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Journal articles on the topic 'Regionalism in architecture'
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Pandey, Divya, and Tamnna Tyagi. "Critical Regionalism in Architecture with Respect to the Jaipur City." International Journal for Research in Applied Science and Engineering Technology 10, no. 7 (July 31, 2022): 3971–79. http://dx.doi.org/10.22214/ijraset.2022.45877.
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Abstract: Critical regionalism has emerged as an attack on the universal and homogeneous image of utopian modernity in architecture. Critical regionalist theory is used to address the literal imitation of folk style and the importance of a universal architectural environment. Critical regionalism is an architectural concept that aims to remedy sterile and abstract modernism by focusing on local needs, native wants, and potential using contextual influences. Critical regionalism provides resistance to the homogenizing pressures of global modernism as economic processes disrupt and supplant local construction traditions in India's metropolitan centers. This study examines important architectural importance in Jaipur from history to the present day that incorporates critical regionalism ideas into their designs. The many strategies used by regionalist architects to deal with local climate, topography, materials, and socialism complexes are discussed. By focusing on urban regionalist works, the paper aims to emphasis that important regionalism is more than a collection of aesthetic preferences; it is a conceptual framework capable of producing varied types of architecture despite identical external forces coming from similar site conditions. (bahga, 1 May 2019). This post attempts to understand the main theory of critical regionalism as an approach to post-independence Indian architectural practices. The city of Jaipur, Rajasthan takes advantage of these qualities for research. The current discussion of critical regionalism is a case study of two institutional buildings in Jaipur, 20 years apart, with a critical regionalism of from a theoretical approach to a practical approach in two very different approaches. Analysing the translation. Supported by research. These studies will help determine how to translate and approach critical regionalism in more recent Indian architecture.
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Bahga, Sanyam, and Gaurav Raheja. "A Study of Regional Assertions in the Architecture of Delhi from the 1970s to the present." Buildings 9, no. 5 (May 1, 2019): 108. http://dx.doi.org/10.3390/buildings9050108.
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Critical regionalism is an architectural approach that seeks to correct sterile and abstract modernism by using contextual forces that focus on local needs and potential. As globalisation disrupts and displaces local building traditions in India’s metropolitan cities, critical regionalism offers resistance to the homogenising forces of global modernism. This paper analyses five key architectural works realised in Delhi in the past four decades that incorporate the ideas of critical regionalism in their designs. The different approaches adopted by regionalist architects in dealing with local climate, topography, materials and sociological complexes have been presented. By limiting itself to regionalist works in Delhi, the paper attempts to highlight that critical regionalism is not a set of aesthetic preferences but a philosophical framework capable of producing diverse forms of architecture despite analogous external influences arising from similar site conditions.
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Sari, Marchelia Gupita, and Imaniar Sofia Asharhani. "IDENTIFIKASI PENDEKATAN WHITE CUBE DAN REGIONALISME KRITIS PADA ARSITEKTUR GALERI SENI DI YOGYAKARTA." LANGKAU BETANG: JURNAL ARSITEKTUR 7, no. 2 (October 14, 2020): 163. http://dx.doi.org/10.26418/lantang.v7i2.39678.
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Regionalisme dalam arsitektur kerap dibahas sebagai respon terhadap arsitektur modern yang bersifat univalen dan melunturkan nilai-nilai kesetempatan. Estetika galeri seni dengan pendekatan white cube yang berakar pada modernisme telah mengglobal atau melanda dunia, seperti halnya international style dalam arsitektur. Yogyakarta kini tengah menghadapi isu lokalitas dalam arsitektur yang dapat mencerminkan identitasnya sebagai kota seni dan budaya. Galeri seni memiliki peranan penting untuk menyebarkan kesenian kontemporer yang dinamis. Penelitian ini bertujuan untuk mengidentifikasi penerapan pendekatan white cube pada arsitektur galeri seni dan penerapan regionalisme kritis sebagai respon terhadap modernitas. Penelitian ini menggunakan metode penelitian deskriptif kualitatif. Analisis data dilakukan dengan komparasi antarkasus berdasarkan indikator dari regionalisme kritis dalam arsitektur. Penarikan kesimpulan berdasarkan kecenderungan penerapan white cube dengan indikator regionalisme pada kasus. Hasil penelitian menunjukkan bahwa pendekatan regionalisme ditemukan pada kasus yang menekankan tektonika, respon terhadap iklim, dan respon terhadap konteks sekitar. Karya seni di galeri seni Yogyakarta ternyata tidak serta merta dibebaskan dari konteks sekitar seperti halnya konsep white cube gallery.IDENTIFICATION OF WHITE CUBE APPROACH AND REGIONALISM IN ART GALLERY ARCHITECTURE IN YOGYAKARTA Regionalism in architecture is often discussed as a response to modern architecture, which contains a univalent value and attenuates the values of context. The aesthetics of art galleries with the concept of white cube rooted in modernism have become trend in the world and international style in architecture. Yogyakarta is currently facing locality in architecture that can reflect its identity as a city of arts and culture. Art galleries have an essential role in spreading dynamic contemporary art. This study aims to identify the white cube approach to art gallery architecture and critical regionalism to respond to modernity. This research uses descriptive qualitative research methods. Data analysis was conducted by comparisons between cases based on indicators of crucial regionalism in architecture. The conclusion is based on the tendency of applying white cube with indicators of regionalism in cases. The results showed that the regionalism approach was found in cases that emphasized tectonic aspects, responses to climate, and responses to the surrounding context. Artwork in the Yogyakarta art gallery is not necessarily freed from the surrounding context, such as the concept of the white cube gallery.
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Hidayatun, Maria I., Josef Prijotomo, and Murni Rachmawati. "Sustainability is Important Part of the Identity in the Dimension of Regionalism Architecture." Applied Mechanics and Materials 747 (March 2015): 145–48. http://dx.doi.org/10.4028/www.scientific.net/amm.747.145.
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The objectives of this study is to find that sustainable is important part of the identity in the dimention of regionalism Architecture. By conducting a study of the relationship between sustainable architecture with identity dimensions of regionalism in architecture, will get a clarity that sustainability in architecture is an essential part to determine the identity of the architectural regionalism. In particular the identity of the architectural regionalism in Indonesia.
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Lorenzetti, Luigi. "Regioni e regionalità in area alpina: dalle architetture politiche alle architetture costruite / Regions and regionalism in the Alpine area: from political architectures to built architectures." Regionalità e produzione architettonica contemporanea nelle Alpi, no. 1 ns, november 2018 (November 15, 2018): 24–29. http://dx.doi.org/10.30682/aa1801b.
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The article deals with the concept of regionalism including it in the dialogue between architectural culture and alpine world through an interdisciplinary perspective. As a result of historical processes of interaction with external cultural, social and economic situations, the Alps look as a mosaic of identities with an evasive and discontinuous contour. This has encouraged the segmentation of approaches to read them and the increase of the geographies, through regionalism, has tried to reconstruct the logic and coherence of this space. In the second half of last century, the criticism to the regionalist paradigm has led to a new view of the region that can find new perspectives in the regionalism as a space of governance of the territory. Through regionalism, the contemporary alpine architecture brings up the complex network of cultural circulation and government and political systems. The architectural culture stands as a medium of comprehension of the territory as an expression of values, awareness and common and shared practices. In this perspective, regionalism reflects the cultures and the needs of living in the mountains. At the same time the culture of construction needs the participation of a civil society aware of the values of inclusion and belonging; in other words a society that, through culture, expresses awareness and common and shared practices; in other words its regionalism.
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Siregar, Rahma Wardani. "Regionalisme Arsitektur Melayu Pada Kantor DPRD Langkat." JAUR (JOURNAL OF ARCHITECTURE AND URBANISM RESEARCH) 6, no. 1 (November 11, 2022): 51–60. http://dx.doi.org/10.31289/jaur.v6i1.8243.
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Regionalism in architecture is an attempt to show back into the regional architecture style into the present building. North Sumatera is one multiethnic provinces with indigenous Malay. Malay native tribes in North Sumatra is one of the eastern coastal area in the district of Langkat. Currently in Langkat district with many buildings designed to redisplay the regional characteristics as Langkat Parliament's office which can be seen in the use of architectural elements of the past is a Langkat’s Malay architecture. The method used in this research is descriptive qualitative to see firsthand the Langkat Parliament's office. Results of the analysis conducted with the purpose of knowing the architectural elements that affect Langkat Parliament's office as regionalism architecture. There are some architectural elements that affect regionalism in the Parliament office.
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Dharmatanna, Stephanus Wirawan. "ARCHITECTONIC REGIONALISME DALAM ARSITEKTUR OSING." ALUR : Jurnal Arsitektur 6, no. 2 (October 1, 2023): 115–26. http://dx.doi.org/10.54367/alur.v6i2.2605.
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Architectonic regionalism is an approach that seeks to incorporate regional identity into contemporary architecture. This study focuses on the application of architectonic regionalism in Osing architecture, a traditional architecture style found in the Banyuwangi region of East Java, Indonesia. Using a qualitative research method with a descriptive approach, the study analyzes three case studies of modern buildings - Hotel Sahid Osing, Blimbingsari Airport, and Polytechnic Banyuwangi Hall - that showcase reinterpretation, modification, and innovation of local architectural elements. The study finds that the architectonic regionalism approach in Osing architecture prioritizes the use of traditional materials such as wood from local mangrove forests, and construction techniques that are adapted from local practices. The topography of the site is also considered in the design process, with the buildings being responsive to the natural landscape. Moreover, local cultural values and symbolism are incorporated into the architecture, reflecting the unique identity of the Osing community. The findings of this research highlight the importance of preserving and promoting regional architectural traditions in the context of modern architecture. The reinterpretation, modification, and innovation of local architectural elements in contemporary buildings can contribute to the sustainability and cultural preservation of the region. Furthermore, the architectonic regionalism approach in Osing architecture serves as a case study for understanding how regional identity can be manifested in modern architectural design, and its implications for sustainable development and cultural heritage preservation.
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Asghar, Quratualain, Ume Fatima Abid, and S. M. Zile Ali Naqvi. "ARCHITECTURAL ANALYSIS: DISTINCTIVE BUILDING FEATURES IN PAKISTANI ARCHITECTURE." Journal of Research in Architecture and Planning 28, no. 1 (June 30, 2020): 31–40. http://dx.doi.org/10.53700/jrap2812020_5.
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This research attempts to analyze the recent trends in Pakistani architecture. It aims to explore three recent paradigms: regionalism and theme-based form generation. The purpose of the inquiry was to select and analyze projects from three different cities of Pakistan and draw comparisons and conclusions. The factors that can make any structure a trendsetter in relation to the architectural context of Pakistan have been analyzed. The study also attempts to analyze the latest trends in the architecture of the country. This methodology helped in comprehending the influential approaches of different architectural projects and assess these for persisting trends. The research also emphasizes on finding contemporary processes in expressing architectural design methodologies. The research analysis three case studies with the help of elaborated sketches and diagrams. The research is concluded by identifying building features that make each of them distinct in the context of sustainable and regionalism techniques. This study also highlights the unique design techniques that fall under the paradigms of regionalism.
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He, Li Xia, Tao Jiao, and Qian Zhang. "Regionalism in Architectural Design." Advanced Materials Research 926-930 (May 2014): 619–22. http://dx.doi.org/10.4028/www.scientific.net/amr.926-930.619.
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A common phenomenon in modern architecture is the over emphasis on technology at the expense of natural environment, regional culture, and human emotions. In this essay, the regionalism spirit in architectural design is introduced for future reference in architectural design.
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Hyde, Richard. "Regionalism in Architecture as Cultural Identity." Queensland Review 5, no. 1 (May 1998): 61–68. http://dx.doi.org/10.1017/s1321816600001719.
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The development of architecture follows many strands but increasingly the value and role of the discipline in relation to culture identity is questioned. Whilst it may be accepted axiomatically that architecture reflects cultural mores, with the development of commercialisation and materialism, the question focuses on how to create an architecture that reflects the locale, its peoples, its history and most of all its life styles. An architectural direction that reflects the region is perhaps more likely to succeed in this respect. Yet what are the tenets of regionalism and how can these be reflected in an authentic local architecture?
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Loanoto, Stephen Y. "Wastu Citra as an Indonesia Regionalism Local Wisdom." International Journal of Architecture and Urbanism 3, no. 1 (March 31, 2019): 69–80. http://dx.doi.org/10.32734/ijau.v3i1.779.
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There is a theory about regionalism from Kenneth Frampton, “Critical Regionalism”. This theory is from western culture, and have some mismatch with eastern culture, especially Indonesia. In other side Indonesia had some theory from Mangunwijaya, “Wastu Citra”. The main question is what the connection between “Wastu Citra” and “Critical Regionalism”. This research will be held qualitative from phenomenology studies to test Butet’s House which is designed by Eko Prawoto. The theory become the parameter for the test. The purpose of this research is to enhance Indonesia regionalism theory. As the result, WastuCcitra theory enhance Frampton regionalism theory in the context of Indonesia. As a conclusion Manguwijaya ideas Wastu Citra could be the parameter of Indonesian Regionalism Architecture. Keyword: Wastu Citra, Regionalism, Critical Regionalism, Architecture Theory.
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Grimes, William W. "East Asian Financial Regionalism in Support of the Global Financial Architecture? The Political Economy of Regional Nesting." Journal of East Asian Studies 6, no. 3 (December 2006): 353–80. http://dx.doi.org/10.1017/s1598240800004628.
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East Asian financial regionalism has advanced significantly since the rejection of Japan's Asian Monetary Fund proposal in 1997. Key ASEAN+3 initiatives include the Chiang Mai Initiative, which is designed to provide emergency liquidity to economies experiencing currency crisis, and the Asian Bond Market Initiative, which seeks to develop regional bond markets. Surprisingly, these initiatives—despite the assertive “regionalist” rhetoric that has surrounded them and their intellectual origins in the analysis of the 1997–1998 Asian financial crisis—are explicitly designed to complement existing features of the global financial architecture, including IMF conditionality and global financial standards. The nesting of East Asian financial regionalism within the global financial architecture results from the political-economic interests of the leading economies of the region. In the absence of a major change in the political-economic environment, nesting is a stable equilibrium and is unlikely to change.
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Masridin, Mohd Hanif, and Alice Sabrina Ismail. "Critical Regionalism Approach for Djami Mosque Design Towards the Aesthetics of Sustainability." Journal of Islamic Architecture 7, no. 2 (December 22, 2022): 220–32. http://dx.doi.org/10.18860/jia.v7i2.17135.
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Sustainable architecture seeks to minimize the negative environmental impact of buildings by efficiency and moderation in the use of materials, energy, development space and the ecosystem at large. It adopts a conscious approach to energy and ecological conservation in designing the built environment. This conscious process involves the embodiment of phenomenology as embedded in the critical regionalism approach that explains 'human experiences as being' in the built environment. In this sense, the aesthetics of sustainable architecture may be accomplished when three factors (the visual perception of space, spatial, experiential perceptions, and the cognition of the natural environment) are incorporated together. This paper aims to identify and unveil how the critical regionalism approach contributes to sustainable architectural design based upon five determinants - placemaking, genius loci, the phenomenology of senses, climatic and environment responsiveness, and communal and humanity tectonic. In Malaysia, the critical regionalism approach is not widely explored and defined due to a lack of value application and awareness amongst local designers in public building design. Hence, it resulted in public building design like Mosque that emphasizes only superficial aesthetics, which lacks importance on the user's needs. The study used the hermeneutic method through the interpretivism paradigm to understand this. As a case study, the two indicators of architectural elements, form making and spatial elements of mosque buildings, are analyzed to document the value of critical Regionalism that embraces adaptability, reinterpretation and realization of reality. This study will benefit many parties in providing recommendations for mosque design, referring to the critical regionalism approach toward sustainable architecture. This critical regionalism approach can foster the formation of a national identity architecture that can contribute to the unity of society and strengthen the sentiment of nationalism in the present Muslim and multi-racial society. In addition, by having a better-quality design, the built form can readily be accepted and adopted in terms of functions for the benefit of the entire community.
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Zanon, Bruno, Giorgio Tecilla, Roberto Paoli, and Marco Piccolroaz. "Trentino. Territorio, paesaggio e architettura del regionalismo / Territory, landscape and critical regionalism in Trentino." Regionalità e produzione architettonica contemporanea nelle Alpi, no. 1 ns, november 2018 (November 15, 2018): 138–51. http://dx.doi.org/10.30682/aa1801p.
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The progress of the practice and the debate on architecture in the Alpine region of Trentino, in the last fifty years, has been characterised by a pivotal role of the Autonomous Province, the local authority with key competencies in environmental matters and spatial organisation, on the one hand, and by the experimentation and the promotion of discussion events on architecture, on the other. In the Sixties, spatial planning was conceived as a key instrument to support the development of a mountain province. Change was the perspective, and this required the activation of landscape control procedures centred on the control of the quality of architectural projects. This was not enough to qualify the professional practice, although some architects were able to propose innovative projects and began to animate the cultural debate, to establish supra-local relationships and to consolidate the awareness of the role of the architectural project. The contributions proposed are aimed at critically examine such issues, with a particular focus on the experience of institutions such as the “Scuola per il Governo del Territorio e del Paesaggio” within the Trentino School of Management, the “Osservatorio per il Paesaggio” within the Autonomous Province and the “Circolo Trentino Architettura Contemporanea”. Factors that led a decisive evolution of the spatial planning framework in the last decade, characterised by a new attention to the landscape and to the quality of architectural design, thanks to cultural initiatives, occasions of debate, and training paths.
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Juwono, Sudarmawan, Siti Rukayah, Nuraini Lutfiana, and Abdullah Ali. "Regionalism in Design Development Contemporary Mosque Architecture in Indonesia." TAJDID 30, no. 1 (December 27, 2023): 114. http://dx.doi.org/10.36667/tajdid.v30i1.1537.
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The architectural designs of contemporary mosques in Indonesia show varied designs, including international modern designs or Middle Eastern-Indian-European models with geometric patterns. This condition indirectly shows that modernism or neo-modernism which is rooted in Middle Eastern culture as a cultural expression is considered to be more representative of Islamic culture than local culture. From the perspective of architectural design and cultural thinking, this is interesting to explore to find out how far regionalism is an alternative for developing Islamic architectural identity in Indonesia. The method used in the research is a qualitative approach by observing and comparing mosque architectural phenomena and exploring architectural elements. The results of the study show that regionalism can accommodate the creative development of Islamic architecture which embodies the valuesof Islamic teachings and environmental identity, the historical context of the people and the spirit of progress contained in the expression of modernity. This concept of thought is in line with al-urf's thinking which provides opportunities for local architectural elements to become part of typical Islamic culture. This design thinking is expressed in the form of post-modern architecture: (1) An architectural concept that integrates local and international cultural forms in concrete form, (2) An architectural concept that emphasizes spirited abstraction in accommodating the valuesof Islamic teachings and local culture in the aim of obtaining optimal benefits. Key words: al-urf, local culture, regionalism.
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Audilia, C., and F. Kurniawan. "The role of regionalism in the architecture of Santa Maria Assumpta Church by Y. B. Mangunwijaya." Applied Engineering and Technology 1, no. 2 (April 18, 2022): 11–22. http://dx.doi.org/10.31763/aet.v2i1.672.
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Architecture as a science of designing, does not revolve around materials, spaces, and expressing aspirations only. The shape of the building style that changes from time to time shows the response of involvement to the surrounding environment and can be a challenge that may eliminate the characteristics of the place if it is left unnoticed. Regionalism as an approach in architecture becomes a knowledge that can be applied to express the characteristics and values of the region. The Catholic Church in Indonesia is one of the examples that has a connection with the approach, and not just related to the adaptation of local culture so it becomes familiar with the community, but also how it shows the universal church in it. Mangunwijaya, one of the architects in Indonesia, who was also a culturalist, pointed out the use of regionalism in his architectural works. This study aims to determine how far the application of regionalism in one of his works and discover his actions in implementing regionalism. The research used a qualitative approach and collected library data from various sources. The author used descriptive analytic methods in verifying elaborated theories about regionalism in the case study of the Church of Santa Maria Assumpta in Klaten by Y. B. Mangunwijaya. This research shows that the concept of regionalism can also be applied in Indonesia. The research also found the importance of applying regionalism which is not only to display the local characteristics but also to support the needs of the people in church.
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Slieptsov, Oleh, Mykola Dyomin, Yulia Haraborska, and Oksana Kravchuk. "ARCHITECTURE OF MOSQUES: COMBINATION OF CANONS AND REGIONALISM." Urban development and spatial planning, no. 85 (March 29, 2024): 593–99. http://dx.doi.org/10.32347/2076-815x.2024.85.593-599.
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The article analyzes the architecture of the mosque from the point of view of combining the canonical and actually regional. Unlike a Christian temple regardless of denomination, which is interpreted as the house of God, a mosque is not a house of God, but only a place of group prayer of the faithful. That is why there are significantly fewer restrictions in mosques compared to Christian churches, where each element carries a specific sacred meaning. accordingly, the architectural image of mosques was much more strongly influenced by local architectural and artistic traditions. The relevance of the research topic was determined by the growth of the volume of Islamic construction in the world, and therefore the need to understand the degree of combination of canonical and regional in the architecture of historical and modern mosques in different countries. In fact, this question is debatable, because in the conditions of globalism, the proper regional features of mosques are lost. These processes are intensified in those cases when the construction is conducted by architects and builders invited from abroad, which is observed, for example, in Algeria. That is why the authors decided to raise the issue of canon and regionalism in the architecture of Islamic sacred buildings. Among the terms used to describe mosques are those that have their own sacred meaning and those that are characteristic of regional architecture. So, among the terms that describe the architecture of the mosque, there are two main groups - canonical names and regional names
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Murzagalieva, E. T. "New regionalism in the architecture of the XXI century." Bulletin of Kazakh Leading Academy of Architecture and Construction 79, no. 1 (March 30, 2021): 111–15. http://dx.doi.org/10.51488/1680-080x/2021.1-15.
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The article deals with the concept of «new regionalism» in architecture, due to the political and economic resources, socio-cultural, historical features of the area. Examples of the new architecture are given, expressing the identity of the area through a modern interpretation of traditional forms and techniques, supported by advanced technologies and materials. The emergence of new regionalism in architecture can influence the development of countries and their national self-determination.
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Sachs, David H., and Carla Breeze. "American Art Deco: Architecture and Regionalism." APT Bulletin 35, no. 4 (2004): 55. http://dx.doi.org/10.2307/4126420.
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Ji, Yu. "Sequential Vision and Disorienting Experience of Garden Space in Asian Context: Comparative Analysis Based on the Residence of Ena de Silva and Xixi Villa." Journal of World Architecture 6, no. 6 (December 21, 2022): 11–17. http://dx.doi.org/10.26689/jwa.v6i6.4464.
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The blending of Eastern and Western cultures brought about by colonization was an important reason for the changes in Asian architecture in the 20th century. The passive input of Western design concepts into the local tradition caused a long swing in the design direction. The process of regionalism and global modernism from opposition to gradual integration can be found in the development of a series of Asian architectures. Based on the two architectural works of Geoffrey Bawa and Ge Ruliang, this paper discusses how Asian architects make in-depth regional expressions through garden space.
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Miķelsone, Ilze. "Methodology in Attitudes Assigned to Architecture as Distinctly Regional." Architecture and Urban Planning 11, no. 1 (July 1, 2016): 43–48. http://dx.doi.org/10.1515/aup-2016-0006.
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Abstract Regionalism as a research subject in the built environment indicates notable complexity. This subject is complex by facing multi layered disciplines, it is questioned in time and it has a plural structure, ontological, intellectual and emotional. Presuming that regionalism concepts specifically in architecture are not much more than conjectures and attitudes assigned to it, the purpose of this study is examination of attitudes in order to correlate them with methodological tools.
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Sagala, Peranita, Yendi Jhon Frijal Situmorang, and Donald Pardede. "Penerapan Konsep Arsitektur Regionalisme pada Bangunan Kampus Universitas Medan Area." JAUR (JOURNAL OF ARCHITECTURE AND URBANISM RESEARCH) 7, no. 1 (October 30, 2023): 88–94. http://dx.doi.org/10.31289/jaur.v7i1.10372.
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Indonesia has a distinctive array of architectural styles. Architecture that is rooted in regionalism offers a platform for the revival of traditional design elements in modern structures. One of North Sumatra's first private campuses is that of Medan Area University. The architecture and culture in this region are extremely varied. There is no prevailing architectural style like there is in Riau, West Sumatra, or Java. This campus uses conventional architecture in its construction as it is a university with an architectural study program. The scope of the use of regional architecture on a multicultural campus environment is investigated in this study. Several regional architectural applications have been made using the technique of observation and research of traditional architectural theories of the tribes living in North Sumatra.
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Carragáin, Tomás Ó. "Regional Variation in Irish Pre-Romanesque Architecture." Antiquaries Journal 85 (September 2005): 23–56. http://dx.doi.org/10.1017/s0003581500074369.
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This paper demonstrates that the five Irish early medieval church types have markedly differential distributions. In particular, most of those with antae are in the east, while most of those without antae are in the west. It is shown that this regionalism cannot be interpreted as a deliberate strategy of material differentiation on the part of particular politico-cultural groups. A reconsideration of the chronology suggests that many of the antae-less churches are relatively late, and so the division is primarily indicative of differences in the period and rate of mortared church construction, something that is influenced by both environmental and cultural factors. It is suggested that differences in church dimensions between east and west are indicative of subtle economic differences; and a range of archaeological evidence is used to sketch other economic and cultural variations. These patterns highlight the importance of exploring regionality, even when studying relatively cohesive entities such as early medieval Ireland.
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Djarot Purbadi, Yohanes, Reginaldo Christophori Lake, and Fransiscus Xaverius Eddy Arinto. "The Symbolic Regionalism on The Architectural Expression Design of Kupang Town-Hall." Journal of Design and Built Environment 20, no. 3 (December 31, 2020): 71–84. http://dx.doi.org/10.22452/jdbe.vol20no3.5.
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This study aimed to explain the synthesis design approach of the architectural expression in the Town Hall building of Kupang city. This is necessary due to the need for Town Halls, as public facilities, to reflect technically correct building standards, environment, and the aspects of political symbolism. Kupang Town Hall design uses the roof image expression of the Timor, Flores, and Sumba ethnic architecture in a harmonious composition and this means it is an example of an ethnic architectural synthesis in a modern building which represents a function, meaning, modernity, and local cultural identity. This research employed the social semiotics method to examine the design in relation to the surrounding social life context and the design was found to be produced from the symbolic regionalism approach which involved mixing the architectural images of Timorese, Flores, and Sumba ethnicities to modernize and conserve ethnic architecture and represent the cultural identity of East Nusa Tenggara. This, therefore, means architectural synthesis methods which are established on the symbolic regionalism approach have the potential to be used in designing public facilities in different places of Indonesia to reveal local cultural identities in modern buildings through symbolism based on an ethnic architectural image.
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Liu, Qiang, and Nan Shi. "Innovative Application of Traditional Chinese Cultural Symbols in Contemporary Architecture." SHS Web of Conferences 159 (2023): 02023. http://dx.doi.org/10.1051/shsconf/202315902023.
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Traditional Chinese culture, with its distinctive nationality and regionalism, is a valuable source of creative elements for Chinese architecture, and also an effective weapon to cope with the impact of “internationalization” and “standardization”. In this paper, traditional cultural elements are symbolically categorized, dissected and innovated through architectural semiotics to explore the characteristics and application significance of traditional cultural symbols in contemporary architectural design. Moreover, case studies are conducted to derive the correct expression of traditional Chinese culture in contemporary architectural design, with a view to finding out a universal path for applying traditional cultural symbols in architecture.
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Szacka, Léa-Catherine. "Resisting Postmodern Architecture: Critical Regionalism Before Globalisation." Journal of Architecture 28, no. 2 (February 17, 2023): 319–22. http://dx.doi.org/10.1080/13602365.2023.2213561.
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van der Westhuizen, Cornelius. "On the incompleteness of mutation: Introduction to Pretoria Regionalism." Architecture Papers of the Faculty of Architecture and Design STU 27, no. 2 (June 1, 2022): 11–23. http://dx.doi.org/10.2478/alfa-2022-0009.
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Abstract This article aims to make the European professional audience acquainted with the architecture of an important southern African city. Additionally, the author hopes to familiarise this audience with the cultural nuances and character of this city, while trying to maintain distance as a native of the city. South Africa is famous for its significant natural and wildlife treasures. Internationally the history of this country’s politics and developing democracy are also well known. From famous political leaders overcoming the harsh and hateful Apartheid laws to more world-renowned medical practitioners performing ground-breaking medical procedures: the impact of South African global contributions cannot be overlooked. However, there is significant oversight in the appreciation of the architecture and analyses of the urban conditions in the country. Pretoria is the administrative capital of the Republic of South Africa and contains a substantial oeuvre of built works that is testament to the numerous international and local cultural influences. Thus, it was deemed necessary to present the architectural and artistic responses from the modernist period (late 1920s – 1970s). The Pretoria Regionalist style, sometimes styled as the Third Vernacular, is a contextually inspired, and unique Transvaal-esque mutation of the machined and purist aesthetic of the Modernist Movement (1920s – 1960s). This architectural oeuvre is presented within the historical context of the founding and evolution of South Africa. Hence, eight contextually appropriate and architecturally significant edifices representing the modernist architecture of the early 20th century are broadly discussed.
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Dye, Wanda. "Pop Regionalism." Architectural Research Quarterly 13, no. 2 (June 2009): 112–26. http://dx.doi.org/10.1017/s1359135509990200.
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‘As it stands, the concept of popular culture is virtually useless, a melting pot of confused and contradictory meanings capable of misdirecting inquiry up any number of theoretical blind alleys’ […] popular culture is in effect an empty conceptual category, one which can be filled in a wide variety of often conflicting ways, depending on the context of use.Tony Bennett [quoted] and John Storey in Cultural Theory and Popular Culture
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El Zeini, Ingy. "The Cities' Identities between Critical Regionalism and Globalization." Academic Research Community publication 1, no. 1 (September 18, 2017): 9. http://dx.doi.org/10.21625/archive.v1i1.125.
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“The task of critical regionalism is to rethink architecture through the concept of region.” (Tzonis & Lefaivre, 2003) The term critical regionalism, in its sense, raises several arguments in the architectural field. Critical regionalism could debate the essence of the utopian idea of international design, that every building can be placed anywhere and function with high compatibility. Critical regionalism questions the approaches used in international design; it opens up the idea that each region could have a specific characteristic that could serve function, form, and efficiency. This could also mean that each region will be distinct in the means of materials and treatments. “Critical regionalism self- consciously seeks to deconstruct universal modernism in terms of values and images which are locally cultivated, while at the same time adulterating these autochthonous elements with paradigms drawn from alien sources.” (Frarmpton, 1983) Critical Regionalism does not intend to revisit history or dwell in the past, but to find a middle ground between two extremes. The universal design that the modernists strive to achieve by spearing Louis Sullivan’s saying “Form follows function” wherever the building might exist, and the post modernists who celebrated ornamentation for its own sake. Globalization is definitely a benefit for designers as it expands the visual cultures; yet designers need to use this design exposure in a way that could benefit the environment and maximize the built environment's efficiency.This paper questions the possibility to use critical regionalism in promoting a region’s identity but at the same time adheres to the international developments. The aim is to explore the idea of critical regionalism applications, and whether it could relate to both international design and regional identity. Its being applied to four different interior design Master’s degree student projects in Florence, Italy. The students were given a specific building in the center of Florence to redesign but there were several fixed factors. First, the building should be a hotel that relates to the identity of the city of Florence, second, the design should be minimal, third the use of literal images or direct analogies were not allowed. The data is analyzed through a comparative study between the four projects in terms of concept, analogy, color scheme, materials and level of ornamentation.The paper represents results of this focus group of interior design students who are from different demographics with only fixed education levels’ postgraduates in either interior design or architecture, and project description.
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Samejima, Takuomi. "Beyond critical regionalism: Application of formal analysis on architectural projects in Japan." SAJ - Serbian Architectural Journal 14, no. 3 (2022): 133–60. http://dx.doi.org/10.5937/saj2202133s.
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This paper first provides an overview on Kenneth Frampton's methodology of Critical Regionalism, which is criticised by contemporary scholars for reducing various regional qualities of architecture into its material realm, such as tectonics, architectural details, structures etc. After this, a case study on this matter will be conducted by taking Japan as its main subject. The study explicitly focuses on the mutual process between the establishment of 'Japan-ness' as its architectural identity and the material reduction of its cultural characteristics that are primarily discussed in series of essays by Arata Isozaki. Further developing on the above discussion, the overarching goal of this paper is to seek an alternative method to Critical Regionalism, that could contribute to forming a broader knowledge of the regional subjects. To strategically deviate from the material aspect of architecture, Peter Eisenman's 'Formal Analysis' will be investigated as a potential alternative. The final section will apply this method to two architectural precedents in Japan, aiming to capture the rather abstract concept of Hashi<端>, which would otherwise be muted by the process of material reduction of cultural identities discussed above.
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Poon, S. T. F. "CONTRIBUTION OF ECOLOGICAL DESIGN TO CRITICAL REGIONALISM: ANALYSING SUSTAINABILITY EFFECTIVENESS IN VERNACULAR URBAN BUILDING." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences IV-4/W9 (September 30, 2019): 103–9. http://dx.doi.org/10.5194/isprs-annals-iv-4-w9-103-2019.
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Abstract. Environmentalism as the overall concept of ecological architecture is defined as the inter-relations between people, and how built forms affect the surroundings through design, reflecting the impact of technology, human principles of living with nature, and of social connections in communities. Modern ecological designs have smart solutions in planning climatic zones, with optimised natural lighting to lower energy use, and reduce wastage. Passive thermal comfort methods and spatial alignment of buildings to sun orientation have brought the ideals of organic architecture full circle since the “sparse and scarce” principles of technological design limitations guided vernacular urbanism over time. Today’s modern buildings, abstracted from mass-produced designs, are shaped to trends and tastes, bringing attention to the artificial materiality of architectural forms and the hidden costs of innovations. To understand the relevance of sustainable strategies in developing critical regionalism, this paper reviews the scope of ecological architecture principles application for temperate climates, and examines the viability of strategies as passive cooling, thermal comfort and greenery-based ventilation. Through case study discussions of two Malaysian eco-architectural designers, Ken Yeang and Kevin Mark Low, it will also be argued that the spirit of nationalism and cultural regionalism can be integrated effectively into urban built forms.
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Ulinata. "Identification of the Application of Regionalism Architecture in Buildings in the City Hall Corridor Area, Medan." Formosa Journal of Science and Technology 2, no. 4 (April 30, 2023): 1063–76. http://dx.doi.org/10.55927/fjst.v2i4.3742.
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Each region has its own regional characteristics, depending on the local culture, climate, and existing technology. Thus, architects from various regions around the world have their own mindsets regarding regionalism theory, so there are several tendencies regarding its embodiment. This study aims to identify the application of regionalism architecture to buildings in the City Hall Road Corridor Area, Medan, by using a descriptive qualitative method obtained from field observation data and then presented descriptively. There are several buildings that apply regionalism architecture in the City Hall corridor area of Medan, namely City Hall, Post Office, Bank Mandiri, Bank Indonesia, and Dharma Deli Hotel, with the concept applied through fulfilling criteria for being responsive to the local climate, socio-culture, political and economic conditions, technological developments, and building identification based on symbols.
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Wilkoń, Teresa. "Ze studiów nad kulturą regionalną. Regionalizm literacki." Kultura - Przemiany - Edukacja 10 (2022): 163–74. http://dx.doi.org/10.15584/kpe.2022.10.11.
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The terms “Region and regionalism” may have two meanings: a broad or a narrow one. Their broad meaning is found in sentences such as “the South-Western Europe region,” “the Zagłębie regionalism,” “the Podhale region” etc. We are interested in the meaning of the term regionalism in the sense of a deliberate, intended cultural trend (e.g. literary, poetic) related to a certain space and history, the culture of specific land, architecture, folklore, landscape, “works of nature.” In such cases, the term regionalism is closely linked to culture, and thus, to poetry and prose. The author attempts to find an answer to the questions of how the ideals of regionalism are realised in the literary works of well-known Polish writers, and how often they stem from the spirit of the region of the writers’ origin.
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Malesevic, Milica, and Maja Milic-Aleksic. "Placemaking: elements of critical regionalism in the architecture of Mihailo Timotijevic." Facta universitatis - series: Architecture and Civil Engineering 18, no. 1 (2020): 99–112. http://dx.doi.org/10.2298/fuace190909008m.
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Using elements derived from what marks a place as singular is key to contemporary placemaking, understood as a primary objective of the theory of critical regionalism. The need to create humane, remarkably local architecture and to minimize the effects of universal and international clich?s, in order to avoid the danger of making architecture locally unfounded and to invest it with meaning and a sense of place, certainly poses a challenge for every modern architect. This paper deals with the issue of contextuality and approach to the character and urban matrix of a place, as characterizing the buildings in the Western Serbian city of Uzice designed by architect Mihajlo Timotijevic. A critical approach is adopted in analyzing Timotijevic?s architectural plans and buildings constructed in Uzice, in the attempt to show that the architect takes a genuine interest in the local topography and that which is called placemaking. The main goal of this research is to underline the fact that Timotijevic?s ability to perceive and read the messages sent by a place, materialize its distinctivness and easily incorporate a "sense of place" in architectural spaces has given the city of Uzice a new image, by integrating the spirit of the regional with that of the contemporary. The research results are particularly pertinent to contemporary architectural theory and practice, both in Serbia and the region, as a comprehensive, multifaceted example of a good practice of critical regionalism.
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Dutheil, Arnaud. "Alpes françaises du nord. Régional et moderne «en même temps» / Northern French Alps. Regional and modern «at the same time»." Regionalità e produzione architettonica contemporanea nelle Alpi, no. 1 ns, november 2018 (November 15, 2018): 44–53. http://dx.doi.org/10.30682/aa1801e.
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The triple stimulation of geography (lakes and mountains), environmental problems and border influences could justify the claim of a regional architecture in the Northern Alps. Especially since the production is significant, driven by economic dynamics. But the question posed by critical regionalism is that of an architecture of resistance. There is no architecture in the Savoie countries that can be said to be regionalist according to this formulation opposing the local to the universal. And yet, there is a form of non-conceptualized resistance: because of the place, the climate, the architectural heritage, including the twentieth century. Indeed by its specific programs, the mountain has been a place for architectural and technical experiences. Today these buildings are markers of the territory fully participating in alpine identity. For the inhabitants, a particular cultural identity is built around the myth of mountain life updated. It is constituted around the outdoor, a high-tech industry, an international mobility (Geneva airport), an exceptional biodiversity… This idealization of the mountain has been in resistance to the dominant discourse carried by a declining company. Contemporary architectural production is claimed by the new populations as a way of living the mountain, connected to the world but differentiating them from the inhabitants of the “plain”. What has been implemented architecturally is very in tune with the current political discourse of “at the same time”: industry and nature, comfort and sobriety, technicality and tradition, universal and local. So even the modern break is being digested as an assumed alpine marker – at the same time –.
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Kamelnia, Hamed, and Pirouz Hanachi. "BUILDING NEW HERITAGE FOR THE FUTURE: INVESTIGATING COMMUNITY ARCHITECTURE PARADIGMS IN CONTEMPORARY ARCHITECTURE OF IRAN (1978–2020)." JOURNAL OF ARCHITECTURE AND URBANISM 46, no. 2 (December 22, 2022): 171–90. http://dx.doi.org/10.3846/jau.2022.16663.
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Contemporary Iranian architecture in the last forty decades has been influenced by different currents and trends, from modern trends to postmodern and kitsch and attention to regionalism in recent years. Yet, there have been fewer participatory approaches in design and especially community architecture. As an approach, participatory architecture has not been a suitable approach for many architects because they believe the user interference leads the project to a wrong path, and it is a time-consuming process. On the other side, some governments make seductive participation for some political aims. Many recourses in this field talk about the user’s direct participation in the design process, and also many of the cases are not outstanding in contemporary architecture literature. So just a seduce participation occurs during design. Some methods used in this kind are questionnaires, workshops, interviews, etc. Some cases consider involvement during the project’s construction phases (especially in developing countries). Assessing different successful Iranian projects in four recent decades shows a little kind of participatory methods in CA of Iran. The lack of usage of community architecture paradigms leads to not being too good architecture practices. Some projects with a successful appearance made community design principles in the design process. Combining regionalism and community design approaches make responsible and sustainable projects for the future. In this study, by using the PAR research method, the typology of participatory architecture in contemporary Iranian architecture has been analyzed. Seven typologies of participation in the design process show different levels and conditions of participation for users and architects. Some typologies such as interpretive and regional participation consider more values, costumes and user behaviors, and they are more indirect. In the next step, using the case study research method and qualitative analysis by the ATLAS.ti software, the relationship between the concepts of community architecture and its impact on the formation of Iranian architecture has been discussed. Different typologies of participation in architectural cases are wide ranges of successful methods of participation that if far from previous typical involvement consideration in social mobilization and questioner’s procedures. Today, questionnaire participation and social mobilization are named seduce participation (also, in some cases, may be useful). In recent years, the tendency towards participatory design with interpretive and regionalism approaches has increased. Studies show the use of three branches: 1 – Elements of traditional Iranian-Islamic architecture (29 codes), incorporation with the environment (23 codes), use of natural light (17 codes) are the most important reasons for the formation of today’s Iranian architecture. In recent years, by combining the concepts of community architecture (29 codes) with emphasis on identity (4 codes), transparency (4 codes), attention to user needs (3 codes), privacy, sense of belonging, sense of ownership, and sense of unity have become the main criterion of architectural formations. Today, assessing the contemporary architecture of Iran (recent decades) shows the usage of responsible typologies of participation in the design process have a good impact on the built environment, and it also improves the condition of life for user and respects values, culture, costumes, needs and ideas, literature survey and recommends a sustainable future. The most influential factors in contemporary Iranian architectural ideas in recent years include topics such as the Usage of Iranian-Islamic traditional elements, harmony with nature, and natural light. Combining Iranian-Islamic traditional architecture elements (such as courtyards, Koushk, etc.) with community design architectural concepts with solutions such as social spaces, flexibility, platform spaces, courtyards are the most important features of the formation of today’s architecture. Central courtyard, Eyvan, and the Persian garden have been the three main elements of today’s Iranian architecture.
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Mamat, Mohd Jaki, Puteri Shireen Jahn Kassim, and Noor Hanita Abdul Majid. "Pattani’s Architectural Epitome of the Yaring Palace: Journeying the Historical Phases of a Regional Design Language." Cultural Syndrome 1, no. 1 (July 23, 2019): 14–21. http://dx.doi.org/10.30998/cs.v1i1.19.
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This paper uses the case of the exquisite design Yaring palace as a framework and springboard to discuss the particularities of the design language of the Pattani palace and architecture. The region of Pattani represents a unique crossing between a Thai identity and a Malay identity in terms of architecture. Because of its geographic position, both Asian identities merge into a language of regionalism syncretism that creates a rich blend of architectural expression representative of a South East Asian language. The paper discusses its facade expression, ornamentation, layout and interior design elements.
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Bätzing, Werner. "Die Bedeutung der zeitgenössischen Architektur für die Regionen und die Regionalentwicklung im Alpenraum / The importance of contemporary architecture in the regional development of Alpine regions." Regionalità e produzione architettonica contemporanea nelle Alpi, no. 1 ns, november 2018 (November 15, 2018): 16–23. http://dx.doi.org/10.30682/aa1801a.
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The Alps are characterised by a plethora of little regions that all developed very different building styles before the advent of the Industrial Age. Nature, culture, and history all contributed to modifying them over time. However, industrialisation whittled away at the differences, and the new global market levelled local trading practises, eradicating the old way of doing business. It is undoubtedly true that through the eyes of the modern Enlightened man, the old customs seemed quaint, even whimsical. Yet the 1980s, saw a change in attitudes, our love affair with globalisation had begun to pall, and the local and regional acquired the sheen of the authentic and unique. This change, however, gave rise to two schools of thought: “multifunctional regionalism” which advocates self-sufficiency, while “mono-functional regionalism”, a term coined by W. Bätzing, believes that a few well-placed financial manoeuvres are the solution to all ills. The former believe that culture, first and foremost, is essential to up-grading a region, together with a local economy powered by local resources, and the environment providing the context. Therefore any incentives would necessarily have to address all three jointly. Whereas, those in favour of a “mono-functional regionalism” see success purely in terms of bolstering the economy, which could be done using outside capital to back a few choice lighthouse projects. Neither culture nor environment feature in this scenario. Yet, the records since 1980 clearly show that “mono-functional regionalism” does not work. It has weakened the role of the region and undermined its economic and cultural heritage. It is basically “fake regionalism”. It is undeniable that any development necessarily involves building projects, thus, surely, architecture must play a leading role. Architecture is well-placed to make major contributions to any debate on multifunctional regionalism. It can potentially impact on the environment positively, while drawing on local tradition, culture and history, thus giving rise to new regional architecture.
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Eremin, N. S., and M. V. Zolotareva. "Irkutsk regionalism as a trend of Soviet modernism." Izvestiya vuzov. Investitsii. Stroitelstvo. Nedvizhimost 14, no. 2 (July 7, 2024): 383–97. http://dx.doi.org/10.21285/2227-2917-2024-2-383-397.
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The article investigates the monuments of Irkutsk Soviet modernism and early postmodernism in order to reveal their identity and peculiarities, to determine the significance of these structures for the specific urban environment of the Eastern Siberian capital, as well as for the history of modern architecture as a research discipline. The research involved a review of bibliographic sources, a full-scale survey of objects belonging to the mentioned periods, and in-person interviews with the architects of the buildings under study and other Irkutsk citizens. Along with attracting interest to the urgent problems of cultural significance, objective assessment, and modern appearance of the heritage of the second half of the 20th century, the authors clarified the chronological framework of the main stages in the development of the modern city and provided a scientific definition of the Irkutsk regionalism term. As a result, it was established that the response to the challenges of the late Soviet years became a recognizable architectural segment, which, although rapturing the fabric of historical urban environment, reassembles it for functional aspiration for the future. The Irkutsk architecture, having an industrial beginning, has nevertheless remained authorial, and even uncompromising in the doctrines of Vladimir A. Pavlov and his followers, who supported his initiatives in the following era of postmodernism.
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Malyshev, Gavriil. "Decolonial Architecture and Urbanism: Symbolic Formation of Regions in Post-Soviet Russia." Region: Regional Studies of Russia, Eastern Europe, and Central Asia 12, no. 1 (January 2023): 61–91. http://dx.doi.org/10.1353/reg.2023.a919795.
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Abstract: My research examines post-Soviet architecture in Russia through a postcolonial lens, focusing on decentralization processes from 1990 to 2010. I analyze the role of architecture in the construction of regional and ethnic identities, using classic post- and decolonial theories and concepts on identity and regionalism. In this paper I identify and describe decolonial architectural practices in regions of Russia and their relationship with decentralization and regional autonomous subjectivity. I claim that post-Soviet architecture was a tool in regional symbolic politics that was used by local elites to establish regions as unique and rightful territorial social groups or to challenge the established order. I show, however, the hybridity of such regional architectural practices, which were both empowering and suppressive, decolonial and orientalist. Finally, I propose the new perspective to describe the architecture in regions as "symbolic regimes," linking the local political, economic, and cultural disposition with architectural practice.
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YILDIZ KUYRUKÇU, Emine, and Tuğba ÖZDEMİR ERDOĞAN. "PERCEPTIONAL DIFFERENCES IN ARCHITECTURAL FACADE PERCEPTION DUE TO ARCHITECTURAL EDUCATION." INTERNATIONAL REFEREED JOURNAL OF DESIGN AND ARCHITECTURE, no. 23 (2021): 0. http://dx.doi.org/10.17365/tmd.2021.turkey.23.04.
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Aim: In this study, the façades of tourism buildings designed with different currents (universalism, regionalism, syncreticism, contextualism, neovernakularism) on the Antal-ya coastline, in terms of 'taste', 'chaos', 'affection', 'familiarity', by groups of architects and non-architects. It is aimed to examine how it is perceived. Method: For this purpo-se, the fronts of 20 tourism buildings from 5 different styles, designed with a modern and postmodern approach, were analyzed by 60 people through a questionnaire. In the survey, adjective pairs such as impressive / ordinary, original / imitation, coarse / elegant, modest / flamboyant, complex / plain, familiar / unfamiliar, modern / outdated, questio-ning the façade features for tourism buildings were evaluated with a five-digit semantic differentiation scale. The analysis of the data sets obtained through the questionnaire was performed with the IBM Statistical Package For The Social Sciences (SPSS) 23 For Windows statistical software package program. At the beginning of the study, it was thought that the subjects would have perception-behavioral performance differences depending on the architectural education. Results: Unlike the non-architect profession, the architect group liked the universalism, neo-natalism and regionalism movements, found it impressive and original; It was determined that he did not like the synchterism and contextualism movements as complex, rude and outdated. Conclusion: In the analysis, it was seen that the differences between architects and non-architects are statis-tically significant. As a result of the study, it was determined that there are significant differences between architects and non-architects in evaluating the adjectives of expres-siveness, complexity, familiarity and originality. İndividuals who do not have an archi-tectural education are familiar with the traditional inspired structures, and they find the-se structures impressive It is for the individuals who study architecture to find modern and regionalist structures impressive and original.
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Br Ginting, Yeshi Ulina Utami, and Imam Faisal Pane. "KAJIAN PERKEMBANGAN ARSITEKTUR POSTMODERN PADA BANGUNAN KOTA MEDAN." Jurnal Koridor 8, no. 1 (January 11, 2017): 29–35. http://dx.doi.org/10.32734/koridor.v8i1.1319.
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Architecture is kind of culture product and civilization in form as a building. Beside the main function as an activities for user, architecture is a result of creativity, taste and human initiative in response from socio-cultural condition in a locality community. Post-modern is an architectural style that mixed tradition with the past, and rising style of architectural regionalism. Based on this style, the shape of building fully released and handed over to local architects. To express themselves and be creative on the shape and contents of the building at the regional point they stand. Based on backround, this study will examine is there a building in Medan which responds to the development of post-modern architecture. This study case is based on a literature study with methods such as inventory, descriptive, analysis and interpretation. The results showed that the post-modern architectural concept evolved and applied to new buildings in Medan.
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Bertels, Inge. "Expressing Local Specificity: The Flemish Renaissance Revival in Belgium and the Antwerp City Architect Pieter Jan Auguste Dens." Architectural History 50 (2007): 149–70. http://dx.doi.org/10.1017/s0066622x00002914.
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While globalizing trends stimulate the creation of entirely new regions, established regional and local identities remain. Architectural historians, among others, explore the ways in which regionalism has been — and continues to be — defined and redefined. Current issues in this debate include what regional architectural traditions might be; whether regions can be defined by architecture; and how regional traditions of architecture have been defined and interpreted by artists, authors and scholars. Nineteenth-century Belgian architecture is particularly relevant in this context. The formation of Belgian Art Nouveau’s style and identity have both been the object of numerous studies, but while Art Nouveau is probably the best-known creation of Belgian nineteenth-century architecture, it is hardly the only one, nor indeed the only interesting one. One of the sources identified for Belgian Art Nouveau has been the milieu of the so-called Flemish Renaissance Revival, which produced such architectural gems as Emile Janlet’s (1839–1919) Belgian pavilion at the World Exhibition in Paris (1878) and Jean Winders’ (1849–1936) own house and studio (1882–83) in Antwerp (Fig. 1).
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Canizaro, Vincent B. "Regionalism and Modernity: Architecture in Western Europe 1914–1940." Journal of Architectural Education 68, no. 1 (January 2, 2014): 116–18. http://dx.doi.org/10.1080/10464883.2014.864900.
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Cao, Zihao, Muhizam Mustafa, and Mohd Hafizal Mohd Isa. "Traditional Regionalism or Modern Minimalism? Unveiling the Psychological Impact of Architectural Styles in Sustainable Urban Planning." Sustainability 16, no. 13 (June 29, 2024): 5576. http://dx.doi.org/10.3390/su16135576.
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Life satisfaction is one of the key indicators of people’s well-being. However, the choice between traditional regionalism and modern minimalism in urban planning remains controversial from a human-centered perspective. Using a sample of 438 respondents from Huangshan City in 2024, we explored the relationships between architectural style, general belongingness, social identity, and life satisfaction through structural equation modeling (SEM). The results indicate significant correlations among the four variables in the model, with general belongingness and social identity acting as mediators in the relationship between architectural style and life satisfaction. Furthermore, residents living in traditional regional architecture scored higher on the scales of general belongingness, social identity, and life satisfaction compared to those living in modern minimalist architecture. These findings provide new insights for urban planning, highlighting the importance of considering the potential psychological and social welfare impacts of architectural styles on residents during the design process. Additionally, they emphasize the value of preserving and promoting traditional regional architecture. This study provides empirical evidence for urban planners and architects, supporting the integration of more human-centered design principles into modern urban environments to enhance residents’ well-being.
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Zhang, Chang Rui, Yong Tian, and Deng Jun Ren. "The Effect of Critical Regionalism Thoughts in Architecture on Contemporary Chinese Architecture - Localization Trend of Chinese Architecture in 21st Century." Applied Mechanics and Materials 209-211 (October 2012): 183–90. http://dx.doi.org/10.4028/www.scientific.net/amm.209-211.183.
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This thesis makes an in-depth research on the contemporary condition and future trend of the critical regionalism in Chinese architectural field. In the world multi-cultural pattern, academic circles show more and more attention to and concern about local civilization. As a participator of social practice, architect is responsible for maintaining the insistence and sustainable development of local civilization. Chinese architects are preceding with a misbelief that heritage and adoption of “modernism” does not premise on the doubt and repulsion of “universalism” civilization, just as their counterparts in advanced countries in early years. How to treat technology, art, philosophy, tradition and innovation correctly is a lasting historic subject for Chinese architect.
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Su, Su, Swe Swe Aye, and Win Shwin et alt. "Modern Movement in Myanmar." Modern Southeast Asia, no. 57 (2017): 38–45. http://dx.doi.org/10.52200/57.a.kapxztkx.
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This paper highlights the course of the development of modern architecture in Myanmar, a country with an original and vital architectural tradition. There are case studies of well-known foreign and Myanmar architects who dealt with the relationship of spatial, cultural and environmental factors of modern architecture. Some architectural masterpieces created during the second half of the 20th century between 1950 and 1970 in Yangon are presented in this article in order to highlight the inspiration, imagination and limitation of these pioneer architects. The main reason for selecting these case studies are not only because of the influences from the outside world occurred in the post-independence period, but they can reveal the intertwined logic of the nation’s identity-building. They reveal the new consciousness of globalization as well as the development of regionalism.
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Aycı, Hilal, and Esin Boyacıoğlu. "A Reading in Critical Regionalism: Analysis of Two Houses By Han Tümertekіn*." Open House International 37, no. 1 (March 1, 2012): 93–104. http://dx.doi.org/10.1108/ohi-01-2012-b0009.
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If regionalism is defined as designing responsibly in reaction to a local context, then critical regionalism can be defined as doing so without denying the universally enlightening content of the modernist project. Armed with this definition, this article attempts to analyze two houses by architect Han Tümertekin that are set in a rural context in a very small Aegean village in Turkey. The aim of the paper is to explore the extent to which these two buildings embrace the tenets of critical regionalism and to understand the local relevance as well as international esteem of the buildings.
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Primanizar, Reinaldi. "The Presence of Critical Regionalism in Contemporary Mosques in Indonesia." Journal of Islamic Architecture 8, no. 1 (June 20, 2024): 224–33. http://dx.doi.org/10.18860/jia.v8i1.17848.
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In the last few decades, contemporary mosque architecture in Indonesia has separated itself from mosques’ traditional language and symbols. Contemporary mosques tend to produce experiences of space and articulation of unprecedented mosques. However, the novelty is inseparable from an understanding of the regional context. This study examines the presence of critical regionalism in Indonesia’s contemporary mosque design phenomenon. This study uses six samples to assess how the application of critical regionalism is present in contemporary mosques in Indonesia. This thinking has become an attitude associated with the abstraction of Islamic symbols within creativity in creating places. The use of local materials is the primary articulation in the application of critical regionalism. Thus, in this articulation, a spatial and aesthetic experience is formed that is not sentimental towards history, processing local materials in the context of modern construction, responding to local and climatic conditions and becoming an emphasis on tactile.
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Zhelondievskaia, L. V., and Priya Pathak. "The Philosophy of Critical Regionalism in the Architecture of India." Декоративное искусство и предметно-пространственная среда. Вестник МГХПА, no. 4-1 (2022): 59–71. http://dx.doi.org/10.37485/1997-4663_2022_4_1_59_71.
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