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Books on the topic 'Reflective abstraction'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Varnava-Skoura, Gella. Surprise and reflective abstraction: A study of learning. Papazissis, 1988.

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2

Campell, Robert L. Studies in Reflecting Abstraction. Psychology Press, 2014. http://dx.doi.org/10.4324/9781315800509.

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3

Studies in reflecting abstraction. Psychology Press, 2000.

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4

Studies in reflecting abstraction. Psychology Press, 2001.

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5

Piaget, Jean. Studies in Reflecting Abstraction. Routledge, 2015.

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6

Piaget, Jean, and Robert L. Campell. Studies in Reflecting Abstraction. Taylor & Francis Group, 2014.

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7

Piaget, Jean, and Robert L. Campell. Studies in Reflecting Abstraction. Taylor & Francis Group, 2014.

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8

Piaget, Jean, and Robert L. Campell. Studies in Reflecting Abstraction. Taylor & Francis Group, 2014.

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9

Piaget, Jean, and Robert L. Campell. Studies in Reflecting Abstraction. Taylor & Francis Group, 2014.

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10

Photography, Arjay Stevens. Reflection Encounters Abstraction ABSTRACT PHOTOGRAPHY. Blurb, Incorporated, 2021.

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11

Photography, Arjay Stevens. Reflection Encounters Abstraction ABSTRACT PHOTOGRAPHY. Blurb, Incorporated, 2021.

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12

Photography, Arjay Stevens. Reflection Encounters Abstraction ABSTRACT PHOTOGRAPHY. Blurb, Incorporated, 2021.

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13

Roberts, John Russell. A Puzzle in the Three Dialogues and Its Platonic Resolution. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198755685.003.0010.

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This essay suggests that Berkeley’s Neoplatonism may be profitably viewed as developed under the influence of Cambridge Platonism. A brief account of some key aspects of Cambridge Platonism are reviewed, specifically the central idea of the Image of God Doctrine (IGD) and Cudworth’s Axiarchism. Then possible points of influence of these aspects on Berkeley’s views are explored. In support of its possible usefulness, this approach to Berkeley’s Neoplatonism is used to shed light on his otherwise puzzling embrace of the pure intellect and abstract ideas. If Berkeley is drawing on the Cambridge P

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14

González, Pedro Blas. Philosophical Perspective on Cinema. Lexington Books, 2022. https://doi.org/10.5040/9781978723818.

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The main premise of Philosophical Perspective on Cinema is simple: Can a visual medium such as cinema put in greater perspective diverse aspects of human experience? Films are usually sorted by genres, but by applying metaphysical/existential categories to cinema, the author enables readers to reflect on the nature and essence of existence by making life appear less transparent to itself. Undoubtedly, the connection between sensual reality and philosophical reflection is often glossed over when the emphasis is placed on theoretical abstractions, and not life itself. While this work is a reflec

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15

Golden, Timothy J. Frederick Douglass and the Philosophy of Religion. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781666993868.

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Frederick Douglass and the Philosophy of Religion: An Interpretation of Narrative, Art, and the Political addresses Douglass’s narrative method and the reformed epistemology of analytic theism within the context of Incarnational theology. Timothy J. Golden argues that in this context, Douglass’s use of narrative maintains a robust moral, social, and political engagement—and thus a closer connection to an authentic Christian theology—in a way that analytic theism does not. To show this contrast, Golden presents existential and phenomenological interpretations of Douglass, reading him alongside

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16

Yen, Brandon C. 'The Excursion' and Wordsworth's Iconography. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786941336.001.0001.

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This book considers William Wordsworth’s use of iconography in his long poem The Excursion (1814). Through this iconographical approach, it steers a middle course between The Excursion’s two very different interpretative traditions, the one focusing upon the poem’s abstraction, the other upon its touristic realism. The author explores Wordsworth’s iconography in The Excursion by tracing cultural and political allusions and correspondences in an abundance of post-1789 and earlier verbal and pictorial sources, as well as in Wordsworth’s own prose and poetry, especially The Prelude. Particular at

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17

Devetak, Richard, and Tim Dunne, eds. Rise of the International. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192871640.001.0001.

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Abstract International relations and history were once academic fields sharing a common concern with the affairs of empires, states, and nations. Over the course of the twentieth century, however, they drifted apart. International relations largely retained its focus on the affairs and relations of these principal international actors but took a methodological turn, leading to higher levels of theoretical abstraction. History, on the other hand, retained the methods that define the discipline but shifted the focus, veering away from matters of state to the vast array of actors, events, activit

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18

Jones, James W. Living Religion. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190927387.001.0001.

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The modern tendency to separate theory and practice, reflection and contemplation, has done inestimable mischief to the life of religion in the modern world. Religion’s claims about God or the world or the nature and destiny of the human spirit have been ripped from their context in religious practice and treated as discrete doctrinal abstractions to be justified or refuted in isolation from the living religious life that is their natural home. Many of the dilemmas faced by those who think seriously about religion today arise from or are intensified by this separation of theory and practice. T

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19

Brazil, Kevin. Art, History, and Postwar Fiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824459.001.0001.

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Art, History, and Postwar Fiction explores the ways in which novelists responded to the visual arts from the aftermath of the Second World War up to the present day. If art had long served as a foil to enable novelists to reflect on their craft, this book argues that in the postwar period, novelists turned to the visual arts to develop new ways of conceptualizing the relationship between literature and history. The sense that the novel was becalmed in the end of history was pervasive in the postwar decades. In seeming to bring modernism to a climax whilst repeating its foundational gestures, v

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20

Butz, Martin V., and Esther F. Kutter. How the Mind Comes into Being. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198739692.001.0001.

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For more than 2000 years Greek philosophers have thought about the puzzling introspectively assessed dichotomy between our physical bodies and our seemingly non-physical minds. How is it that we can think highly abstract thoughts, seemingly fully detached from actual, physical reality? Despite the obvious interactions between mind and body (we get tired, we are hungry, we stay up late despite being tired, etc.), until today it remains puzzling how our mind controls our body, and vice versa, how our body shapes our mind. Despite a big movement towards embodied cognitive science over the last 20

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