Relevant bibliographies by topics / Referential Art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Referential Art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Referential Art"

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Kirichenko, Alexander. "The Art of Transference." Mnemosyne 69, no. 1 (2016): 1–28. http://dx.doi.org/10.1163/1568525x-12341697.

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Inspired by insights of modern cognitive science, this article investigates the use of self-referential metaphors in Pindar’s epinicians and demonstrates that these metaphors serve to enhance the cognitive effect of the rhetoric of praise. The starting point of the argument is the (dis)analogy between the self-referential deixis that religious hymns use to map aetiological myths to their performance context and the self-referential metaphors that Pindar uses to blend the observable context of the victory celebration with the context of the original victory. It is to emphasize the ‘presentifica
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Stanowski, Mariusz. "Conceptual Art and Abstraction: Deconstructed Painting." Leonardo 53, no. 5 (2020): 485–91. http://dx.doi.org/10.1162/leon_a_01859.

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This article proposes a new conception of art and presents a form of painting that exemplifies that concept. Considering the developments in twentieth- and 21st-century art, the author notes that art created after the conceptual period has failed so far to take account of the profound transformation that occurred within it in the twentieth century. This change consisted in the identification of art with reality, achieved by incorporating into art all significant spheres/objects of reality. One result has been the dominance of referential art following the conceptualist period. Referential artw
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Kacunko, Slavko. "Roads to Recursion. Some historiographical remarks on a core category of Media Art." Revista ICONO14 Revista científica de Comunicación y Tecnologías emergentes 12, no. 2 (2014): 70–85. http://dx.doi.org/10.7195/ri14.v12i2.682.

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In this paper, the general arena between analogue and digital media art is explored with special respect to the concept of the ‘newness’ of media. The first part confirms the Closed Circuit as an ‘open system’ related to its right to an evolution towards increasing complexity without the reciprocal playing-off of self-referential ‘life’ against ‘hetero-referential’ technique. The second part refers to the continuity of research undertaken in media, art and art-history and discussion in related fields while the concepts of ‘new’ media have repeatedly admitted the Closed Circuit as a core catego
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Franklin, Michael A. "Know thyself: Awakening self-referential awareness through art-based research." Journal of Applied Arts & Health 3, no. 1 (2012): 87–96. http://dx.doi.org/10.1386/jaah.3.1.87_1.

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Lee, Jeungchan, Ekaterina Protsenko, Asimina Lazaridou, et al. "Encoding of Self-Referential Pain Catastrophizing in the Posterior Cingulate Cortex in Fibromyalgia." Arthritis & Rheumatology 70, no. 8 (2018): 1308–18. http://dx.doi.org/10.1002/art.40507.

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Guerra, Aníbal, Jaime Lotero, José Édinson Aedo, and Sebastián Isaza. "Tackling the Challenges of FASTQ Referential Compression." Bioinformatics and Biology Insights 13 (January 2019): 117793221882137. http://dx.doi.org/10.1177/1177932218821373.

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The exponential growth of genomic data has recently motivated the development of compression algorithms to tackle the storage capacity limitations in bioinformatics centers. Referential compressors could theoretically achieve a much higher compression than their non-referential counterparts; however, the latest tools have not been able to harness such potential yet. To reach such goal, an efficient encoding model to represent the differences between the input and the reference is needed. In this article, we introduce a novel approach for referential compression of FASTQ files. The core of our
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Campesato, Lílian. "A Metamorphosis of the Muses: Referential and contextual aspects in sound art." Organised Sound 14, no. 01 (2009): 27. http://dx.doi.org/10.1017/s1355771809000053.

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Giraldo, Veronica. "Referential iconicity in music and speech." Public Journal of Semiotics 9, no. 1 (2020): 41–77. http://dx.doi.org/10.37693/pjos.2019.9.20283.

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Musical meaning is multifaceted. It is highly sensory and yet often abstract; able to cross cultural boundaries and yet embedded in specific traditions. For the most part music as a semiotic system is characterized by non-referential meaning (Monelle, 1991). Nevertheless, in so-called programmatic music, musical themes are intended to refer to worldly objects and events on the basis of iconic (and indexical) grounds. Such non-arbitrariness has been extensively documented in the case of speech as well (Ahlner and Zlatev, 2010; Sonesson 2013; Imai and Kita, 2014).
 In an experimental study,
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Balme, Christopher B. "Interpreting the Pictorial Record: Theatre Iconography and the Referential Dilemma." Theatre Research International 22, no. 3 (1997): 190–201. http://dx.doi.org/10.1017/s0307883300017004.

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In 1926 the German theatre critic and scholar Julius Bab compared the endeavour of the theatre historian engaged in reconstructing past performances with that of the art historian required to study paintings solely on the basis of descriptions. The analogy serves as a justification for Bab's own study of contemporary theatre based on personal observations: only the privileged status of the eye-witness account can do justice to the transitory nature of theatrical performance, he argues. What today may seem like a self-evident truth was in the 1920s by no means so. German Theater-wissenschaft of
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Lorente, Jesús Pedro. "Avant-garde art display recreations historised: Muzeum Sztuki in Łódź as a referential case?" Muzeológia a kultúrne dedičstvo 9, no. 3 (2021): 5–15. http://dx.doi.org/10.46284/mkd.2021.9.3.1.

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Museums can no longer pretend to be mere containers of art or other cultural treasures; their fascinating legacy for posterity is definitely not just the respective collection, but also its idiosyncratic articulation and ulterior resignification. This essay surveys sifting trends in the re-staging of modern museographies; but instead of using New York’s MoMA as the obvious paradigm, pride of place is given here to the Muzeum Sztuki in Łódź (Poland). Its original Neoplastic Hall survived only from June 1948 until October 1950; but it was reconstructed ten years later, prefiguring other museogra
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Dissertations / Theses on the topic "Referential Art"

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Hollmann, Jeremy Charles. "The cutting edge: Khoe-San rock-markings at the Gestoptefontein-Driekuil engraving complex, North West Province, South Africa." Thesis, University of the Western Cape, 2011. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_5857_1361366326.

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<p>The study is about the rock engravings on the wonderstone hills just outside Ottosdal, North West province, about 70km northwest of Klerksdorp. Wonderstone is remarkable rock that is&nbsp<br>smooth, shiny and very easy to mark. The wonderstone occurs only on two adjacent farms, Gestoptefontein and Driekuil, and thus the rock art on the wonderstone outcrops is referred to as the Gestoptefontein- Driekuil complex (GDC). This rock art is now the only remaining trace of what must once have been a much larger complex of engravings. Sadly, much of the rock art has been destroyed in the course of
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Berthelot, Martin R. "Spectacle and Resistance in the Modern and Postmodern Eras." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/24272.

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The advanced stage of capitalism that we now live in has brought many changes to the way that society consumes and produces. One of the biggest shifts to the modern economy was the use of visual culture to distract, pacify, and exert power over the masses; a cultural change French theorist Guy Debord named the Society of the Spectacle. As a result, Debord and the Situationist International developed a movement of resistance to reclaim the territories of everyday life being eroded by the spectacle through separation and alienation. Since the term was coined the use of visual culture has acceler
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DiGiallonardo, Richard L. (Richard Lee). "Musical Borrowing: Referential Treatment in American Popular Music." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277911/.

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This thesis examines the relationships between popular contemporary musical styles and classic-era art music. Analysis of pop-rock songs, and their referential treatment in art rock, classical music, and society will be examined. Pop-rock musicians borrow from the masters of the past and from each other. Rock guitarists such as Eddie Van Halen employ a virtuosic technique suggestive of Liszt and Paganini. The group Rush borrowed freely from opera seria. Frank Zappa referenced contemporary musicians as well as classical techniques. Referential treatment in popular music and the recent advanceme
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Wells, Lynn. "Allegories of telling self-referential narrative in contemporary british fiction /." Amsterdam ; New York, NY : Rodopi, 2003. http://catalogue.bnf.fr/ark:/12148/cb38970344x.

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Roffman, Itai. "Are bicultural bonobos able to recognize iconic representations and produce referential signs in human cultural terms?" [Ames, Iowa : Iowa State University], 2008.

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BUCHANAN, David, and daj@iinet net au. "A Bell in the Storm: Persistent unexplained pain and the language of the uncanny in the creative neurophenomenal reference." Edith Cowan University. Education And Arts: School Of International, Cultural And Community Studies, 2006. http://adt.ecu.edu.au/adt-public/adt-ECU2006.0039.html.

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A Bell in the Storm - Persistent unexplained pain and the language of the uncanny in the creative neurophenomenal reference is a doctoral work comprised of three parts. Part 1 is an exegesis Persistent unexplained pain and the language of the uncanny in the creative neurophenomenal reference; Part 2 is The Plays, A Bell in the Storm (produced by deckchair theatre in May, 2005) and the radio play To Fall Without Landing (produced by the Australian Broadcasting Commission for Radio National in October 2005); and, Part 3 the book of monochord poems, Secrets of the Driftwood.
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Ramezani, Amir. "The Effects of Sequential Versus Referential Montage Neurofeedback Amplitude Training on Qeeg Measures of Phase and Coherence." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9048/.

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An important clinical research question to be answered in the field of neurofeedback (NF) is whether amplitude training affects connectivity between cortical sites. This study hypothesizes that, following NF amplitude training, there will be a difference in QEEG coherence and phase measures between NF training done using referential montages and using sequential montages. The study examined case files of 16 adult clients from the University of North Texas Neurotherapy Lab who had received NF training that consisted of either referential or sequential placement amplitude training (no coherence
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Gaviria, Carlos A. "Alberto Ginastera and the Guitar Chord: An Analytical Study." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33152/.

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The guitar chord (a sonority based on the open strings of the guitar) is one of Alberto Ginastera's compositional trademarks. The use of the guitar chord expands throughout forty years, creating a common link between different compositional stages and techniques. Chapters I and II provide the historical and technical background on Ginastera's life, oeuvre and scholar research. Chapter IV explores the origins of the guitar chord and compares it to similar specific sonorities used by different composers to express extra-musical ideas. Chapter V discusses Ginastera's initial uses and modification
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Books on the topic "Referential Art"

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Czechoslovakia. President (1918-1935 : Masaryk). Prvé poselství presidentovo (22. prosince 1918) a odpověď Národního shroáždění (27. března 1919): Připojena řeč referenta Ant. Hajna a doslov předsedy Národního shromáždění Fr. Tomáška. University Microfilms International, 2006.

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Dijk, Johannes Petrus van. Late Neogene fore-arc basin evolution in the Calabrian Arc (central Mediterranean): Tectonic sequence stratigraphy and dynamic geohistory : with special reference to the geology of Central Calabria = Laat Neogene voor-boog bekken evolutie in de Calabrese Boog (Centrale Middellandse zeegebied) : tekonische sekwentie-stratigrafie en dynamische geohistory : met speciale referentie naar de geologie van centraal Calabrië. Faculteit Aardwetenschappen der Rijksuniversiteit te Utrecht, 1992.

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Henderson, Andrea. Algebraic Art. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198809982.001.0001.

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Algebraic Art explores the invention of a peculiarly Victorian account of the nature and value of aesthetic form, and it traces that account to a surprising source: mathematics. The nineteenth century was a moment of extraordinary mathematical innovation, witnessing the development of non-Euclidean geometry, the revaluation of symbolic algebra, and the importation of mathematical language into philosophy. All these innovations sprang from a reconception of mathematics as a formal rather than a referential practice—as a means for describing relationships rather than quantities. For Victorian ma
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Huang, Minyao. Referential variability of generic ‘one’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198786658.003.0009.

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This chapter presents novel data regarding the semantic interpretation of generic ‘one’. First, it is argued that ‘one’ does not always refer to oneself while generalizing from the self’s experience. Moreover, based on the results of a reading comprehension survey, it is shown that ‘one’ can refer to (i) the speaker without generalization, (ii) anyone like the speaker, (iii) anyone in a certain class that does not necessarily include the speaker, or (iv) a non-speaker without generalization. The four types of reference are further analysed as two dimensions of contextual variation that interac
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Rusten, Kristian A. Referential Null Subjects in Early English. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198808237.001.0001.

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This book offers a large-scale quantitative investigation of referential null subjects as they occur in Old, Middle, and Early Modern English. Using corpus linguistic methods, and drawing on five corpora of early English, the book empirically addresses the occurrence of subjectless finite clauses in more than 500 early English texts, and excerpts of texts, spanning nearly 850 years of the history of English. The book gives an in-depth quantitative analysis of c.80,000 overt and null referential pronominal subjects in 181 Old English texts. On the basis of this substantial data material, the bo
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D'Argembeau, Arnaud. Mind-Wandering and Self-Referential Thought. Edited by Kalina Christoff and Kieran C. R. Fox. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190464745.013.14.

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When one’s mind wanders, one frequently experiences thoughts, images, and feelings about oneself and one’s life. These self-referential thoughts involve diverse contents and take various forms, but most often focus on specific future events that are closely related to one’s personal goals and concerns. Neuroimaging studies show that such spontaneous thoughts recruit many of the same brain regions—largely corresponding to the default network—as directed self-referential thought. The medial prefrontal cortex is most consistently involved and might contribute to assign value and to integrate proc
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Pravadelli, Veronica. Performative Bodies and Non-Referential Images. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038778.003.0007.

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This chapter focuses on the 1950s musical. In contrast to melodrama, the musical combines spectacle with reflexive strategies and is able to comment in a sophisticated fashion on the fiction/reality dichotomy and on the relation between cinema and the other media, especially theater and television. While noir and woman's film used expressive techniques to emphasize the split nature of the human psyche—the opposition between conscious and unconscious realities—1950s musical goes one step further. Many films show that gendered identities are the product of a series of performances, rather than t
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Greene, Dana. Epilogue. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037108.003.0014.

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This chapter considers the legacy of Denise Levertov. Levertov wanted to be remembered for her poetry, the “autonomous structures” that would be appreciated on their own terms and would last. In comparison to her art, she considered her life fleeting and insignificant. As a consequence she was suspicious of biography and insisted that if a poet's biography were to be written, it had to focus on the work itself. Even then she was leery of the genre and recoiled from it. Nonetheless, she claimed repeatedly that her poems emerged from her life experience. While she rejected confessional or self-r
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Henderson, Andrea. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198809982.003.0001.

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Victorian England witnessed a reconception of mathematics as a formal rather than a referential practice—as a means for describing relationships rather than quantities. The value of a mathematical claim lay not in its capacity to describe the world but its internal coherence. Victorian mathematics thus contributed to the development of liberal capitalism by justifying abstraction: liberals proclaimed that formal consistency was the foundation of a rational, equitable order, and marginalist economists insisted that value was not inherent but relational, and made economics a branch of mathematic
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God in the Act of Reference: Debating Religious Realism and Non-Realism (Ashgate New Critical Thinking in Religion, Theology, and Biblical Studies) (Ashgate ... in Religion, Theology, and Biblical Studies). Ashgate Publishing, 2002.

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Book chapters on the topic "Referential Art"

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Dibbell, Julian. "How to Handcraft an Achingly Self-Referential Virtual Commodity Fetish Object (For Fun and Profit!)." In Drunk on Capitalism. An Interdisciplinary Reflection on Market Economy, Art and Science. Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-2082-4_13.

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Hedelin, Lisbeth, and Erland Hjelmquist. "Children’s referential communication in a game situation." In Pragmatics at Issue. John Benjamins Publishing Company, 1991. http://dx.doi.org/10.1075/pbns.6.1.13hed.

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Andreou, Marios, and Simon Petitjean. "An XMG Account of Multiplicity of Meaning in Derivation." In Language, Cognition, and Mind. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-50200-3_9.

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AbstractIn this paper, we tackle the issue of multiplicity of meaning in derivation using Frame Semantics and eXtensible MetaGrammar (XMG). We use corpus extracted data to identify the range of readings -al derivatives exhibit and identify prominent constraints on the types of situations and entities -al targets. These constraints have the form of type constraints and specify which arguments in the frame of the verbal base are compatible with the referential arguments of the derivative. The introduction of these constraints into the semantics of an affix allows one to predict and generate those readings which are possible for a given derivative and, at the same time, rule out those readings which are not possible. Finally, as a proof of concept, we model these constraints using XMG, and check whether the output resulting of this XMG description is consistent with the range of readings observed in the corpus.
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Leydesdorff, Loet. "Towards a Calculus of Redundancy." In Qualitative and Quantitative Analysis of Scientific and Scholarly Communication. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-59951-5_4.

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AbstractIn this chapter, I extend Shannon’s linear model of communication into a model in which communication is differentiated both vertically and horizontally (Simon, 1973). Following Weaver (1949), three layers are distinguished operating in relation to one another: (i) at level A, the events are sequenced historically along the arrow of time, generating Shannon-type information (that is, uncertainty); (ii) the incursion of meanings at level B is referential to (iii) horizons of meaning spanned by codes in the communication at level C. In other words, relations at level A are first distinguished from correlations among patterns of relations and non-relations at level B. The correlations span a vector space on top of the network of relations. Relations are positioned in this vector space and can then be provided with meaning. Different positions provide other perspectives and horizons of meaning. Perspectives can overlap, for example, in Triple-Helix relations. Overlapping perspectives can generate redundancies—that is, new options—as a result of synergies.
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"Themes in the referential art of the GDC." In The Cutting Edge: Khoe-San rock-markings at the Gestoptefontein-Driekuil engraving complex, North West Province, South Africa. Archaeopress Publishing Ltd, 2017. http://dx.doi.org/10.2307/j.ctv1zcm0vr.19.

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Kolb, Sarah. "Impossible! Bergson after Duchamp after Caillois." In Speculative Art Histories. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474421041.003.0014.

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Beyond traditional art historical practice and its haptophobia with experimental, subjectivist, or speculative methods, what we have already begun to learn from Marcel Duchamp can be further established with the philosophies Henri Bergson and Roger Caillois. An up-to-date philosophy of art might thus be one that combines the potentialities of intuition and a bold imagination with the need for precision and strict controls. In the light of that ‘logic of the imaginary’ which Caillois brought onto the scene with his ‘diagonal sciences’, art and its attendant histories and theories are no longer about substantive messages, but rather about questioning their contingent effects and affects upon a particular environment or beholder. Seen from this angle, philosophy of art might have to deal with unstoppable transformations of dominant structures of knowledge, outpacing self-referential interpretations in favour of a protean field of reciprocal actions and attractions, which can be cultivated by anyone willing to join the game.
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Shaked, Nizan. "The synthetic proposition: conceptualism as political art." In The Synthetic Proposition. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784992750.003.0004.

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This chapter takes a comparative look at several models of interdisciplinary conceptualist practices that responded critically to Conceptual Art’s original claims. Artists responded to a limitation they identified in the narrow focus of early Conceptual Art, and turned to the social, the political, and the “life-world,” external to the hermeneutic definition of art. When this second wind of conceptualism integrated external subject matter, it was no longer in the modernist sense of art and politics. Synthetic conceptualism incorporated the basic investigations of Conceptual Art to form a complex method of artmaking that was deconstructive just as it was referential. Artists integrated a meta-critique to reveal frameworks that endowed artistic language and strategies with pre-conceived meaning. Three artists exemplify this shift. Adrian Piper transitioned from an analysis of the art object as a factor of time and space to the role of cultural forms in formulating gendered and racialised social meaning; Mary Kelly from labour and gender issues to the discourse of the subject; and Martha Rosler from the documentary mode to the critique of representation in mass media.
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Broeckmann, Andreas. "Algorithm Machine." In Machine Art in the Twentieth Century. The MIT Press, 2017. http://dx.doi.org/10.7551/mitpress/9780262035064.003.0004.

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This chapter discusses the ways in which twentieth-century artists have engaged with the aesthetic dimensions of algorithms and machine autonomy. It extends the narrative on the history of machine art from the previous chapter, beyond the program of Hultén’s 1968 “Machine” exhibition. It explains how the dialogue between art and cybernetics has evolved from the 1950s cybernetic artworks of Nicolas Schöffer, through the 1968 exhibition “Cybernetic Serendipity” and Jack Burnham’s concept of Systems Aesthetics, to the more contemporary software and robotic artworks of Max Dean, Seiko Mikami, and others. A focus is placed on the work of Canadian artist David Rokeby who has explored the aesthetics of the human encounter and interaction with technical systems since the 1980s. The analysis aims at adding two further aspects of the aesthetics of machines to the list of five such aspects developed in the previous chapter: one is the aspect of “interactivity”, which adds the dimension of a charged dialogue and exchange between human and machine; and the other is the aspect of “machine autonomy”, which becomes a determining factor in the human experience of increasingly independent and self-referential technical systems.
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Wong, Agnes M. F. "East Meets West." In The Art and Science of Compassion, A Primer. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780197551387.003.0005.

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In this chapter, the author explores the relevant brain networks and their plasticity in response to mindfulness and compassion training. The chapter begins by reviewing how foundational mindfulness practices, in the form of focused attention and open monitoring, set the stage for compassion/loving-kindness training by modulating attentional resources (in the attention networks), regulating emotion processing and control (in the limbic system), and altering self-referential processing (in the default mode network). The author then reviews the unique effects of compassion/loving-kindness training on different brain areas that result in increased receptivity to others’ emotions, enhanced positive affect and reward processing, and increased motivation for prosocial connection. The author shows that “compassion fatigue” is a misnomer because the neural mechanisms underlying empathic distress and compassion are distinct, with empathic distress activating the brain network involved in pain processing and compassion activating the pleasure and reward system. The author concludes that compassion is both innate and a trainable skill, exerting its effects through neuroplasticity.
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Wong, Agnes M. F. "Is Compassion Innate? Spiritual and Eastern Perspectives." In The Art and Science of Compassion, A Primer. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780197551387.003.0004.

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In this chapter, the author begins with an overview of compassion from different spiritual perspectives and develops an appreciation that although each tradition expresses it differently, compassion can be summed up aptly by the Golden Rule: “Do unto others as you would have them do unto you.” The author shows that the principle of compassion lies at the heart of all religious, ethical, and spiritual traditions, calling us always to treat all others as we wish to be treated ourselves. The chapter then dives deeper into the Eastern perspectives on compassion, with special attention given to the Buddhist view because many contemporary secular compassion training programs borrow the mind-training tools that originate from Buddhism. The author reviews the four immeasurables—loving-kindness, compassion, sympathetic joy, and equanimity—that are commonly practised together in the Buddhist tradition. Last, the author reviews the three different types of compassion—referential, insight-based, and nonreferential—in the Buddhist context.
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Conference papers on the topic "Referential Art"

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Zabotkina, Vera. "CONCEPTUAL FOUNDATION OF EVENT- REFERENTIAL AMBIGUITY." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/3.6/s14.019.

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Slocombe, Katie, Nicole Lahiff, Claudia Wilke, and Cat Hobaiter. "Referential gestures are not ubiquitous in wild chimpanzee communities." In The Evolution of Language. Proceedings of the 12th International Conference on the Evolution of Language (Evolang12). Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2018. http://dx.doi.org/10.12775/3991-1.114.

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Shattuck-Hufnagel, Stefanie, Ada Ren, Mili Mathew, Ivan Yuen, and Katherine Demuth. "Non-referential gestures in adult and child speech: Are they prosodic?" In Speech Prosody 2016. ISCA, 2016. http://dx.doi.org/10.21437/speechprosody.2016-171.

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Budennaya, E. V., A. A. Evdokimova, Ju V. Nikolaeva, and N. V. Sukhova. "REFERENTIAL PHENOMENA IN SPEAKER'S KINETIC CHANNELS." In International Conference on Computational Linguistics and Intellectual Technologies "Dialogue". Russian State University for the Humanities, 2020. http://dx.doi.org/10.28995/2075-7182-2020-19-133-146.

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The article addresses the relation of referential expressions and co-occurring kinetic phenomena (hand and head gestures) on the material of the RUPEX multimodal corpus. The results reflect significant differences in how individual movements and gestures are aligned with two major types of reference (full NPs vs. reduced expressions). It was initially assumed that full NPs are more often accompanied by a gesture. Our data support this hypothesis not only through the material of hand gestures, but also through head movements. Moreover, full NPs are more likely to be accompanied by downward move
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Rubio Garrido, Alberto. "Le Corbusier y la autonomía de la arquitectura." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.682.

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Resumen: Tres han sido los intentos de vincular la obra de Le Corbusier con la “autonomía de la arquitectura”. El primero, aquel formulado por Emil Kaufmann en 1933, reposa en una analogía ética conducida por medio de ciertos mecanismos compositivos. El segundo lo alentó Johnson durante la posguerra e identifica en Le Corbusier un sistema de composición autorreferencial pretendidamente ajeno a todo condicionante exterior que enfatiza el purismo de sus operaciones formales. El tercero fue conducido por un grupo de autores englobados en el “autonomy project” que vio en su obra la posibilidad de
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Ishii, Tatsuya, Kenichiro Nagai, Hideshi Oinuma, Ryo Kagaya, and Tsutomu Oishi. "Experimental Study on Acoustic Performances of Notched Nozzle Using a Subscale Turbofan Engine." In ASME Turbo Expo 2018: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/gt2018-76713.

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This paper describes an experimental study on the acoustic performance when mixer nozzles were applied to the core of a subscale turbofan engine. The primary concern of the mixer nozzle is how to satisfy both less jet mixing noise emission and minimum impact on engine performance parameters such as thrust and fuel consumption. A notched nozzle, a nozzle with tiny dents on the trailing edge, initiates small disturbances in the shear layer, weakens the shear stress, and suppresses jet noise. The Japan Aerospace Exploration Agency (JAXA) and IHI Corporation have studied notched nozzles and found
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Popovic, Tanja. "Milorad Pavic’s Khazar Dictionaryas a Postmodern Comment on theHagiography of Saints Cyril and Methodius." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.24.

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Thеаim of this paper is to investigate the relationship between the texts of the Hagiography of Saint Cyril (Konstantin Philosopher) and the M. Pavich’s novel “Khazar Dictionary”. The focuses of this research are intertextuality (hypertext / hypothesis) and metatextuality (auto-referential comments), the philosophy of fi ction, the principle of complementarity and possible worlds. Erasing the boundaries between fiction and faction create a special kind of literary discourse, new semantic and formative functions of the text.
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Avelar, Maira. "THE USE OF LOCATIVE DEIXIS FROM A COGNITVE-LINGUISTIC PERSPECTIVE: A CROSS-CULTURAL MULTIMODAL ANALYSIS." In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/21.

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For structuring spatial relations, Brazilian Portuguese has four basic deictic forms: “aqui” (nearer to the speaker), “aí” (nearer to the addressee), “ali” (near to both speaker and addressee), and “lá” (distal from both speaker and addressee), whereas American English has a two-way distinction, linguistically expressed by “here” (near to the speaker) and “there” (distal from both the speaker and the hearer). Considering these differences, we aim at investigating how manual gestures operate along with speech, to point out to referents both located in the immediate interactional scene, the Grou
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Lindemann, Sofiana-Iulia, Stanca Mada, Laura Sasu, and Madalina Matei. "Thematic role and grammatical function affect pronoun production." In 11th International Conference of Experimental Linguistics. ExLing Society, 2020. http://dx.doi.org/10.36505/exling-2020/11/0028/000443.

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According to different approaches to pronoun processing, in pro-drop languages, null pronouns are interpreted as referring back to the grammatical subject and topical referent, while overt pronouns are usually interpreted as coreferring with a non-subject and non-topical antecedent. The present study investigates whether thematic role and grammatical function impact (overt and null) pronoun production in Romania. Results show that we do not encounter a clear division of labour between the two pronoun forms triggered by syntactic structure alone and that thematic roles matter as well. The findi
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de Morais, Marcus Vinicius G., Rene-Jean Gibert, Franck Baj, and Jean-Paul Magnaud. "Numerical Simulation of Small Amplitude Oscillatory Cylinder Under Incompressible Laminar 2D Fluid Flow: ALE, ARF and Transpiration Methods." In ASME 2007 Pressure Vessels and Piping Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/pvp2007-26673.

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In this paper, we compare the performances of ALE and Transpiration methods aided by an third method in non-inertial referential: ARF — Accelerated Reference Frame —. The approach ALE (Donea and Hughes finite element approach) is a powerful tool to treat coupled problems. However, the ALE performance for determining fluid-elastic forces to small vibrations amplitudes is still ignored. The Transpiration method is a simplified approach for calculation of fluid-elastic forces to relatively small vibrations amplitudes. Based on a first order development of velocity boundary conditions, this method
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