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1
Englund, Harri. "Love and homophobia in Malawi's spoken-word poetry movement." Africa 91, no. 3 (2021): 361–87. http://dx.doi.org/10.1017/s0001972021000255.
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AbstractBy the early 2010s, a number of Malawian poets in their twenties had begun to substitute the elliptical expression of earlier generations with a language that resonated with popular idioms. As poetry directed at ‘the people’, its medium is spoken word rather than print, performed to live audiences and distributed through CDs, radio programmes and the internet. Crafted predominantly in Chichewa, the poems also address topics of popular interest. The selection of poetry presented here comes from a female and a male poet, who, unbeknown to each other, prepared poems sharply critical of homosexuality and what they regarded as its foreign and local advocacy. The same poets have also gained success for their love poems, which have depicted intimate desires in remarkably compatible ways for both women and men. The poets who performed ‘homophobic’ verse went against popular gender stereotypes in their depictions of romantic love and female and male desires. This introductory essay, as a contribution toAfrica's Local Intellectuals series, discusses the aesthetic challenges that the new poets have launched in the context of Malawi's modern poetry. With regard to gender relations in their love poems, the introduction also considers the poets’ possible countercultural contribution despite their avowed commitment to perform for ‘the people’.
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Thomson, David E. "Lifespan development in the academy of American poets." Scientific Study of Literature 5, no. 1 (2015): 83–98. http://dx.doi.org/10.1075/ssol.5.1.04tho.
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The present study investigated lifespan writing tendencies among members of the Academy of American Poets (N = 411). All original English language poems (N = 2,558) available on the Academy website during 2013 were included provided that each poet was represented by at least two poems. Correlations of the age in which each poet published each poem with established indicators of lifespan development were small to moderate (r’s from -.11 to .16). Contrary to lifespan development for expository and emotionally expressive writing, poets tended to employ past tense and use less emotionally valenced language as they aged. Multilevel analysis revealed no significant relationships between publishing age and maturation outcomes, although that process did indicate various curvilinear relations. I conclude by discussing the implications of automated text analysis on literary analysis of career development.
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Byrne, Deirdre. "NEW MYTHS, NEW SCRIPTS: REVISIONIST MYTHOPOESIS IN CONTEMPORARY SOUTH AFRICAN WOMEN’S POETRY." Gender Questions 2, no. 1 (2016): 52–66. http://dx.doi.org/10.25159/2412-8457/1564.
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Considerable theoretical and critical work has been done on the way British and American women poets re-vision (Rich 1976) male-centred myth. Some South African women poets have also used similar strategies. My article identifies a gap in the academy’s reading of a significant, but somewhat neglected, body of poetry and begins to address this lack of scholarship. I argue that South African women poets use their art to re-vision some of the central constructs of patriarchal mythology, including the association of women with the body and the irrational, and men with the mind and logic. These poems function on two levels: They demonstrate that the constructs they subvert are artificial; and they create new and empowering narratives for women in order to contribute to the reimagining of gender relations.
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Sehrana, A. "AZERBAIJAN-ARABIC MUSIC RELATIONS." East European Scientific Journal 2, no. 6(70) (2021): 7–13. http://dx.doi.org/10.31618/essa.2782-1994.2021.1.70.73.
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The article examines the features of Azerbaijani art and musical culture of the Near and Middle East. Referring to fundamental scientific sources, the author informs about the revival of the Arab world, oriental culture and art in the Middle Ages, characterizes interstate relations of this historical period. Lyric and philosophical poems, love-lyric songs (gazelles), epic and religious legends, odes and praises became the subject of consideration. The work of the great Nizami Ganjavi and other Azerbaijani poets is discussed, their works are analyzed, which reflect the role of music in human life, emphasize its importance in the formation of personality and the impact on his emotional and spiritual-psychological state.
 The author provides examples from musical treatises of great Azerbaijani thinkers, gives a comparative description of these treatises with scientific and theoretical studies of oriental musicologists who lived and worked in the Middle Ages. They are included in the article as paragraphs.
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Dai, Mengjie. "“Oriental” specificity of in the works of A. A. Fet: comparative analysis of the verbless poems of A. A. Fet and ancient Chinese poets." Litera, no. 8 (August 2021): 9–19. http://dx.doi.org/10.25136/2409-8698.2021.8.36090.
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The subject of this research is the works of A. A. Fet, namely verbless poems, which are used as manifestation of his interest in the Orient and ancient Chinese poets. Analysis of A. A. Fet’s works from the perspective of projection on the compositions of Chinese poets and reflection of oriental specificity in his poems is a widespread topic in cross-cultural studies on the peculiarities of the establishment of literature. Multiple Chinese scholars keep seeking similar motifs as the factors mutual interest in depiction landscapes and surrounding reality. The acquired results allow interpreting the works of the poets belonging to different cultures. The scientific novelty of this research lies in combining different opinions on studying the oriental specificity in the poems of A. A. Fet, placing emphasis on the analysis of one his verbless poems. The article presents a compilation of various approaches towards examination of the works of A. A. Fet. The materials can be valuable for those interested in the creative path of the Russian poet. In future structuring the route of interaction and enrichment of knowledge in the field of cross-cultural communication, the obtained result of the works of authors of foreign cultures contributes to the understanding of culture, strengthens relations between the cultures, as well as improves the quality of translation, which is also important in the dialogue of cultures.
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Donskikh, Oleg. "To the Iron Age of Progress (The Image of Economic Life of the Country in Russian Poetry of the XVIII – XIX Centuries)." Ideas and Ideals 12, no. 3-2 (2020): 231–59. http://dx.doi.org/10.17212/2075-0862-2020-12.3.2-231-259.
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The author presents the attitude of Russian poets of the XVIII–XIX centuries to different aspects of economic life based on their works. The poetry of the XVIII century was rigidly differentiated by genre, and it was not supposed to reflect the specifics of economic relations in general. The only exceptions were satirical works whose authors criticized, primarily from the moral side, certain aspects of everyday life, and in particular, the practice of tax collectors. Nevertheless, poets did not do without comments about the socio-economic division of society into separate groups, the significance of certain power decisions for the development of the country’s economy, and, of course, the role of money and trade in the development of society as a whole and in human lives. Some poems contain curious references to international trade, the development of which, especially in the reign of Catherine II, led some poets to hail progress and even characterize this time as a ‘Golden Age’. It is shown how the assessment of the epoch changes during the first half of the XIX century, and how the ‘Golden Age’ is transformed in common opinion into the ‘Iron Age’. The role of economic and socialist theories in the life of society is increasing. A poet of the XIX century descends from the position of an external observer watching the sinful earth and he is horrified to find himself at the mercy of money and related interests, which produce a highly negative effect on morality, subordinating all human aspirations to monetary relations and, therefore, coarsening the soul. We consider the disputes about the progress between the lyric poets and our quite straightforward Westerners. Alexander Blok sums up a certain result of the social orientation towards purely economic relations and the technological progress associated with it in the poem “Retribution”.
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Čerče, Danica. "Redefining Female Subjectivity in Australian Indigenous Women’s Poetry." Acta Neophilologica 55, no. 1-2 (2022): 103–21. http://dx.doi.org/10.4312/an.55.1-2.103-121.
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This article discusses the poetry of Romaine Moreton and Lisa Bellear, particularly the poems in which they address the violence against Aboriginal women and girls. It demonstrates how the two poets’ representation of Australian historical and cultural memory destabilises the continuum of colonial power relations and confronts the ongoing stereotypes of Aboriginal women constructed on the basis of a decidedly racist and misogynistic colonial ethos.
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Zhienbayev, Y., and Z. Asanova. "Expression of the Theme of Kinship and Heroism in the Poems of Fariza Ongarsynova." Iasaýı ýnıversıtetіnіń habarshysy 126, no. 4 (2022): 102–17. http://dx.doi.org/10.47526/2022-4/2664-0686.09.
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The theme of patriotism has a special place in the poems of Fariza Ongarsynova, one of the most popular poets in Kazakh literature in the 1960s. The fiery poems of the poet, who has a tender soul and sharp words, widely describe the past history and heroic events of the nation. People's writer of Kazakhstan, public figure, laureate of the State Prize named after Abai, outstanding poet Fariza Ongarsynova is one of the most famous lyric poets in Kazakh literature, as well as an example for contemporaries and the next generation of poets and writers. The poet, who wrote in various content and won everyone's hearts with her works, was mentioned in various articles and works about her poems. However, all of them were about her literary genre and her aesthetical feature. In this study, we tried to prove that we can use Fariza Ongarsınova’s works as valuable information to study and learn the folklore of Kazakh people. By specifying the folkloric elements in her poems, the way of using them in poetry will be examined. General information will be given by determining the poems written for relative’s names and heroes. “Anany zhoqtau” (The mourning for mother), “Anamen qoshtasu” (Farewell to mother), “Agalar” (Brothers), “Keybir zhengeyler” (Some sister’s in law), “Ake turaly oi” (The thought about father) the importance and relations of kinship in poems and the way they are told in poetry, “Qabanbay Batyr”, “Isataiga” (to Isatai), “Almas qylysh nemese men Mahambetpen qalay kezdestim” (Blade-sword or how I meet Mahambet), “Qyran turaly zhyr” (Epic about an eagle), “Qazaqtyn’ batyrlary” (Kazakh’s heroes) poems will examine the historical heroes of Kazakh people and the way the poet depicts them.
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İÇLİ, Ahmet. "Traces Of The I And The Other In The Nazires (=Similar Poetry): The Journey Of I To We In The Example Of Mustafa Ali's Poetry And The Nazires written for his poetry With "We" Redıf (=Rhyme)." Akademik Dil ve Edebiyat Dergisi 6, no. 3 (2022): 156–65. http://dx.doi.org/10.34083/akaded.1169198.
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It is known that the same or similar poems/works were written within the scope of nazire tradition in classical Turkish poetry. Such poems are basically based on writing a similar or better example of a sample or model poem. It is also important that these poems, which are similar in many ways, show the same feelings, dreams, thoughts and goals. In one aspect, the model poem; It can be thought that it was a source of inspiration or an interpreter for other poets who tried to write a similar poetry. The content of the model poem is a guide for other poets trying to express themselves. In addition, defining and positioning oneself through this model poem is a reflection of different emotions and feelings. It is historically significant that the poems, are a mirror of the living world, can deal with similar subjects. It is important that a poet conveys information about himself, that others find traces of themselves around the same poem, and that they express themselves in this way, in terms of being a manifestation of the reality of the information and feelings given by the poets and the reactions they receive. In the context of nazire poetries, it is possible for each poet to describe her/his "I=self" with "we". In one sense, the " personalities" united around the model poem, form the we-consciousness. While this situation establishes a network of relations in terms of togetherness, they actually convey/describe the others around them There are many signs and indications in the poems in terms of containing the information about the poet. The expressions in which the words "I" and "we" are used are at the forefront of the issues that explain the characteristics of the poets, Gelibolulu Mustafa Ali's poem with "we" redif (rhyme, repeated voices), can be evaluated in this context and can be supported by historical data. This poem also carries clues about Ali's personal attitudes and behaviors, worldview, dreams and emotions. The poems written similar to this poem of Ali are important in that both carry traces of their poets and contain the elements of "I" and "other" around the "we" redif. In this article, the poem of Gelibolulu Mustafa Ali from and the nazires written to his poem will be evaluated in terms of conveying the self/I and other elements within the framework of the nazire tradition and then the content analysis.
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Hurt, Christopher. "Poets—Colonialism." American Foreign Policy Interests 27, no. 5 (2005): 465. http://dx.doi.org/10.1080/10803920500326233.
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Conrad, Rachel. "“We Are Masters at Childhood”: Time and Agency in Poetry by, for, and about Children." Jeunesse: Young People, Texts, Cultures 5, no. 2 (2013): 124–50. http://dx.doi.org/10.3138/jeunesse.5.2.124.
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This essay considers a selection of poetry by, for, and about children in order to explore representations of time and agency. Reading poems across contexts of writers’ age-related social positions and audiences can illuminate poets’ strategies for representing children’s agency in and over time, since representations of time are infused with adult-child power relations. Only poems written by young people conveyed a conception of temporal agency that encompassed characters’ experiences of time as children. The essay concludes by proposing a notion of children’s temporal standpoints that incorporates agency at the levels of action and social role.
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Bwana, Edith. "Has Feminism Changed Women’s Realities in Africa? An Interrogation of the Poems of Ogundipe and Shire." Journal of Humanities and Social Sciences 11, no. 2 (2022): 18–28. http://dx.doi.org/10.56279/jhss.v11i2.2.
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African feminist movements of the 1960’s marked the starting point of debates from the origin of feminism in Africa to its impact on women and the society at large. Literature has from the go been used as a vehicle to reflect the life and its vicissitude on African women. African women writers have used literature as a platform to challenge and re-imagine gender relations within their societies and the continent as a whole. Yet, the question arises: despite half a century’s worth of literary production, has the reality of women, as reflected in literature, changed? This paper thematically interrogates the collection of poems by Molara Ogundipe-Leslie, Sew the Old Days and Other Poems published in 1985, in comparison to Warsan Shire’s Teaching My Mother How to Give Birth of 2011. Both poets are renowned for depicting current issues faced by women and their struggles in patriarchal systems. A thematic analysis allows for the inference of change: do these poets address the same struggles, or has almost thirty-year difference brought about discernible changes?
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Eber, Shirley. "Poets protest." Index on Censorship 19, no. 10 (1990): 18. http://dx.doi.org/10.1080/03064229008534982.
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Choukri, Mohamed. "The poets." Index on Censorship 25, no. 6 (1996): 105–6. http://dx.doi.org/10.1080/03064229608536157.
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Komilovna, Khaydarova Dildora. "The Literary Relations In Uzbek And German Poetry." American Journal of Social Science and Education Innovations 02, no. 12 (2020): 294–97. http://dx.doi.org/10.37547/tajssei/volume02issue12-51.
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Our Uzbek classical poetry has a special role in the world literature as its ideological and artistic maturity and the richness of its genres as well. The names of such poets as Alisher Navoi, Firdavsi, Jami, Hafiz, Nizami, Umar Khayyam and Babur who were recognized as great figures, have been rediscovered and continue to have an impact on world poetry. In this regard, many great epics of Oriental literature have been studied and translated into European languages. In this article, I will discuss the literary relations in Uzbek and German poetry.
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Deudney, E. "The archetypal mandala: Visions of the self in the poetry of Coleridge, Eliot and Breytenbach." Literator 15, no. 2 (1994): 159–82. http://dx.doi.org/10.4102/lit.v15i2.669.
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This paper is a preliminary survey of the visions of the s e lf in poetry. It is concerned with the transformation of consciousness as depicted by each of the three poets a Romantic, a Modernist and a Postmodernist poet respectively and expressed in specific poems with a cyclical nature. The romantic poet Coleridge's “The Rime of the Ancient Mariner” is taken as the first example. It is found to be an allegory of the metamorphosis of the poet’s temporal subjective consciousness into an ‘eternal ’ subject position in the narrated text. Eliot’s "Four Quartets" exemplifies the Modernist mode of consciousness as an 'anironic vision of unity' achieved by adhering to a religio-aesthetic meta-narrative. Breytenbach (1988:115) calls his volumes of prison poetry "The Undanced Dance". Taken as a whole "The Undanced Dance" has a structure which concurs with what Brodey (1971:4) calls "an Einsteinian time-space form of relations” and lures its readers into the trap of falling into postmodern quantum consciousness.
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Sanatan, Amílcar. "High Time to Break Up the Boys’ Club: The Gendered Politics of Spoken Word and Open Mic Spaces in Trinidad and Tobago." Caribbean Journal of Education 43, no. 1 (2021): 109–28. http://dx.doi.org/10.46425/c074301x535.
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The increased visibility of spoken word in media, public campaigns, and literary festivals demands critical attention to the social organisation of the art form, movement, and space. This paper explores the gendered politics of spoken word and open mic spaces in Trinidad and Tobago since 2000. Based on semi-structured interviews with spoken word poets and open mic organisers, this article discusses the unequal gender power relations between male and female spoken word poets in open mic events. I argue that unredressed gender stereotypes and male privilege contextually marginalise female spoken word poets and maintain the posture of “power” for male spoken word poets and organisers in the movement.
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Marques, Francisco Cláudio Alves, and Gustavo Henrique Alves de Lima. "Luiz Gama e Leandro Gomes de Barros em Perspectiva Dialógica." Revista Educação e Emancipação, no. 1 (October 9, 2017): 89. http://dx.doi.org/10.18764/2358-4319.v10n3p89-110.
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Neste artigo pretendemos investigar as possíveis relações dialógicas intertextuais que os poemas satíricos de Luiz Gama (1830-1882) e Leandro Gomes de Barros (1865-1918) estabelecem entre si bem como com a tradição oral e escrita da sátira, na qual os textos de ambos se inscrevem. Devem ser levadas também em consideração as relações dialógicas polifônicas – ou embates de vozes – que os textos destes poetas estabelecem com os discursos instituidores de “verdades” sobre as sociedades das quais fazem parte. Neste segundo tópico pretendemos investigar, em alguns poemas selecionados, como cada poeta respondeu às demandas de seu tempo, sobretudo políticas e sociais, que lhes foram apresentadas.Palavras-Chave: Leandro Gomes de Barros. Luiz Gama. Sátira. Luiz Gama and Leandro Gomes de Barros in Dialogical PerspectiveABSTRACTIn this article we intend to investigate the possible intertextual dialogical relations that the satirical poems of Luiz Gama (1830-1882) and Leandro Gomes de Barros (1865-1918) establish with each other as well as with the oral and written tradition of satire, in which the texts of both are inscribed. The polyphonic dialogical relationships - or clashes of voices - that these poets’ texts establish with the discourses that institute "truths" about the societies of which they are part must also be taken into account. In this second topic we intend to investigate, in some selected poems, how each poet responded to the demands of his time, especially political and social, that were presented to them.Keywords: Leandro Gomes de Barros. Luiz Gama. Satire.Luiz Gama y Leandro Gomes de Barros en Perspectiva DialógicaRESUMENEn este artículo pretendemos investigar las posibles relaciones dialógicas intertextuales que los poemas satíricos de Luiz Gama (1830-1882) y Leandro Gomes de Barros (1865-1918) se establecen entre sí así como con la tradición oral y escrita de la sátira, a la cual los textos de ambos se inscriben. Se deben tomar también en consideración las relaciones dialógicas polifónicas – o embates de voces – que los textos de estos poetas establecen con los discursos institucionalizados sobre las sociedades de las cuales forman parte. En este segundo tema pretendemos investigar, en algunos poemas seleccionados, cómo cada poeta respondió a las demandas de su tiempo, sobre todo políticas y sociales, que les fueron presentadas.Palabras clave: Leandro Gomes de Barros. Luiz Gama. Sátira.
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Berryman, Jim, and Caitlin Stone. "Australian National Anthologies: A Study of Poems and Poets." Journal of Australian Studies 41, no. 1 (2017): 47–64. http://dx.doi.org/10.1080/14443058.2016.1272477.
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Frary, Mark, and Ko Ko Thett. "Dead poets’ society." Index on Censorship 50, no. 2 (2021): 95–99. http://dx.doi.org/10.1177/03064220211033805.
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Vladislav, Jan. "Poets and Power." Index on Censorship 14, no. 2 (1985): 8–12. http://dx.doi.org/10.1080/03064228508533856.
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Athayde, Manaíra Aires. "Leitura das leituras em marginalia: uma conversa entre poetas / Reading of Readings on Marginalia: A Conversation Between Poets." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 4 (2019): 315. http://dx.doi.org/10.17851/2358-9787.28.4.315-343.
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Resumo: Ao investigarmos o espólio de Ruy Belo (1933-1978), considerado um dos mais importantes poetas portugueses do século XX, deparamo-nos com várias anotações em dois livros que, como se pode observar pela marginalia, foram bastante significativos para o autor: Só, de António Nobre (1867-1900), uma das obras expoentes da geração finissecular em Portugal; e Antologia Poética, reunindo poemas de Manuel Bandeira (1886-1968) escolhidos por ele mesmo. Partindo dos apontamentos feitos por Ruy Belo naqueles livros, pretendemos mostrar como tais registros podem nos ajudar a encontrar caminhos para reler a obra beliana e entender melhor o diálogo que o poeta manteve com outros autores. Dessa maneira, queremos reivindicar o papel que os testemunhos de leitura podem desempenhar na análise de uma obra literária e na investigação das relações intertextuais que, com base nessas inscrições materiais, conseguimos estabelecer.Palavras-chave: Ruy Belo; António Nobre; Manuel Bandeira; anotações em marginalia; relações intertextuais.Abstract: When investigating the archive of Ruy Belo (1933-1978), considered one of the most important Portuguese poets of the 20th century, we found several notes on marginalia in two books that proved to be very significant for his work: Só by António Nobre (1867-1900), one of the exponent works of the end-of-century generation in Portugal; and Antologia Poética by Manuel Bandeira (1886-1968), with poems chosen by him. Considering these notes, we intend to show the ways in which these material inscriptions can help us reread his work and better understand the consequences of the dialogue he has maintained with other writers. In doing so, we want to claim the role that the reading testimonies can play in the analysis of a literary work and in establishment of intertextual relations from these material inscriptions.Keywords: Ruy Belo; António Nobre; Manuel Bandeira; notes on marginalia; intertextual relationships.
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Athayde, Manaíra Aires. "Influências de Manuel Bandeira, Carlos Drummond de Andrade e João Cabral de Melo Neto na poesia de Ruy Belo." Revista do Centro de Estudos Portugueses 33, no. 50 (2013): 11. http://dx.doi.org/10.17851/2359-0076.33.50.11-56.
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<p>Este ensaio tem o objetivo de reconhecer influências de três dos principais poetas brasileiros do século XX na poesia de Ruy Belo, tentando perceber de que forma as produções de Manuel Bandeira, Carlos Drummond de Andrade e João Cabral de Melo Neto foram assimiladas nos mecanismos de criação do poeta português. Reflete-se sobre várias dinâmicas de intertextualidade, voluntárias e não voluntárias, desde relações de ordem temática, ecfrástica ou de transposição poética, contextualizando-as no discurso poético de Ruy Belo.</p><p>This essay aims to recognize influences of three major Brazilian poets of the twentieth century in the poetry of Ruy Belo, trying to understand how the production of Manuel Bandeira, Carlos Drummond de Andrade and João Cabral de Melo Neto was assimilated into mechanisms of creation of the Portuguese poet. It is reflected on various dynamics of intertextuality, voluntary and non-voluntary, as thematic relations, ekphrastic or poetic transposition, contextualizing them in the poetic discourse of Ruy Belo.</p>
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Shapovalova, A. A. "No, I’m not… Chaucer? The Arabic motif in Troilus and Criseyde and Pushkin’s ‘The Prophet’ [‘Prorok’]." Voprosy literatury, no. 4 (August 19, 2021): 140–53. http://dx.doi.org/10.31425/0042-8795-2021-4-140-153.
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The article discusses two works of literature: Troilus and Criseyde, a long poem written in the genre of courtly romance (1382–1386/1387) by G. Chaucer, and ‘The Prophet’ [‘Prorok’] (1826), a poem by A. Pushkin. The two works are compared due to a common motif: the opening of the chest and swapping of the heart as a sign of the person’s spiritual regeneration. In her comparative analysis of the two poems, the author attempts to identify their common source or the likelihood of direct contact — whether Pushkin had come across Chaucer’s work and borrowed the motif directly. As for the heart being replaced, it seems both poets may have been inspired by several biblical stories. Further analysis of the motif of the chest being opened suggests that the research should focus on the Arabic tradition alone and take into account the potential influence of Islamic religious texts on Pushkin as well as Chaucer. Relying on the available data about Russian and European relations with the Arabic world, the article hypothesises about the ways in which the motif in question could have reached each of the poets. The author names the Quran as the common genetic source of the two poems.
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Ustinov, Andrei B. "Alexander Blok and Nikolai Gumilev in the Petrograd Union of Poets." Rhema, no. 2, 2020 (2020): 18–59. http://dx.doi.org/10.31862/2500-2953-2020-2-18-59.
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In this article, the author proposes a detailed reconstruction of the history of the Petrograd Union of Poets, which was established with an avid participation of both Alexander Blok and Nikolai Gumilev. The author focuses his attention on their literary and organizational activities within the framework of the Union of Poets, as well as on their professional relations that have now become a subject of several myths created by unreliable memoirs and supported by the poets’ credulous biographers. The article is based on archival materials, magazine reviews and newspaper chronicles from 1920–21. The author also uses Blok’s Notebooks, heavily censored in the Soviet times but now made available in autographs.
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Хасан, Вежди. "РЕЛИГИОЗНИ ЕЛЕМЕНТИ В ТУРСКАТА ПОЕЗИЯ СЛЕД ТАНЗИМАТА". Годишник на Шуменския университет. Факултет по хуманитарни науки XXХII A, № 1 (2021): 75–89. http://dx.doi.org/10.46687/jhds5061.
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Turkish poets turn to religious topics immediately after converting to Islam. The orientation towards Western literature led to the adoption of the poetic forms. Society's worldview changed. After the Tanzimat, the religious elements continued to be present in Turkish literature, but through the prizm of social relations in Turkish society. The authors found inspiration in the religious images in the holy books. Both their hardships and their personal virtues were described. The poets emphasized their determination and steadfastness in the name of good. They set personal examples of modesty, tolerance, strength and self-sacrifice. Through the religious images, poets sent messages to the modern people.
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Pomerantsev, Igor. "Raw Meat." Index on Censorship 16, no. 5 (1987): 7–8. http://dx.doi.org/10.1177/030642208701600503.
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Mohammad, Ghada A., and Wafaa A. Abdulaali. "Mahmoud Darwish and Tanure Ojaide." Ars & Humanitas 14, no. 1 (2020): 41–53. http://dx.doi.org/10.4312/ars.14.1.41-53.
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Darwish, the spokesman of Palestine, and Ojaide, the voice of Nigeria, are endowed with a faculty for articulating a message, a vision or an opinion for their nations. They are intellectuals essentially tied to the needs of their communities. Both poets belong to countries that witnessed different types of political, economic, and social turmoil. They inspire the oppressed nations to persist in their struggles against the regimes which deprive them of their right to live happily and peacefully. Darwish experienced many displacements that turned him into an embodiment of exile, in both existential and metaphysical terms, beyond the external, and the metaphorical, in his interior relations with self and poetry. His poetry of exile mirrors the socio-political atmosphere under the Israeli occupation. He utilizes poetry as a weapon in his fight to achieve freedom and independence. Similarly, Ojaide’s poetry is engaged with the crises of his homeland, the Niger Delta. He belongs to the generation of Nigerian writers who used their literary productions as a weapon against social injustice and an instrument in resisting imperialism. To him, there is a direct relationship between literature and social institutions. The principal function of literature is to criticize these institutions and eventually bring about desirable changes in society. This study aims at examining Darwish and Ojaide as poets of exile by observing their exilic experiences and investigating certain poems that typically help dive into their external and internal sense of displacement. The study also highlights the concepts of home and homelessness. It brings to light the poets’ deep yearning for a sense of belonging and their insistence on regaining the motherland toward which they show a profound attachment and permanent commitment. They use words as a therapeutic means to compensate for the lack of a physical homeland. A comparison between the two poets is also provided.
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Yargoni, Perikli. "Dead poets translation society." Index on Censorship 21, no. 9 (1992): 17–18. http://dx.doi.org/10.1080/03064229208535431.
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Menelaou, Iakovos. "‘My Verses Are the Children of My Blood’: Autobiography in the Poetry of Kostas Karyotakis." International Journal of Comparative Literature and Translation Studies 5, no. 3 (2017): 5. http://dx.doi.org/10.7575/aiac.ijclts.v.5n.3p.5.
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Kostas Karyotakis (1896-1928) is one of the most important Modern Greek poets. His poetry not only influenced several other poets, but it also attracted critics’ interest. Former critics dealt with Karyotakis’ poetry and spoke about the relation between life and work in his poems. Nevertheless, they did not analyse extensively certain poems, which reflect clearly the poet’s personal experience. In addition, other critics attempted to analyse and see Karyotakis’ poems as independent entities, isolated from the poet’s life. While the results of such an approach were interesting, indeed, in fact they do not show the real meaning of the poems. Although such theories are useful and productive, when reading poets who made their life an important part of their poetry, biography is a key element for the interpretation of their works; thus a New Historicism approach is preferred. My purpose in this paper is to show the close relation between life and work in Karyotakis’ poetry through a parallel focus on life and poetry. Going beyond the results of previous critique, I intend to show how Karyotakis’ poetry alludes to his personal experience.
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Portnova, Tatjana V., and Roman S. Voitekhovich. "Literary sources of the image of Spain in the works by Marina Tsvetaeva." Vestnik of Saint Petersburg University. Language and Literature 19, no. 2 (2022): 272–90. http://dx.doi.org/10.21638/spbu09.2022.204.
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This paper analyzes literary sources of Spanish themes in the poetry of M.Tsvetaeva. The Spanish theme in Russian culture and Russian-Spanish relations have been fruitfully studied for a long time, but insights of this scholarship are rarely applied to Tsvetaeva’s works (generally when speaking about the images of Carmen and Don Juan, or about the Federico Garcia Lorca translations). Despite the fact that there are many works about the reception of different countries by Tsvetaeva, there are no studies analyzing Spain throughout the poet’s work. But Spanish motives appear in one of the first poems of Tsvetaeva, “The Street woke up”, and the last year of poet’s life is related to the translations of Garcia Lorca. For the first time, this paper takes a panoramic view of the author’s Spanish texts and reveals their literary basis. Among the sources identified we find the texts of Spanish literature and folklore that Tsvetaeva read in translation: folkloric songs, plays by P.Calderon, M.Cervantes, F.Garcia Lorca, etc. But the corpus of non-Spanish sources is much more extensive: here we have the works of Russian poets (A.Pushkin, A.Tolstoy, S.Parnok, P.Antokolsky and others) and foreign authors (P.Merimee, V. Sardou, J. Sand, G.Aguilar, O.Wilde and others). We conclude that Tsvetaeva’s image of Spain is a variant of the European Spanish myth. It has a heterogeneous character and is formed by sources of polyethnic origin.
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Bartky, Elliot. "Aristotle and the Politics of Herodotus's History." Review of Politics 64, no. 3 (2002): 445–68. http://dx.doi.org/10.1017/s0034670500034975.
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In the Poetics, Aristotle criticizes Herodotus by claiming that poetry is more philosophical and more serious than history. Aristotle's remark may be understood as a defense of poetry against Herodotus's attempt to supplant the political teaching of the poets and the wise men. Aristotle aligns poetry with philosophy because the poets' political teaching serves the city at the same time that it anticipates political philosophy. In the second section of the article Herodotus's quarrel with the political teaching of the poets, especially Homer, is considered in light of Aristotle's account of the poets. Approaching Herodotus in this manner underscores the significance, for Aristotle, of the politics of Herodotus's History. The third section of the article begins with a discussion of Herodotus's indebtedness to, and difference from, the pre-Socratic philosophers, and goes on to consider Herodotus's quarrel with the wise men. Herodotus's quarrel with the poets and the wise men provides us with a better idea of why Aristotle sought to associate poetry with philosophy, and distinguish them from history.
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Filatov, Anton V. "“As if we have exchanged our fates with you”: artistic dialogue between N.S. Gumilev and S.M. Gorodetsky." Philological Sciences. Scientific Essays of Higher Education, no. 5 (September 2022): 89–96. http://dx.doi.org/10.20339/phs.5-22.089.
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The article examines the poems of N.S. Gumilyov and S.M. Gorodetsky, forming an artistic dialogue that reflects the development of their literary relations during the existence of the literary association “The Guild of Poets” and Acmeism founded by them. It is noted that most of this dialogue is presented on the pages of the literary magazine “Hyperborean” (1912–1913), which was the printing organ of “The Guild”. The aim of the work is to show how the theoretical provisions of Acmeism are embodied in the works of its leaders dedicated to each other. The unifying idea of Gorodetsky’s poems “Since in Flame and Smoke…” and Gumilyov’s “To Departing One” is the idea of exchanging the fates. It is intended to demonstrate to demonstrate the dialectical unity of two syndics’ aesthetic views, in a situation where mutual influence transforms the personality and creativity of both poets. It is shown for the first time that the intensification of contradictions between Acmeists led to the destruction of this dialogue, which at the textual level was reflected in the change of the named poems when they were re-published in a book edition. It is concluded that there is a significant difference between the magazine and book versions of the works, which arises both by changing the text and by placing it in a new context. As a result, the semantic connections of the poem with its original environment are leveled. Since the book of poems, as a rule, publishes the final version of the work, this allows the author to exclude its original version from the literary process.
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L., Latifah. "Cultural Values in The Poetry of Cianjur Poets." Alinea: Jurnal Bahasa, Sastra, dan Pengajaran 1, no. 3 (2018): 142. http://dx.doi.org/10.35194/alinea.v1i3.366.
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This article will discuss cultural values in the poetry of Cianjur poets. The method used in this research is descriptive method. Data sources are two anthologies of poetry, namely "Selalu Ada Rindu" a collaborative work of the poets of Cianjur and "Jejak" by Edwar Maulana. From the analysis, results of research are obtained, those are, there are 10 cultural values relating to the nature of human life: weir of evil, tawadhu, sympathy, khusyu, pray, tawakal, tasyakur, arraja'a, wisdom, and preventing persecution. Human work has 7 cultural values, namely business, provision, preventing persecution, creating, adding knowledge/insight, courage and ideals. Human position in space and time has 8 cultural values, namely sympathy, peace, arraj'a, love of nature, tasyakur, love, solemnness, effort and provision. Human relations with natural surroundings has 7 cultural values namely loving nature, sympathy/feeling what others feel, ideals, peace, perseverance, and exploiting nature. Then human relations with each other have 11 cultural values namely courage, love, prayer, provision, ideals, creating, endeavoring, respecting, tasyakur, khusyu, and utilizing nature.Keywords: cultural value, poetry, poet, Cianjur
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Asatryan, Karina. "Metrical Relations Between Siamanto’s Poetry and Medieval Armenian Verse." Armenian Folia Anglistika 6, no. 1-2 (7) (2010): 169–75. http://dx.doi.org/10.46991/afa/2010.6.1-2.169.
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Siamanto’s poetry is closely connected with the metrical characteristics of medieval poetry. Writing in accordance with the basic structural standards of free verse he connected the poetic meters of Armenian medieval lyrical poetry with various stylistic elements of modern poetry of the start of the century. The article presents poetic meters which were used by both several medieval poets, and Siamanto. The structural changes carried out by Siamanto have also been partly addressed in the present article.
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Elbir, N. Belgin. "DECOLONIZING THE IMPERIAL CENTRE: IMAGES OF LONDON IN BLACK BRITISH POETRY." Годишник на Шуменския университет. Факултет по Хуманитарни науки XXXIIIA, no. 2 (2022): 392–402. http://dx.doi.org/10.46687/jmmk5254.
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This article examines the imaginative decolonization of London by black British colonial and postcolonial poets since the early twentieth century. After explaining the place and role of London as occupying a significant place in the relations between poetry and decolonization, the article engages with the work of selected black British poets who arrived from (post)colonial countries in London prior to and during the period of formal decolonization following the Second World War, and their descendants writing in the late century. The aim of the article is to explore, in the light of cultural theorist Stuart Hall’s theorizing and understanding of cultural identity, how these poets have imaginatively represented and re-constructed the British metropolis as a location of resistance and change, and articulated their sense of migrant, diasporic and transcultural identities.
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Sarker, Jahidul Islam, Tariquil Islam, Mostafa Faisal, and Ayesha Akter. "Turkey-Bangladesh Relations from a Historical Perspective: The Contribution of Siraj and Nazrul to The Turkish War of Independence." CenRaPS Journal of Social Sciences 4, no. 1 (2022): 56–72. http://dx.doi.org/10.46291/cenraps.v4i1.75.
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Turkey and Bangladesh are two Muslim countries who have shared a long history of friendship. The purpose of this study is to evaluate the contribution of two famous Bangladeshi poets Ismail Hossain Siraj and Kazi Nazrul Islam during the Turkish War of Independence. By content analysis of works of Siraji and Nazrul and evaluating rare documents from Turkish archives, we have highlighted in this study the contributions of these two poets of Bangladesh during the Turkish War of Independence. The study found that Ismail Hossain Siraj played an important role as the only member of the medical delegation of Indian Muslims sent to the Balkan Wars. He sent news from the battlefield to the newspapers of Bangladesh. Later, during the Turkish War of Independence, Siraji played a crucial role in the Khilafat Committee of Bengal. Kazi Nazrul, his first newspaper in the Nabajog, regularly covered the battlefields of Turkey. Nazrul wrote Ranveri poem in support of the Turkish War of Independence. Similarly, Kamal Pasha poem was written by Nazrul on the conquest of Turkey. Recognizing the contribution of two Bangladeshi poets in the Turkish War of Independence, the study seeks to foster strengthen the historical foundation of Turkish-Bangladesh relations.
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Giv, Ahmad Lamei, and Majid Shahbazi. "A Comparative Study of Modernism in the Poems of Forough Farrokhzad and Adunis." Theory and Practice in Language Studies 6, no. 7 (2016): 1377. http://dx.doi.org/10.17507/tpls.0607.07.
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Clash of the West with East countries (Iran, Lebanon and Syria) was a factor in changing the structure of Eastern societies, resulting in the emergence of political and social developments like constitutional movements. There are undeniable similarities between Arabic and Persian poetry because of the long historical ties, similar political and social contexts, close cultural backgrounds and the influence of European culture on their literatures. After the literary revolution occurred under the influence of European culture and literature, attention to modernism is a common approach used by Persian and Arabic poets. In both Arabic and Persian literature, Modern poet expresses his surrounding issues according to the needs of the community. Attention to the culture of the West is a common point closing Forough Farrokhzad and Adunis as two contemporary poets. Due to the different cultural and intellectual situations as well as the degree of their familiarity with the West, they have differences and similarities in the methods and the effects of modernization in the West. Using a descriptive-analytical approach, this article will show that Forough and Adunis have used modern manifestations such as secularism, feminism, nihilism, freedom, deconstruction, city and nationalism in their poems due to their relations with the West under the influence of cultural-political developments in their own societies.
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Van Dinh, Doan, and Basil Fernando. "Two Poets in Hong Kong." Index on Censorship 19, no. 7 (1990): 25–26. http://dx.doi.org/10.1080/03064229008534902.
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Babnis, Tomasz. "Iranian Themes in the Poetry of Statius." Classica Cracoviensia 21 (July 2, 2019): 5–30. http://dx.doi.org/10.12797/cc.21.2018.21.01.
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Publius Papinius Statius was one of the most important poets of the Flavian Age. His works (Thebais, Silvae and unfinished Achilleis) became the object of great interest of scholars. One of the issues of Statian poetry that was so far ignored by scholars was its image of the East and Easterners. Among them the Iranian world (first of all Parthian empire) is the one that deserves special interest because of the importance of relations between Rome and Parthia as well as the old literary tradition concerning Persia, Parthia etc. Although this matter is of marginal importance in Statius, there are a lot of references to Iranian themes in Thebais and Silvae. Some of them are connected with military and political relations with Rome (esp. the Armenian War in the times of Nero), while some refer to ethnographic tradition and traditional image of Achaemenid Persia. In these passages we can find great influence of Augustan poets, Horace in particular.
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YASUDA, Akio, and Misa ONUMA. "A method of similary retrieval by using knowledge base of word relations. To classificate "100 poems by 10 poets"." Journal of Information Processing and Management 41, no. 7 (1998): 517–28. http://dx.doi.org/10.1241/johokanri.41.517.
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Salomon, Richard. "Concatenation in Kālidāsa and Other Sanskrit Poets." Indo-Iranian Journal 59, no. 1 (2016): 48–80. http://dx.doi.org/10.1163/15728536-05901002.
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Concatenation, that is, the linking of successive verses of a poem by the repetition of the same or similar words, has been discussed by several scholars in relation to Vedic and Prakrit poetry, but other than a ground-breaking article published by W. Schubring in 1955, it has been insufficiently studied in classical Sanskrit kāvya. This article argues that a particular form of concatenation, involving long-distance word repetition across as many as five or even ten verses, is characteristic of the works of Kālidāsa in particular but also of Sanskrit poets in general. Like Schubring’s article, this one focuses on the Meghadūta, but uses a broader definition of scope of concatenation.
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Vincent, Esther Xueming. "Ecofeminist Poetry as Living on Earth with Attention and Care." Trumpeter 38, no. 1 (2023): 23–45. http://dx.doi.org/10.7202/1095384ar.
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The article explores ecofeminism as intersectional, founded upon a politics of relations. Through an ecofeminist re-reading of Eavan Boland’s “Anna Liffey” and Grace Nichols’ “Hurricane Hits England”, the article discusses how these women poets remake geographies to locate themselves in time and place as kin to other person-beings.
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Meydani, Assaf, and Nadir Tsur. "Poetry and poets in the public sphere." Israel Affairs 20, no. 2 (2014): 141–60. http://dx.doi.org/10.1080/13537121.2014.889889.
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Weinberger, Eliot. "Public funds make and break poets." Index on Censorship 19, no. 1 (1990): 6–7. http://dx.doi.org/10.1080/03064229008534751.
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Han, Christina. "Turning Songs into Poems and Poems into Songs: Intersections of Literary Sinitic and Vernacular Korean in Chosŏn Literature." Sungkyun Journal of East Asian Studies 21, no. 2 (2021): 211–35. http://dx.doi.org/10.1215/15982661-9326219.
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Abstract This article investigates the dynamic intersections of Literary Sinitic and vernacular Korean and their impact on the innovations in poetry and song in fifteenth- through nineteenth-century Chosŏn Korea. More specifically, it traces the evolution of poetry or song discourse and explores the different strategies employed by Chosŏn poets and songwriters to render oral songs into text. It also investigates the differing views on the function of poetry and song, musical and textual preservation, and emotional and lyrical immediacy, which influenced the composition and translation of song-poems. The article probes the creative collaboration and competition between Literary Sinitic and vernacular Korean, and the fluid relations between translation and vernacularization. On the whole, it explores the ways in which the evolution of poetry-song discourse and the ensuing literary innovations contributed to Chosŏn's complex linguistic ecology.
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Lees, Clare A., and Gillian R. Overing. "Birthing Bishops and Fathering Poets: Bede, Hild, and the Relations of Cultural Production." Exemplaria 6, no. 1 (1994): 35–65. http://dx.doi.org/10.1179/exm.1994.6.1.35.
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Marahayu, Nila Mega, Octaria Putri Nurharyani, and Bivit Anggoro Prasetyo Nugroho. "HABITUS DAN LINTASAN DHARMADI DALAM EKSISTENSI KEPENYAIRAN SASTRA BANYUMAS." Bahtera Indonesia; Jurnal Penelitian Bahasa dan Sastra Indonesia 7, no. 2 (2022): 378–91. http://dx.doi.org/10.31943/bi.v7i2.161.
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literature’s treasures. Therefore, it is necessary to study in full by examining the poet's biography, relations and acknowledgement, as well as awards and ideological thoughts of the poets. Dharmadi is a part of the local literature of Banyumas’ poet by instilling and determining his position as a poet with a long process to gain legitimacy. The purpose of this study is to perpetuate the assets of Banyumas' local literary treasures and provide the alternative resources in viewing Banyumas literature from the genre of poem and poetry. This study uses a qualitative descriptive method with the theory is the sociological literary criticism of the cultural production arena by Pierre Bourdieu. The results of this research show that the habitus and trajectory are strong supporting factors in Dharmadi's existence of the literary poetry in Banyumas arena. Dharmadi's habitus consists of three elements; historical products habitus, preconscious habitus, regular and patterned habitus. In addition, finding the trajectory of Dharmadi which is individual as a route in the poet's journey to reach the position of the poet in the arena of Banyumas cultural production.
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Pinch, William R. "Who Killed Arjun Singh?" Comparative Studies of South Asia, Africa and the Middle East 42, no. 2 (2022): 370–80. http://dx.doi.org/10.1215/1089201x-9987853.
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Abstract In this essay William R. Pinch probes whether and how we might understand early Hindi poetry as a form of history, a theme that Allison Busch explored in a series of essays. His focus is on two late eighteenth-century poems that Allison, Dalpat Rajpurohit, and Pinch translated between 2009 and 2017, especially on the climactic event of the poems: the killing and beheading of the Rajput Arjun Singh by Anupgiri Gosain (a.k.a. Himmat Bahadur). In the course of the essay Pinch describes two visits to eastern Bundelkhand in search of traces of the events and personalities described in the poems. These journeys revealed convincing evidence, in the form of oral tradition, that Arjun was killed by his kinsmen (and not by Anupgiri). Though this necessarily complicates a straightforward reading of early Hindi poetry as history, it also prompts further reflection on why the poets depicted the killing of Arjun in the manner they did—and on the implications for the multilayered historical truth claims of Hindi poetry.
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Amineva, Venera R. "Translation as a form of representation of the cultural boundaries." Philological Sciences. Scientific Essays of Higher Education, no. 6s (November 2022): 84–92. http://dx.doi.org/10.20339/phs.6s-22.084.
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Based on the material of the translation of poems of Tatar poets of the 60s, made by R. Kozhevnikova, the features of the representation of hybrid identity, which is carried out both “within”, “inside” homogeneous culture, and “on the boundaries”, “between” different traditions are studied. Unlike other Russian-speaking poets-translators such as R. Bukharaev, who is painfully experiencing a crisis of his identity, R. Kozhevnikova feels an organic involvement in the traditions of both Tatar and Russian cultures. It is concluded that in R. Kozhevnikova’s lyrics and in her translations of Tatar poetry, there is a synthetizing tendency focused on overcoming the boundaries between different historical and cultural meanings. But unlike the original works, which have specific accentuation and actualize ordinary relations between the word and the reality defined by it, in translated texts there are not identical value and semantic horizons. The means of clarifying the original text used by the translator as a form of inter-literary dialogue are described. It is stated that the transformation of an “alien” verbal and artistic practice in a “different” / “own” in the translation process is followed by the strengthening of the emotional and suggestive component of the text, its musical and sound, rhythmic and intonational instrumentation carried out by means of the Russian language, the development of subjective situation which makes the basis of the work, identification with the genres familiar to the Russian-speaking reader.