Academic literature on the topic 'Relations with poets'

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Journal articles on the topic "Relations with poets"

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Englund, Harri. "Love and homophobia in Malawi's spoken-word poetry movement." Africa 91, no. 3 (2021): 361–87. http://dx.doi.org/10.1017/s0001972021000255.

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AbstractBy the early 2010s, a number of Malawian poets in their twenties had begun to substitute the elliptical expression of earlier generations with a language that resonated with popular idioms. As poetry directed at ‘the people’, its medium is spoken word rather than print, performed to live audiences and distributed through CDs, radio programmes and the internet. Crafted predominantly in Chichewa, the poems also address topics of popular interest. The selection of poetry presented here comes from a female and a male poet, who, unbeknown to each other, prepared poems sharply critical of homosexuality and what they regarded as its foreign and local advocacy. The same poets have also gained success for their love poems, which have depicted intimate desires in remarkably compatible ways for both women and men. The poets who performed ‘homophobic’ verse went against popular gender stereotypes in their depictions of romantic love and female and male desires. This introductory essay, as a contribution toAfrica's Local Intellectuals series, discusses the aesthetic challenges that the new poets have launched in the context of Malawi's modern poetry. With regard to gender relations in their love poems, the introduction also considers the poets’ possible countercultural contribution despite their avowed commitment to perform for ‘the people’.
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Thomson, David E. "Lifespan development in the academy of American poets." Scientific Study of Literature 5, no. 1 (2015): 83–98. http://dx.doi.org/10.1075/ssol.5.1.04tho.

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The present study investigated lifespan writing tendencies among members of the Academy of American Poets (N = 411). All original English language poems (N = 2,558) available on the Academy website during 2013 were included provided that each poet was represented by at least two poems. Correlations of the age in which each poet published each poem with established indicators of lifespan development were small to moderate (r’s from -.11 to .16). Contrary to lifespan development for expository and emotionally expressive writing, poets tended to employ past tense and use less emotionally valenced language as they aged. Multilevel analysis revealed no significant relationships between publishing age and maturation outcomes, although that process did indicate various curvilinear relations. I conclude by discussing the implications of automated text analysis on literary analysis of career development.
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Byrne, Deirdre. "NEW MYTHS, NEW SCRIPTS: REVISIONIST MYTHOPOESIS IN CONTEMPORARY SOUTH AFRICAN WOMEN’S POETRY." Gender Questions 2, no. 1 (2016): 52–66. http://dx.doi.org/10.25159/2412-8457/1564.

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Considerable theoretical and critical work has been done on the way British and American women poets re-vision (Rich 1976) male-centred myth. Some South African women poets have also used similar strategies. My article identifies a gap in the academy’s reading of a significant, but somewhat neglected, body of poetry and begins to address this lack of scholarship. I argue that South African women poets use their art to re-vision some of the central constructs of patriarchal mythology, including the association of women with the body and the irrational, and men with the mind and logic. These poems function on two levels: They demonstrate that the constructs they subvert are artificial; and they create new and empowering narratives for women in order to contribute to the reimagining of gender relations.
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Sehrana, A. "AZERBAIJAN-ARABIC MUSIC RELATIONS." East European Scientific Journal 2, no. 6(70) (2021): 7–13. http://dx.doi.org/10.31618/essa.2782-1994.2021.1.70.73.

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The article examines the features of Azerbaijani art and musical culture of the Near and Middle East. Referring to fundamental scientific sources, the author informs about the revival of the Arab world, oriental culture and art in the Middle Ages, characterizes interstate relations of this historical period. Lyric and philosophical poems, love-lyric songs (gazelles), epic and religious legends, odes and praises became the subject of consideration. The work of the great Nizami Ganjavi and other Azerbaijani poets is discussed, their works are analyzed, which reflect the role of music in human life, emphasize its importance in the formation of personality and the impact on his emotional and spiritual-psychological state.
 The author provides examples from musical treatises of great Azerbaijani thinkers, gives a comparative description of these treatises with scientific and theoretical studies of oriental musicologists who lived and worked in the Middle Ages. They are included in the article as paragraphs.
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Dai, Mengjie. "“Oriental” specificity of in the works of A. A. Fet: comparative analysis of the verbless poems of A. A. Fet and ancient Chinese poets." Litera, no. 8 (August 2021): 9–19. http://dx.doi.org/10.25136/2409-8698.2021.8.36090.

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The subject of this research is the works of A. A. Fet, namely verbless poems, which are used as manifestation of his interest in the Orient and ancient Chinese poets. Analysis of A. A. Fet’s works from the perspective of projection on the compositions of Chinese poets and reflection of oriental specificity in his poems is a widespread topic in cross-cultural studies on the peculiarities of the establishment of literature. Multiple Chinese scholars keep seeking similar motifs as the factors mutual interest in depiction landscapes and surrounding reality. The acquired results allow interpreting the works of the poets belonging to different cultures. The scientific novelty of this research lies in combining different opinions on studying the oriental specificity in the poems of A. A. Fet, placing emphasis on the analysis of one his verbless poems. The article presents a compilation of various approaches towards examination of the works of A. A. Fet. The materials can be valuable for those interested in the creative path of the Russian poet. In future structuring the route of interaction and enrichment of knowledge in the field of cross-cultural communication, the obtained result of the works of authors of foreign cultures contributes to the understanding of culture, strengthens relations between the cultures, as well as improves the quality of translation, which is also important in the dialogue of cultures.
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Donskikh, Oleg. "To the Iron Age of Progress (The Image of Economic Life of the Country in Russian Poetry of the XVIII – XIX Centuries)." Ideas and Ideals 12, no. 3-2 (2020): 231–59. http://dx.doi.org/10.17212/2075-0862-2020-12.3.2-231-259.

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The author presents the attitude of Russian poets of the XVIII–XIX centuries to different aspects of economic life based on their works. The poetry of the XVIII century was rigidly differentiated by genre, and it was not supposed to reflect the specifics of economic relations in general. The only exceptions were satirical works whose authors criticized, primarily from the moral side, certain aspects of everyday life, and in particular, the practice of tax collectors. Nevertheless, poets did not do without comments about the socio-economic division of society into separate groups, the significance of certain power decisions for the development of the country’s economy, and, of course, the role of money and trade in the development of society as a whole and in human lives. Some poems contain curious references to international trade, the development of which, especially in the reign of Catherine II, led some poets to hail progress and even characterize this time as a ‘Golden Age’. It is shown how the assessment of the epoch changes during the first half of the XIX century, and how the ‘Golden Age’ is transformed in common opinion into the ‘Iron Age’. The role of economic and socialist theories in the life of society is increasing. A poet of the XIX century descends from the position of an external observer watching the sinful earth and he is horrified to find himself at the mercy of money and related interests, which produce a highly negative effect on morality, subordinating all human aspirations to monetary relations and, therefore, coarsening the soul. We consider the disputes about the progress between the lyric poets and our quite straightforward Westerners. Alexander Blok sums up a certain result of the social orientation towards purely economic relations and the technological progress associated with it in the poem “Retribution”.
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Čerče, Danica. "Redefining Female Subjectivity in Australian Indigenous Women’s Poetry." Acta Neophilologica 55, no. 1-2 (2022): 103–21. http://dx.doi.org/10.4312/an.55.1-2.103-121.

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This article discusses the poetry of Romaine Moreton and Lisa Bellear, particularly the poems in which they address the violence against Aboriginal women and girls. It demonstrates how the two poets’ representation of Australian historical and cultural memory destabilises the continuum of colonial power relations and confronts the ongoing stereotypes of Aboriginal women constructed on the basis of a decidedly racist and misogynistic colonial ethos.
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Zhienbayev, Y., and Z. Asanova. "Expression of the Theme of Kinship and Heroism in the Poems of Fariza Ongarsynova." Iasaýı ýnıversıtetіnіń habarshysy 126, no. 4 (2022): 102–17. http://dx.doi.org/10.47526/2022-4/2664-0686.09.

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The theme of patriotism has a special place in the poems of Fariza Ongarsynova, one of the most popular poets in Kazakh literature in the 1960s. The fiery poems of the poet, who has a tender soul and sharp words, widely describe the past history and heroic events of the nation. People's writer of Kazakhstan, public figure, laureate of the State Prize named after Abai, outstanding poet Fariza Ongarsynova is one of the most famous lyric poets in Kazakh literature, as well as an example for contemporaries and the next generation of poets and writers. The poet, who wrote in various content and won everyone's hearts with her works, was mentioned in various articles and works about her poems. However, all of them were about her literary genre and her aesthetical feature. In this study, we tried to prove that we can use Fariza Ongarsınova’s works as valuable information to study and learn the folklore of Kazakh people. By specifying the folkloric elements in her poems, the way of using them in poetry will be examined. General information will be given by determining the poems written for relative’s names and heroes. “Anany zhoqtau” (The mourning for mother), “Anamen qoshtasu” (Farewell to mother), “Agalar” (Brothers), “Keybir zhengeyler” (Some sister’s in law), “Ake turaly oi” (The thought about father) the importance and relations of kinship in poems and the way they are told in poetry, “Qabanbay Batyr”, “Isataiga” (to Isatai), “Almas qylysh nemese men Mahambetpen qalay kezdestim” (Blade-sword or how I meet Mahambet), “Qyran turaly zhyr” (Epic about an eagle), “Qazaqtyn’ batyrlary” (Kazakh’s heroes) poems will examine the historical heroes of Kazakh people and the way the poet depicts them.
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İÇLİ, Ahmet. "Traces Of The I And The Other In The Nazires (=Similar Poetry): The Journey Of I To We In The Example Of Mustafa Ali's Poetry And The Nazires written for his poetry With "We" Redıf (=Rhyme)." Akademik Dil ve Edebiyat Dergisi 6, no. 3 (2022): 156–65. http://dx.doi.org/10.34083/akaded.1169198.

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It is known that the same or similar poems/works were written within the scope of nazire tradition in classical Turkish poetry. Such poems are basically based on writing a similar or better example of a sample or model poem. It is also important that these poems, which are similar in many ways, show the same feelings, dreams, thoughts and goals. In one aspect, the model poem; It can be thought that it was a source of inspiration or an interpreter for other poets who tried to write a similar poetry. The content of the model poem is a guide for other poets trying to express themselves. In addition, defining and positioning oneself through this model poem is a reflection of different emotions and feelings. It is historically significant that the poems, are a mirror of the living world, can deal with similar subjects. It is important that a poet conveys information about himself, that others find traces of themselves around the same poem, and that they express themselves in this way, in terms of being a manifestation of the reality of the information and feelings given by the poets and the reactions they receive. In the context of nazire poetries, it is possible for each poet to describe her/his "I=self" with "we". In one sense, the " personalities" united around the model poem, form the we-consciousness. While this situation establishes a network of relations in terms of togetherness, they actually convey/describe the others around them There are many signs and indications in the poems in terms of containing the information about the poet. The expressions in which the words "I" and "we" are used are at the forefront of the issues that explain the characteristics of the poets, Gelibolulu Mustafa Ali's poem with "we" redif (rhyme, repeated voices), can be evaluated in this context and can be supported by historical data. This poem also carries clues about Ali's personal attitudes and behaviors, worldview, dreams and emotions. The poems written similar to this poem of Ali are important in that both carry traces of their poets and contain the elements of "I" and "other" around the "we" redif. In this article, the poem of Gelibolulu Mustafa Ali from and the nazires written to his poem will be evaluated in terms of conveying the self/I and other elements within the framework of the nazire tradition and then the content analysis.
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Hurt, Christopher. "Poets—Colonialism." American Foreign Policy Interests 27, no. 5 (2005): 465. http://dx.doi.org/10.1080/10803920500326233.

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Dissertations / Theses on the topic "Relations with poets"

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Murphy, Shane. "Sympathetic ink : intertextual relations in the poetry of Paul Muldoon and Medbh McGuckian." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311103.

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Musa, Suad Mustafa Elhag. "The identity, agency and political influence of al-Hakkamat Baggara women poets in armed conflict in Darfur, Sudan, from 1980s to 2006." Thesis, University of Bradford, 2011. http://hdl.handle.net/10454/5394.

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This research explores the role of al-Hakkamat rural women poets in the context of armed conflict in Darfur, from 1980s to 2006. Utilising QSR NVivo7 software, the study analyses and interprets qualitatively collected data in the light of the posed research questions. Processes and attributes leading to the identification of al-Hakkamah, such as her singing and composing talents, are explored - from identifying and nurturing to fully constructing her role as a folk singer and agitator as well as a powerful social actor. Her nurtured personal and social identities reconstruct for her gender roles that are found to be both feared and revered by the community and appropriated by the government. She is found to respond effectively to situations ranging from gallantry (lauding), solidarity (lobbying) to downright belligerency (inciting). These roles exhibit robust and proactive gender roles and power relations in Darfur that enable women, not without historical precedence, to exercise their own identity, agency and political influence in an otherwise overwhelmingly patriarchal society. The study also reveals that the conflict of Darfur is rooted in the history of the neopatrimonial domestic politics pursued by the riverine ruling elites, marked by systemic failure to manage resource issues equitably between tribal and ethnic entities in Darfur. In such circumstances, al-Hakkamat agency is either volunteered or enlisted in the attempt to secure an advantage. In either case her agency is verifiably seen to bolster the hypothesis that rural women in Darfur exercise more power than their counterparts in rural northern Sudan.
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Robidoux, Ken. "Sufficient grace poems /." Morgantown, W. Va. : [West Virginia University Libraries], 2005. https://etd.wvu.edu/etd/controller.jsp?moduleName=documentdata&jsp%5FetdId=3926.

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Kherrati, Saâdia. "Les relations port-ville à Casablanca." Montpellier, 1985. http://www.theses.fr/1985MON30052.

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Delmote, Gilles. "Ponts et frontières entre Espagne et monde arabe." Paris 8, 1999. http://www.theses.fr/1999PA081584.

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L'espagne est generalement presentee comme un etat ayant << vocation >> a servir de << pont >> entre les deux rives de la mediterranee. Cette metaphore du pont, developpee par les africanistes espagnols a propos du maroc, fut largement exploitee sous le franquisme tout en etant generalisee a l'ensemble du monde arabe. Reposant sur un argumentaire d'ordre geographique et historique pour le moins deterministe, la metaphore du pont ne suffit cependant pas a expliquer la politique actuelle de l'espagne en mediterranee, region qui constitue avec l'europe et l'iberoamerique l'essentiel du systeme de projection exterieure espagnole. L'etude de l'histoire et de la geographie de l'espagne, mais aussi des representations collectives espagnoles vis-a-vis du monde arabe, revele surtout la permanence de rapports conflictuels avec le maghreb - monde arabe concret de l'espagne - principalement dus a des questions de frontieres. A travers le partenariat euro-mediterraneen, l'espagne s'est engagee dans une redefinition de sa relation avec le monde arabe. Mais sa politique mediterraneenne demeure principalement centree sur le maghreb. Et malgre l'intensification d'un reseau d'interets communs, le developpement d'une cooperation globale et l'instauration d'un climat politique serein avec les etats du maghreb, les problemes de frontieres territoriales et maritimes subsistent. L'immigration, qui elle aussi souleve la question des frontieres nationale et communautaire, perpetue aujourd'hui la representation de l'espagne pont entre les rives nord et sud de la mediterranee. Le processus d'integrationde la communaute immigree maghrebine dans un pays deja engage dans un debat sur le multiculturalisme a propos des identites regionales, sera sans doute un element essentiel intervenant dans la nature de la relation entre espagne et monde arabe.
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Cicala, Daniel. "Matrix Problems and their Relation to the Representation Theory of Quivers and Posets." Thesis, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/31598.

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Techniques from the theory of matrix problems have proven to be helpful for studying problems within representation theory. In particular, matrix problems are well suited to use in problems related to classifying indecomposable representations of quivers and of posets. However, throughout the literature, there are many different types of matrix problems and little clarification of the relationships between them. In this thesis, we choose six types of matrix problems, place them all within a common framework and find correspondences between them. Moreover, we show that their use in the classification of finite-dimensional representations of quivers and posets are, in general, well-founded. Additionally, we investigate a direct relationship between the problem of classifying quiver representations and the problem of classifying poset representations.
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Le, Marchand Arnaud. "La structuration des marchés du travail portuaire." Paris 10, 1994. http://www.theses.fr/1994PA100114.

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L'action dans un cadre et sur le cadre, celui de l'activité portuaire est l'objet de cette thèse. L'approche suivie est au croisement de l'étude théorique des conventions, des systèmes de relations professionnelles et de l'économie des organisations. L'émergence des règles en connexion avec la logique marchande, et l'effet structurant des acteurs sont abordés par une étude systémique en longue période. Cette organisation localisée autour d'une convention de chômage normal et interne permet de s'interroger sur la production des règles, l'apprentissage collectif et la reproduction d'un système local. La prise en compte des irréversibilités et des hypothèses du salaire d'efficience amènera à considérer les modalités du passage du jeu à règles fixes à jeu à règles variables, du paradigme de la demande de travail en son contraire. Les grèves sont étudiées sous l'angle de la théorie de la double contrainte et sur la critique des modelés d'anticipations rationnelles auto-réalisatrices<br>Action, in a frame and on a frame, the harbor activity context is the purpose of this thesis. The following approach is at the crossroads of theatrical study of conventions, system of industrial relations and the economy of organizations. The emergence of rules in conexion with merchant logic and the actors' structuring effect are approached by a' systematical study in long run period. These localized organizations, around a convention of normal and intern unemployment, allow to question about rule production, collective learning and the reproduction of localized system. Taking account of irreversibility and efficiency wage hypothesis lead to consider the modality of passage from fixed rule game to variable rule gale, from labor demand paradigm in his opposite strides are studied under the angle of the double-bind theory and the critics of rational and self-fulfilling anticipations models
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Lovas, Laszlo. "Etude des relations entre le comportement et la fabrication des synchronisateurs des boîtes de vitesses manuelles." Lyon, INSA, 2004. http://theses.insa-lyon.fr/publication/2004ISAL0017/these.pdf.

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Les synchronisateurs assurent le changement de vitesses dans les boîtes de vitesses manuelles. Leur structure, leur fonctionnement, et des problèmes de fonctionnement sont présentés à travers le synchronisateur de type Borg-Warner. Des modèles mathématiques des phénomènes applicables à la description du fonctionnement sont recueillis, puis incorporés dans un logiciel de simulation numérique. Les résultats de la simulation, confrontés aux résultats de mesures sur banc d'essais de fonctionnement de synchronisateur, permettent d'expliquer les origines de la deuxième bosse d'effort de changement, phénomène clé pour l'agrément de passage de vitesses. De même, les simulations mettent en relief le rôle du comportement dynamique du synchronisateur. Le stick-slip, facteur d'excitation interne, a un effet décisif sur la définition de l'instant de la fin de l'interdiction de passage. La discussion des résultats permet de proposer des améliorations d'intérêt pratique<br>Synchronizers allow gear changing in manual gearboxes. Their structure, their behaviour as well as problems of behaviour are presented using the Borg-Warner type synchroniser. Mathematical models of phenomena which can be used for description of the behaviour are collected, and then included in numerical simulation software. Simulation results, compared to measured data on synchronizer test rig, allow explaining reasons of the double bump, key phenomenon for the feel of gear changing. Then, simulations highlight the importance of the dynamical behaviour of the synchronizer. Stick-slip, as a main component of the internal excitation, determines the moment of the end of the indexing phase. Discussion of the results permits to suggest improvements of practical use
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Huw, Maredudd ap. "A critical examination of Welsh poetry relating to the native saints of North Wales (c. 1350-1670)." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391018.

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Daǧǧānī, Aḥmad Ṣidqī al. "L'aménagement des ports du Maroc : leur rôle dans les relations commerciales du Maroc et de la région Nord-Pas-de-Calais." Lille 1, 1992. http://www.theses.fr/1992LIL10157.

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L'étude des relations commerciales entre les ports du Maroc et la région Nord Pas-de-Calais, a montré que les produits qu'échange le Maroc avec la région Nord Pas-de-Calais passe par deux ports l'un marocain qui est Casa et l'autre nordiste Dunkerque, qui représente 95% du trafic Nord Pas-de-Calais avec le Maroc, et que ce port exporte à destination du Maroc des produits coûteux et importe des produits de faible valeur (minerais, agrumes, primeurs. . . ). Ce port est fortement concurrencé par les ports français et européens, la meilleur preuve est que 22,3% du trafic entre le Maroc et les ports du Nord Pas-de-Calais passe par les ports étrangers. L'étude des types de conditionnement entre les deux destinations a montré que le trafic routier a représenté 50% du trafic globale et que ce type de trafic ne cesse pas de se développer entre les deux destinations, car le routier a l'avantage sur le conteneur pour différentes raisons. La remorque ne suit pas beaucoup de manipulation, son dédouanement n'exige pas beaucoup de temps, en plus le routier ne demande pas plusieurs infrastructures. Dans l'étude des relations entre les deux destinations, on a remarqué que les produits marocains qui quittent le Maroc a destination de la région de Nord Pas-de-Calais rencontrent une période très difficile après l'adhésion de l'Espagne et du Portugal a la C. E. E<br>The study of commercial relations between ports of morocco and the region of nordpas-de-calais, shows that the products that morocco exchanges with the region of nord-pas-de-calais goes through two ports : the one is morocan which is casa, the other is northern : "dunkerque" which represents 95% of the traffic of nordpas-de-calais with morocco and that port exports to morocco precious products and importants unworky products such as minerals and erlay vegetables. . . This port is in strong concureence with the french and other european ports. This is best manifested in that 22,3% of traffic between morocco and the ports of nord-pas-de-calais goes through foreing ports. The study of types of conditioning between the two destinations has shown that roll on traffic represents 50% of the entire traffic and that this type of traffic never ceases to develop between the two destinations because the rollon has advantage over the container in different reasons : the trailer does not follow much manipulation; its chearence does not require much time. Moreover, the roll-on does not demand much infrastructure. In the study of relations between the two destinations, we notice that the moroccan products which leave morocco to the region of nord-pas-de-calais meet a difficult period mainly after the joining of spain and portugal in the c. E. E.
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Books on the topic "Relations with poets"

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Avrasya'da şair göçü. Kurgan Edebiyat, 2012.

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1865-1939, Yeats W. B., Pound Ezra 1885-1972, Jeffares A. Norman 1920-, White Anna MacBride, and Bridgwater Christina, eds. Letters to W.B. Yeats and Ezra Pound from Iseult Gonne, a girl that knew all Dante once. Palgrave Macmillan, 2003.

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Gonne, Iseult. Letters to W.B. Yeats and Ezra Pound from Iseult Gonne, a girl that knew all Dante once. Palgrave Macmillan, 2004.

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Mămăligă, Dumitru. Eminescu și Veronica: Poveste de dragoste. Pontos, 2005.

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N, Petrov A. Anna Akhmatova i Nikolaĭ Gumilev. Sovremennyĭ literator, 1999.

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1940-, Budraitis Juozas, Kotrelev N. V, Dom Baltrushaĭtisa, and Posolʹstvo Litovskoĭ Respubliki v Rossiĭskoĭ Federat︠s︡ii., eds. K 125-letii︠u︡ so dni︠a︡ rozhdenii︠a︡ I︠U︡rgisa Baltrushaĭtisa: K 80-letii︠u︡ litovskoĭ diplomatii. "Nasledie", 1999.

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Dowden, George. Songbirds nestle in her hair: A poet's love story : a fictionalized memoir. Oracle, 2003.

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Stefano, Verdino, and Rettagliata Rosa 1916-1993, eds. Amore, com'è ferito il secolo: Poesie e lettere alla moglie. Manni, 2006.

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Hyde, H. Montgomery. Lord Alfred Douglas: A biography. Dodd, Mead, 1985.

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Březina, Otokar. Jediný život, jediná láska: Vzájemná korespondence Otokara Březiny a Emilie Lakomé. Trigon, 1999.

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Book chapters on the topic "Relations with poets"

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Moreira, Paulo. "When Mexican Poets Come to Rio de Janeiro." In Literary and Cultural Relations between Brazil and Mexico. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137377357_5.

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Moreira, Paulo. "Ronald de Carvalho (and Carlos Pellicer): Modern Poets of America." In Literary and Cultural Relations between Brazil and Mexico. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137377357_3.

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Niedzwiedz, Jakub. "Poetic Mapping of the Polish Crown at the Turn of the 16th and 17th Centuries and Its Relation to Cartographic Imitation in Renaissance Poetry." In Biblioteca di Studi Slavistici. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-198-3.07.

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The paper is devoted to the problem of imitation of maps in the late Renaissance Polish poetry (between 1580 and 1630). The author first discusses the special interest in cartography that existed among the Polish elite and poets of the period. The main thesis of the paper is that poets widely used map-based techniques in constructing their poems. Imitation (imitatio) played a crucial role in this process. To illustrate this concept, the author analyses the work of five poets: S.F. Klonowic, K. Miaskowski, S. Petrycy, M.K. Sarbiewski and Sz. Szymonowic. Looking at the shared topoi used in poems and maps and investigating how the late Renaissance poets described the territory of the Polish-Lithuanian Commonwealth, allows the author to draw a similarity between controlling space in poetry and maps. This suggests the idea of ruling over space might be related to the 16th-century idea of a God-like poet.
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Sys, Christa, and Thierry Vanelslander. "Port Hinterland Relations." In Ports and Networks. Routledge, 2017. http://dx.doi.org/10.4324/9781315601540-10.

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Fuller, David. "Hearing the Form: Breath and the Structures of Poetry in Charles Olson and Paul Celan." In The Life of Breath in Literature, Culture and Medicine. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74443-4_20.

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AbstractThis essay examines the ways in which the American poet Charles Olson, and the German-speaking Romanian Jewish poet Paul Celan, each in relation to specific post-war cultural circumstances, experimented with new ways of structuring poetry in relation to the breath: Olson in response to new global scientific, political, and intellectual currents; Celan in response to the Holocaust. The essay discusses not only how the poets wrote but also how they realised the printed forms of their poetry in performance, contrasting Olson’s literal performance of his theories with the different relation of print to performance of his contemporary and associate William Carlos Williams. It argues that Olson’s experiments, polemically formulated in his manifesto Projective Verse, while they have influenced central currents of American poetry since the 1950s, have remained largely American, whereas Celan’s, tentatively intimated in his anti-manifesto Der Meridian, and inimitably personal in their specific forms, can also be seen as modelling ways in which a wide range of twentieth- and twenty-first-century poetry can be realised in reading aloud.
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Bílková, Marta, Alexander Kurz, Daniela Petrişan, and Jiří Velebil. "Relation Liftings on Preorders and Posets." In Algebra and Coalgebra in Computer Science. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-22944-2_9.

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Fahrenberg, Uli, Christian Johansen, Georg Struth, and Ratan Bahadur Thapa. "Generating Posets Beyond N." In Relational and Algebraic Methods in Computer Science. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43520-2_6.

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"The LANGUAGE Poets." In Spatial Relations. Volume One. Brill | Rodopi, 2013. http://dx.doi.org/10.1163/9789401209380_059.

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"Fremantle Press New Poets We Have to Have." In Spatial Relations. Volume One. Brill | Rodopi, 2013. http://dx.doi.org/10.1163/9789401209380_018.

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Broqua, Vincent. "Despite Straight Lines: Josef Albers, Concrete Poetry and Temporal Relations." In Neo-Avant-Gardes. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474486095.003.0003.

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This article delves into the relations between the avant-garde artist and poet Josef Albers (1888-1976) and a generation of neo-avant-garde concrete poets, among whom the Bolivian-Swiss poet Eugen Gomringer (b. 1925). It argues that contrary to what the prefix ‘neo’ may suggest, a straight line of influence does not account thoroughly for the diverse relations between avant-garde artists and neo-avant-garde creators. Based on close readings, new archival material as well as interpersonal relations, the case study of Albers and Gomringer shows that the retroaction of the younger generation on an avant-garde artist is as important as claims by the concrete poets of a debt to the avant-garde. The article thus seeks to theorize temporal relations via a specific case study.
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Conference papers on the topic "Relations with poets"

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Cristea-Enache, Daniel. "Grigore Vieru and the Romanian Sixties Literary Generation of Poets." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.32.

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There is an identity function of poetry, of literature, that shapes the symbolic consistency of a collective spirit, a map of emblematic landmarks of a national community. Goga and Cotruș are representative for Transylvania, Vieru and Păunescu are emblematic for Moldavians, whereas Eminescu is emblematic for the Romanians of all the historic provinces. For those living in Basarabia, Vieru represents a prophet of their Nation, an apostle of the Romanian Nation standing against the historic oppression, in the form of the Russian camps. To the elitists and relativists from Romania, Vieru is regarded as a representative of the traditionalist literary currents, frozen into an obsolete aesthetic manner and a heroic dimension out of phase. The article portrays Vieru’s relations with the Romanian 60’s generation of poets and their lyrical formulas assumed by Modernism.
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Fang, Yanbin, Qinwei Li, Yuzhuo Liu, Jincheng Wei, and Yiran Li. "Poetry can group: social relations among poets in Tang Dynasty based on Word2vec and social network." In Fourth International Conference on Image, Video Processing, nd Artificial Intelligence (IVPAI 2021), edited by Yudong Zhang and Dora Zhang. SPIE, 2021. http://dx.doi.org/10.1117/12.2620182.

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Stickley, Daniel. "Relating Relations: Meta-Relation Extraction from Online Health Forum Posts." In Proceedings of the 16th Conference of the European Chapter of the Association for Computational Linguistics: Student Research Workshop. Association for Computational Linguistics, 2021. http://dx.doi.org/10.18653/v1/2021.eacl-srw.18.

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عبد الرزاق أيوب, ضياء. "Kurdish-Arab coexistence in Iraqi contemporary poetry." In Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/56.

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" One of the best manifestations of the ego is in its relation to the other as an identifiable equivalent. This relation is basically and culturally determined by the nature of the observant ego, both dialectically and dialogically. The other serves as an inspiring stimulus that produces a desirable effect on an expressive ego which is aiming at self-expression and actively shaped by that equivalent other. This article investigates the poetic ego in its constant, variable interaction with the Kurds as reflected in the poems of contemporary Iraqi poets who showed sympathy with and support to the Kurdish cause. Exemplary poems will be chosen to depict this reciprocal relationship, shedding light on its unified representation. The article is divided into an introduction and five sections. The concept of the other and its origin, diversity of meanings, and its interdisciplinary suggestiveness are all discussed in the introduction. The five sections, on the other hand, are a study of the various depictions of the Kurds in contemporary Iraqi poetry. These depictions are shown in the Kurdish brotherhood, the commemoration of famous Kurdish figures, the celebration of the Kurdish place and festivities and their role in identity formation, and remembering its setbacks and inculcating it in the collective memory"
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Malinina, Elizaveta E. "Phenomena of Death Poems (Yuige) in Japanese Tradition." In Current Issues in the Study of History, Foreign Relations and Culture of Asian Countries. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1268-0-124-130.

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Zhang, Yin, Kening Gao, Bin Zhang, Jinhua Guo, Feihang Gao, and Pengwei Guo. "Clustering Blog Posts Using Tags and Relations in the Blogosphere." In 2009 First International Conference on Information Science and Engineering. IEEE, 2009. http://dx.doi.org/10.1109/icise.2009.396.

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Zhi, Sun, and Peng Qinke. "An opinion detection algorithm based on online posts' relation." In 2014 IEEE/ACIS 13th International Conference on Computer and Information Science (ICIS). IEEE, 2014. http://dx.doi.org/10.1109/icis.2014.6912124.

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Kovalev, Dmitry, Igor Kovalev, Nikolay Testoyedov, Vasily Losev, and Mikhail Saramud. "Methods for identification of objects of development of cross‐ platform on‐board software for communication and navigation satellites." In V International Scientific Workshop on Modeling, Information Processing and Computing. CEUR-WS.org, 2022. http://dx.doi.org/10.47813/dnit-mip5/2022-3091-108-121.

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The article discusses the architectural basis of the cross-platform onboard software for navigation and communication satellites. The functional characteristics of the designed software components are the queues used, the ports, the supported hardware, and the low-level inter-hardware communication protocols. The verbal description of the selected area of knowledge and the formalization of relations between individual entities allows you to move from the architectural basis, limited by physical parameters and the environment for the functioning of software tools, to a descriptive model, which served as the basis for a relational database. An identification method is proposed for unambiguously identifying a specific component of the on-board software with the possibility of performing further actions on it, for example, archiving, retrieving, duplicating, etc. An onboard software component is viewed as a complex entity that contains not only program code, but also a number of attributes that are used during operation. The structural diagram of a relational database is presented. This structure unites and links both information about software components and the electronic document management tool as a whole.
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Saelim, Kwanrutai, Taweewat Luangwiriya, and Rachada Kongkachandra. "Using Conceptual Graph to Represent Semantic Relation of Thai Facebook Posts in Marketing." In 2019 14th International Joint Symposium on Artificial Intelligence and Natural Language Processing (iSAI-NLP). IEEE, 2019. http://dx.doi.org/10.1109/isai-nlp48611.2019.9045702.

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Cunningham, Alexander P. "Identifying interceptedHelicoverpa larvae and their relatives at United States ports: Techniques and challenges." In 2016 International Congress of Entomology. Entomological Society of America, 2016. http://dx.doi.org/10.1603/ice.2016.115915.

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Reports on the topic "Relations with poets"

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Buene, Eivind. Intimate Relations. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481274.

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Blue Mountain is a 35-minute work for two actors and orchestra. It was commissioned by the Ultima Festival, and premiered in 2014 by the Danish National Chamber Orchestra. The Ultima festival challenged me – being both a composer and writer – to make something where I wrote both text and music. Interestingly, I hadn’t really thought of that before, writing text to my own music – or music to my own text. This is a very common thing in popular music, the songwriter. But in the lied, the orchestral piece or indeed in opera, there is a strict division of labour between composer and writer. There are exceptions, most famously Wagner, who did libretto, music and staging for his operas. And 20th century composers like Olivier Messiaen, who wrote his own poems for his music – or Luciano Berio, who made a collage of such detail that it the text arguably became his own in Sinfonia. But this relationship is often a convoluted one, not often discussed in the tradition of musical analysis where text tend to be taken as a given, not subjected to the same rigorous scrutiny that is often the case with music. This exposition is an attempt to unfold this process of composing with both words and music. A key challenge has been to make the text an intrinsic part of the performance situation, and the music something more than mere accompaniment to narration. To render the words meaningless without the music and vice versa. So the question that emerged was how music and words can be not only equal partners, but also yield a new species of music/text? A second questions follows en suite, and that is what challenges the conflation of different roles – the writer and the composer – presents? I will try to address these questions through a discussion of the methods applied in Blue Mountain, the results they have yielded, and the challenges this work has posed.
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Lamarque, Hugh. Key Considerations: Cross-Border Dynamics between Uganda and Rwanda in the Context of the Outbreak of Ebola, 2022. SSHAP, 2022. http://dx.doi.org/10.19088/sshap.2022.044.

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This brief summarises key considerations concerning cross-border dynamics between Uganda and Rwanda in the context of the 2022 outbreak of Ebola (Sudan Virus Disease, SVD) in Uganda. It is part of a series focusing on at-risk border areas between Uganda and four high priority neighbouring countries: Rwanda; Tanzania; Kenya; and South Sudan. The outbreak began in Mubende, Uganda on 19 September 2022, approximately 300 kilometres from the Uganda-Rwanda border. At the time of writing (November 2022) it has spread to nine Ugandan districts, including two in the Kampala metropolitan area. Kampala is a transport hub, with a population over 3.6 million. While the global risk from SVD remains low according to the World Health Organization, its presence in the Uganda capital has significantly heightened the risk to regional neighbours. Rwanda is categorised as Priority 1, with significant preparedness activities underway. As of November 2022, there had been no case of SVD imported from Uganda into Rwanda, although alerts have been triggered at border posts. This brief provides details about cross-border relations, the political and economic dynamics likely to influence these, and specific areas and actors most at risk. It is based on a rapid review of existing published and grey literature, news reports, previous ethnographic research in Rwanda and Uganda, and informal discussions with colleagues from Save the Children, UNICEF, UNECA, UNDP, IOM, TBI, and the World Bank. It was requested by the Collective Service, written by Hugh Lamarque (University of Edinburgh) and supported by Olivia Tulloch (Anthrologica. It was reviewed by colleagues from Save the Children, Anthrologica, the Institute of Development Studies and the Collective Service. This brief is the responsibility of SSHAP.
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Tidd, Alexander N., Richard A. Ayers, Grant P. Course, and Guy R. Pasco. Scottish Inshore Fisheries Integrated Data System (SIFIDS): work package 6 final report development of a pilot relational data resource for the collation and interpretation of inshore fisheries data. Edited by Mark James and Hannah Ladd-Jones. Marine Alliance for Science and Technology for Scotland (MASTS), 2019. http://dx.doi.org/10.15664/10023.23452.

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[Extract from Executive Summary] The competition for space from competing sectors in the coastal waters of Scotland has never been greater and thus there is a growing a need for interactive seascape planning tools that encompass all marine activities. Similarly, the need to gather data to inform decision makers, especially in the fishing industry, has become essential to provide advice on the economic impact on fishing fleets both in terms of alternative conservation measures (e.g. effort limitations, temporal and spatial closures) as well as the overlap with other activities, thereby allowing stakeholders to derive a preferred option. The SIFIDS project was conceived to allow the different relevant data sources to be identified and to allow these data to be collated in one place, rather than as isolated data sets with multiple data owners. The online interactive tool developed as part of the project (Work Package 6) brought together relevant data sets and developed data storage facilities and a user interface to allow various types of user to view and interrogate the data. Some of these data sets were obtained as static layers which could sit as background data e.g. substrate type, UK fishing limits; whilst other data came directly from electronic monitoring systems developed as part of the SIFIDS project. The main non-static data source was Work Package 2, which was collecting data from a sample of volunteer inshore fishing vessels (&lt;12m). This included data on location; time; vessel speed; count, time and position of deployment of strings of creels (or as fleets and pots as they are also known respectively); and a count of how many creels were hauled on these strings. The interactive online tool allowed all the above data to be collated in a specially designed database and displayed in near real time on the web-based application.
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Carriage, Handling and Storage of Dangerous Goods along the Mekong River: Risk Analysis (Volume I). Mekong River Commission Secretariat, 2012. http://dx.doi.org/10.52107/mrc.ajgt3g.

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This report details baseline conditions and determines priority areas to improve the transport of dangerous goods in each of the MRC Member Countries, in relation to ports/terminals, vessels, waterways, legal framework and environment.
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