Cadernos de Tradução 40, no. 3 (September 11, 2020): 187–209. http://dx.doi.org/10.5007/2175-7968.2020v40n3p187.

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Este artigo discute minha proposta de tradução comentada do romance cômico de Stephen Leacock intitulado Sunshine Sketches of a Little Town (1912); nele, estudo um atributo literário contra-hegemônico muitas vezes subestimado: o humor. Minha análise de alguns dos excertos traduzidos do romance articulam uma reflexão sobre o papel do tradutor como um agente ativo para a difusão de epistemologias que desviam da normatividade – enfatizando como a tradução de efeitos cômicos contribui para a disseminação de tal desvio no tempo e no espaço.

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Mann, Thomas W. "Passover." Interpretation: A Journal of Bible and Theology 50, no. 3 (July 1996): 240–50. http://dx.doi.org/10.1177/002096439605000303.

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To those who reenact the drama, the Passover narrative and ritual mediate the experience of both oppression and liberation. The Passover ritual provides an “order” by which the reality of suffering may be confronted and the earnest of hope celebrated. The sacred time of the Passover meal provides a rich spiritual heritage that nurtures not only Jews but also Christians.

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Howard, Danielle A. D. "The (Afro) Future of Henry Box Brown." TDR: The Drama Review 65, no. 3 (September 2021): 125–42. http://dx.doi.org/10.1017/s1054204321000356.

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Henry Box Brown, a Black man born into slavery in the American South, devised an unforeseen yet ingenious plan to achieve emancipation: he was shipped to the North in a cramped, wooden box. The first testament of Brown’s escape was not his emergence from his box, but instead his voice responding to the box’s addressee. Later, Brown reenacts his original escape in Victorian England and becomes “The King of All Mesmerizers” by envisioning an alien future for himself, much like musician and philosopher-poet Sun Ra.

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Kim, Soo Jung, and Yun Jung Choi. "The Effects of Perceived Realism of True Story-Reenacted Movies on Transportation, atisfaction, and Social Participation." Journal of Cybercommunication Academic Society 35, no. 2 (June 30, 2018): 43–87. http://dx.doi.org/10.36494/jcas.2018.06.35.2.43.

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41

Curb, Rosemary Keefe. "Amazon Intertextuality and Sinuosity in Sandra Shotlander's Angels of Power." Hypatia 10, no. 4 (1995): 90–103. http://dx.doi.org/10.1111/j.1527-2001.1995.tb01000.x.

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Angels of Power, by Australian lesbian playwright Sandra Shotlander, illustrates political strategies described by American lesbian philosopher Jeffner Allen. In the play three female members of Australian parliament align to force regulation of new reproductive technologies. Using essentialist, materialist, liberal, and radical feminist arguments, the characters practice sinuous strategies through loading and layering female signs (intertextuality) in order to eradicate patriarchal signification and reenact a contemporary version of ancient Amazons taking over the Acropolis.

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Scalbert, Irénée. "The value of plenty." Architectural Research Quarterly 2, no. 3 (1997): 18–25. http://dx.doi.org/10.1017/s1359135500001391.

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For the last 40 years, organic values have prevailed in Western architecture. The conflict in the 1950s between the organic and the typical with its ideology of mechanisation is currently being reenacted under the new categories of the generic and the specific. These two orders of value are assumed to be incompatible, even though both history and theory suggest otherwise. In this conflict, the organic has so far survived unscathed in spite of a growing interest in the typical, the status of which remains unclarified: should it be envisaged as a means to an aesthetic, as it is at present, or should it be a means to affluence?

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Trechter, Sara. "THE CONSTRUCTION OF PROFESSIONAL DISCOURSE.Britt-Louise Gunnarsson, Per Linell, & Bengt Nordberg (Eds.). London: Longman, 1997. Pp. xiv + 328. $31.15 paper." Studies in Second Language Acquisition 20, no. 3 (September 1998): 448–49. http://dx.doi.org/10.1017/s0272263198303071.

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Most of the 14 papers in this volume were presented at the 1992 conference on Discourse and the Professions in Sweden. The collection focuses on diverse professional contexts and discourses (law, medicine, social work, mediation, teaching, economics, and science) as well as written, spoken, and nonverbal communication in European languages. The papers range from speech-act analyses of legal documents such as wills, patents, and contracts to the sociopolitical critique of the discursive practices surrounding doctors, patients, and the recipients of social assistance. The volume is held together thematically by each researcher's effort to demonstrate how professional ways of speaking are constantly being enacted, reenacted, and adapted in society.

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Roos, Cecilia. "Embodied Timing − Passing Time." Nordic Journal of Dance 4, no. 2 (December 1, 2013): 12–17. http://dx.doi.org/10.2478/njd-2013-0008.

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Abstract In this article1 I am discussing how traditions are reenacted by dance revival and reconstruction. My starting point is the experience I have of restaging choreographic works by the Swedish choreographer Per Jonsson (1956-1998), of whose artistic production I am in charge. Through examples from working with repertoire, I will develop my thoughts around how new interpretations of a movement material reformulate the tradition and inform the present. I will also discuss how dancers of today are researching and developing new methods for processing a movement material. This in turn leads to new ways of dealing with quality, dynamics and timing in reconstruction of a written material.

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Laeng, Bruno, and Dinu-Stefan Teodorescu. "Eye scanpaths during visual imagery reenact those of perception of the same visual scene." Cognitive Science 26, no. 2 (March 2002): 207–31. http://dx.doi.org/10.1207/s15516709cog2602_3.

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Harness, Kelley. "La Flora and the End of Female Rule in Tuscany." Journal of the American Musicological Society 51, no. 3 (1998): 437–76. http://dx.doi.org/10.2307/832036.

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On 14 October 1628 the Medici court witnessed a performance of Marco da Gagliano's opera La Flora, a work whose ostensible purpose was to celebrate a marriage uniting Florence and Parma. This event occurred three months after Ferdinando II assumed the title of grand duke of Tuscany, ending a period of regency government that had begun in 1621, during which Ferdinando's mother and grandmother ruled Tuscany. An analysis of La Flora reveals that its allegorical themes extend beyond mere celebration of a wedding, and that the opera actually reenacts the transfer of power from female to male rule.

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Okoli, K. C. "Nigerian Citizenship Law: A Current Perspective." Journal of African Law 34, no. 1 (1990): 27–41. http://dx.doi.org/10.1017/s0021855300008172.

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Since 1979, there have been significant changes in the law relating to citizenship in Nigeria. These changes came with the enactment in that year of the Constitution of the Federal Republic of Nigeria 1979. The citizenship provisions of the 1979 Constitution have been slightly modified and reenacted in the 1989 Constitution which will come into effect on October 1, 1992. In this article, we shall examine the current Nigerian law on citizenship as ordained by the 1979 Constitution as well as the changes introduced by the 1989 Constitution. This will be done against the background of the historical development of citizenship laws in the country prior to, and since independence on October 1, 1960.

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Andreeva, A. V., G. O. Samburov, and G. B. Chetskaia. "MILITARY-HISTORICAL RECONSTRUCTION AS INNOVATIVE STUDYING FORM OF THE HISTORY OF NAVAL MEDICINE." Marine Medicine 5, no. 1 (April 6, 2019): 28–34. http://dx.doi.org/10.22328/2413-5747-2019-5-1-28-34.

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A large research, patriotic work with students is carried out in the museum complex of «Northern State Medical University» (NSMU), one of the innovative forms of which is the reconstruction of a surgical field hospital. In 2018, the team of reenactors in the person of activists — members of the student scientific circle on the history of medicine and the staff of the museum complex of NSMU became the winner of the competition of grants Rosmolodezh with the project «In memory of the doctors of the war years», within which was conducted by 9 student reconstructions of the military field hospital in Arkhangelsk, Severodvinsk, Pinega, Karpogory, Vologda and Sevastopol; numerous patriotic events were organized and held at city, regional and all-Russian holidays, dozens of interviews and meetings with veterans, symposia, sections and round tables on the history of medicine at NSMU. This research, patriotic, career guidance and volunteer activities are constantly expanding. In the course of this work, acquaintance with veterans is constantly taking place, including war, labor, law enforcement agencies and public health.

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Klioutchkine, Konstantine. "Draping the Mannequin in Late Capitalism." Transcultural Studies 11, no. 1 (December 23, 2015): 108–23. http://dx.doi.org/10.1163/23751606-01101012.

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The essay explores the role of language in the cultural economy of late capitalism by analyzing the television series Mad Men. Within the framework of the moving but relatively consistent image, language, relying on its polysemic resources, works to generate unlimited play of signification. This process actuates texts and subjectivities alike. Aesthetic products and human subjectivity emerge as commodities whose effectiveness derives from their ability to absorb and reenact affectively the polysemic play in what the show portrays as the Carousel of late-capitalist signification.

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Cooper, Lydia R. "The Problem of Trans-Figuration." GLQ: A Journal of Lesbian and Gay Studies 26, no. 4 (October 1, 2020): 621–47. http://dx.doi.org/10.1215/10642684-8618702.

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Two-Spirit and specific indigenous non-binary and nonmonogamous or heterosexual identities, kinships, and community structures are fully distinct from EuroWestern LGBTQ+ identities — and to blur the lines is to reenact histories of colonial erasure, no matter how well-meaning the intent. In this article, Cooper argues that Louise Erdrich’s The Last Report on the Miracles at Little No Horse (2001) offers a helpful model for navigating the needs of inclusivity as well as particularity in studying complex spiritual and gendered identities and experiences.

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