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1

Robert, Legros, and Todorov Tzvetan 1939-, eds. La naissance de l'individu dans l'art. B. Grasset, 2005.

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2

Ravalec, Vincent. Pour une nouvelle sorcellerie artistique. V. Ravalec, 2001.

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3

Ravalec, Vincent. Pour une nouvelle sorcellerie artistique. V. Ravalec, 2001.

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4

Lausanne, Université de, Deutsches Forum für Kunstgeschichte, Istituto svizzero di Roma, and Accademia di Francia (Rome, Italy), eds. Penser l'art dans la seconde moitié du XVIIIe siècle: Théorie, critique, philosophie, histoire. Somogy éditions d'art, 2013.

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5

Rapaport, Herman. Is there truth in art? Cornell University Press, 1997.

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6

Pieters, Corinne. Image, philosophie et médecine: Le corps en regards. Ellipses, 2000.

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7

Invent-L Conference: Imaging Place (2007 University of Florida). Imaging place. Textual Studies in Canada, Thompson Rivers University, 2009.

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8

Eric, Alliez, and Samsonow Elisabeth von, eds. Telenoia: Kritik der virtuellen Bilder : Eric Alliez, Raymond Bellour, Renée Green ... Turia + Kant, 1999.

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9

James, Clifford. Malaise dans la culture: L'ethnographie, la littérature et l'art au XXe siècle. École nationale supérieure des Beaux-Arts, 1996.

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10

Duwa, Jérôme. Littératures et arts du vide. Hermann, 2018.

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11

Agostino, Paravicini Bagliani, Spieser J. -M, and Wirth Jean, eds. Le portrait: La représentation de l'individu. SISMEL edizioni del Galluzzo, 2007.

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12

Arsenne, L. C. Manuel du peintre et du sculpteur: Ouvrage dans lequel on traite de la philosophie de l'art et des moyens pratiques. L.V.D.V. Inter-livres, 1986.

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13

1969-, Alfoldy Sandra, ed. NeoCraft: Modernity and the crafts. Press of the Nova Scotia College of Art and Design, 2007.

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14

1969-, Alfoldy Sandra, and Nova Scotia College of Art and Design. Press., eds. NeoCraft: Modernity and the crafts. Press of the Nova Scotia College of Art and Design, 2007.

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15

Frankfurt, Schirn Kunsthalle, ed. Ich. Verlag der Buchhandlung Walther König, 2016.

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16

Hutchings, Peter. The criminal spectre in law, literature and aesthetics: Incriminating subjects. Routledge, 2001.

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17

Eliane, Escoubas, ed. Ce que nous disent les ruines: La fonction critique des ruines. L'Harmattan, 2007.

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18

Guilbard, Anne-Cécile, and Pierre J. Truchot. Présence par effraction et par intrusion. Presses universitaires de Rennes, 2018.

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19

Arasse, Daniel. Histoires de peintures. Denoël, 2004.

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20

Université de Paris I: Panthéon-Sorbonne, ed. Passivité et opérant: Une expérience de l'être comme création : à partir de certaines pratiques de l'art au XXe siècle et de leur importance dans l'élaboration de la philosophie de Maurice Merleau-Ponty. A.N.R.T, Université de Lille III, 1999.

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21

1940-, Hertz Richard, and Klein Norman M. 1945-, eds. Twentieth century art theory: Urbanism, politics, and mass culture. Prentice Hall, 1990.

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22

Korsmeyer, Carolyn. Gender and aesthetics: An introduction. Routledge, 2004.

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23

Nochlin, Linda. The body in pieces: The fragment as a metaphor of modernity. Thames and Hudson, 1994.

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24

Nochlin, Linda. The body in pieces: The fragment as a metaphor of modernity. Thames and Hudson, 1995.

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25

Botton, Alain De. The art of travel. Penguin, 2003.

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26

Botton, Alain De. The art of travel. Hamish Hamilton, 2002.

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27

Salim, Kemal, and Gaskell Ivan, eds. The language of art history. Cambridge University Press, 1991.

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28

Salim, Kemal, and Gaskell Ivan, eds. The Language of art history. Cambridge University Press, 1991.

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29

Gallery, Blackwood, and Work of Wind: Air, Land, Sea (2018 : Southdown Industrial Area, Mississauga, Ontario), eds. The work of wind: Air, land, sea. K. Verlag in partnership with Blackwood Gallery, University of Toronto Mississauga, 2018.

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30

édault, Paul. Science et l'art Dans la Philosophie. Creative Media Partners, LLC, 2018.

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31

Philosophie de l'art Dans les Pays-Bas. Creative Media Partners, LLC, 2018.

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32

Beowulf. Philosophie de l'art Dans les Pays-Bas. Creative Media Partners, LLC, 2018.

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33

Taine, Hippolyte. Philosophie De L'Art: Dans Les Pays-Bas. Kessinger Publishing, LLC, 2009.

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34

L'infini dans les sciences, l'art et la philosophie. L'Harmattan, 2003.

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35

Jaffro, Laurent. Shaftsbury et l'art d'écrire dans la philosophie morale. 1994.

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36

Miroirs, fragments, mosaïques: Schèmes et création dans l'art du XXe siècle. Publications de l'Université de Saint-Etienne, 2005.

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37

Littérature, modernité, réflexivité: Conférences du séminaire de littérature comparée de l'université de la Sorbonne nouvelle. Champion, 2002.

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38

L' Effet trompe-l'oeil dans l'art et la psychanalyse. Dunod, 1988.

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39

Ballas, G. La Couleur dans la peinture moderne. Adam Biro, 1997.

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40

Bergmeier, Armin, and Andrew Griebeler. Time and Presence in Art: Moments of Encounter. de Gruyter GmbH, Walter, 2022.

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41

Bergmeier, Armin, and Andrew Griebeler. Time and Presence in Art: Moments of Encounter. de Gruyter GmbH, Walter, 2022.

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42

Time and Presence in Art: Moments of Encounter. De Gruyter, Inc., 2022.

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43

De la peinture en général et de la couleur en particulier =: On painting in general and colour in particular. Lettre volée, 2006.

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44

Thinking in place: Art, action, and cultural production. Paradigm Publishers, 2008.

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45

Becker, Carol. Thinking in Place: Art, Action, and Cultural Production. Taylor & Francis Group, 2015.

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46

Thinking in Place: Art, Action, and Cultural Production. Taylor & Francis Group, 2009.

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47

La philosophie de l'acteur: La dialectique de l'intérieur et de l'extérieur dans les écrits sur l'art théâtral français (1738-1801). H. Champion, 2007.

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48

Dupont and Pieters. Images physique et médicale du corps. Ellipses Marketing, 2000.

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49

Absent Image: Lacunae in Medieval Books. Pennsylvania State University Press, 2021.

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50

Les rapports de la rhétorique et de la philosophie dans l'oeuvre de Cicéron: Recherches sur les fondements philosophiques de l'art de persuader. 2nd ed. Peeters, 2003.

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