Relevant bibliographies by topics / Reger, Max

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Reger, Max'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Reger, Max"

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Botstein, L. "History and Max Reger." Musical Quarterly 87, no. 4 (January 1, 2004): 617–27. http://dx.doi.org/10.1093/musqtl/gdh029.

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Harrison, D. "Max Reger Introduces Atonal Expressionism." Musical Quarterly 87, no. 4 (January 1, 2004): 660–80. http://dx.doi.org/10.1093/musqtl/gdh027.

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Frisch, W. "The Music of Max Reger." Musical Quarterly 87, no. 4 (January 1, 2004): 628–30. http://dx.doi.org/10.1093/musqtl/gdh028.

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Miehling, Klaus. "Metrische Metronomangaben bei Max Reger?" Die Musikforschung 66, no. 2 (September 22, 2021): 154–66. http://dx.doi.org/10.52412/mf.2013.h2.112.

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Die sogenannte metrische Tempotheorie, wonach historische Pendel- und Metronomangaben als Doppelschläge zu interpretieren sind, wurde erstmals 1974 von Erich Schwandt zur Dikussion gestellt. Nun glaubt Henrico Stewen in seiner Dissertation, metrische Metronombezeichnungen noch im 20. Jahrhundert bei den frühen Orgelwerken Max Regers ausmachen zu können. In der neuen Reger-Werkausgabe wurde diese Hypothese abgelehnt, in Veröffentlichungen von Daniel Stickan und Guy Bovet hingegen zustimmend aufgegriffen. Der Befund, der Stewens Hypothese zugrunde liegt, unterscheidet sich allerdings von den Indizien, die bisherige Autoren für die metrische Theorie geltend machen: Offenbar hat hier der Komponist Reger Metronomangaben seines Herausgebers Karl Straube akzeptiert, die tatsächlich nur halb so schnell wie seine ursprünglichen eigenen sind. Für einen Wechsel von metrischer zu mathematischer Notation der Metronomwerte lassen sich keine Hinweise oder gar Belege finden.
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Rone, Vincent. "The Selected Writings of Max Reger (review)." Notes 64, no. 4 (2008): 745–48. http://dx.doi.org/10.1353/not.0.0016.

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Marker, Michael. ""Musikalischer Keuschheitsgurtel" oder provokante Musik? Zu den Soloviolinwerken von Max Reger." Archiv für Musikwissenschaft 54, no. 2 (1997): 120. http://dx.doi.org/10.2307/931089.

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Weiß, Günther. "Sechs unbekannte Briefe von Max Reger an den Dirigenten Karl Panzner." Die Musikforschung 34, no. 4 (September 22, 2021): 456–61. http://dx.doi.org/10.52412/mf.1981.h4.1662.

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Раку, М. Г. "The Music of Max Reger in Russia: About Paradoxes of Reception’s History." Музыкальная академия, no. 4(768) (December 20, 2019): 190–204. http://dx.doi.org/10.34690/27.

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Статья посвящена одному из кратких, но ярких эпизодов истории рецепции немецкой музыки в предреволюционной России - бурному увлечению столичной публики и музыкантов сочинениями Макса Регера, которое стало характерной приметой петербургской концертной жизни первого десятилетия ХХ века. Такие показатели успеха, как количество премьер и отзывов в прессе, на которые традиционно ориентируется рецептивная история, дополняются сведениями о приватных исполнениях сочинений композитора и другими косвенными свидетельствами о распространении его музыки, включая число изданий в библиотечных собраниях Москвы и Санкт-Петербурга. Сравнение последних показывает, что петербургский «культ» Регера музыкальная Москва не разделила. В этом можно усмотреть причину того, что договоренность Александра Зилоти с Регером о будущих московских гастролях после громадного успеха петербургских не была воплощена. Несмотря на исключительный интерес к творчеству Регера российской композиторской молодежи, более десятка талантливых представителей которой стали его учениками в Германии, стилистическое воздействие его музыки в России оказалось минимальным. Действительным результатом этого увлечения можно считать более свободное отношение к гармоническому языку, которое, однако, привело воспитанников русской композиторской школы к самостоятельным решениям. На примере российской рецепции музыки Регера можно говорить о разнообразных и порой не прямых и не очевидных по своему результату формах, в которых проявляет себя творческое влияние. The article is dedicated to one of the brief but vivid episodes of the history of the reception of German music in pre-revolutionary Russia to the turbulent fascination of the capitals public and musicians with the compositions of Max Reger, which became a characteristic feature of the St. Petersburg concert life of the first decade of the 20th century. Indicators of this success, such as the number of premiers and press reviews traditionally oriented to the receptions story, are supplemented by information about private perfomances and other circumstantial evidence of the distribution of his music, including the number of sheet music in the main library collections of both capitals. The comparison of the latter shows that musical Moscow did not share the kult of Reger in Petersburg. In this we can see the reason that the agreement between A. Siloti and Reger on future tours in Moscow after the huge success of Petersburg was not realized. Despite the exeptional interest in the work of Reger russian composer youth, more than a dozen talented representatives of which became his students in Germany, the stylistic influence of his music in Russia was minimal. The real result of its influence can be considered a more free attitude to the harmonic language, which however led the pupils of the Russian composer school to independent results. On the example of the Russian reception of Regers music, we can thus talk about various and sometimes not direct and and not obvious in its result forms in which the creative influence manifest itself.
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Ferrari, Ângela Maria, and Felipe Avellar de Aquino. "Suíte Nº 1 para violoncelo solo de Max Reger e a escrita de J.S. Bach: relações de dependência e identidade de linguagem." Per Musi, no. 31 (June 2015): 149–66. http://dx.doi.org/10.1590/permusi2015a3109.

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O presente trabalho busca demonstrar como Max Reger emprega modelos de J.S. Bach na construção de sua Suíte Nº 1, Op. 131c. Dessa forma, em sua escrita, Reger combina elementos da harmonia do final do século XIX com técnicas contrapontísticas de J.S. Bach. A influência do mestre barroco é visualizada desde a escolha das tonalidades até a utilização de motivos que são, de fato, transformações e expansões de motivos “bachianos”. Portanto, este trabalho discute as técnicas de composição empregadas por Reger na Suíte Op. 131c nº 1, como também traça um paralelo entre essa obra, em particular, com movimentos das suítes para violoncelo solo de J.S. Bach. Respaldado pela linguagem baseada no cromatismo, Reger resgata, ao mesmo tempo, o gênero Suíte na literatura solo do violoncelo, e sob a égide da estética do romantismo tardio, cria uma obra com características e estilo próprios. A partir dessas premissas, o trabalho propõe subsidiar o intérprete em suas decisões interpretativas.
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Brinkmann, R. "A "Last Giant in Music": Thoughts on Max Reger in the Twentieth Century." Musical Quarterly 87, no. 4 (January 1, 2004): 631–59. http://dx.doi.org/10.1093/musqtl/gdh023.

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Dissertations / Theses on the topic "Reger, Max"

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Sichardt, Martina. "Annäherungen an Max Reger." Georg Olms Verlag, 2014. https://slub.qucosa.de/id/qucosa%3A7835.

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Die Entstehung des vorliegenden Sammelbandes verdankt sich einem kleinen Reger-Symposion, welches im Mai 2009 im Rahmen des „Max-Reger-Forums Leipzig 2009“ an der dortigen Hochschule für Musik und Theater „Felix Mendelssohn Bartholdy“, umrahmt von vielen Konzerten, stattfand; einige weitere Beiträge kamen später hinzu. Der Band ist in zwei thematische Blöcke, „Reger und die Künste“ und „Aufführungsfragen bei Reger“, aufgeteilt und enthält Beiträge von Ulrich Mosch, Susanne Popp, Kurt Seibert, Christopher Anderson, Gesine Schröder, Martina Sichardt, Eszter Fontana und Martin Krumbiegel – Wissenschaftler und Künstler vereint im Nachdenken über Max Reger.
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Seedorf, Thomas. "Max Reger und die deutsche Liedtradition." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2017. https://ul.qucosa.de/id/qucosa%3A32327.

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Liu, Hsin-Hung. "A study on compositional structure in Max Reger Phantasie für Orgel über den Choral, "Hallelujah! Gott zu loben, bleibe meine Sellenfreud!" /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/11211.

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Wilske, Hermann. "Max Reger, zur Rezeption in seiner Zeit /." Wiesbaden ; Paris : Breitkopf und Härtel, 1995. http://catalogue.bnf.fr/ark:/12148/cb369583236.

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Schaarwächter, Jürgen. "Wege der Musikwissenschaft: Reger-Forschung und Reger-Nicht-Forschung." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2017. https://ul.qucosa.de/id/qucosa%3A32336.

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Dieser Essay, der sich ausdrücklich als Beitrag zur wissensgeschichtlichen Debatte versteht, möchte erkunden, inwieweit hundert Jahre nach Max Regers Tod die Reger-Forschung erfolgt ist, wo sie erfolgt bzw. nicht erfolgt und in welche Richtungen sie in Zukunft erfolgen könnte oder sollte. Hierbei ist interessant zu betrachten, aus welchen Kreisen sich die Reger-Forschung in frühen Jahren speiste, wie sich diese teilweise über Jahrzehnte hin entwickelten und bis zum heutigen Punkt erhalten haben.
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Krones, Hartmut. "Max Reger und Arnold Schönbergs „deutsche Musik“." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2017. https://ul.qucosa.de/id/qucosa%3A32331.

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Raku, Marina. "Reger und Russland." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2017. https://ul.qucosa.de/id/qucosa%3A32297.

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Das Thema „Reger und Russland“ gehört nicht zu denen, die populär oder gut untersucht sind. Das scheint nicht aktuell zu sein, weil die Musik von Reger im modernen Russland keine wichtige Rolle spielt. Der 100. Todestag hat keine Aufmerksamkeit von russischen Musikwissenschaftlern bekommen: Die Jubiläen anderer Komponisten haben dieses in den Hintergrund geschoben. Einer dieser Komponisten war Sergej Sergeevic Prokof’ev, der mit Reger direkt zu tun hatte, aber natürlich hatten auch andere russische Komponisten mit ihm zu tun.
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Wünsch, Christoph. "Technik und Form in den Variationsreihen von Max Reger /." Stuttgart : Carus-Verlag, 2002. http://catalogue.bnf.fr/ark:/12148/cb390244034.

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Barbo, Matjaž. "Reger in Slowenien." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2017. https://ul.qucosa.de/id/qucosa%3A32318.

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Die ersten Belege über Musik von Reger in Slowenien sind verhältnismäßig spät. Einer von den ersten Autoren, die über ihn schrieben, ist der berühmte Konzertmeister und letzte Schuldirektor der Philharmonischen Gesellschaft Laibach [slowen. Ljubljana], Hans Gerstner (1851–1939). Dieser hörte Reger in Graz, wo vom 31. Mai bis 4. Juni 1905 das Musikfestival des Deutschen Musikvereins stattfand. In seinen Erinnerungen berichtete er, wie ihn die vorgetragenen Werke in der Ausführung von den Dirigenten Ferdinand Löwe, Gustav Mahler und Reger bewegt hatten.
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Popp, Susanne. "Wechselwirkungen: Max Reger und die Literatur seiner Zeit." Georg Olms Verlag, 2014. https://slub.qucosa.de/id/qucosa%3A7838.

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Books on the topic "Reger, Max"

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Bergfors, Per-Gösta. Max Reger. Borås: Norma, 1987.

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Heinz-Klaus, Metzger, and Riehn Rainer, eds. Max Reger: Zum Orgelwerk. München: Edition Text + Kritik im Richard Boorberg Verlag, 2002.

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Max-Reger-Institut and Elsa-Reger-Stiftung Karlsruhe, eds. Immer Reger: Geschichte und Aufgaben des Max-Reger-Instituts. Stuttgart: Carus-Verlag, 2007.

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Reger, Max. Selected writings of Max Reger. New York, NY: Routledge, 2006.

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Max Reger: Mensch und Werk. Lohmar: Contempora, 1998.

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Cadenbach, Rainer. Max Reger und seine Zeit. Laaber: Laaber-Verlag, 1991.

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Selected writings of Max Reger. New York: Routledge, 2006.

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Grim, William E. Max Reger: A bio-bibliography. New York: Greenwood Press, 1988.

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Selected Writings of Max Reger. London: Taylor and Francis, 2006.

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Weiss-Aigner, Günter. Max Reger, Mozart-Variationen op. 132. München: W. Fink, 1989.

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Book chapters on the topic "Reger, Max"

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Cadenbach, Rainer. "Max Reger." In Kammermusikführer, 489–96. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_98.

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Cadenbach, Rainer. "Reger, (Johann Baptist Joseph) Max." In Komponisten Lexikon, 488–93. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_244.

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Cadenbach, Rainer. "Reger, (Johann Baptist Joseph) Max." In Metzler Komponisten Lexikon, 621–27. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_240.

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Wilske, Hermann. "Max Reger und Stuttgart Zur Bilanz einer einstmals produktiven Beziehung." In Musik in Baden-Württemberg, 137–41. Stuttgart: J.B. Metzler, 2000. http://dx.doi.org/10.1007/978-3-476-02721-4_6.

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Bak, Peter Michael. "Der Signifikanztest als methodologische Regel." In Wie man Psychologie als empirische Wissenschaft betreibt, 19–23. Wiesbaden: Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-11130-4_5.

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Ewert, Benjamin. "„Man kann nicht Märkte einführen und den Verbraucher im Regen stehenlassen“." In Vom Patienten zum Konsumenten?, 199–249. Wiesbaden: Springer Fachmedien Wiesbaden, 2012. http://dx.doi.org/10.1007/978-3-658-00433-0_8.

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Delemarre, J. B. V. M. "Hoe dwingend is de regel: ‘een hondebeetverwonding mag je nooit hechten’?" In Vademecum permanente nascholing huisartsen, 710–11. Houten: Bohn Stafleu van Loghum, 2006. http://dx.doi.org/10.1007/978-90-313-8808-0_375.

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Martius, Waltraud. "Regel: Das Potenzial der Soft-Faktoren ist stärker als man glaubt." In Fairplay Franchising, 75–91. Wiesbaden: Gabler, 2010. http://dx.doi.org/10.1007/978-3-8349-8949-9_6.

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Martius, Waltraud. "5. Regel: Das Potenzial der Soft-Faktoren ist stärker als man glaubt." In Fairplay Franchising, 57–70. Wiesbaden: Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-04827-3_5.

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Janicki, Karol. "Words are Not What They Refer to — The Map is Not the Territory." In Confusing Discourse, 53–87. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230250925_3.

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Conference papers on the topic "Reger, Max"

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Ramphul, M., D. Luyt, and MI Ahmed. "G512(P) Children with achondroplasia – when to refer for a polysomnography?" In Royal College of Paediatrics and Child Health, Abstracts of the RCPCH Conference and exhibition, 13–15 May 2019, ICC, Birmingham, Paediatrics: pathways to a brighter future. BMJ Publishing Group Ltd and Royal College of Paediatrics and Child Health, 2019. http://dx.doi.org/10.1136/archdischild-2019-rcpch.496.

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Kats, D. J., Y. Adie, A. Tlimat, and Y. Tarabichi. "Providers at an Academic Safety-Net Hospital System Tend to Refer Patients for Lung Cancer Screening Based on Patient Risk, but Demographic Disparities Persist." In American Thoracic Society 2019 International Conference, May 17-22, 2019 - Dallas, TX. American Thoracic Society, 2019. http://dx.doi.org/10.1164/ajrccm-conference.2019.199.1_meetingabstracts.a1004.

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Lu, Qing, Liyan Xu, Zhen Cai, and Xiao Peng. "The spectrum of metropolitan areas across the world, and detection of potential metropolitan areas with Chinese characteristics." In 55th ISOCARP World Planning Congress, Beyond Metropolis, Jakarta-Bogor, Indonesia. ISOCARP, 2019. http://dx.doi.org/10.47472/sdgu8646.

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When people talk about the Metropolitan Area (MA), they mean differently in different parts of the world with different contexts. Based on its spatial extent, internal structure, socio-economic function, and network characteristics, an MA can refer to various entities from a metropolis to a Megacity-region. In an effort to clarify the MA concept, we review the origin of the MA concept and its development in various parts of the world, especially the United States, Japan and China, so as to propose a spectrum of MAs, and their relationship with specific human and natural geographical contexts. Particularly, we find MAs in China typically have a unique three-circle structure, which is composed of a core circle, a commuting circle, and a functional metropolitan circle. By international comparable standards which include factors such as population density, facility density, and economic activity intensity, and adjusted with reasonable context-dependent considerations in China, the three circles are designated as follows: the spatial extent with the highest development intensity and assuming a central regional role is identified as the core circle; the districts and counties around the core circle with a commuting rate greater than 10% are identified as the commuting circle; and the districts and counties within an one-hour accessible zone are identified as the functional metropolitan circle. To test the model, we utilize eight sources of big data covering ecological background, population, economy, transportation, real estate, land use, infrastructure, and culture characteristics, and with a fusion analysis of the data we show how the factors combined give rise to the three-circle structure in typical Chinese MAs, and why the combination of the same factors in the US and Japanese contexts works otherwise to fill different niches in the spectrum of MAs mentioned above. For a further inquiry, within the framework of the same model and using the same dataset, we identify 32 cities from all 338 prefecture-level cities in China that would qualify as an MA or potential MA, which we call “the Metropolitan Areas with Chinese Characteristics”, and designate the spatial extent of the three circles within each of the MAs. Additional analyses are also conducted to locate the main development corridors, key growth poles, and currently underdeveloped regions in each of the MAs. We conclude the paper with discussions of potential challenges of MA development in China vis-a-vis current policies, such as cross-administration collaboration between jurisdictions within the same MA, and cross-scale collaboration between MAs, cities, and city groups. Placing the research in the global context, and considering the vast similarities between China and other developing countries in terms of population density, land resources, urbanization level, and socio-economic development status in general, we argue that China’s model of MAs may be also applicable to other developing countries. Therefore, this research may shed lights to planning researchers and practitioners around the world, especially in developing countries in understanding the development conditions of MAs in their own contexts, and also in methods for identifying and planning potential MAs to achieve their specific policy objectives.
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Hohberg, Jörg-Martin. "Risk-Based Thinking and Knowledge in Engineering Organizations." In IABSE Workshop, Helsinki 2017: Ignorance, Uncertainty, and Human Errors in Structural Engineering. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2017. http://dx.doi.org/10.2749/helsinki.2017.009.

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Against the personal background of working in computational research, in design and in quality management, personal views on uncertainties, on human error and learning are presented. They refer to ground-breaking work from ETH Zurich in the 1970s and expand on the Swiss approach to a holistic quality management in the construction sector, which may seem “old-fashioned” in today’s price-driven market. Organizational dispositions, both on company level and within professional societies are addressed. In the context of risk and knowledge management, the revised FIDIC/EFCA guide on quality management (ISO 9001:2015) is briefly presented.
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Steager, Edward, M. Selman Sakar, Dalhyung Kim, Vijay Kumar, George J. Pappas, and Min Jun Kim. "Hybrid Control and Transport Using Bacteria-Driven Microbiorobots." In ASME 2009 International Mechanical Engineering Congress and Exposition. ASMEDC, 2009. http://dx.doi.org/10.1115/imece2009-11327.

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We are examining techniques for manipulation of microfabricated elements using arrays of bacteria as microactuators. Flagellated Serratia marcescens bacteria are attached to microstructures using a blotting technique that creates a bacterial monolayer carpet. These bacterial carpets naturally self-coordinate to propel the microstructures. We refer to these constructs as microbiorobots (MBR). Generally, the motion pattern of the MBRs is largely rotational in nature, and the center of mass deviates no more than several hundred microns from its original position. However, the angular velocity and orientation of the MBRs may be controlled using ultraviolet light stimulus, and the translational position may be adjusted using electrokinetic stimulus. Here, we demonstrate precision positional adjustment of a microbiorobotic transporter that is used to engage and transport cube-shaped particles 10 μm on each side.
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Andriolo, Arley. "A questão da alteridade no “primitivismo artístico”." In Encontro da História da Arte. Universidade Estadual de Campinas, 2006. http://dx.doi.org/10.20396/eha.2.2006.3558.

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Desde 1938, com a publicação do livro de Robert Goldwater, a noção de “primitivismo artístico” evidenciava a visada do artista europeu para as obras plásticas africanas. Em 1984, essa relação foi reforçada com a exposição Primitivism in XXth century art, organizada por William Rubin. Alguns críticos dessa associação mostram que o campo perceptivo daqueles artistas não se dirigia apenas para os habitantes da África, mas para uma série de personagens, dentre os quais, ciganos, prostitutas, loucos e camponeses. Meu objetivo será o de rever essa problemática para propor uma reflexão metodológica que considere a questão da alteridade, particularmente, enfocando a emergência diante do artista de uma multiplicidade de outros a solicitar o seu olhar.
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Şirikçi, Tuğçe. "The Effect of Wood on Japanese Architecture: The Sample of The Horyu-Ji Temple." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021tr0057n20.

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Traditional Japanese architecture consists of natural wood, hay, earthenware, and similar types of materials. Japanese architecture has a linear structure. The main purpose of Japanese architecture is to be unified. Many of the materials used here have a higher moisture protection function than those made of plywood or spinning. The structure has a breathing mechanism that naturally preserves good air and moisture. The fact that Japan is rich in vegetation has a great effect on the formation of natural materials. There is a bond in Japanese architecture that respects the harmony between human and nature. Human beings are a part of nature. This article refers to the oldest wooden building in the world. The first world cultural heritage in Japanese architecture, and the temple of Horyu-ji, which has been standing for over 1300 years. The aim is to investigate the aesthetic, ethical awareness and ethnology of traditional wood used on Japanese architecture. While the structure and varieties of wood refer to the findings on the buildings, it is an attempt to approach the "lifestyle and values" of the wood form and structure.
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8

Voronkova, D. "Comparative analysis of the topics of publications of the journal «Bulletin of Finance, Industry and Trade» for 1913 and 1917." In Historical research in the context of data science: Information resources, analytical methods and digital technologies. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1785.978-5-317-06529-4/25-32.

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The reflection of the economic situation in 1913 and 1917 in the official press organ of the Ministry of Finance – «Bulletin of Finance, industry and trade» may be interesting to both historians and economists. The journal is a valuable source on a wide range of issues in Russian economic history. The article provides a comparative thematic analysis of the journal materials using quantitative methods. For this purpose, the author relies, among other things, on the quarterly “Systematic lists of articles” and the bibliographic database created at NSU in 2005. The best way to present changes in the priorities of the editorial policy of the journal is to refer to the quarterly dynamics of the topics of analytical articles and reports.
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9

Voronkova, D. "Comparative analysis of the topics of publications of the journal «Bulletin of Finance, Industry and Trade» for 1913 and 1917." In Historical research in the context of data science: Information resources, analytical methods and digital technologies. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1785.978-5-317-06529-4/25-32.

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Abstract:
The reflection of the economic situation in 1913 and 1917 in the official press organ of the Ministry of Finance – «Bulletin of Finance, industry and trade» may be interesting to both historians and economists. The journal is a valuable source on a wide range of issues in Russian economic history. The article provides a comparative thematic analysis of the journal materials using quantitative methods. For this purpose, the author relies, among other things, on the quarterly “Systematic lists of articles” and the bibliographic database created at NSU in 2005. The best way to present changes in the priorities of the editorial policy of the journal is to refer to the quarterly dynamics of the topics of analytical articles and reports.
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10

Brunetto, Domenico, Clelia Marchionna, and Elisabetta Repossi. "Supporting deep understanding with emerging technologies in a STEM university math class." In Sixth International Conference on Higher Education Advances. Valencia: Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/head20.2020.11109.

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In this work we present an innovative learning environment format, based on student-centred activities, that may support undergraduate students to deep understanding mathematics in the first year of engineering university. In particular, we refer to the difficulties students meet in the transition from the high school mathematics to the one they meet at university, which requires a significant shift to conceptual understanding, especially in Calculus courses. The goal of this presentation is to investigate the case of multivariable functions, a topic at the foundation of many mathematical models and its application. We show the results of the first pilot study which involves 160 undergraduate students. More precisely, we report how a flipped-learning approach based on online activities and working group allows students to deep understand the main properties concerning multivariable functions.
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Reports on the topic "Reger, Max"

1

Bush, R., and T. Narten. Clarifying when Standards Track Documents may Refer Normatively to Documents at a Lower Level. RFC Editor, December 2004. http://dx.doi.org/10.17487/rfc3967.

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2

Leiba, B. Updating When Standards Track Documents May Refer Normatively to Documents at a Lower Level. RFC Editor, January 2017. http://dx.doi.org/10.17487/rfc8067.

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