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Dissertations / Theses on the topic 'References to pop culture'

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Published: 24 April 2022

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1

Sundqvist, Sofia. "Dealing with Cultural Issues in Translating Blog Columns by Jeff Klima." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-12586.

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The aim of this essay is to identify and discuss possible solutions to problems regarding the translation of certain cultural references in blog columns by the American author Jeff Klima. More specifically, these cultural references are general cultural aspects, swear words and references to people. General cultural aspects include references to historical events, religious festivities, publications, cultural stereotypes and culturally based idioms. I use Vinay and Darbelnet’s strategies of direct and oblique translation, as well as Nida’s concepts of formal and dynamic equivalence. I also use
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2

Maharaj, Sarat Chandra. "The dialectic of modernism and mass culture : a historical and stylistic study of pop art in Britain with particular reference to Richard Hamilton's and Eduardo Paolozzi's work (1940-85)." Thesis, University of Reading, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.641051.

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3

Stepanek, Ellyn M. "Pop-culture artifacts." Cleveland, Ohio : Cleveland State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=csu1209741511.

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Thesis (M.A.)--Cleveland State University, 2008.<br>Abstract. Title from PDF t.p. (viewed on July 11, 2008). Includes bibliographical references (p. 43-44). Available online via the OhioLINK ETD Center. Also available in print.
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4

Lesniewski, Justin M. "Medination pop culture and the classroom /." Connect to this title online, 2008. http://etd.lib.clemson.edu/documents/1211389373/.

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5

Szemere, Anna. "Pop culture, politics, and social transition /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC IP addresses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820881.

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6

Joseph, Darel. "The Adversity Pop Culture Has Posed." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1877.

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I am a collage artist working with multiple mediums such as paint, photography, video, audio, and performance. As a New Orleans’ native, I have a unique history that is unflattering, for my history echoes that of America’s historical misdeeds. I make sociopolitical art because I am of a historically oppressed people. I make art that celebrates my diverse culture that is a collage of Native American, African, and New Orleans’ French Creole.
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Eklind, Anton, and Tjong Richard Jake Gracia. "Understanding Pop-culture Tourism : Analysis of incentives for travel behaviour and participation of pop-culture tourism products." Thesis, Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-30849.

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This study aims to explain the incentives and travel patterns for people who have consumed popculture tourism. Pop-culture refers to popular products such as video-games, comic-books, literature, film and t.v-shows. Pop-culture tourism refers to destinations and attractions based on popular culture products such as conventions, events, exhibitions, theme parks and destinations. This study takes on a qualitative approach in order to do so. The results were then analyzed through four different theories; Bourdieu’s theory on different capitals, his theory on habitus, his theory on fields and Lund
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McRae, Madalyn Dawn. "Pop Creatures." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8752.

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This thesis is a short story collection revolving around the central theme of pop culture. The first story, "After the Win," follows the character Cecil, whose wife Rhonda has recently won The Great British Bake Off. Trouble ensues in Cecil and Rhonda's family as Rhonda starts to focus on her post-Bake Off fame instead of her relationships with her husband and daughter. "Making Friends with a Monster" is about Rick, a half-human, half-lake monster living on the shores of Bear Lake. Because of his existence in an in-between place between man and monster, Rick struggles to find companionship in
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Klein, Gabriele. "Electronic Vibration : Pop Kultur Theorie /." Wiesbaden : VS Verl. für Sozialwissenschaften, 2004. http://catalogue.bnf.fr/ark:/12148/cb410656790.

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10

Dallacheisa, Tony G. "Pop Goes The Story: A Collection." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1212417587.

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McLaughlin, Noel. "Pop and the periphery : nationality, culture and Irish popular music." Thesis, Ulster University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326322.

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This thesis seeks to consider the relationship between 'rock' and 'Irishness' • between transnational pop and the nation-state • challenging the 'orthodox' view that Irish rock embodies uniquely Irish characteristics. It is about Irish popular music and identity and is primarily concerned with the relationship between culture and meaning. It argues that the study of popular music as 'text' is important to the more general study of culture (even though the notion of text in popular music is problematic). The thesis seeks to explore how meaning is made in popular music culture across a shifting
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12

Hall, James. "DIVINING THE DIVINE: POP MYTHOLOGY AND ITS WORTH." Master's thesis, Orlando, Fla. : University of Central Florida, 2010. http://purl.fcla.edu/fcla/etd/CFE0003103.

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13

Whyte, Victoria. "Social Discourse, Subjectivity and Spatiality in Stephenie Meyer's Twilight: A Model for Interpreting Virginity Narratives." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32585.

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This thesis examines virginity as a social construct, contextualizes the relevance of first sex for contemporary youth, and presents a model for reading themes of virginity and first sex in popular media. Through discursive analysis, the central sections of this thesis – Virginity, Femininity, and Masculinity – analyze themes of sexual abstinence across the four books of the Twilight series. Examining contemporary and historical contexts placing gendered value on virginity and virginity loss, this project suggests that virginity narratives reflect whose bodies are considered to be valuable i
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14

Brown, Adam. "Democratising popular culture : comparing and contrasting some cultural industries." Thesis, Manchester Metropolitan University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240742.

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15

Herrmann, Andrew F. "Daniel Amos and Me: The Power of Pop Culture and Autoethnography." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/752.

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Nearly everyone I know has a relationship with something in popular culture, whether it is Buffy the Vampire Slayer, amassing The Astonishing X-Men comics, or collecting every version of every Star Wars movie. Relationships and pop culture: couldn’t that make an autoethnography? This is a short version of my relationship with a band, Daniel Amos. I am not in Daniel Amos. I don’t know the members of the band (although I am Facebook friends with them now). I first heard them in 1982 serendipitously. Or maybe it was destiny. Either way, they opened my eyes
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Visco, William. "Teacher and Student Perceptions of Pop Culture in the English Classroom." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703310/.

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This qualitative case study explores teachers and students perceptions of pop culture and its use in secondary English classrooms. I used thematic analysis to identify key themes addressed by teachers and students concerning pop culture. Teachers and students were surveyed and from there purposive sampling was used to select five teachers and eight students. Participants took part in individual and focus group interviews regarding their perceptions of pop culture use in the classroom as well as classroom observations. In my analysis of data I identified themes that both students and teachers s
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Brislin, Chelsea L. "STRANGERS WITH CAMERAS: THE CONSEQUENCES OF APPALACHIAN REPRESENTATION IN POP CULTURE." UKnowledge, 2017. http://uknowledge.uky.edu/english_etds/59.

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Representations of the Appalachia region in literature, art and pop culture have historically shifted between hyperbolic, colorful caricatures to grotesque, sensationalized, black and white photography. This wide spectrum of depictions continually resonates within the North American psyche due to its shared commonality of Appalachia as the cultural “other.” This othering frequently leaves audiences with a kind of relief that this warped representation of backwards, rural poverty is not their own progressive, present-day reality. Countless artists have exploited the region in order to show the
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Milestone, Katharine Lucy. "The production and consumption of pop culture in the contemporary city." Thesis, Manchester Metropolitan University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320490.

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19

Christakis, Nicolas. "Pop-music : lieu d'identité et moyen d'expression collective." Paris 10, 1986. http://www.theses.fr/1986PA100193.

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La pop-music se présente habituellement comme une expression des préoccupations et des désirs de la jeunesse moderne, expression qui apparait liée à la "prise de conscience" et aux contre cultures naissant au début des années 60. Elle véhiculerait alors des valeurs telles que l'union, l’égalité, le partage, la libération et la révolte. Aujourd’hui nous observons la coexistence de plusieurs styles musicaux au sein de la pop-music (funk, disco, hard, new-wave etc. . . ) la pop s'est diversifiée tant dans sa forme que dans son contenu. L’adhésion à la pop-music, son écoute, implique la préférence
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20

Herbig, Art, A. Watson, Andrew F. Herrmann, and A. Tyma. "The Creation of Profs Do Pop!: A Critical Examination of Popular Culture Communities." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/790.

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21

Oliveira, Silvia de Cassia Rodrigues Damacena de. "A Literatura pop de Roberto Drummond : arte pop, referencialidade e ficção /." São José do Rio Preto : [s.n.], 2008. http://hdl.handle.net/11449/106340.

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Orientador: Arnaldo Franco Júnior<br>Banca: Maria Lúcia Outeiro Fernandes<br>Banca: Luciene Azevedo<br>Banca: Sérgio Vicente Motta<br>Banca: Álvaro Luiz Hattnher<br>Resumo: Literatura pop foi a designação criada por Roberto Drummond para definir um tipo de escritura que buscou romper com o conceito tradicional do fazer literário. Quatro livros fizeram parte deste projeto, o chamado Ciclo da Coca-Cola: A morte de D. J. em Paris (1975), O dia em que Ernest Hemingway morreu crucificado (1978), Sangue de Coca-Cola (1980) e Quando fui morto em Cuba (1982). Neste trabalho, buscamos mostrar a influên
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Oliveira, Silvia de Cassia Rodrigues Damacena de [UNESP]. "A Literatura pop de Roberto Drummond: arte pop, referencialidade e ficção." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/106340.

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Made available in DSpace on 2014-06-11T19:35:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-07-04Bitstream added on 2014-06-13T20:46:38Z : No. of bitstreams: 1 oliveira_scrd_dr_sjrp.pdf: 2615783 bytes, checksum: 8046c7f4f86da950ffe53d7b0b6836d6 (MD5)<br>Literatura pop foi a designação criada por Roberto Drummond para definir um tipo de escritura que buscou romper com o conceito tradicional do fazer literário. Quatro livros fizeram parte deste projeto, o chamado Ciclo da Coca-Cola: A morte de D. J. em Paris (1975), O dia em que Ernest Hemingway morreu crucificado (1978), Sangue de
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23

Grönevik, Klara. "The Depiction of Women in Rap and Pop Lyrics." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-29947.

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The aim of the study is to investigate song lyrics within rap and pop music from a cultural and a gender perspective, focusing on the depiction of women. The investigation focuses on the nouns the songwriter use to refer to the concept of woman. Twenty songs from each genre are conveyed in this study. The results show that rap lyrics contain multiple nouns referring to the concept of woman that depict women in a negative way. Pop lyrics do not contain these words and thus have a more positive way of depicting women. Nouns that occur in both genres tend to be of positive value whereas nouns tha
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Urniežiūtė, Reda. "„POP“ vartotojiška kultūra ir žmogaus kūno interpretacijos." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140717_105407-23798.

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Vartotojiškoji kultūra per įvairias medijas: TV ir reklamą dažniausiai tiesmukai interpretuoja žmogaus kūną. Grafikos darbų kolekcija „Pop“ interpretuoju šį procesą. Ji pagrįsta koliažo technikos principais ir komponavimu. Šio baigiamojo darbo objektas yra vartotojiška kultūra ir žmogaus kūno interpretacijos. Darbai spausti 2014m. Šiaulių universiteto grafikos centre. Tai septynių darbų ciklas 57,5x44,5cm formatu. Atspaustų spalvotų fonų grafikos darbų kolekcija atlikta tradicine sausos adatos technika. Visa kolekcija sukurta mišrios technikos būdu.<br>Consumer culture usually forthright inter
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25

Wong, Chi-chung Elvin. "The working of pop music culture in the age of digital reproduction." Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44140101.

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Wong, Chi-chung Elvin, and 黃志淙. "The working of pop music culture in the age of digital reproduction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44140101.

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27

Stepanek, Ellyn. "POP-CULTURE ARTIFACTS: VICE, VIRTUE AND VALUES IN AMERICAN GODS." Cleveland State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=csu1209741511.

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28

Georgelas, Althea. "Media to Medium: Representations of Violence, War & Women in Pop Culture." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1822.

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My work is inspired by the mass Media and how it affects the world around me. I am interested in how violence, war and women are represented in popular culture and how this has trickled down into social behavior. I also wonder how much entertainment media reflects deep social ideals. I define mass media as the viral proliferation of ideas using television, cinema, video gaming and the Internet. I am concerned about the social and psychological affects of violent media and how it impacts the lives of women and girls. This is of particular interest to me because I am a woman who has grown up in
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Li, Chengyuan, and Chengyuan Li. "Murakami Haruki: A Serious Literature Writer Under the Cover of Pop Culture." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/626394.

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As a famous contemporary writer, Murakami Haruki has a wide-reaching influence throughout the world, especially in East Asia. In my thesis, I intend to analyze his novels and short stories from 1979 to 2014. In doing so, I will reveal why Murakami Haruki is so popular in Asia, particularly China. This analysis will demonstrate that East Asian public culture has been undergoing changes during the past 20 years. I will analyze four of Murakami’s works: Wild Sheep Chase (1982), Norwegian Wood (1987), to The Wind-up Bird Chronicle (1995), and finishing with Colorless Tsukuru Tazaki And His Year Of
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Hawkins, Brian. "¡Me Gusta Hip-Hop!: Evidence of Popular U.S. Culture Among Mexican Border Youth." University of Arizona, Department of Anthropology, 2006. http://hdl.handle.net/10150/110053.

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This paper examines a fragment of the evident cultural exthange occurring along the U.S. — Mexico border in Nogales, Sonora, Mexico. Many Nogales youth are absorbing American popular culture through purchasing American popular culture commodities, such as music. The paper raises questions of how and why the Nogales youth purchase their pop culture commodities, and of the interpretations the Nogales youth make of said commodities' symbolic significance. After methodologies and context of the study are discussed, the paper defines popular culture and its relationship to commodity product
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Seiler, Sascha. ""Das einfache wahre Abschreiben der Welt" : Pop-Diskurse in der deutschen Literatur nach 1960 /." Göttingen : Vandenhoeck & Ruprecht, 2006. http://www.gbv.de/dms/bs/toc/516032682.pdf.

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Armstrong, Andrew Barton. "Japanese hip hop in Kyoto, 2000-2002: localizing a global pop culture idiom." Thesis, University of Hawaii at Manoa, 2003. http://hdl.handle.net/10125/7093.

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Nearly thirty years since its inception in New York City in 1974, hip hop culture and style have become worldwide phenomena with local scenes appearing somewhere on nearly every continent. In the case of hip hop in Japan, the local scene has a relatively long history and has already developed into a "subculture" (Hebdige 1979) with an extensive infrastructure that is widespread across the archipelago. I chose Kyoto, Japan as the site for this study of the localization of hip hop outside of the U.S. The basic problem is to understand how a transnational pop culture form, which originated as an
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Bernard, Michelle M. E. "Race-O-Rama: A Philosophical Look at Race and Stereotypes in Pop Culture." Fogler Library, University of Maine, 2005. http://www.library.umaine.edu/theses/pdf/BernardMME2005.pdf.

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Hoenes, Eric. "The vampire as a reflector of Anglo-American culture from 1897 to the present." Thesis, Boston University, 1997. https://hdl.handle.net/2144/27675.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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Katekawa, Henrique Eidin. "Fenômeno otaku: de problema social à solução política." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-13032017-110556/.

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No Japão, o fenômeno otaku se popularizou no final dos anos 1980 por causa do assassino em série Tsutomu Miyazaki. A mídia japonesa rapidamente o identificou como um otaku, uma pessoa obcecada pela indústria do entretenimento, e nos anos 1990 o indivíduo otaku ficou conhecido como um grande problema social. Contudo, nos anos 2000, o governo japonês colocou em prática seu plano político Cool Japan, que promovia a divulgação da cultura pop japonesa ao mundo. O indivíduo otaku, sendo um grande consumidor de cultura pop japonesa, deixou de ser considerado um problema para se tornar parte de uma so
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Nyrén, Jenny. "Translating American food culture from English to Swedish : A study of cultural references in translation." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-26349.

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The aim of this paper is to analyze the different solutions used when translating cultural references. The source text is an extract from The Omnivore’s Dilemma. A Natural History of Four Meals (2006), written by Michael Pollan, and the material that this study is based on is taken from that text, as well as from my translation of that extract. The theme of the book is American food culture from various perspectives, which results in a culturally specific text. The cultural references in this study regard phenomena such as food-related items, geographical places and names, etc. In the translat
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Hall, Timothy W. "Surface, substance and the status quo pop cultural influences on architectural design /." Cincinnati, Ohio : University of Cincinnati, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1085069145.

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Miranda, Rafael Tadeu. "Diálogos com a cultura pop: possibilidades de relação entre a cena e o universo do jovem." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27155/tde-21022019-151121/.

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O trabalho é um estudo sobre processos cênicos que partiram de obras da cultura pop, ocorridos entre os anos de 2016 a 2017 na cidade de São Paulo, nos quais o autor da pesquisa esteve presente. O intuito foi o de pensar pedagogicamente o uso de histórias em quadrinhos, videoclipes e canções como materiais de criação cênica com jovens e adolescentes. O desenvolvimento e observação destes processos, somado à pesquisa de teóricos que se debruçaram sobre os temas cultura pop e indústria cultural (como Teixeira Coelho, Douglas Kellner, Umberto Eco, entre outros) trouxeram à tona reflexões sobre o
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Wallace, Martin, Rebecca Tolley-Stokes, and Erik Estep. "Generation X Librarian: Essays on Leadership, Technology, Pop Culture, Social Responsibility and Professional Identity." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etsu_books/195.

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This collection of essays views, critiques, and analyzes the many relationships between Generation-X and librarianship. Its essays and articles explicate the “Gen-X experience” from a librarian perspective, or, the “librarian experience” from a Gen-X perspective, or, on what makes Gen-X librarians unique among other generations of librarians. It identifies what Gen-X librarians have contributed to the field, and what they have changed about the profession. The anthology covers themes of media representations and misrepresentations, work and leadership styles, management, digitization and techn
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Ostroff, Nadya. "ElectroCentral : the influence of Weimar culture on pop music in the 1970s and '80s." Thesis, City, University of London, 2009. http://openaccess.city.ac.uk/17551/.

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This thesis is an investigation into the influence of Weimar Berlin’s culture on British popular music of the 1970 and 1980s. The two eras are studied historically and artistically though the constant and ever-changing backdrop of the city of Berlin. The retrospective significance in postmodern terms is examined through music of David Bowie, Lou Reed and Kraftwerk and of the subcultures of punk and post-punk; their respective incorporation of elements, usually associated with ‘others’, reveals an alternative approach to artistic production in response to the ‘authentic’ American model. The bre
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England, Megan. ""I'm Not a Rapper, I'm an Activist Who Rhymes": Native American Hip Hop, Activism, and Twenty-First Century Identities." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20512.

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In this thesis, I examine the ways in which a growing number of Indigenous artists in the United States and Canada are using hip hop not only as a form of artistic expression, but also to vent frustration about and to draw attention to contemporary issues affecting their communities. These artists participate in a tradition of politically conscious performance that has influenced and been influenced by Indigenous social movements across North America. Indigenous hip hop serves to affirm and redefine twenty-first century Indigenous identities, disrupting and reinterpreting stereotypical represe
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Sabre, Clothilde. "La mise en tourisme de la pop culture japonaise : la légitimité culturelle par le croisement des regards exotiques." Thesis, Lille 1, 2012. http://www.theses.fr/2012LIL12008.

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La pop culture japonaise (principalement le manga et l’animation), connaît en France un succès durable depuis plus de trente ans, et attire un public croissant, composé en partie de passionnés très investis. Par ailleurs, cette diffusion n’est pas uniquement circonscrite à la France, il s’agit aujourd’hui d’un succès mondial, avéré et reconnu depuis le début du 21ème siècle.C’est dans ce contexte que s’inscrit cette thèse, qui s’efforce de montrer comment se fait la relation entre goût pour la pop culture nippone, imaginaire du Japon et désir de voyage. Nous nous intéresserons donc aux fans de
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Aoki, Beatriz Yumi. "Hatsune Miku: estudo sobre a constituição do ídolo virtual no cenário pop japonês." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21205.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-07-05T12:39:45Z No. of bitstreams: 1 Beatriz Yumi Aoki.pdf: 16580883 bytes, checksum: 04c34bef3b0d6c35d20ab6ebfb96ef60 (MD5)<br>Made available in DSpace on 2018-07-05T12:39:45Z (GMT). No. of bitstreams: 1 Beatriz Yumi Aoki.pdf: 16580883 bytes, checksum: 04c34bef3b0d6c35d20ab6ebfb96ef60 (MD5) Previous issue date: 2018-04-26<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The theme of research is the virtual idol Hatsune Miku and her collective construction from the practices of her fans, who are responsib
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Johnson, Alfred B. "Fascination machine : a study of pop music, mass mediation, and cultural iconography." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1185429.

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The mediation of popular musicians in the twentieth century results in the construction of cultural formations-mass mediated pop musician icons-that are, to various degrees, weighted down by the ideologies and concerns of those who receive them as mediated texts. In passing judgment on these cultural icons, the public engages in a massive act of reading, and in the process the icons become sites of personal and cultural signification. This study examines the nature of signification in and through mass mediated popular music icons by exploring the processes by which popular music icons are prod
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Strasser, Brendan David. ""A sargasso of the imagination" Nathanael West and the dream dump of American pop culture /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1988. http://www.kutztown.edu/library/services/remote_access.asp.

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46

Gonzatti, Christian. "Bicha, a senhora é performática mesmo: Sentidos queer nas redes digitais do jornalismo pop." Universidade do Vale do Rio dos Sinos, 2017. http://www.repositorio.jesuita.org.br/handle/UNISINOS/6902.

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Submitted by JOSIANE SANTOS DE OLIVEIRA (josianeso) on 2018-02-22T15:18:49Z No. of bitstreams: 1 Christian Gonzatti_.pdf: 8588470 bytes, checksum: f0c4e125d9c7332b4d1cadb2cc10ff37 (MD5)<br>Made available in DSpace on 2018-02-22T15:18:49Z (GMT). No. of bitstreams: 1 Christian Gonzatti_.pdf: 8588470 bytes, checksum: f0c4e125d9c7332b4d1cadb2cc10ff37 (MD5) Previous issue date: 2017-12-19<br>CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>A pesquisa visa entender, através dos sentidos acionados pelo Papel Pop, as relações entre o jornalismo, a cultura pop e os estudos q
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Tolley, Rebecca. "Review of Alcohol in Popular Culture: An Encyclopedia, ed. by Rachel Black." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etsu-works/5639.

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48

Decker, Daniel. "Musique pop, pop art, messages, aux États-Unis et en Grande-Bretagne : analyse d'une double traversée culturelle des années soixante." Clermont-Ferrand 2, 1994. http://www.theses.fr/1994CLF20069.

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La musique pop, née des années 50 du rythm and blues afro-américain en tant que Rock and Roll, est devenue, dans les années soixante, le mode d'expression privilégié d'une nouvelle catégorie de consommateurs créée par les médias : les teenagers. Grâce à l'internationalisation des moyens de communication (transistor, TV), ces produits du baby boom, par leur nombre et leur pouvoir d'achat, promurent le changement social par la musique. Celle-ci, assimilée à des valeurs anti-américaines (violence, délinquance, sexe, drogue) s'éteignit aux USA pour mieux y revenir, adaptée par des britanniques pro
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Nakamura, Mariany Toriyama. "Memória e identidades nipo-brasileiras: cultura pop, tecnologias e mediações." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/27/27151/tde-31012014-160015/.

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Esta pesquisa se volta para o estudo das manifestações da cultura pop nipobrasileira associadas aos descendentes de japoneses no Brasil e de artistas de outras origens que compartilham da estética da cultura pop japonesa. Tem por objetivo estudar o desenvolvimento dos processos de mediações da cultura e da informação contidos nas manifestações da cultura pop nipo-brasileira e dos novos espaços culturais virtuais nos quais se manifesta graças à influência das atuais tecnologias de informação e comunicação. Para tanto, é necessário compreender aspectos da cultura e da tradição japonesa que foram
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Palomo, Lovinski Noel N. "Confessions and the Sense of Self." Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1238697296.

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