Journal articles: 'Reger, Max'

1

Botstein, L. "History and Max Reger." Musical Quarterly 87, no. 4 (January 1, 2004): 617–27. http://dx.doi.org/10.1093/musqtl/gdh029.

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Harrison, D. "Max Reger Introduces Atonal Expressionism." Musical Quarterly 87, no. 4 (January 1, 2004): 660–80. http://dx.doi.org/10.1093/musqtl/gdh027.

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Frisch, W. "The Music of Max Reger." Musical Quarterly 87, no. 4 (January 1, 2004): 628–30. http://dx.doi.org/10.1093/musqtl/gdh028.

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Miehling, Klaus. "Metrische Metronomangaben bei Max Reger?" Die Musikforschung 66, no. 2 (September 22, 2021): 154–66. http://dx.doi.org/10.52412/mf.2013.h2.112.

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Die sogenannte metrische Tempotheorie, wonach historische Pendel- und Metronomangaben als Doppelschläge zu interpretieren sind, wurde erstmals 1974 von Erich Schwandt zur Dikussion gestellt. Nun glaubt Henrico Stewen in seiner Dissertation, metrische Metronombezeichnungen noch im 20. Jahrhundert bei den frühen Orgelwerken Max Regers ausmachen zu können. In der neuen Reger-Werkausgabe wurde diese Hypothese abgelehnt, in Veröffentlichungen von Daniel Stickan und Guy Bovet hingegen zustimmend aufgegriffen. Der Befund, der Stewens Hypothese zugrunde liegt, unterscheidet sich allerdings von den Indizien, die bisherige Autoren für die metrische Theorie geltend machen: Offenbar hat hier der Komponist Reger Metronomangaben seines Herausgebers Karl Straube akzeptiert, die tatsächlich nur halb so schnell wie seine ursprünglichen eigenen sind. Für einen Wechsel von metrischer zu mathematischer Notation der Metronomwerte lassen sich keine Hinweise oder gar Belege finden.

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5

Rone, Vincent. "The Selected Writings of Max Reger (review)." Notes 64, no. 4 (2008): 745–48. http://dx.doi.org/10.1353/not.0.0016.

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Marker, Michael. ""Musikalischer Keuschheitsgurtel" oder provokante Musik? Zu den Soloviolinwerken von Max Reger." Archiv für Musikwissenschaft 54, no. 2 (1997): 120. http://dx.doi.org/10.2307/931089.

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7

Weiß, Günther. "Sechs unbekannte Briefe von Max Reger an den Dirigenten Karl Panzner." Die Musikforschung 34, no. 4 (September 22, 2021): 456–61. http://dx.doi.org/10.52412/mf.1981.h4.1662.

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Раку, М. Г. "The Music of Max Reger in Russia: About Paradoxes of Reception’s History." Музыкальная академия, no. 4(768) (December 20, 2019): 190–204. http://dx.doi.org/10.34690/27.

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Статья посвящена одному из кратких, но ярких эпизодов истории рецепции немецкой музыки в предреволюционной России - бурному увлечению столичной публики и музыкантов сочинениями Макса Регера, которое стало характерной приметой петербургской концертной жизни первого десятилетия ХХ века. Такие показатели успеха, как количество премьер и отзывов в прессе, на которые традиционно ориентируется рецептивная история, дополняются сведениями о приватных исполнениях сочинений композитора и другими косвенными свидетельствами о распространении его музыки, включая число изданий в библиотечных собраниях Москвы и Санкт-Петербурга. Сравнение последних показывает, что петербургский «культ» Регера музыкальная Москва не разделила. В этом можно усмотреть причину того, что договоренность Александра Зилоти с Регером о будущих московских гастролях после громадного успеха петербургских не была воплощена. Несмотря на исключительный интерес к творчеству Регера российской композиторской молодежи, более десятка талантливых представителей которой стали его учениками в Германии, стилистическое воздействие его музыки в России оказалось минимальным. Действительным результатом этого увлечения можно считать более свободное отношение к гармоническому языку, которое, однако, привело воспитанников русской композиторской школы к самостоятельным решениям. На примере российской рецепции музыки Регера можно говорить о разнообразных и порой не прямых и не очевидных по своему результату формах, в которых проявляет себя творческое влияние. The article is dedicated to one of the brief but vivid episodes of the history of the reception of German music in pre-revolutionary Russia to the turbulent fascination of the capitals public and musicians with the compositions of Max Reger, which became a characteristic feature of the St. Petersburg concert life of the first decade of the 20th century. Indicators of this success, such as the number of premiers and press reviews traditionally oriented to the receptions story, are supplemented by information about private perfomances and other circumstantial evidence of the distribution of his music, including the number of sheet music in the main library collections of both capitals. The comparison of the latter shows that musical Moscow did not share the kult of Reger in Petersburg. In this we can see the reason that the agreement between A. Siloti and Reger on future tours in Moscow after the huge success of Petersburg was not realized. Despite the exeptional interest in the work of Reger russian composer youth, more than a dozen talented representatives of which became his students in Germany, the stylistic influence of his music in Russia was minimal. The real result of its influence can be considered a more free attitude to the harmonic language, which however led the pupils of the Russian composer school to independent results. On the example of the Russian reception of Regers music, we can thus talk about various and sometimes not direct and and not obvious in its result forms in which the creative influence manifest itself.

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9

Ferrari, Ângela Maria, and Felipe Avellar de Aquino. "Suíte Nº 1 para violoncelo solo de Max Reger e a escrita de J.S. Bach: relações de dependência e identidade de linguagem." Per Musi, no. 31 (June 2015): 149–66. http://dx.doi.org/10.1590/permusi2015a3109.

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O presente trabalho busca demonstrar como Max Reger emprega modelos de J.S. Bach na construção de sua Suíte Nº 1, Op. 131c. Dessa forma, em sua escrita, Reger combina elementos da harmonia do final do século XIX com técnicas contrapontísticas de J.S. Bach. A influência do mestre barroco é visualizada desde a escolha das tonalidades até a utilização de motivos que são, de fato, transformações e expansões de motivos “bachianos”. Portanto, este trabalho discute as técnicas de composição empregadas por Reger na Suíte Op. 131c nº 1, como também traça um paralelo entre essa obra, em particular, com movimentos das suítes para violoncelo solo de J.S. Bach. Respaldado pela linguagem baseada no cromatismo, Reger resgata, ao mesmo tempo, o gênero Suíte na literatura solo do violoncelo, e sob a égide da estética do romantismo tardio, cria uma obra com características e estilo próprios. A partir dessas premissas, o trabalho propõe subsidiar o intérprete em suas decisões interpretativas.

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10

Brinkmann, R. "A "Last Giant in Music": Thoughts on Max Reger in the Twentieth Century." Musical Quarterly 87, no. 4 (January 1, 2004): 631–59. http://dx.doi.org/10.1093/musqtl/gdh023.

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11

Anderson, C. "Reger in Bach's Notes: On Self-Image and Authority in Max Reger's Bach Playing." Musical Quarterly 87, no. 4 (January 1, 2004): 749–70. http://dx.doi.org/10.1093/musqtl/gdh026.

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12

Anderson, Christopher. "Max Reger - Max Reger, Orgelwerke/Organ Works Henrico Stewen org. Performed on the Sauer Organ of the Thomaskirche in Leipzig. Motette 13801, [2011] (1 CD: 79 minutes). - Max Reger, Organ Works Henrico Stewen org. Performed on the Lundén Organ of the Vasa Church in Gothenburg, Sweden. Fuga 9372, [2014] (1 CD: 77 minutes)." Nineteenth-Century Music Review 12, no. 1 (June 2015): 176–80. http://dx.doi.org/10.1017/s1479409815000105.

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13

Wright, David, and James Watson. "Robert Simpson: Energy; Four Temperaments; Volcano; Vortex; Introduction and Allegro on a Bass by Max Reger." Musical Times 133, no. 1788 (February 1992): 84. http://dx.doi.org/10.2307/965871.

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14

Draginda, Yulia, and Ichiro Fujinaga. ""Life, Color, Warmth and Truth"." Per Musi, no. 40 (June 21, 2021): 1–17. http://dx.doi.org/10.35699/2317-6377.2020.26080.

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This paper proposes a mathematical model for expressive timing in German late Romantic organ music based on Riemannian phrasing principles. The model is built following the symmetric hierarchical motivic scheme and then applied to the organ work of Max Reger. It was shown that music expressive content is carried by the model parameter defined as temporal elasticity. Along with the standard analytical and empirical evaluation, the model was also evaluated in terms of its naturalness. We found that the correlation between model and human performance is comparable with the correlation between distinct professional human interpretations.

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15

Bittmann, Antonius. "Of swollen, myopic beetles, giant frogs, and other creatures: Epigonism and its modernist metamorphoses in critical evaluations of Max Reger." Journal of Musicological Research 20, no. 1 (January 2000): 71–91. http://dx.doi.org/10.1080/01411890008574782.

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16

Bittmann, Antonius. "Of swollen, myopic beetles, giant frogs, and other creatures: Epigonism and its modernist metamorphoses in critical evaluations of Max Reger." Journal of Musicological Research 20, no. 2 (January 2001): 135–59. http://dx.doi.org/10.1080/01411890108574785.

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17

Kämper, Dietrich. "Antisemitismus im Berliner Musikleben des Kaiserreichs." Die Musikforschung 73, no. 4 (September 22, 2021): 305–23. http://dx.doi.org/10.52412/mf.2020.h4.2.

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Max Bruch was one of the most successful German composers of the 19th century. It was only towards the end of the century that his music increasingly lost of its appeal with audiences who turned toward more modern composers (Strauss, Mahler, Reger). Disappointed at the growing number of compositional failures, Bruch began to sympathize with anti-Semitic thought which had been spreading in Berlin since the 1870s. It seems particularly paradox that, in a letter written in 1902 to his publisher Simrock, Bruch attacked three Berlin musicians with brutal anti-Semitic invectives, who had been his best and most loyal friends for decades, and to whom he owed decisive contributions to his compositional career: Joseph Joachim, Friedrich Gernsheim and Siegfried Ochs. Although in this partivular case the anti-Jewish statements of the composer were triggered by dashed hopes for performances and publications, and although his bitter outburst was deeply rooted in his particular personality structure, Max Bruch can be regarded as the exemplary case of the "bourgeois" anti-Semitism of the imperial era.

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18

Bittmann, Antonius. "Reconciling God and Satan: Max Reger's Phantasie und Fuge üüber den Namen B-A-C-H, Op. 46." Journal of Musicology 18, no. 3 (2001): 490–515. http://dx.doi.org/10.1525/jm.2001.18.3.490.

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Part of a veritable Bach-Kult deeply affecting musical life in Wilhelmine Germany, fin de sièècle constructs of Bach, as exemplified by merous contributions to the 1905/1906 Bach-Umfrage of the journal Die Musik, declared the composer the fons et origo of progress and a miraculous healerof cultural decay. Bach, however,acquired a progressive modernist image that became inextricably intertwined with Wagner's to form a dialectic alliance ridden with great anxieties. In response to what Reger himself identified as the problem of "Wagneritis" ——a pathological "misunderstanding" of Wagner afflicting many of his contemporaries and threatening even his own compositional development——Op. 46 presented a more salutary image of the Romantic composer. As an imaginative synthesis counterbalancing Wagner's presence with Bachian qualities, Op. 46 appropriates crucial aspects of Tristan's musical language, conflating them with a ubiquitous theme that consists of Bach's musically represented name. In the final apotheosis of Op. 46, a boastful reference to the dying hero of Strauss's Death and Transfiguration celebrates Reger's heroic victory over Wagnerian degeneration and hails a new era of cultural progress and health.

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19

Frankenbach, Chantal. "Dancing to Beethoven in Wilhelmine Germany." Journal of Musicology 34, no. 1 (January 1, 2017): 71–114. http://dx.doi.org/10.1525/jm.2017.34.01.71.

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Early in 1904 the American modern dancer Isadora Duncan, already notorious for her barefoot “Greek dancing” to concert music not intended for the stage, created a scandal in Germany by presenting a program of dances to Beethoven’s Seventh Symphony. Critics and composers responded in music journals and the daily press with a vigorous denunciation of Duncan’s trespass into the inner circle of German musical culture. What most disturbed Duncan’s critics, however, was the success of her Beethoven program with the public. Concern over Duncan’s hold on German audiences reveals the anxieties of professional musicians and critics whose status in Germany was also threatened by the popularity of music and dance entertainments in vaudeville and cabaret theater. Together with a musical parody of Duncan by Oscar Straus and a venomous attack by Max Reger, hostile reviews of Duncan illuminate serious musicians’ increasingly tenuous hold on the musical tastes of modern Bildungsbürger audiences.

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20

Miller, Cordelia. "Sinfonische Orgelmusik nach 1870 zwischen Sakralität, Profanität und Nationalismus." Die Musikforschung 70, no. 2 (September 22, 2021): 106–25. http://dx.doi.org/10.52412/mf.2017.h2.351.

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Im deutsch-französischen Vergleich fällt auf, dass trotz oder gerade wegen einer ungebrochenen sinfonischen Tradition, aufgrund derer der Begriff des Sinfonischen bzw. des "sinfonischen Stils" überhaupt erst entstanden ist, zwar sinfonische Aspekte, nicht jedoch die Orgelsinfonie als Gattungsbezeichnung Eingang in die deutsche konzertante Orgelmusik fanden. In Frankreich dagegen, wo die Sinfonie als die repräsentative Gattung des Sinfonischen im 19. Jahrhundert im Vergleich zur Oper nur eine Nebenrolle spielte, etablierte sich mit der Orgelsinfonie eine neuartige, spezifisch französische Gattung. Es wird der Frage nachgegangen, wie es zu dieser paradoxen gattungsgeschichtlichen Situation kommen konnte. Dazu wird im ersten Teil betrachtet, unter welchen musik- und kulturhistorischen Voraussetzungen das Sinfonische und die Sinfonie in Frankreich seit den 1870er Jahren an Bedeutung gewinnen und die Gattung der Orgelsinfonie, wie sie von Charles-Marie Widor (1844-1937) entwickelt wurde, entstehen konnte. Im zweiten Teil stehen Aspekte des Sinfonischen in der deutschen Orgelmusik im Mittelpunkt, wofür am Ende des Jahrhunderts das Orgelwerk von Max Reger (1874-1916) repräsentativ ist. Die unterschiedlichen Entwicklungen in den beiden Orgelnationen im Hinblick auf sinfonische Orgelmusik reflektieren das Spannungsfeld aus Sakralität, Profanität und Nationalismus, in dem sich die jeweilige Orgelmusikproduktion jener Epoche bewegte.

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Bruach. "LA RESTAURACIÓN DE LA POLIFONÍA CLÁSICA DEL RENACIMIENTO EN LA ALEMANIA DEL SUR DE LA SEGUNDA MITAD DEL SIGLO XIX Y SUS CONSECUENCIAS EN LAS ÚLTIMAS OBRAS CORALES SACRAS DE MAX REGER (1873-1916)." Revista de Musicología 27, no. 1 (2004): 237. http://dx.doi.org/10.2307/20797849.

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Mueller, Daniela. "Abaelards Regel." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Kanonistische Abteilung 106, no. 1 (August 27, 2020): 123–52. http://dx.doi.org/10.1515/zrgk-2020-0006.

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AbstractAbelard’s Rule. The Paraclet convent and its order. Petrus Abaelardus is the man who divides opinion. This was already the case during his lifetime, and it also becomes evident in current research. It is striking that even though a number of studies have appeared on his capacity as a philosopher, not many discuss him as a theologian and even fewer as the founder of an order. The following article will address this unique aspect. Even though reference will be made to examples of the monastic life of women in the 12th century. Above all an attempt should be made to perceive this role as founder of an order as the logical evolution of Abaelard’s previous development and as the consistent continuation of his theological work. What role did Abaelard play as the founder of a convent for women? What developments had led to this role in the first place? How was the interaction with Heloise, who became the first abbess of the Paraclet convent? Why was the convent’s rule only ever formulated theoretically, but never realised and implemented? In any case, the radically spiritual fresh start which had emerged in the correspondence between Heloise and Abelard, did not take place. Abaelard’s rule, however, remains the fascinating legacy of a man who managed to transform the traumatic experience of castration into deep spirituality. This spirituality turned out to be an extension of his critical dialectic, coupled with the passionate piety of the Middle Ages.

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Ternes, Elmar. "Die Eifler Regel." NOWELE / North-Western European Language Evolution 70, no. 1 (April 10, 2017): 73–88. http://dx.doi.org/10.1075/nowele.70.1.05ter.

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Der Artikel behandelt die sog. “Eifler Regel”, eine satzphonetische Erscheinung in westdeutschen Dialekten und im Luxemburgischen. Ein wortauslautendes -n wird unter bestimmten Bedingungen getilgt oder bleibt erhalten. Die Bedingungen, welche phonetischer, grammatischer und lexikalischer Natur sind, werden zum ersten Mal in ihrer vollen Komplexität beschrieben. Die Beispiele entstammen zum größten Teil dem Dialekt der Stadt Trier. Es wird aber auch auf einige geographisch bedingte Abweichungen eingegangen. Zum Schluß wird die Erscheinung in einen typologischen Zusammenhang im weiteren deutschsprachigen und germanischen Rahmen gestellt.

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24

Dassen, Roger. "In principe geregeld, of in de regel principieel?" Maandblad Voor Accountancy en Bedrijfseconomie 81, no. 12 (December 1, 2007): 584–85. http://dx.doi.org/10.5117/mab.81.13850.

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Een citaat: ‘The Financial Accounting Standards Board (FASB) strongly and actively supports the internationalization of accounting standards. As part of its mission, the FASB seeks to promote the international comparability of accounting standards concurrent with improving the quality of financial reporting’.

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25

Rise, Harald. "Max Regers og Sigfrid Karg-Elerts orgelmusikk – en sammenlignende stilstudie." Studia Musicologica Norvegica 32, no. 01 (October 2, 2006): 87–104. http://dx.doi.org/10.18261/issn1504-2960-2006-01-07.

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26

Sievers, Gerd. "Max Regers Kompositionen in ihrem Verhältnis zu der Theorie Hugo Riemanns." Die Musikforschung 3, no. 3/4 (September 21, 2021): 212–23. http://dx.doi.org/10.52412/mf.1950.h3/4.2817.

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Siggel, Ulrich, Franz-Josef Schmitt, and Johannes Messinger. "Gernot Renger (1937–2013): his life, Max-Volmer Laboratory, and photosynthesis research." Photosynthesis Research 129, no. 2 (June 16, 2016): 109–27. http://dx.doi.org/10.1007/s11120-016-0280-8.

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Garnham, Nicholas. "Kulturnationalisme og internationalisme. De audiovisuelle medier og verdensmarkedet." MedieKultur: Journal of media and communication research 3, no. 5 (August 25, 1987): 11. http://dx.doi.org/10.7146/mediekultur.v3i5.727.

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Nicholas Garnham fremstod på Årsmødet i Sammenslutningen af Medieforskere i Danmark, som medie- og kulturpolitikkens Darwin: En fortaler for defaitisme og laissez-faire på medieområdet. Når man i mere ro og mag kan fordøje hans foredrag i skriftlig form, får man forhåbentlig øje på flere nuancer - men de foruroligende provokationer er der stadig: En medieforsker, der på klart marxistisk grundlag hudfletter "de progressive kræfters" selvmodsigende analyse af de europæsiske statsradiofoniers fjernsyn. Og samtidig hævder han - i tråd med en generation af nyere britiske medieforskere - at det kommercielle TV som regel har været bedre til at præsentere seere for programmer med oplevelseskvalitet.

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Delamotte-Legrand, Régine. "Mal dit - mieux dit - bien dit - inédit : un point de vue sociolinguistique sur l’évaluation." Repères 31, no. 1 (2005): 141–59. http://dx.doi.org/10.3406/reper.2005.2666.

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Zhao, Qi, Shuchang Lyu, Boxue Zhang, and Wenquan Feng. "Multiactivation Pooling Method in Convolutional Neural Networks for Image Recognition." Wireless Communications and Mobile Computing 2018 (June 26, 2018): 1–15. http://dx.doi.org/10.1155/2018/8196906.

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Convolutional neural networks (CNNs) are becoming more and more popular today. CNNs now have become a popular feature extractor applying to image processing, big data processing, fog computing, etc. CNNs usually consist of several basic units like convolutional unit, pooling unit, activation unit, and so on. In CNNs, conventional pooling methods refer to 2×2 max-pooling and average-pooling, which are applied after the convolutional or ReLU layers. In this paper, we propose a Multiactivation Pooling (MAP) Method to make the CNNs more accurate on classification tasks without increasing depth and trainable parameters. We add more convolutional layers before one pooling layer and expand the pooling region to 4×4, 8×8, 16×16, and even larger. When doing large-scale subsampling, we pick top-k activation, sum up them, and constrain them by a hyperparameter σ. We pick VGG, ALL-CNN, and DenseNets as our baseline models and evaluate our proposed MAP method on benchmark datasets: CIFAR-10, CIFAR-100, SVHN, and ImageNet. The classification results are competitive.

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Lanouzière, Hervé. "Mal-être ou satisfaction au travail dans un monde en mutation. Pourquoi et comment travailler autrement ?" Regards N°55, no. 1 (2019): 65. http://dx.doi.org/10.3917/regar.055.0065.

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Kaesler, Dirk. "Universal rationalization: Max Weber’s great narrative." Irish Journal of Sociology 25, no. 3 (May 22, 2017): 315–23. http://dx.doi.org/10.1177/0791603517710109.

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Among the “classic” diagnoses of modernity, the German scholar Max Weber is often ascribed the role of the creator of a “theory of rationalization.” If there had to be one keyword for which Max Weber is constantly mentioned today, it would probably be “rationalization.” This term denotes the vast context in the history of ideas which comprises Weber’s alleged “theory” of a universal, occidental “rationalization.” I myself do not really place this “theory,” which has been attributed to Max Weber, into the portfolio of sociological theories in the strict epistemological sense, but rather into the reservoir of “Great Narratives,” as Jean-François Lyotard has called them, “Les grands récits.” Max Weber has bestowed his great narrative of universal, occidental “rationalization” upon the self-understanding of humanity by sociology as a discipline during its roughly 150 years of history up to the present day. Whoever wants to refer to this Great Narrative by Max Weber cannot forbear to reconstruct it from his texts. At best, only the outlines of this Great Narrative can be indicated here.

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Batista, Bruno Nunes. "Estratégias para ler e reler textos sobre ensino de Geografia." Caderno de Geografia 31, no. 65 (April 15, 2021): 482. http://dx.doi.org/10.5752/p.2318-2962.2021v31n65p482.

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Tomando por base a noção de que a leitura acadêmica pressupõe um método para entender os fundamentos teóricos, os meios de aplicação e o contexto de elaboração dos textos, este ensaio é escudado pela tese de que cabe ao professor aprender a ler os clássicos da área do ensino de Geografia. Mediante essa premissa, os argumentos-chave são desenvolvidos por meio dos seguintes imperativos: 1) levantar a hipótese de que os estudantes de licenciatura não sabem ler ou leem mal; 2) dialogando com autores como Dominique Folscheid, Jean-Jacques Wunenburguer e Frédéric Cossutta, aventar uma metodologia ledora; 3) fazendo uso da técnica da explicação e do comentário, problematizar três tempos distintos do pensamento geográfico escolar.

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Jones, Dhivan Thomas. "'Going off the Map'." Buddhist Studies Review 36, no. 2 (March 19, 2020): 167–90. http://dx.doi.org/10.1558/bsr.38816.

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The early Buddhist exegetical text, the Nettippakara?a, apparently uniquely, describes the stages of the path as ‘transcendental dependent arising’ (lokuttara pa?icca-samupp?da), in contrast with the twelve nid?nas, called ‘worldly dependent arising’ (lokiya pa?icca-samupp?da). A close reading of the Nettippakara?ain relation to another, related, exegetical text, the Pe?akopadesa, reveals that the latter interprets the same stages of the path in a different way. More broadly, while the Pe?akopadesa takes pa?icca-samupp?dato refer only to the twelve nid?nas, the Nettippakara?a’s exegetical strategy takes pa?icca-samupp?dato refer to an over-arching principle of conditionality, both ‘worldly’ and ‘transcendental’. This exegesis has proved popular with modern western Buddhist exegetes.

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Jones, Dhivan Thomas. "'Going off the Map'." Buddhist Studies Review 36, no. 2 (March 19, 2020): 167–90. http://dx.doi.org/10.1558/bsrv.38816.

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The early Buddhist exegetical text, the Nettippakara?a, apparently uniquely, describes the stages of the path as ‘transcendental dependent arising’ (lokuttara pa?icca-samupp?da), in contrast with the twelve nid?nas, called ‘worldly dependent arising’ (lokiya pa?icca-samupp?da). A close reading of the Nettippakara?ain relation to another, related, exegetical text, the Pe?akopadesa, reveals that the latter interprets the same stages of the path in a different way. More broadly, while the Pe?akopadesa takes pa?icca-samupp?dato refer only to the twelve nid?nas, the Nettippakara?a’s exegetical strategy takes pa?icca-samupp?dato refer to an over-arching principle of conditionality, both ‘worldly’ and ‘transcendental’. This exegesis has proved popular with modern western Buddhist exegetes.

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Hoogendoorn, Martin. "Goodwill: afschrijven of niet afschrijven?" Maandblad Voor Accountancy en Bedrijfseconomie 76, no. 1 (January 1, 2002): 18–23. http://dx.doi.org/10.5117/mab.76.10771.

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In de Verenigde Staten is een nieuwe regel uitgevaardigd op grond waarvan het niet meer is toegestaan op goodwill systematisch af te schrijven. Wel zal een bijzondere waardedaling (’impairment’) in aanmerking moeten worden genomen. Dit artikel belicht achtergronden en problemen en schetst het perspectief voor Nederlandse ondernemingen.

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Evans, Lloyd T. "Sir Otto Herzberg Frankel. 4 November 1900 — 21 November 1998." Biographical Memoirs of Fellows of the Royal Society 45 (January 1999): 165–81. http://dx.doi.org/10.1098/rsbm.1999.0012.

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Sir Otto Frankel-whom I shall refer to as Otto because that is how we all addressed him-was a geneticist by training, a plant breeder by occupation, a cytologist by inclination and a genetic conservationist by acclaim. Apart from his personal research, Otto was a highly effective builder and leader of research groups, a Socratic gadfly to the scientific establishment, and a high prophet of the genetic resources conservation movement. His career in science was unusual in that his most widely acclaimed work was done after his official retirement. A man of inexhaustible variety of opinions, he had a complex personality that could be rough or kindly, bored or engaged, impossible or altogether charming by turns, and he did not wish this memoir to paint him otherwise. Otto refused to write an autobiographical sketch, and did not keep many records. However, two interviews with him about his career were recorded, by Gavan McCarthy (McCarthy 1985) and by Max Blythe (Blythe 1993). Much of the information and views quoted here are from records of discussions that I had with him over many years.

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Stewart, Seán M. "Some alternative derivations of Craig's formula." Mathematical Gazette 101, no. 551 (June 15, 2017): 268–79. http://dx.doi.org/10.1017/mag.2017.66.

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In the performance of digital communication systems over fading channels, the error analysis is typically modelled using a Gaussian probability distribution. One function central to the analysis is what engineers routinely refer to as the (Gaussian) Q-function and is defined by1This is the canonical representation used for the function. In this paper a number of derivations of an important alternative representation for the Q-function known as Craig's formula will be given.

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De Coensel, Bert, and Dick Botteldooren. "The Rhythm of the Urban Soundscape." Noise & Vibration Worldwide 38, no. 9 (October 2007): 11–17. http://dx.doi.org/10.1260/095745607782689827.

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The influence of noise on the quality of the urban living environment has traditionally been studied focusing on negative effects on man, such as noise annoyance and sleep disturbance. Recently a more holistic approach, including positive and negative aspects as well as non-residential functions of the urban environment, has gained renewed interest. The label “urban soundscape” is often used to refer to this approach. Research towards selection and quantification of the acoustic descriptors of the urban soundscape is, however, still in an early stage. This paper draws on the analogy with music and self-organization to propose an indicator for studying the temporal structure of the urban soundscape. Applicability is illustrated by drawing a map of music-likeness of the soundscape in an urban area.

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van der Laan, Gerwin, and Michiel de Roo. "Veronderstelde toepassing van de Nederlandse Corporate Governance Code." Maandblad Voor Accountancy en Bedrijfseconomie 88, no. 10 (October 2, 2014): 409–16. http://dx.doi.org/10.5117/mab.88.31172.

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Na tien jaar zijn de bepalingen in de Nederlandse Corporate Governance Code in de regel geaccepteerd geraakt. Niettemin blijven op onderdelen substantiële niet-naleving, uitleg van discutabele kwaliteit en veronderstelde toepassing problematisch. Is het mogelijk de monitoringpraktijk te verfijnen om zo deze vraagstukken het hoofd te bieden? Deze studie geeft een conceptueel overzicht van de omgangsvormen met de code weer en doet een verkennend onderzoek naar veronderstelde toepassing. Uit deze analyse, en uit een overzicht van eerder onderzoek naar de kwaliteit van uitleg en naar niet-naleving, worden aanbevelingen geformuleerd voor aanpassing van zowel de code als de monitoringpraktijk.

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Boonzaaijer, Karel, and Fieke van der Lecq. "Verplichte kantoorroulatie in de financiële sector." Maandblad Voor Accountancy en Bedrijfseconomie 88, no. 9 (September 9, 2014): 338–48. http://dx.doi.org/10.5117/mab.88.31348.

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De Nederlandse wetgever geeft voor OOB’s een nieuwe regel van verplichte accountantskantoorroulatie na iedere periode van tien jaar, die van kracht wordt op 1 januari 2016. Dit artikel verkent de concurrentie-effecten van de maatregel en de implicaties daarvan voor de prijs en kwaliteit van OOB-controlediensten voor cliënten in de Nederlandse financiële sector. In sommige scenario’s ontstaan allocatieproblemen waardoor niet alle cliënten kunnen worden bediend. Oligopoliemodellen indiceren dat verplichte kantoorroulatie kan leiden tot minimale servicedifferentiatie en daarmee tot lagere kwaliteit van controlediensten voor veel controlecliënten. De mededinging loopt gevaar en naar verwachting zullen prijzen stijgen.

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Jooste, K., and E. Potgieter. "Visit to Bangkok and Chiang Mai, Thailand, 2001." Health SA Gesondheid 6, no. 3 (October 30, 2001): 87–90. http://dx.doi.org/10.4102/hsag.v6i3.77.

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The Faculty of Nursing at the university was the pioneer of post-basic nursing education in Thailand in 1973. *Please note: This is a reduced version of the abstract. Please refer to PDF for full text.

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Driscoll, Barry. "Big Man or Boogey Man? The concept of the Big Man in political science." Journal of Modern African Studies 58, no. 4 (December 2020): 521–50. http://dx.doi.org/10.1017/s0022278x20000579.

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AbstractThe Big Man has attracted considerable attention from social scientists, both as an explanatory force as well as a phenomenon to be explained. But the concept has become unmoored from its original meaning. Once used to refer to an apex figure within a patrimonial regime, today Big Men are often described as dictators or thieves. I show this using an original dataset covering discussions of Big Men in leading African Studies journals since 1980. I find that authors, especially political scientists, overemphasise theft and underemphasise accountability of Big Men. Then, drawing on my research with Ghanaian local politicians, I show how Big Men are constantly under pressure from their supporters. The paper concludes with a modest call to put the Big Man back in his place as powerful but also empowered, and thus indebted, to those beneath him.

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Bogaerts, S. P., A. N. Halsema, A. Lucas, and E. De With. "Visualisaties van financiële risico’s." Maandblad Voor Accountancy en Bedrijfseconomie 78, no. 7/8 (July 1, 2004): 356–63. http://dx.doi.org/10.5117/mab.78.20802.

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Het is voor doorsnee-consumenten in de regel moeilijk de (risico)karakteristieken van (complexe) financiële producten te doorzien. De introductie van de financiële bijsluiter door de AFM lost een deel van deze problemen op. Toch blijft bij consumenten de wens bestaan naar een eenvoudige grafische weergave van risicokarakteristieken van financiële producten, zodat snel een weloverwogen keuze kan worden gemaakt of het product past bij de voorkeuren en situatie van de consument. In dit artikel onderzoeken we de geschiktheid van vier voorstellen voor grafische weergaven. Ons empirisch onderzoek voor de Nederlandse markt suggereert dat een weergave waarin twee risicoaspecten in plaats van één behouden blijven, het best wordt geaccepteerd.

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Bood, Robert, and Theo Postma. "Beheersen van externe risico’s." Maandblad Voor Accountancy en Bedrijfseconomie 92, no. 5/6 (July 23, 2018): 177–86. http://dx.doi.org/10.5117/mab.92.25761.

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Als externe risico’s zich manifesteren, kunnen ze de winstgevendheid en levensvatbaarheid van ondernemingen hard treffen. Op basis van onderzoek naar de rapportage van externe risico’s in de jaarverslagen van alle in Nederland beursgenoteerde ondernemingen, concluderen we dat het risicomanagement op dit gebied nog onvoldoende ontwikkeld is. Dit artikel analyseert mogelijke oorzaken en beschrijft een gefaseerde aanpak om met verschillende externe risico’s om te gaan. Omdat ze in de regel voortkomen uit ambigue, complexe omstandigheden en hun oorsprong vaak buiten de eigen bedrijfstak vinden, vormt het identificeren van externe risico’s een bijzondere uitdaging. Het vereist een organisatiecultuur waarin het breed scannen van omgevingsveranderingen en het doordenken van mogelijke implicaties gemeengoed is.

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Quick, Reiner. "The audit expectation gap: A review of the academic literature." Maandblad Voor Accountancy en Bedrijfseconomie 94, no. 1/2 (March 9, 2020): 5–25. http://dx.doi.org/10.5117/mab.94.47895.

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The audit expectation gap is a phenomenon that exists for many years. In particular, the audited financial statements beneficiaries’ expectations exceed what auditors can reasonably be expected to accomplish. This paper reviews the extensive body of academic literature which has investigated the audit expectation gap for many years. The focus lies on survey-based research which is the dominating research method applied. The objective is to provide an overview of the existing literature and to summarize its findings and implications. The most frequently identified gaps refer to fraud detection. Education and the expansion of the auditor report are two response strategies often analysed by prior research.

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Benhima, Kenza, and Baptiste Massenot. "Safety Traps." American Economic Journal: Macroeconomics 5, no. 4 (October 1, 2013): 68–106. http://dx.doi.org/10.1257/mac.5.4.68.

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Fear of risk provides a rationale for protracted economic downturns. We develop a real business cycle model where investors with decreasing relative risk aversion choose between a risky and a safe technology that exhibit decreasing returns. Because of a feedback effect from the interest rate to risk aversion, two equilibria can emerge: a standard equilibrium and a “safe” one in which investors invest in safer assets. We refer to the dynamics of this second equilibrium as a safety trap because it is self-reinforcing as investors accumulate more wealth and show it to be consistent with Japan's lost decade. (JEL D14, E13, E21, E22, E23, E32)

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Rivera Cárdenas, Claudia, Cesar Guarín, Wolfgang Stremme, Martina M. Friedrich, Alejandro Bezanilla, Diana Rivera Ramos, Cristina A. Mendoza-Rodríguez, Michel Grutter, Thomas Blumenstock, and Frank Hase. "Formaldehyde total column densities over Mexico City: comparison between multi-axis differential optical absorption spectroscopy and solar-absorption Fourier transform infrared measurements." Atmospheric Measurement Techniques 14, no. 1 (January 28, 2021): 595–613. http://dx.doi.org/10.5194/amt-14-595-2021.

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Abstract. Formaldehyde (HCHO) total column densities over the Mexico City metropolitan area (MCMA) were retrieved using two independent measurement techniques: multi-axis differential optical absorption spectroscopy (MAX-DOAS) and Fourier transform infrared (FTIR) spectroscopy. For the MAX-DOAS measurements, the software QDOAS was used to calculate differential slant column densities (dSCDs) from the measured spectra and subsequently the Mexican MAX-DOAS fit (MMF) retrieval code to convert from dSCDs to vertical column densities (VCDs). The direct solar-absorption spectra measured with FTIR were analyzed using the PROFFIT (PROFile FIT) retrieval code. Typically the MAX-DOAS instrument reports higher VCDs than those measured with FTIR, in part due to differences found in the ground-level sensitivities as revealed from the retrieval diagnostics from both instruments, as the FTIR and the MAX-DOAS information do not refer exactly to the same altitudes of the atmosphere. Three MAX-DOAS datasets using measurements conducted towards the east, west or both sides of the measurement plane were evaluated with respect to the FTIR results. The retrieved MAX-DOAS HCHO VCDs where 6 %, 8 % and 28 % larger than the FTIR measurements which, supported with satellite data, indicates a large horizontal inhomogeneity in the HCHO abundances. The temporal change in the vertical distribution of this pollutant, guided by the evolution of the mixing-layer height, affects the comparison of the two retrievals with different sensitivities (total column averaging kernels). In addition to the reported seasonal and diurnal variability of HCHO columns within the urban site, background data from measurements at a high-altitude station, located only 60 km away, are presented.

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Sengebusch, Jürgen, and Michael Herzog. "Ich sehe… was?" Deutsche Heilpraktiker-Zeitschrift 13, no. 02 (February 2018): 57–58. http://dx.doi.org/10.1055/a-0538-8013.

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SummaryMeist sind ältere Menschen betroffen, jedoch beobachtet man, dass auch immer mehr Jüngere daran erkranken. Die Hauterscheinung betrifft in der Regel Stellen, die viel der Sonne ausgesetzt sind. Zu Beginn verwechselt man sie nicht selten mit schlecht heilenden Wunden, Keratosen oder Fibromen.

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Weseler, Antje R. "Interaktionen zwischen Arzneimitteltherapie und Tierphysiotherapie." Hands on - Manuelle und Physikalische Therapien in der Tiermedizin 3, no. 01 (April 2021): 43–53. http://dx.doi.org/10.1055/a-1254-2680.

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In der Regel dokumentiert man während der tierphysiotherapeutischen Anamnese die aktuelle Medikation der Patienten. Aber was macht man dann mit dieser Information? Kann die Einnahme eines Medikaments den Therapieerfolg manueller oder physikalischer Behandlungen beeinflussen – oder umgekehrt? Und was bedeutet das für die Praxis?

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Journal articles on the topic 'Reger, Max'

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