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Books on the topic 'Relationship between art and politics'

Author: Grafiati

Published: 22 February 2023

Last updated: 25 February 2023

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1

Kwŏllyŏk kwa misul: Taehan Minʼguk che 1-Konghwaguk ŭi kwŏllyŏk kwa misul = The power and art : a study on the relationship between power under the first regime of Korea and art. Sŏul: Akʻanet, 2009.

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Kwŏllyŏk kwa misul: Taehan Minʼguk che 1-Konghwaguk ŭi kwŏllyŏk kwa misul = The power and art : a study on the relationship between power under the first regime of Korea and art. Sŏul: Akʻanet, 2009.

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3

Kwŏllyŏk kwa misul: Taehan Minʼguk che 1-Konghwaguk ŭi kwŏllyŏk kwa misul = The power and art : a study on the relationship between power under the first regime of Korea and art. Sŏul: Akʻanet, 2009.

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4

Pāknam, Nō̜ Na. The relationship between the art and history of the Thai people. Bangkok: Office of the National Cultural Commission, 1985.

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5

Schwarz, Daniel R. Reconfiguring modernism: Explorations in the relationship between modern art and modern literature. Basingstoke: Macmillan, 1997.

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6

Schwarz, Daniel R. Reconfiguring modernism: Explorations in the relationship between modern art and modern literature. New York: St. Martin's Press, 1997.

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7

Gittins, Karen. A DISCUSSION OF THE CONCEPTS OF SPORT AND ART AND THE RELATIONSHIP BETWEEN THEM. Cardiff: S.G.I.H.E., 1986.

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8

Khrushcheva, Nina L. Imagining Nabokov: Russia between art and politics. New Haven: Yale University Press, 2007.

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9

Singaram, I. DMK, relationship between leaders and members. New Delhi: Intellectual Pub. House, 1996.

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10

O'Doherty, Brian. Studio and cube: On the relationship between where art is made and where art is displayed. New York: Columbia University, 2007.

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11

O'Doherty, Brian. Studio and cube: On the relationship between where art is made and where art is displayed. New York: A Buell Center / FORuM Project Publication, 2007.

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12

Wickhamsmith, Simon. Politics and Literature in Mongolia (1921-1948). NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462984752.

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Politics and Literature in Mongolia (1921-1948) investigates the relationship between literature and politics during Mongolia’s early revolutionary period. Between the 1921 socialist revolution and the first Writers’ Congress held in April 1948, the literary community constituted a key resource in the formation and implementation of policy. At the same time, debates within the party, discontent among the population, and questions of religion and tradition led to personal and ideological conflict among the intelligentsia and, in many cases, to trials and executions. Using primary texts, many of them translated into English for the first time, Simon Wickhamsmith shows the role played by the literary arts — poetry, fiction and drama — in the complex development of the ‘new society’, helping to bring Mongolia’s nomadic herding population into the utopia of equality, industrial progress and social well-being promised by the Mongolian People’s Revolutionary Party.

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13

American Dance Therapy Association (conference) (23rd 1988 Baltimore, Maryland). The moving dialogue: A dance between art science politics. Columbia, Maryland: American Dance Therapy Association, 1988.

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14

Ngaosīvat, Mayurī. Kith and kin politics: The relationship between Laos and Thailand. Manila, Philippines: Journal of Contemporary Asia Publishers, 1994.

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15

Selwood, Sara. Substance & shadow: An enquiry into the relationship between the statutory education sector and London's visual arts organisations. (London): London Arts Board, 1992.

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16

Selwood, Sara. Substance and shadow: An enquiry into the relationship between the statutory education sector and London's Visual ArtsOrganisations. London: London Arts Board, 1992.

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17

Marshall, Andrea. The art of selling: An investigation into the relationship between museums and department stores. London: LCP, 2002.

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18

Golan, Romy. Modernity and nostalgia: Art and politics in France between the wars. New Haven: Yale University Press, 1995.

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19

Kindred strangers: The uneasy relationship between politics and business in America. Princeton, N.J: Princeton University Press, 1996.

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20

The poison chalice: The relationship between culture, language, politics and conflict. Belfast: Lapwing, 2008.

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21

author, Savaşkan Osman, ed. New capitalism in Turkey: The relationship between politics, religion and business. Cheltenham, UK: Edward Elgar, 2014.

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22

Beach, Derek. Between law and politics: The relationship between the European Court of Justice and EU member states. Copenhagen: DJØF Publ., 2001.

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23

Christine, Kinsey, and Lloyd-Morgan Ceridwen, eds. Imaging the imagination: An exploration of the relationship between the image and the word in the art of Wales. Llandysul: Gomer, 2005.

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24

Loughlin, Martin. Sword and scales: An examination of the relationship between law and politics. Oxford: Hart, 2000.

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25

Sword and scales: An examination of the relationship between law and politics. Oxford: Hart, 2003.

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26

Williams, Melita Florence. A philosophical investigation of the relationship between windsurfing,the aesthetic and art: BA(Hons) curriculum project. Cardiff: SGIHE, 1988.

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27

Schiebler, Ralf. Schumpeter and Picasso: A lecture on the relationship between art and economics, delivered at the University of Hawai'i at Mānoa, Honolulu in January 1994. [Wuppertal]: Herakles, 1994.

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28

Komsuoğlu Çıtıpıtıoğlu, Ayşegül, Hikmet Toker, and Federica Nardella. The Relationship Between Art and Politics in the 19th Century Ottoman Empire: Institutionalization, Change And Continuity. Istanbul University Press, 2021. http://dx.doi.org/10.26650/b/aa09.2021.007.

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29

Adel Omar, Sherif. Part 2 Interrelations between Constitutionalism and Sharī’ah: Antagonism or Complementarity?, 2.4 The Relationship between the Constitution and the Sharī‘ah in Egypt. Oxford University Press, 2012. http://dx.doi.org/10.1093/acprof:osobl/9780199759880.003.0008.

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Recent political developments in Egypt have triggered debates over the role of Islam in the country's future constitution. This chapter looks back into the legal history of Egypt in order to provide an informative basis. It discusses constitutional developments in Egypt and how references to Islamic Sharīʻah became incorporated into state constitutional documents. It considers the rulings of the Supreme Constitutional Court on Art. 2 of the 1971 Constitution, which provides for Islamic Sharīʻah to be the principal source of legislation.

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30

Rahat, Gideon, and Ofer Kenig. From Party Politics to Personalized Politics? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808008.001.0001.

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The book examines two of the most prominent developments in contemporary democratic politics, party change and political personalization, and the relationship between them. It presents a broad-brush, cross-national comparison of these phenomena that covers around fifty years in twenty-six countries through the use of more than twenty indicators. It demonstrates that, behind a general trend of decline of political parties, there is much variance among countries. In some, party decline is moderate or even small, which may point to adaptation to the changing environments these parties operate in. In others, parties sharply decline. Most cases fall between these two poles. A clear general trend of personalization in politics is identified, but there are large differences among countries in its magnitude and manifestations. Surprisingly, the online world seems to supply parties with an opportunity to revive. When parties decline, personalization increases. Yet these are far from being perfect zero-sum relationships, which leaves room for the possibility that other political actors may step in when parties decline and that, in some cases, personalization may not hurt parties; it may even strengthen them. Personalization is a big challenge to parties. But parties were, are, and will remain a solution to the problem of collective action, of channeling personal energies to the benefit of the group. Thus they can cope with personalization and even use it to their advantage.

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31

Morrison, Benedict. Complicating Articulation in Art Cinema. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192894069.001.0001.

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Complicating Articulation in Art Cinema argues that art cinema, unlike classical film, draws attention to its disjointed, multi-parted form, but that criticism has too frequently sought to explain this complexity away by stitching the parts together in totalizing readings. This stitching together has often relied on the assumption that complicated character explains articulated form and that the solution to art cinema’s puzzles lies in interpreting each film as the expression of a focalizing character’s internal disturbance. This book challenges this assumption. It argues that the attempt to explain formal complexity through this character-centric approach reduces formal achievements and enigmatic characters to inadequate approximations of one another. Reference to character cannot fully tame unschematic and unpredictable combinations of—and collisions between—contradictory levels of narration, clashing styles, discontinuously edited shots, jarring allusions, dislocated genre signifiers, and intermedial elements. Through close analyses of films by Roberto Rossellini, Robert Bresson, Luis Buñuel, Terence Davies, Peter Greenaway, and Kelly Reichardt, Complicating Articulation in Art Cinema offers an ethics of criticism that suggests that the politics of art cinema’s eccentric form are limited by character-centred readings. Each of the featured films presents inarticulate or muted characters, whose emotional and intellectual lives are unknowable, further complicating the relationship between character and form. This book argues that, by acknowledging this resistance to interpretation, critics can think in new ways about art cinema’s interrogation of the possibilities of knowledge.

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32

Lent, John A., and Xu Ying. Comics Art in China. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496811745.001.0001.

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In the most comprehensive and authoritative source on this subject, this book covers almost all comics art forms in mainland China, providing the history from the nineteenth century to the present as well as perspectives on both the industry and the art form. This volume encompasses political, social, and gag cartoons, lianhuanhua (picture books), comic books, humorous drawings, cartoon and humor periodicals, and donghua (animation) while exploring topics ranging from the earliest Western-influenced cartoons and the popular, often salacious, 1930s humor magazines to cartoons as wartime propaganda and comics art in the reform. Coupling a comprehensive review of secondary materials (histories, anthologies, biographies, memoirs, and more) in English and Chinese with the artists' actual works, the result spans more than two centuries of Chinese animation. Structured chronologically, the study begins with precursors in early China and proceeds through the Republican, wartime, Communist, and market economy periods. Based primarily on interviews the editors conducted with over one hundred cartoonists, animators, and other comics art figures, Comics Art in China sheds light on tumult and triumphs. Lent and Xu describe the evolution of Chinese comics within a global context, probing the often-tense relationship between expression and government, as well as proving that art can be a powerful force for revolution. Enhanced with over one hundred black-and-white and color illustrations, this book stands out as not only the first such survey in English, but perhaps the most complete one in any language.

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33

Archibald L. H. M. van Wieringen and Frank G. Bosman. Gaming As Art: Perspectives on the Relationship Between Art and Digital Gaming. de Gruyter GmbH, Walter, 2022.

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34

Archibald L. H. M. van Wieringen and Frank G. Bosman. Gaming As Art: Perspectives on the Relationship Between Art and Digital Gaming. de Gruyter GmbH, Walter, 2022.

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35

Archibald L. H. M. van Wieringen and Frank G. Bosman. Gaming As Art: Perspectives on the Relationship Between Art and Digital Gaming. de Gruyter GmbH, Walter, 2022.

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36

Brouard, Sylvain. Constitutional Politics. Edited by Robert Elgie, Emiliano Grossman, and Amy G. Mazur. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199669691.013.11.

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This chapter presents the intriguing puzzle of French constitutional politics: a spectacular increase in judicialization of French politics in the context of a flexible constitution and a politicized Constitutional Council. The state of the art is reviewed first at the international level and then within France in terms of both theory-building and empirical understanding of amending constitutions, judicialization of politics, and politicization of constitutional review. The French case, thus, provides an important case for developing comparative theory on constitutional politics and will remain a promising area of inquiry for many years to come. The chapter points to three promising areas of inquiry: the relationships between the types of government control and constitutional amendments, the patterns of judicialization, and the legitimacy of the role of constitutional review.

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37

Fils, Gimpel, Gimpel & Weitzenhoffer Gallery., and Darlington Arts Centre, eds. Between identity/politics a new art. [London]: [Gimpel Fils], 1986.

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38

Gunderson, Erik. The Art of Complicity in Martial and Statius. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192898111.001.0001.

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This book examines the relationship between politics and aesthetics in two poets from the reign of Domitian. It offers a comprehensive overview of the Epigrams of Martial and the Siluae of Statius. The praise of power that one finds is not something forced upon these poems. It is also not a mere appendage to these works. Instead, power and poetry as a pair are a fundamental dyad that can and should be traced throughout the two collections. The dyad is present even when the emperor himself is not the topic of discussion. In Martial the portrait of power is constantly shifting. Poetic play takes up the topic of political power and “plays around with it.” The initial relatively sportive attitude darkens over time. Late in the game the poems depict ecstasies of humiliation. After Domitian dies the project tries to get back to the old games, but it cannot. Statius’ Siluae merge the lies one tells to power with the lies of poetry more generally. Poetic mastery and political mastery cannot be dissociated. The glib, glitzy poetry of contemporary life articulates a radical modernism that is self-authorizing and so complicit with a power whose structure it mirrors. The criticism of such poetry is itself a problem. What does it mean to praise praise poetry? To celebrate celebrations? The book opens and closes with a meditation upon the dangers of complicit criticism and the seductions of a discourse of pure art in a world where the art is anything but pure.

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39

Cammack, Paul. The Politics of Global Competitiveness. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192847867.001.0001.

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Marx’s ‘general law of social production’, proposed in Capital (1867), suggests that as the capitalist system of production becomes global, and competition between capitalists becomes more intense, workers are compelled to be versatile (multi-skilled), flexible, and mobile in order to survive. This general law, resulting from scientific and technological innovation and continuous advances in the division of labour generated by competition between capitalists, has given rise to global production chains, ‘zero hours’ contracts, and the breaking down of production processes into smaller and smaller individual steps, increasingly supported by advanced machines and digital platforms. This book identifies the universal policy framework that promotes these developments as the politics of global competitiveness, and shows that the Washington-based World Bank and the Paris-based Organisation for Economic Cooperation and Development (OECD), working together, are its principal advocates. They do not narrowly promote the interests of the advanced capitalist economies, or the ‘West’ and its transnational corporations, but rather the unlimited development of the global capitalist system and the world market as a whole. When their policies are examined together and compared, they reveal a single, shared programme, focused not on the relationship between the developed and the developing world, but on the global relationship between capital and labour. Put at its simplest, their aim is to ensure that as many people as possible across the world have the potential to be productive workers, and to propose reforms to welfare or social protection that will oblige them to offer themselves to capitalists for work.

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40

Franklin, M. I. Sampling Politics. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190855475.001.0001.

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This book is an exploration of the geocultural politics of music sampling. Each chapter delves into one case study—a track, or larger work—from the inside out by starting with the samples that are at the heart of the work. The objective is to unpack how sampled and sampling material work together in light of shifts in the political, economic, and sociocultural contexts of their making, distribution, and reception since. Considering sampling as a material of music, not simply a digital technique or restricted to one sort of music making, addresses an under-explored dimension in studies of the relationship between music (any sort) and politics of the day (usually progressive, social movements). This is a tendency to concentrate on the lyrics as where all the political meaning lies. But this overlooks how sampling, or borrowing from the music made by others, even one’s own, can also be a political act even when this is not the intention. Based on extensive archival research, close-listening musical analysis, and interviews with artists or their estates, each study provides ways to listen, hear (again), and so learn more about how each piece, as sampled and sampling music making, work, on its own musico-cultural terms. Some errors in the public record, misperceptions about some of the works and artists who feature, are corrected in light of debates over the creative, legal, and cultural legacy of music sampling as either “borrowing,” “appropriation,” or even “theft.”

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41

Fawcett, Paul, Matthew Flinders, Colin Hay, and Matthew Wood. Anti-Politics, Depoliticization, and Governance. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198748977.003.0001.

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This chapter introduces the volume, sets out its key themes, and explains how the chapters interrogate the nexus between governance and anti-politics via the concept of depoliticization. It argues that the literature on governance has drawn attention to a ‘capacity gap’ between elected politicians and those who actually take decisions about essential public services, while the literature on anti-politics has highlighted a growing ‘democratic gap’ between politicians and citizens. These issues arise in a dynamic context that is captured by concepts such as meta-governance and multilevel governance but also a wider disillusionment with neo-liberal ideology. This book addresses the ‘research gap’ that arises from the relative absence of studies that have drilled down into the relationship between the ‘capacity gap’ and ‘democratic gap’, by focusing on depoliticization. Overall, we argue that studies of depoliticization are well placed to examine these questions and especially the ‘nexus’ between governance and anti-politics.

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42

Gryzmala-Busse, Anna. Religion and European Politics. Edited by Orfeo Fioretos, Tulia G. Falleti, and Adam Sheingate. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199662814.013.28.

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Historical institutionalist approaches have been critical (if unacknowledged) in the study of religion and politics in two ways. First, a particular set of ideas—religious doctrine—profoundly shaped preferences both over secular institutional forms and the strategies of religious and secular actors. Second, the historical relationship between state, nation, and religion continues to shape the political context in which churches operate and institutions arise. Several developments, such as the rise of secular education and welfare states, the rise of Christian Democratic parties, the founding of the EU, and contemporary patterns of religiosity are historically grounded in earlier episodes of church-state relations and religious doctrine.

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43

Galvin, Daniel J. Political Parties in American Politics. Edited by Orfeo Fioretos, Tulia G. Falleti, and Adam Sheingate. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199662814.013.18.

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Political parties are closely associated with pivotal turning points in American political development. Surprisingly little attention, however, has been given to how the parties, themselves, change over time. Whether they are conceptualized as formal organizations or as networks of groups, studying parties from a historical-institutional perspective directs attention to their structural arrangements and the processes through which those arrangements change. Identifying mechanisms of change and specifying the conditions under which different types of change may occur, the historical-institutional approach promises to elucidate the relationship between party change and political change more broadly.

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44

Imagining Nabokov: Russia Between Art and Politics. Yale University Press, 2008.

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45

Khrushcheva, Nina L. Imagining Nabokov: Russia between Art and Politics. Yale University Press, 2008.

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46

William Morris' Position between Art and Politics. Cambridge Scholars Publishing, 2016.

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47

Art and Politics: Between Purity and Propaganda. Amsterdam University Press, 2016.

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48

Imagining Nabokov: Russia Between Art and Politics. Yale University Press, 2007.

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49

Segal, Joes. Art and Politics: Between Purity and Propaganda. Amsterdam University Press, 2016.

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50

Khrushcheva, Nina L. Imagining Nabokov - Russia Between Art and Politics. Yale University Press, 2013.

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