Relevant bibliographies by topics / Relations raciales au cinema

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Relations raciales au cinema'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Relations raciales au cinema"

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Da Silva, Júlio Cláudio. "Relações Raciais e de Gênero nas Telas do Cinema Brasileiro nas Narrativas Sobre a Atuação de Léa Garcia em Orfeu do Carnaval (1950-1960)." REVISTA PLURI 1, no. 3 (August 13, 2020): 41. http://dx.doi.org/10.26843/rpv132020p41-52.

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O universo das artes cênicas pode ser um lócus privilegiado de observação da presença da variável raça e gênero na sociedade brasileira? A análise, em perspectiva histórica, da trajetória de uma atriz negra de teatro, cinema e televisão, pode iluminar a presença do racismo e do antirracismo na História do Brasil? Essas e outras perguntas podem ser respondidas quando visitamos a trajetória da atriz de teatro, cinema e televisão e ativista do movimento social negro, a partir das narrativas contidas nas entrevistas e periódicos, sobre os primeiros anos de atuação de Léa Lucas Garcia, na década de 1950. Léa Garcia atuou em sete montagens do Teatro Experimental do Negro dirigida por Abdias Nascimento, no Rio de Janeiro e em São Paulo, entre 1952 e 1957. O ano de 1956 marca o início do seu trabalho como atriz profissional no teatro, ao participar da montagem de Orfeu da Conceição, de Vinícius de Moraes. Orfeu do Carnaval (1957), dirigido por Marcel Camus, foi a sua estreia no cinema, graças a sua interpretação nesta obra, foi agraciada com o segundo lugar na premiação de melhor atriz no Festival de Cinema de Cannes.Palavras chave: Léa Garcia; Relações raciais; Orfeu do CarnavalAbstractCan the universe of performing arts be a privileged locus for observing the presence of the variable race and gender in Brazilian society? Can the analysis, in historical perspective, of the trajectory of a black actress in theater, cinema and television, illuminate the presence of racism and anti-racism in the History of Brazil? These and other questions can be answered when we visit the trajectory of the actress of theater, cinema and television and activist of the black social movement, from the narratives contained in the interviews and periodicals, about the first years of Léa Lucas Garcia’s performance, in the decade of 1950. Léa Garcia performed in seven plays at the Teatro Experimental do Negro directed by Abdias Nascimento, in Rio de Janeiro and São Paulo, between 1952 and 1957. The year 1956 marks the beginning of her work as a professional actress in the theater, by participating editing by Orfeu da Conceição, by Vinícius de Moraes. Orpheus of Carnival (1957), directed by Marcel Camus, was his debut in cinem;a, thanks to his interpretation in this work, he was awarded the second place in the award for best actress at the Cannes Film Festival.Keywords: Léa Garcia; Race relations; Orfeu do Carnaval
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Zimmer, Catherine. "Surveillance Cinema: Narrative between Technology and Politics." Surveillance & Society 8, no. 4 (April 19, 2011): 427–40. http://dx.doi.org/10.24908/ss.v8i4.4180.

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Taking as a starting point the recent surge in film and television narratives constructed around and by surveillance technologies, this essay offers a historical and theoretical reexamination of the manner in which screen narrative has organized political, racial, affective, and even material formations around and through surveillance. The essay demonstrates that even when films are focused on insistently visual deployments of surveillance technologies, the narrative construction around those technologies suggests highly complex dynamics—dynamics that neither psychoanalytic conceptions of voyeurism nor Foucault’s discourse on Bentham’s panopticon can entirely account for. A visual orientation has made it these approaches which have, within the realm of cinema studies, overwhelming served to explain the formations and functions of a variety of disparate surveillance-themed narratives. A more phenomenological reading of the relations between technology and narrative, as well as a more dynamic intersection with political philosophy as is represented in the growing field of surveillance studies, allows us to see how what this essay calls “surveillance cinema” serves to consolidate the stakes of surveillance technologies and practices with greater attention to historical and structural specificity.
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Sinha, B. ""Lowering Our Prestige": American Cinema, Mass Consumerism, and Racial Anxiety in Colonial India." Comparative Studies of South Asia, Africa and the Middle East 29, no. 2 (January 1, 2009): 291–305. http://dx.doi.org/10.1215/1089201x-2009-011.

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Nwonka, Clive James. "Policing Black Film: Racism, Black Resistance and the Applicational Dexterity of Race Relations in Babylon." Sociology 55, no. 4 (January 30, 2021): 840–62. http://dx.doi.org/10.1177/0038038520985793.

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The racial unrests permeating across Britain in the late 1970s resulted in a set of political agendas responding to racism to be brought into being though legislation, culminating in the passing of the 1976 Race Relations Act. Crucial to such agendas were strategies for the prevention of black urban uprisings against state authority and the politicisation of black youths against racism. The emergence of politicised black British film during the late 1970s offered a crucial counter-hegemonic exploration and re-enactment of an extra-filmic reality of police violence and popular racism within the British body social. However, these texts were subjected to forms of political censorship through a number of state organisations who identified radical black cinema as a political threat with the potential to incite violent responses from black youths. This article will offer a detailed analysis of Babylon (1980) and seeks to investigate the ideological processes leading to its X certification and the moral panic located in its representations of black youths within the crisis of race vis-a-vis the political, social and cultural authority of race relations, situating Babylon’s controversial X certification as an exemplar of the ‘applicational dexterity’ of the race relations discipline.
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Talmacs, Nicole. "Africa and Africans in Wolf Warrior 2: Narratives of Trust, Patriotism and Rationalized Racism among Chinese University Students." Journal of Asian and African Studies 55, no. 8 (May 18, 2020): 1230–45. http://dx.doi.org/10.1177/0021909620920323.

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This paper analyses responses from Chinese university students to China’s most successful blockbuster to date, Wolf Warrior 2. Responses revealed racialized language objectifying the black African Other and affirmation of existing scepticisms towards Sino-African relations. It is argued that these responses must be understood within the context of trust these students have in the mediated messages they encounter, the Chinese leadership, the hearsay of social networks, and film industry standards established by Hollywood, all of which precondition Chinese student understandings of ‘Africa’ and ‘Africans’ that informs their viewing experience. Trust in the nation’s film industry, however, also suggests Chinese cinema may have the ability to improve racial awareness among Chinese audiences. To do so though, would require a shift in the film industry’s objectives from its current efforts in patriotic education, to portraying China and the Chinese as one of many within an interconnected global community.
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Brochier, Christophe. "Observer les relations raciales." L'Homme, no. 234-235 (October 14, 2020): 181–210. http://dx.doi.org/10.4000/lhomme.37372.

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Trémoulinas, Alexis. "Sport et relations raciales." Revue française de sociologie 49, no. 1 (2008): 169. http://dx.doi.org/10.3917/rfs.491.0169.

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Rudder, Véronique de. "De l’urbain au social : le « cycle des relations raciales »." Revue européenne des migrations internationales 18, no. 3 (December 12, 2002): 41–54. http://dx.doi.org/10.4000/remi.1607.

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d’Adesky, Jacques. "Les études brésiliennes sur les relations raciales aux États‑Unis." Anthropologie et Sociétés 33, no. 2 (February 23, 2010): 223–35. http://dx.doi.org/10.7202/039305ar.

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Au cours des quatre-vingt dernières années, la production des universitaires brésiliens sur la question raciale nord-américaine a été épisodique. Et ceux qui se sont penchés sur le modèle américain de relations raciales n’y cherchèrent pas une inspiration mais la démonstration que le Brésil aurait réussi son intégration raciale, dans la mesure où les Noirs n’y sont pas victimes des types de violences explicites pratiquées aux États-Unis. À partir de 1997, on observe au Brésil la multiplication des études, des travaux et des publications sur le thème de l’action affirmative, basée sur une comparaison avec l’expérience nord-américaine. Ces textes démontrent implicitement que le modèle racial brésilien n’est pas arrivé à élever le niveau de vie de la population afro-brésilienne à un point comparable à celui des Noirs américains en terme économique et d’influence politique. Elles montrent également que les politiques dites universalistes n’ont pas abouti au Brésil à l’égalité des chances pour tous. Compte tenu de l’actuel contexte racial nord-américain, le modèle américain ne peut plus être considéré comme l’antithèse du modèle brésilien et donc continuer à être ignoré par les intellectuels brésiliens dans les études comparatives entre les deux pays.
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Sabbagh, Daniel. "Universités américaines : la fin des préférences raciales ?" Critique internationale 17, no. 4 (2002): 159. http://dx.doi.org/10.3917/crii.017.0159.

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Dissertations / Theses on the topic "Relations raciales au cinema"

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Hirano, Luis Felipe Kojima. "Uma interpretação do cinema brasileiro através de Grande Otelo: raça, corpo e gênero em sua performance cinematográfica (1917-1993)." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-14112013-122614/.

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Esta tese pretende analisar a trajetória de mais de 70 anos de Sebastião Bernardes de Souza Prata, Grande Otelo (1917-1993). Por um ângulo, ela contribui para pensar diferentes momentos do cinema brasileiro, tendo em vista que o ator foi parte integrante do imaginário cinematográfico nacional dos anos 1930 aos 1990, em filmes da Cinédia e Sonofilmes, em Its all true projeto inacabado de Orson Welles no Brasil , em produções do realismo carioca, nas chanchadas da Atlântida, no Cinema Novo e no Cinema Marginal. Por outro ângulo, observar essa trajetória permite refletir sobre o modo como as relações raciais, suas intersecções com a questão de gênero e o próprio corpo dos artistas, negros ou brancos, são reinterpretados conforme a lógica do campo cinematográfico. O fio condutor da análise é uma equação complexa entre linhas de força que extrapolam esta lógica e mecanismos próprios ao cinema, usados para hierarquizar, diferenciar e desigualar intérpretes e escolas. Para empreendê-la, lança-se mão de conceitos, como estrutura de sentimentos da branquitude, estereótipos raciais e persona, e do exame interno dos filmes o que abre caminho para desvelar discursos cinematográficos racistas e estratégias antirracistas. O itinerário de Grande Otelo, assim, possibilita examinar o forte diálogo entre o imaginário racial hollywoodiano e sua tradução por empresas nacionais entre os anos 1930 e 1950, bem como representações alternativas do negro em Its all true, no realismo carioca e em Rio, Zona Norte, de Nelson Pereira dos Santos. Por contraste, o desaparecimento do ator nos primeiros filmes do Cinema Novo ilumina as perspectivas de Glauber Rocha e Carlos Diegues sobre o negro. Ambos os diretores elegem intérpretes com predicados corporais, fisionomias e performances de masculinidades diferentes de Grande Otelo, como Antonio Pitanga. O retorno de Otelo em Macunaíma, de Joaquim Pedro de Andrade, propicia discutir um momento reflexivo do cinema brasileiro, quando os impasses do Brasil se explicitam na reformulação de antigas figuras como o malandro e na interlocução renovada com o movimento negro, entre outros. Por fim, discute-se o aprofundamento de um diálogo interno nos filmes de Rogério Sganzerla e Júlio Bressane, que escalam Grande Otelo como testemunha histórica do cinema brasileiro. Logo, o ator prolífico viabiliza a reflexão, tanto sobre as relações raciais, em suas intersecções com a temática de gênero e corpo, quanto sobre o cinema no Brasil.
This dissertation analyzes the more than 70-year trajectory of the actor Sebastião Bernardes de Souza Prata, better known as Grande Otelo (1917-1993). From one angle, it contributes to the consideration of different moments of Brazilian cinema, taking into account that the actor was an integral part of the Brazilian cinematographic imaginary from the 1930s to the 1990s, in the films of Cinédia and Sonofilmes, in Its All True (the unfinished project of Orson Welles in Brazil), in productions of Rio de Janeiro (Carioca) Realism, in the chanchada films of Atlântida, in New Cinema (Cinema Novo), and in Marginal Cinema. From another angle, observing this trajectory allows for reflection on the manner in which race relations and their intersections with the question of gender and body of the artists, black or white are reinterpreted in accordance with the logic of the field of cinematography. The unifying thread of the analysis is a complex equation between force lines that surpass this logic and cinemas own mechanisms, used to differentiate, rank, and hierarchize actors and schools. In undertaking this, concepts employed include structure of feelings of whiteness, racial stereotypes and persona, and the internal examination of the films which opens a path for revealing racist cinematographic discourses as well as anti-racist strategies. The itinerary of Grande Otelo thus makes it possible to examine the strong dialogue between the racial imaginary of Hollywood and its translation by Brazilian companies between the 1930s and the 1950s, as well as alternative representations of black people in Its All True, in Carioca Realism, and in the film Rio, Zona Norte, by Nelson Pereira dos Santos. In contrast, the disappearance of the actor in the first films of New Cinema illuminates the perspectives of Glauber Rocha and Carlos Diegues on black people. Both directors chose actors with body structures, physionomies, and performances of masculinity different from those of Grande Otelo, such as Antonio Pitanga. The return of Otelo in Macunaíma, by Joaquim Pedro de Andrade, allows for a discussion of a reflexive moment in Brazilian cinema, in which the impasses of Brazil become explicit in the reformulation of old figures such as the malandro and in the renewed interlocution with the black movement, among others. Finally, the study discusses the deepening of an internal dialogue in the films of Rogério Sganzerla and Júlio Bressane, which make Grande Otelo a historical witness to Brazilian cinema. The prolific actor would then make possible reflection on race relations, in its intersections with the topics of gender and body, as well as on cinema in Brazil.
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Sengul, Ali Fuat. "Cinema And Representation In International Relations: Hollywood Cinema And The Cold War." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606291/index.pdf.

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The thesis seeks to trace the development of the process of &
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reflection as reality&
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through a politico-historical analysis of the intimacies between the United States governments and Hollywood cinema during the Cold War. The working assumption while projecting this study is as follows
the Hollywood cinema and the United States governments enjoyed a close relationship during the period in question. The latter actively involved in the inscription of the wills and desires of US Foreign policymakers into the American popular culture. The thesis will also extend the discussion to a politic cultural assessment of how the United States, through the films, represents and re-presents its superiority, and more importantly, how these films affect and shape the spectators perceptions about its foreign policy.
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Crowley, John. "Immigration, "relations raciales" et mobilisations minoritaires au Royaume-Uni : la démocratie face à la complexité sociale." Paris, Institut d'études politiques, 1995. http://www.theses.fr/1995IEPP0002.

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Les difficultés que rencontre la théorie politique pour donner un fondement général à l'ordre démocratique la conduisent , dans ses traditions les plus influentes, à une exigence plus ou moins explicite d'homogénéité sociale. Or, l'importance des enjeux minoritaires risque de retirer à cette exigence toute pertinence. L'analyse détaillée des mobilisations ethniques minoritaires britanniques et de leur prise en compte politique met en évidence leur interdépendance, ainsi que la relation étroite entre les dimensions analytique et programmatique de leur compréhension sociologique. Cela montre la dimension politique des processus de construction identitaire, et l'indétermination de ceux-ci dans un environnement structurellement complexe, caractérisé par la dématérialisation et la réflexivité accrue de la conscience sociale. La nécessité théorique d'incorporer ces facteurs impose de renoncer aussi bien à la logique traditionnelle de l'homogénéité qu'a la célébration nouvelle de l'hétérogénéité. Ceci conduit à dépasser le fondement de l'ordre démocratique comme processus abstrait pour aller vers une conception politique de la gestion de la diversité. Incontournable et menaçante à la fois, l'hétérogénéité requiert moins la subtilité théorique que la prudence pratique
The difficulties encountered by political theory in providing a general foundation for democratic order lead its mainstream tradition to a more or less explicit requirement of social homogeneity that minority issues risk making irrelevant. Detailed analysis of British ethnic minority mobilization and of its politicization shows their interdependence and the close relation between the analytical and programmatic dimensions of their sociological understanding. This underlines the political content of identity processes and their indeterminate nature in a structurally complex environment characterized by dematerialization and enhanced reflexiveness of social consciousness. The theoretical necessity to take account of these factors means abandoning both the traditional logic of homogeneity and the new celebration of heterogeneity. This leads beyond the abstract foundation of democratic order towards a political conception of the management of diversity. At once inescapable and threatening, heterogeneity requires not so much theoretical subtlety as practical prudence
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Bosa, Bastien. "Trajectoires aborigènes et logiques d’Etat : ethnographie socio-historique des relations raciales dans le Sud-Est australien." Paris, EHESS, 2006. http://www.theses.fr/2006EHES0571.

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La question à laquelle cette thèse entend répondre est celle des conditions de possibilité de l'entrée des Aborigènes dans le champ politique australien à la fin des années 1960. Reposant sur l'usage conjoint d'une approche socio-historique, s'interrogeant sur les pratiques étatiques "d'identification" et d'un point de vue que l'on pourrait qualifier "d'ethnographique", partant des expériences ordinaires des individus, ce travail est organisé en trois parties. Les deux premières interrogent les mécanismes de relégation sociale dont les aborigènes étaient victimes dans l'Astralie "coloniale", en essayant de reconstruire le système des "relations raciales" qui prévalait alors (à la fois du point de vue de la production de "catégories" et des relations de pouvoir reliant ces catégories). La tyroisième est une analyse de tracés biographiques visant à rendre compte des logiques qui ont présidé à l'engagement des premiers militants aborigènes à avoir demandé le contrôle des affaires aborigènes
This thesis deals with the question of the conditions that made possible the unlikely entry of Aborigines into the Australian political field at the end of the 1960s. Drawing both on a socio-historical approach, which interrogates State practices of "identification", and on an ethnographic pont of view, focusing on the ordinary practices of individuals, this project is organised around three parts. The first two parts deal with the processes of social relegation to which Aborigines were subjected in colonial Australia. They attempt to reconstruct the system of "race relations" that was prevailing during most of the 20th century (focussing on the production of categories and on the power relationships between those categories). The third part details the trajectories of the actors of the Black Power movement, in order to understand the social conditions that made it possible for them to 'rebel' and enter the political field
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Benitto, Mohamed. "Les relations raciales en Grande-Bretagne : la communauté arabe de Londres et la question interculturelle (2001-2008)." Le Mans, 2010. http://cyberdoc.univ-lemans.fr/theses/2010/2010LEMA3008.pdf.

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La présente recherche s'inscrit dans le cadre du débat "Community Cohesion" en Grande-Bretagne. Elle explore les entraves à la coexistence intergroupe, en particulier après les attentats de New York 2001 et Londres 2005, à travers l'étude des rapports interculturels entre la minorité visible arabe de Londres et la société majoritaire en Grande-Bretagne. La première partie de la thèse traite les relations historiques arabo-britanniques. La deuxième partie aborde la question identitaire et l'intégration socioculturelle de la communauté arabe dans le nouvel environnement culturel tandis que la dernière partie est consacrée à l'analyse des rapports interculturels entre la minorité arabe et les membres de la société majoritaire britannique
This research falls within the scope of debate about 'Community Cohesion' in Britain. It explores hindrances to intergroup coexistence, particularly after the attacks in New York 2001 and London 2005, through the study of intercultural relations between Arab community of London and mainstream society in Britain. The first part deals with British-Arab historical relations. The second part scrutinises the question of identity and sociocultural integration of Arab community in the new cultural environnement whereas the last part is devoted to analysis intercultural relation between Arab minority and members of the British society
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Bellay, Susan. "Pluralism and race/ethnic relations in Canadian social science, 1880-1939." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ57503.pdf.

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Souza, Neto Domingos Soares de. "Asymmetrical relations in audiovisual translation in Brazil." reponame:Repositório Institucional da UFSC, 2015. https://repositorio.ufsc.br/xmlui/handle/123456789/160536.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2015.
Made available in DSpace on 2016-04-15T13:13:02Z (GMT). No. of bitstreams: 1 338052.pdf: 1996941 bytes, checksum: 68c54241e0a0b41f7f798c44505c4623 (MD5) Previous issue date: 2015
Abstract : This research sets out to analyse the rendition of fixed expressions (Moon, 1998) in dubbed and subtitled versions of the films Madagascar (2005) and Ice Age (2002), taking into account the asymmetrical relations between countries and languages. Asymmetrical relations are manifested by globalisation in its centrifugal and centripetal forces (Cronin, 2009) and have a translational counterpart in Venuti?s (1995) notions of domestication and foreignisation. The objective of the study is to verify how the translation of fixed expressions is dealt with in dubbing and subtitling methods in terms of domestication and foreignisation, which are considered means to undermine and reinforce the asymmetrical relations. A cross-analysis between dubbing and subtitling is carried out by means of parallel corpus (Baker, 1995). Contrasting dubbing and subtitling is relevant in a context of asymmetrical relations on account of a recent change in Brazilian public preference for dubbing over subtitling (Pesquisa Datafolha, 2013). Results show that the subtitled versions in the corpus, rather than the dubbed ones, are more prone to adopt foreignising strategies with regard to the translation of fixed expression. Additionally, there have been identified, in the subtitled versions of the films, translation instances that avoid the adoption of domestication strategies in spite of the lack of impediment. This seems to imply that, occasionally, the subtitled versions under scrutiny deliberately move away from target language fixed expressions.

Esta pesquisa se propõe a analisar as traduções de expressões fixas (Moon, 1998) em versões dubladas e legendadas dos filmes Madagascar (2005) e A Era do Gelo (2002), tendo em conta as relações assimétricas entre os países e línguas. As relações assimétricas manifestam-se pela globalização em suas forças centrífuga e centrípeta (Cronin, 2009) e tem contrapartida tradutória nas noções de domesticação e estrangeirização propostas por Venuti (1995). O objetivo da pesquisa é verificar como se dá a tradução de expressões fixas nos métodos de dublagem e legendagem em termos de domesticação e estrangeirização, que são considerados meios de atenuar e reforçar as relações assimétricas. A análise cruzada entre as versões dubladas e legendadas é realizada por meio de corpus paralelo (Baker, 1995). Contrastar dublagem e legendagem é relevante em um contexto de relações assimétricas por conta de uma recente mudança na preferência do público brasileiro da dublagem para a legendagem (Pesquisa Datafolha, 2013). Os resultados mostram que as versões legendadas no corpus, em detrimento das versões dubladas, são mais propensas a adotar estratégias estrageirizadoras no que diz respeito à tradução de expressões fixas. Além disso, foram identificados nas versões legendadas dos filmes, casos de traduções em que se evitam a adopção de estratégias domesticação apesar falta de impedimento. Isso parece sugerir que, ocasionalmente, as versões legendadas analisadas deliberadamente afastam-se das expressões fixas da língua-alvo.
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Latour, Vincent. "Les relations raciales en Grande-Bretagne : le cas de la communauté indo-pakistanaise de Bristol de 1947 à la fin du siècle." Bordeaux 3, 2001. http://www.theses.fr/2001BOR30043.

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Ce sujet s'inscrit dans une problématique trés contemporaine : l'évolution des sociétés occidentales devenues des sociétés pluriculturelles et pluriraciales du fait de l'accélérat ion des mouvements migratoires aprés 1945. La nature de cette thèse est double. Elle est historique par certains aspects. En effet, le statut de ville portuaire de Bristol, sa proximité avec l'Europe continent le, son implication dans les échanges transatlantiques, justifiaient que l'on interroge l'histoire, afin de mettre en évidence ruptures et continnuités dans l'accueil des minorités religieuses et raciales. Par d'autres aspects, cette thèse aune forte teneur en sciences sociales. Elle s'inscrit dans la tradition de la sociologie des communautés chère aux pionniersde l'Ecole de Chicago, dont l'objet sont les groupes humains en transition. En effet, sa deuxième partie est le fruit de deux enquêtes de terrain. La première, de portée générale, fut menée entre 1995 et 1997. L'autre, plus spécifique et circonscrite à une "inner city" de Bristol, Easton, eut lieu en 2000
Résumé : This subject comes within the scope of a very contemporary issue : the evolution of western societies, which became multicultural and multiracial as a result of the acceleration of migratory movements after 1945. The nature of this thesis is twofold. It is historical in certain respects. Indeed, the status of Bristol as a port, her geographic closeness to the continent, her implication in transatlantic trade, made it compulsory to turn to history, so as to highlight both continuities and changes in her attitude to religious and ethnic minorities. In other respects, this thesis' content is also sociological. It is in keeping with the tradition of the sociology of communities (whose object are human groups in transition),a tradition started in the early 20th century by the pioneers of the Chicago School of sociology. Indeed , the second half of the thesis is the outcome of two phases of fieldwork. The first, whose scope was general, was carried out between 1995 and 1997. The second which was carried out i 2000, was more specific and was circumscribed to a Bristol inner city, namely Easton
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GERVAIS, LINON LAURENCE. "Aspects des relations inter-raciales aux etats-unis : le cas des communautes afro-americaine et hispanique dans la region metropolitaine de chicago." Paris 3, 1997. http://www.theses.fr/1997PA030119.

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Chicago se situe au premier rang des grandes metropoles nord-americaines en matiere de segregation. Traiter des relations inter-raciales dans un tel contexte requiert non seulement d'analyser les rapports entre communautes ethniques, mais aussi les regles qui regissent ces relations ainsi que les enjeux socio-economiques et politiques qu'elles impliquent. La repartition dans l'espace urbain et les chances de reussite des habitants de chicago, ont ete determinees par les periodes de croissance de la ville et par un ensemble d'acteurs institutionnels. Une analyse plus poussee des realites sociologiques de chicago tend a montrer qu'une des consequences les plus significatives de la segregation est la rupture dans les reseaux de contacts sociaux. Aussi constate-t=on d'importantes disparites a chicago, sur le marche de l'emploi, ainsi que dans le domaine de la sante ou de l'education. L'abandon institutionnel, la concentration dans certains quartiers, le manque d'information et la discrimination raciale sont a l'origine de ces disparites. A chicago, l'opinion publique assimile volontiers la violence urbaine, a l'existence d'une culture de la pauvrete ou d'un "sous-proletariat urbain". Mais des etudes plus poussees de la violence ont montre qu'elle etait souvent une reponse a une serie de changements politiques et economiques conduisant a une polarisation des classes et des races et a une dualite du milieu urbain. Parallelement, les communautes ethniques pauvres sont celles qui manquent le plus de representation politique a chicago. Les alliances, en particulier entre latinos et afro-americains, sont complexes et changeantes. S'il est vrai que les deux communautes partagent beaucoup de problemes, les leaders hispaniques pretendent ne pas recevoir leur part des avancees sociales, alors que les afro-americains les accusent de profiter de mesures d'action positive qui leur etaient destinees en premier lieu
Chicago rates first among other large american cities as far as segregation is concerned. Studying race relations in such a context thus implies the analysis of relations between communities as well as the rules and political or socio-economic implications of these relations. Chicago's periods of economic growth have given shape to the city's ethnic and class make-up along with the decisions made in the past by major institutional actors. Sociological realities in chicago show that one of the most striking consequences of segregation is the lack of social contacts. Large disparities exist in the job market, in education, and in access to health care. Institutional disengagement, spatial isolation, and the lack of information, as well as racial discrimination can explain these disparities. In chicago, urban violence is often related in public opinion to the existence of an urban underclass. Eventhough studies about violence have shown it is often an answer to a series of political and economic changes leading to class polarization and urban dualization. In the mean time the ethnic poor are the less represented in chicago politics. Alliances--especially between latinos and afro-americans-- are complex and changing coallitions. Although the two communities have much in common, the hispanic leaders tend to claim their part of social progress while afro-americans fear they take advantage of their own past experience
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10

Sabbagh, Daniel. "L'affirmative action aux Etats-Unis : construction juridique et enjeux politiques des dispositifs de lutte contre l'inégalité et la discrimination raciales." Paris, Institut d'études politiques, 2000. http://www.theses.fr/2000IEPP0015.

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L'affirmative action consiste en un ensemble de mesures adoptées, à partir de la fin des années soixante, à l'initiative de différents organes de l'appareil administratif fédéral, qui octroient aux membres de certains groupes ayant été soumis dans le passé à un régime juridique discriminatoire (Noirs, femmes, Hispaniques Amérindiens) un traitement préférentiel dans les domaines de l'emploi, l'attribution de marchés publics et l'admission dans les universités. L'analyse de la formation, du développement et de la remise en cause de cette « discrimination positive » conduit à mettre en évidence l'existence d'une évolution historique de long terme, irrégulière et réversible mais dont le rythme semble devoir s'accélérer, vers l'adoption d'un principe de non-prise en considération des catégories raciales par les instances gouvernementales (color-blindness), principe qui tend à acquérir peu à peu le statut de norme constitutionnelle. Cette constitutionnalisation de la color-blindness demeurant toutefois inachevée, la plupart des partisans de l'affirmative action ont entrepris de défendre le dispositif au moyen de différents arguments qui relèvent soit du paradigme de la justice compensatoire, soit - plus récemment - de l'idée générale selon laquelle cette politique serait justifiée en tant que moyen de promotion d'une diversité culturelle intrinsèquement bénéfique. Pour de nombreuses raisons, aucune de ces deux justifications ne s'avère véritablement convaincante. Il convient donc, à la suite du philosophe et juriste américain Ronald Dworkin, d'explorer une voie alternative : celle d'une justification conséquentialiste et stratégique de l'affirmative action, qui ferait de cette dernière un instrument plus ou moins efficace - de déracialisation de la société américaine, appelé en premier lieu à réduire la corrélation persistante entre la « race » et la position occupée dans la stratification socio-économique - dans la mesure ou cette corrélation serait devenue en elle-même un facteur de désavantage pour l'ensemble des individus noirs. Si cette justification de l'affirmative action repose sur des postulats qui rendraient particulièrement risqués son énonciation explicite par les instances juridictionnelles, il n'en demeure pas moins qu'un métaobjectif de réduction de l'identification raciale en tant que source de désavantages spécifiques pour l'ensemble des Noirs.
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Books on the topic "Relations raciales au cinema"

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Love rules: Silent Hollywood and the rise of the managerial class. Minneapolis: University of Minnesota Press, 2003.

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Cooper, Mark Garrett. Love rules: Silent Hollywood and the rise of the managerial class. Minneapolis, MN: University of Minnesota Press, 2002.

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Ryo, Hirabayashi Lane, ed. Reversing the lens: Ethnicity, race, gender, and sexuality through film. Boulder: University Press of Colorado, 2003.

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Las relaciones raciales en Cuba: Estudios contemporáneos. Ciudad de La Habana: Fundación Fernando Ortiz, 2011.

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Elaine, Player, and Johnston Valerie J. 1951-, eds. Race relations in prisons. Oxford: Clarendon Press, 1989.

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Lewis, Stephen. Stephen Lewis report on race relations in Ontario. Toronto, Ont: Government of Ontario = Gouvernement de l'Ontario, 1992.

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Itinéraires aborigènes: Histoire des relations raciales dans le Sud-Est australien. Paris: Éditions Karthala, 2012.

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Cinema and inter-American relations: Tracking transnational affect. New York: Routledge, 2012.

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León, Ramón. Racismo, aristocracia y pseudomodernidad: Actitudes raciales en Lima y Trujillo. Lima, Perú: Publicaciones de la Asignatura de Sistemas Psicológicos Contemporáneos, Facultad de Psicología, Universidad Ricardo Palma, 2000.

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Oates, Joyce Carol. Je vous emmène: Roman. Paris: Stock, 2004.

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Book chapters on the topic "Relations raciales au cinema"

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Dwyer, Tessa. "Accented Relations: Mad Max on US Screens." In American–Australian Cinema, 117–39. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-66676-1_6.

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Cole, David R., and Joff P. N. Bradley. "Semio-Materialism and the Master of Relations." In A Pedagogy of Cinema, 79–97. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-555-5_5.

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Hansen, Janine. "Celluloid Competition: German-Japanese Film Relations, 1929–45." In Cinema and the Swastika, 187–97. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230289321_13.

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Forbes, Jill. "French Film Culture and British Cinema." In Studies in Anglo-French Cultural Relations, 154–86. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-07921-6_10.

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Carver, Terrell. "Operatic Mythologies, Political Performativity, and Cinema: Verdi, Visconti, and the Risorgimento." In Resounding International Relations, 223–38. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-05617-7_11.

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Branigan, Edward. "Making It Color-Full—Relations and Practices." In Tracking Color in Cinema and Art, 97–150. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315317502-5.

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Schiweck, Ingo. "Dutch-German Film Relations under German Pressure and Nazi Occupation, 1933–45." In Cinema and the Swastika, 207–19. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230289321_15.

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Sticchi, Francesco. "Himizu: The Precarisation of Education and Social Relations." In Mapping Precarity in Contemporary Cinema and Television, 77–90. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-63261-8_5.

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Sicondolfo, Claudia. "“Filleing” the Cinema Gap: The Precarity of Toronto’s Necessary Emerging Network of Feminist Film Critics." In Youth Mediations and Affective Relations, 175–95. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98971-6_11.

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Moreira, Paulo. "Nelson Pereira dos Santos and the Mexican Golden Age of Cinema." In Literary and Cultural Relations between Brazil and Mexico, 117–30. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137377357_9.

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Conference papers on the topic "Relations raciales au cinema"

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Kostrov, A. V. "The reflection of Semeiskie of Transbaikal region in the cinema sources of the Soviet period." In Old Belief: History and Modernity, Local Traditions, Relations in Russia and Abroad. Buryat State University Publishing Department, 2015. http://dx.doi.org/10.18101/978-5-9793-0771-8-75-80.

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Erol, İhsan Emre, Tamer Bayrak, and Deniz Yengin. "Use of Virtual Reality Technology In the Digitalization Process of Education: Four Model Museum." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.034.

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Along with the developing technology and the social risks human faces, the society’s trends towards digital technology is inevitable. Undoubtedly, the interest of individuals in digital technologies has directly affected all sectors. The transformation of societies depending on their technological needs and conveniences offered by technology has formed new supply-demand balances, and sectoral changes have occurred in line with the demands of the society that was formed by the supply-demand balance. From a sectoral point of view, communication and related technologies have also been affected by all these transformations. Major developments in communication technologies have also led to changes in all sub-disciplines that are dependent on it. These changes have been so great that it has become necessary to explain separately and academically each of them. As a new and spreading technology, virtual reality technology is considered as a new opportunity by means of its key concept definitions and the successful implementation of both communication and educational processes. Especially, considering the qualities of generation Z, and the fact that the education processes are for generation Z; the probability of success of an education process by using virtual reality technology can be expected to increase. In this context, a study named “Four Model Museum” was carried out within the body of Istanbul Aydın University Faculty of Communication, New Media Applications and Research Center, which uses virtual reality technology and targets Public Relations undergraduate students. Within the scope of the study, the curricula prepared for Public Relations students were examined and four Models in Public Relations, which were considered as suitable subjects, were selected. Scenarios were prepared in the context of selected topics and sound were recorded in recording studios of Istanbul Aydın University, department of Radio, Television, and Cinema. Adhering to the scenario, 3D models, coatings, and finally, virtual reality software were developed. In this study, the scenario and content of the virtual reality education software named "Four Model Museum" were examined and analyzed within the framework of communication science.
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