Relevant bibliographies by topics / Relationships of literature and painting

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Relationships of literature and painting'

Author: Grafiati
Published: 24 April 2022

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Journal articles on the topic "Relationships of literature and painting"

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Gultyaeva, Galina S. "CHINESE NATIONAL PICTURE NIANHUA – A PHENOMENON OF CULTURE OF THE XX CENTURE." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 127–38. http://dx.doi.org/10.17223/22220836/41/10.

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Chinese folk painting nianhua (literal translation, “New Year’s picture”) is a kind of Chinese graphic art, which received a wide popularity in the late XIX – early XX centuries. On the eve of the New Year in China everywhere decorated interiors of living rooms with colorful pictures containing New Year’s greetings, they were pasted on windows, doors, gates. Decorative pictures had a utilitarian and cultic purpose: images of mythological characters and gods symbolized happiness, longevity, prosperity, protected from disasters and misfortunes. At the beginning of the 20th century, nianhua was produced in the woodcutting shops in a woodcut way, since the middle of the 20th century have been used modern technologies, including printing. New Year’s paintings significantly different from national academic painting. The philosophical concept of New Year’s painting was to reflect the spiritual life of the people, moral values, and artistic tastes. The images were built on the basis of folklore motifs, a rhythmic combination of bright colors created a decorative effect, so nianhua is a valuable material that demonstrates the aesthetic representations of the Chinese people, their folk traditions and symbols. The themes of the New Year’s paintings are extremely diverse and includes the following: scenes from classical literature, religious and symbolic and benevolent drawings, genre art painting, calendars depicting 12 cyclic signs of animals, agricultural calendars and advertising pictures. During the history of its existence, the New Year’s picture plays an important political and ideological role. Traditional paintings propagated the foundations of the orthodox Confucian ideology about social and ethical relationships, including hierarchy in the family and society: “Wu lun – the five principles of relationships”, “Xiao – filial piety”, “Ren – patience”. In the second half of the XX century, the New Year's picture is developing as an agitational poster. Under the influence of European painting and modern political processes in Chinese society, artists began to use a new artistic method - revolutionary realism on purpose to illuminate sociopolitical events, propagandize government tasks and resolutions. The basic principles of painting the New Year’s picture are the decorative character (the brightness of colors, the rhythmic combination of color spots), the hyperbolism and idealization of images, the folklore basis of plots and the conventional symbolic-metaphoric language.
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Su, Tung-Ching, Tsung-Chiang Wu, Ming-Hung Wun, and Cheng-Wei Wang. "Style Recognition of Door God Paintings by Hypothesis Testing for Texture Features of Painting Patterns." Applied Sciences 12, no. 5 (2022): 2637. http://dx.doi.org/10.3390/app12052637.

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Many studies in the literature have presented multiple remote sensing techniques for defect inspection of paintings. At present, however, papers on defect inspection and restoration of oriental architectural arts—such as door god paintings—are still rare. If an aged and damaged door god painting needs a restoration, then following the style and treatment skill of the original artist as much as possible is important for the restoration. Unfortunately, it is usually difficult to access the original artists for some of the aged door god paintings. This paper considers the texture features of auspicious patterns of armors on warrior door gods as useful information to recognize styles of door god paintings by unknown artists. First, a two-level two-dimensional discrete wavelet transform coupled with co-occurrence matrix calculation was adopted to analyze the texture features, based on the descriptors of angular second moment (ASM), entropy (ENT), contrast (CON), homogeneity (HOM), dissimilarity (DIS), correlation (COR), and cluster tendency (CLU), in the four orientations of 0° (horizontal), 45° (vertical), and 90° and 135° (double diagonal). Second, a two-tailed t-test based on the analyzed texture features was introduced into the hypothesis testing for demonstrating the master and apprentice relationships between the surveyed artists, and for recognizing the door god painting styles of unknown artists as well. The experimental results show that the proposed method effectively describes the texture features of the auspicious patterns of the surveyed door god paintings, and is able to determine the useful co-occurrence features for recognizing unknown artists’ painting styles.
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Antherjanam, Sindu. "A Comparative Study of Malayalam Literature and Paintings: Trajectories of Evolution." Artha - Journal of Social Sciences 17, no. 2 (2018): 39–58. http://dx.doi.org/10.12724/ajss.45.3.

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Art and literature are part as well as a reflection of life. Literature and arts help to observe and interpret the world. They can also change the world. Visual arts stand in the forefront of knowledge dissemination. However the significance accorded to literature has never been given to painting. The paper traces how literature has always preceded and given more priority against painting and other visual arts form in the region of Kerala. This also goes with the fact that in discussing the history of arts, rural arts and artists are never discussed sufficiently. This is despite the fact that there is always a closer relationship between alphabets, scripts and paintings of various forms. The paper traces this close relationship to the earlier times when the scripts and written forms essentially evolved from hand drawings and stone carvings in the context of the south Indian language Malayalam. That the scripts and alphabets essentially evolved from those early pictographs should be a useful background to understand the relationship. The paper also marks the historical transitions in the Malayalam alphabets and scripts under various influences.Keywords: Evolution of Malayalam Script, Vamozhi
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Mirabile, Andrea. "“Fili d’oro”: Literature, painting, and blindness in D’Annunzio’s Notturno." Forum Italicum: A Journal of Italian Studies 51, no. 2 (2017): 356–77. http://dx.doi.org/10.1177/0014585817698397.

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This article analyzes the relationships between literature and the arts in D’Annunzio’s Notturno. The verbal and the visual constantly intersect in the poet’s corpus. Nevertheless, the Notturno is unique: according to the narrator, he composes the text during a period of semi-blindness caused by a war-related accident. Consequently, the protagonist is unable to see his favorite works of art, which are described through the filters of memory, desire, and imagination. D’Annunzio’s nocturnal ekphrasis blends wake and dream, asceticism and eroticism, narrative linearity and poetical fragmentation. Vision and writing deconstruct their own conventional separations: the elements of each form mingle in a dimension that reflects simultaneously the influence of the Decadent age and the birth of Modernism. Despite the scarce scholarly attention devoted to the Notturno outside the borders of Italy, D’Annunzio’s text anticipates the current debates on the aporias of sight (Derrida), the ambiguous temporality of the visual arts (Didi-Huberman), and the contradictory distinction between ‘internal’ and ‘external’ vision (Belting).
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Kässer, Christian. "The Body is Not Painted On: Ekphrasis and Exegesis in Prudentius Peristephanon 9." Ramus 31, no. 1-2 (2002): 158–74. http://dx.doi.org/10.1017/s0048671x00001430.

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Simonides once called painting silent poetry and poetry articulate painting. Comparing the two ‘sister arts’ in the sixth or fifth century BCE, he wrote the first chapter of a story which, even if one thinks only of antiquity, is a rather long one, and in which many of the issues raised seem tremendously complex. In addition, many ancient authors wanted to add their own passages to this story, and quite naturally different writers arrived at very different conclusions about the two arts' respective relationships. Yet however different these conclusions were, no writer, as a writer, could avoid agreeing with Simonides on a basic thing: any statement about the visual arts is inevitably a hermeneutical effort to make the visual speak, and in doing so it equally inevitably implies a deficit of the visual arts: namely, that art cannot speak and needs some form of ‘translation’ to be communicated. Discussing art in written texts, then, cannot but entail implicitly a statement about writing's hermeneutical superiority; this is the case even if the statement may explicitly deny any such superiority. It has been argued that this deficit in art is real and that there does exist a ‘Hermeneutic Gap’ in painting; whereas verbal discourse, so the argument goes, operates with a ‘hermeneutic of understanding’, painting, by contrast, is bound to a ‘hermeneutic of calculated misunderstanding’. Certainly there are paintings for which such a statement is correct—but there may be as many cases in which a text only construes such a gap and uses it as a good opportunity to establish its own hermeneutic superiority by contrasting itself with an image which is supposedly less precise in communicating meaning.
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Florea, Eleonora, and Stela Cojocaru. "The Presence of the Phenomenon of Artistic Synesthesia in Painting." Review of Artistic Education 22, no. 1 (2021): 244–52. http://dx.doi.org/10.2478/rae-2021-0030.

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Abstract The present study elucidates the presence of the phenomenon of artistic synesthesia in painting, describes the types of synesthesia and their effects, sensory symbiotic relationships, correlations with different genres of art: dance, music, literature. Early art forms were initially distinguished by an archaic and primary syncretism, being interconnected and dependent on each other. Subsequently, during the historical evolution, these artistic forms were dispersed in separate art genres, while preserving this specific intermediarity and interrelation, of artistic synesthesia. Synesthetic phenomena in painting are stylistically interconnected with music, dance, literature.
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Russell, P. A., and D. A. George. "Relationships between Aesthetic Response Scales Applied to Paintings." Empirical Studies of the Arts 8, no. 1 (1990): 15–30. http://dx.doi.org/10.2190/au1r-6uxe-t14r-04wq.

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Relationships among seven aesthetic response scales were studied by requiring subjects to rank fifteen paintings on each scale, using a between-subjects design. Three of the five evaluative scales used, likeability, pleasingness, and preferability were strongly positively intercorrelated. Using these scales to examine painting content (landscape, portrait, still-life) and style (Impressionism, Surrealism, etc.) effects, however, revealed that the scales did not always yield similar results. Although content effects were similar on all three scales, likeability and preferability were relatively insensitive to style effects, while pleasingness was more sensitive. These sensitivity differences appear to be linked to variation in the degree of intersubject agreement on the different scales, leading to the suggestion that some scales, such as pleasingness, are relatively homogeneous while others, such as likeability, are more heterogeneous. Another commonly-used evaluative scale, interestingness, was unrelated to the other four but was relatively sensitive to style effects. Data are also presented on an additional evaluative scale, wish to see again, and on two descriptive scales, complexity and familiarity. Overall, the results suggest that conclusions drawn from studies using aesthetic scales may depend crucially on the particular scale used and in particular that the commonly used likeability and preferability scales, despite their apparent ecological validity, may not be the most informative ones.
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Buchloh, Benjamin H. D. "A Conversation with Jutta Koether." October 157 (July 2016): 15–33. http://dx.doi.org/10.1162/octo_a_00257.

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Benjamin Buchloh speaks with German artist, musician, and critic Jutta Koether about the many ways in which Koether blurs the lines between painting and performance in her practice, “reinstalling,” in her words, painting as a “platform, a potential, [and] a performance.” Koether discusses the formative role of New Wave and punk culture in her practice, particularly her time at Spex magazine; her studies in Cologne in the late 1970s and the anti-aesthetic impulse in painting from Picabia to Polke to Kippenberger; and her time in New York in the late 1980s and ′90s. Special attention is paid to her relationship to Poussin, both in her paintings The Seasons and The Sacraments and in her performance at Harvard in April 2013, as well as to early works like Inside Job (1992).
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Luo, Yupan. "Ekphrasis in “The Disquieting Muses” : A Dialogue Between Poetry and Painting." Learning & Education 10, no. 5 (2022): 82. http://dx.doi.org/10.18282/l-e.v10i5.2679.

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The American Confessional poet Sylvia Plath(1932-1963) has created a series of poems based on well-known western 
 paintings at the early ages of her writing. “The Disquieting Muses” is one of these ekphrastic poems, which depicts the noncommunicative relationship between her and her natural mother. If we approach this poem from the perspective of inter-arts 
 poetics, that is to say, to analyze the poem side by side with its painting copy, we can discover different approaches of dialogue 
 between the poem and the painting. This paper is meant to explore unique charm and beauty in ekphrastic literature as well as to 
 add new perspectives to the study of Plath’s poems.
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Trevisan, Sara. "The Impact of the Netherlandish Landscape Tradition on Poetry and Painting in Early Modern England*." Renaissance Quarterly 66, no. 3 (2013): 866–903. http://dx.doi.org/10.1086/673585.

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AbstractThe relationship between poetry and painting has been one of the most debated issues in the history of criticism. The present article explores this problematic relationship in the context of sixteenth- and seventeenth-century England, taking into account theories of rhetoric, visual perception, and art. It analyzes a rare case in which a specific school of painting directly inspired poetry: in particular, the ways in which the Netherlandish landscape tradition influenced natural descriptions in the poem Poly-Olbion (1612, 1622) by Michael Drayton (1563–1631). Drayton — under the influence of the artistic principles of landscape depiction as explained in Henry Peacham’s art manuals, as well as of direct observation of Dutch and Flemish landscape prints and paintings — successfully managed to render pictorial landscapes into poetry. Through practical examples, this essay will thoroughly demonstrate that rhetoric is capable of emulating pictorial styles in a way that presupposes specialized art-historical knowledge, and that pictorialism can be the complex product as much of poetry and rhetoric as of painting and art-theoretical vocabulary.
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Dissertations / Theses on the topic "Relationships of literature and painting"

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Fisher, James. "'I came here a stranger, as a stranger I depart' : an investigation into the relationship between drawing and narrative of place." Thesis, University of Gloucestershire, 2009. http://eprints.glos.ac.uk/1242/.

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This practice-based research investigates the relationship between the process of making layered images and narratives of walked journeys. Two such journeys – Franz Schubert’s song cycle, Winterreise, and the autobiographical account of John Clare’s escape from an asylum, Reccolections &c Of Journey From Essex – were examined and compared through a body of drawings, prints and paintings. A study of the construction of the two narratives highlighted their layered composition: Winterreise is experienced as a synthesis of Wilhelm Müller’s poems and Schubert’s musical setting; whilst the full impact of Clare’s account is appreciated in the context of his poetry and biography. The research began with a bookwork, a visual response to the layering of information observed in the song cycle of Winterreise, and led to the formulation of a method of interpreting narratives using Thomas De Quincey’s model of The Palimpsest. De Quincey identified the effacements, amendments and aggregation of material in a palimpsest manuscript with the absorption of experience. In paintings made to interpret the experience of Winterreise, abrading layers of a picture surface elicited the compound characteristics of the narrative: allowing one idea to be seen through another. The fictive identity of the song cycle emerged in a suite of monoprints, through their assembly of layered imagery. Conversely, John Clare’s account is that of an actual journey, physically walked. The research culminated in a focus on the terrain of the two narratives. The metaphorical landscape of Winterreise is contrasted with Clare’s more visceral relationship with earth and trees through a series of paintings based on Journey From Essex. The research discovered new possibilities in the narratives’ meaning through the invention of a visual language to describe both physical nature of walking and a distinctive sense of place.
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Varallo, Patrick Americo. "Abstract symbolic relationships /." Online version of thesis, 1993. http://hdl.handle.net/1850/11758.

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Koert, Bernadine Wisniewski. "Relationships of light and the spirit /." Online version of thesis, 1987. http://hdl.handle.net/1850/10308.

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Kac, Juliet. "The painting of music - the music of painting : the relationships between music and painting, with special reference to Kupka and my personal practice." Thesis, University of Brighton, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.399047.

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This thesis seeks to examine, through a combination of practical and theoretical research, some of the chief implications or consequences of the point of view asserted by Walter Pater, in his 1877 essay on the School of Giorgione that All art aspires to the condition of music'. Both the practical and theoretical aspects are based on the postulate that it is indeed fruitful to consider to what extent, or if, relationships can be posited between the practices of painting and music. The personal work consists of a painted frieze with music by J. S. Bach as the generative subject matter. The written part initially establishes a broad but selective historical overview of key issues concerning the relationship of the visual language of painting to that of music. Subsequently, related sketches and studies by Frantisek Kupka, which resulted in the first purely abstract painting to be recorded as being exhibited in Paris in 1912, are analysed and arranged in order to clarify the thinking and stylistic development behind his creative process. These are placed within their historical context and are seen to reflect the general artistic concerns and technological developments that affected practising artists of the day. Examination of further congruent examples of paintings by Duncan Grant and Paul Klee serves as an appropriate link to an investigation of my own practical work. Key aspects of my intentions and achievements, and arguments for and against the validity of the overarching idea of the thesis, i. e. that it is possible to posit the sort of relationship between the language of music and painting that can withstand thorough analysis, form the basis of the concluding critical analysis and annotations. The thesis will be produced in conjunction with an exhibition of the practical work, and providing copyright matters are not infringed, a tape provided for purposes of examination.
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Willsdon, Clare Annabella Paton. "Aspects of mural painting in London, 1890-1930." Thesis, University of Cambridge, 1988. https://www.repository.cam.ac.uk/handle/1810/283657.

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Normand, Thomas Andrew. "Political trajectories in the painting of P. Wyndham Lewis." Thesis, Durham University, 1989. http://etheses.dur.ac.uk/6736/.

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This thesis presents an analysis of the political dimension to the paintings of Percy Wyndham Lewis (1882-1957). Through an exegesis of the discreet and latent "voices" in Lewis's paintings the ideological parameters of his thought world are disclosed. These imperatives are examined for their display of political predispositions, for values and attitudes, which reveal a loading towards specific socio-cultural standards. In so far as these standards can be identified with historically relevant political programmes they become manifestos for political actions. Or, at the very least, they can be seen to exist as critical and prescriptive social insights. Importantly, the focus of this examination and interpretation remains the visual image and its related texts. A key aspect of both the methodology and argument within this thesis, insists that the visual image is the bearer of meaning in both its subject matter and technique. Values are communicated not only in reference to the thing displayed, but, in the manner of the display. Hence, an analysis of the intellectual and formal strategies employed by Lewis in his painting becomes a central concern of the thesis. Finally, the thesis rounds on the actual nature of Lewis's politics as revealed in his approach to art. While it is accepted that the mediation from the political to the painted throws up many and substantial barriers, the thesis insists that a political reading of Lewis's creative work is not only appropriate but necessary. In offering just such a reading the author hopes to transcend the boundaries between the disciplines of Art History and Sociology.
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Van, Pletzen Ermina Dorothea. "The language of painting in nineteenth-century English fiction." Doctoral thesis, University of Cape Town, 1995. http://hdl.handle.net/11427/21770.

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Bibliography: pages 322-332.<br>This thesis examines the material and aesthetic sustenance which the novel as developing genre drew from the burgeoning popular interest in the visual arts, particularly the pictorial arts, which took place during the course of the nineteenth century in Britain. The first chapter develops the concept of the language of painting which for the purposes of the thesis refers to the linguistic transactions occurring between word and pictorial image when writers on art formulate their impressions in language. This type of discourse is described as governed by conceptual repetition and firmly established techniques of ekphrasis, as well as by indirect and peripheral modes of reference, not to the concrete stylistic features of the works of art under consideration, but to their effect on the viewer, the metaphors they call to mind, and the processes which can be inferred about their conception. The first chapter also gives a survey of the most important thematic strains and structural developments which had been imported into literature by the end of the eighteenth century. A chapter is then dedicated to each of five nineteenth-century novelists, Jane Austen, William Makepeace Thackeray, Charlotte Bronte, George Eliot, and Henry James, mapping out their individual grasp and knowledge of pictorial art in their particular circumstances, their experience of the art world, and the extent to which their experience of art is mediated by current painterly discourses. Each chapter next considers how pictorial material is appropriated in these novelists' fiction and whether the fiction draws structural support and meaning from pictorial concepts. The thesis furthermore investigates the inverse question of how the fiction itself becomes a context which not only reflects, but also shapes and alters inherited languages of painting. The second chapter approaches Austen's social satire against the background of the aesthetic traditions which she inherits from the eighteenth century. It is argued that her own novelistic aesthetic gains more from the discourses surrounding the practice of picturesque landscape appreciation (and related forms) than from Reynolds's doctrine of the general and ideal dominating the mid to late eighteenth century.
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Roberts, Claudette M. "Presence, absence, and the interface in twentieth-century literature and painting /." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487675687175432.

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Sakoda, Maho. "George Eliot and Pre-Raphaelitism : literature, painting, sculpture and photography." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/64074/.

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This thesis explores the multi‐layered inter-relationships between the works of George Eliot and those of the Pre‐Raphaelites. Taking up the very different mediums of painting, sculpture, and photography as they emerge in Pre‐Raphaelitism, it assesses their relation to Eliot's novels as reinforcing a web of Victorian visual art and literature. The discussion begins by examining proximities between the paintings of Dante Gabriel Rossetti and Eliot's Adam Bede and Daniel Deronda. I explore, in particular, their shared interest in dichotomies of female representation in the nineteenth century, and ways in which the opposing traits of the sacred and sexual are interwoven. The second chapter reads Eliot in the context of writings by Walter Pater. Reassessing the prevalent perspective that Eliot was opposed to the ideas of Pater, I argue that, like him, Eliot passionately sought to elucidate the relationship between life and art through studies of the early Renaissance. In Pater's Studies in the History of the Renaissance and Eliot's Romola the authors are linked by their use of web imagery and their interest in the effects of music within the realms of literature and art. In the third chapter, exploring elements of the New Sculpture movement in the late nineteenth century together with the writings of Johann Joachim Winckelmann, I analyse ways in which sculptural representations are rendered in Eliot's, Middlemarch, and the paintings of Edward Burne‐Jones. The final chapter focuses on the nascent medium of nineteenth century, photography. By considering photographs by Julia Margaret Cameron in relation to The Mill on the Floss, I explore the way in which both Cameron's and Eliot's works embody a particular conception of childhood and the memory of childhood. My study concludes by re-visiting the phenomenon of the interweave of image and the text during the nineteenth century.
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Neat, Helen Lilian Mary. "Mother-son relationships in Arthurian literature." Thesis, University of Nottingham, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555608.

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This thesis examines mothers and motherhood in Arthurian literature, and in particular explores the relationship between maternal characters and Arthurian heroes, focusing on scenes from both childhood and adult adventures. A number of Arthurian romances provide detailed descriptions of the education and childhood adventures of a particular hero, with the child often raised in a secluded setting solely by a mother-figure. Based on a selection of texts, the thesis explores and compares the ways in which Arthurian heroes interact with their mothers or substitute mothers, and examines the shape and extent of maternal significance within the narratives. The corpus consists of a range of texts: Chretien de Troyes' Conte du Graal and the anonymous lai de Tyolet, whose heroes share the same isolated upbringing with their mother in a forest; Ulrich von Zatzikhoven's Lanzelet and the anonymous Prose Lancelot, each recounting the childhood of Lance lot with his foster-mother in an aquatic realm; and the anonymous verse romance Floriant et Florete and anonymous chanson de geste Maugis d 'Aigremont, in which the heroes are raised by Morgain la fee in her Sicilian abode ofMongibel. The first part of the study is structured around the comparative analysis of these thematically and stylistically distinct works, with particular regard to the influence of mother-figures on the hero and their position within the narrative. This is followed by a closer examination of the maternal characters highlighted during the first chapters, exploring their characterisations, their roles and functions within the narratives, and their influence on the heroes. Particularly significant themes considered in this final section are identity, nature, nurture and the supernatural, each of which are demonstrated to be consistently key elements of the Arthurian mother-son relationship.
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Books on the topic "Relationships of literature and painting"

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Balzac and the model of painting: Artist stories in "La Comédie humaine". Legenda, 2007.

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The battle of the sexes in D.H. Lawrence's prose, poetry and paintings. Universitätsverlag C. Winter, 2001.

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Bao, Yuheng. The silent poetry and the invisible painting: A concept of relationship between painting and poetry as seen in analysis of selected writing and works by Leonardo da Vinci and Su Tung-po. U.M.I. dissertation Information Service, 1991.

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Thomas, Hardy. Under the greenwood tree: A rural painting of the Dutch school. Penguin Books, 1998.

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Relationships. Raintree, 2013.

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Medina, Sarah. Relationships. Wayland, 2008.

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Sanders, Pete. Relationships. Copper Beech Books, 1998.

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Relationships. Wayland, 2009.

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Fullick, Ann. Feeding relationships. Heinemann Library, 2006.

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Fullick, Ann. Feeding relationships. Heinemann Library, 2005.

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Book chapters on the topic "Relationships of literature and painting"

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Barrett, Cyril. "Leisure in Western Painting." In Leisure in Art and Literature. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-11353-8_6.

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Brownell, Philip. "Referring to Research Literature." In Gestalt Psychotherapy and Coaching for Relationships. Routledge, 2017. http://dx.doi.org/10.4324/9781315669199-18.

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Laga, Barry. "Describing homosocial relationships." In Using Key Passages to Understand Literature, Theory and Criticism. Routledge, 2018. http://dx.doi.org/10.4324/9780203710173-28.

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Carroll, William C. "Goodly Frame, Spotty Globe: Earth and Moon in Renaissance Literature." In Earth-Moon Relationships. Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-010-0800-6_2.

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Narančić Kovač, Smiljana. "Intergenerational Encounters in Contemporary Picturebooks." In Children’s Literature and Intergenerational Relationships. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67700-8_5.

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Deszcz-Tryhubczak, Justyna, and Irena Barbara Kalla. "Play, Children’s Literature, and Intergenerational Connectivity." In Children’s Literature and Intergenerational Relationships. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67700-8_1.

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Hudson, Aïda. "The Nature of Play and Adult-Child Interaction in the Alice Books and Coraline." In Children’s Literature and Intergenerational Relationships. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67700-8_3.

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Moja, Beatrice. "Barbie Unbound: The Satirical Representation of the Barbie Doll as an Exemplification of Realism and the Crossover Attitude in Young Adult Literature." In Children’s Literature and Intergenerational Relationships. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67700-8_12.

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Formentelli, Bee. "Rabindranath Tagore’s Shey as a Playful Encounter Between a Poet and His Granddaughter." In Children’s Literature and Intergenerational Relationships. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67700-8_6.

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Shimek, Courtney. "No Adults in the Woods: Relationships Between Adults and Children During Outdoor Play in Award-Winning Picturebooks from the United States." In Children’s Literature and Intergenerational Relationships. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67700-8_9.

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Conference papers on the topic "Relationships of literature and painting"

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Molteni, Elisabetta, and Alberto Pérez Negrete. "Assedi della guerra di Morea nel ciclo celebrativo di Francesco Morosini. Arte, topografia e storia militare." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11440.

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Sieges of the Morea War in the celebratory cycle of Francesco Morosini. Art, topography and military historyThe forty-eight paintings executed between the seventeenth and eighteenth centuries to celebrate the military campaigns of Francesco Morosini (1619-1694) are an exceptional repertoire of military genre painting. The canvas uses different figurative registers to represent naval battles, cities and territories, siege operations. If the relations with war literature and propaganda prints, which spread across Europe and which had their official “historiographer” in Vincenzo Coronelli in Venice, are evident, equally strong relationships can be established between the paintings, war reports and the plans made on the battlefield by military engineers. This paper deals with the paintings dedicated to the sieges of Corone and Negroponte are examined here.
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Kushida, Maria. "Образ писателя-художника как коммуникативный феномен". У Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.16.

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The article analyzes the illustrative work of Russian writers of the first quarter of the 19th century. Special attention is paid to the definition of the term "writer-artist", as well as to techniques for creating the image of a writer-Illustrator in a work of fiction. In conclusion, we draw a conclusion about the relationship between literature and painting (on the example of interpreting the creativity of word masters who create illustrations for their works), as well as about the unique communicative nature of the image of the writer-artist.
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"Artistic Expression of Traditional Chinese Painting." In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.52.

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Sun, Lili. "A Literature Review of Northeast Farmer Painting Art." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.030.

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"Research on Symbiosis of Painting and Graphic Design." In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.009.

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Kilicoglu, Halil. "Inferring Implicit Causal Relationships in Biomedical Literature." In Proceedings of the 15th Workshop on Biomedical Natural Language Processing. Association for Computational Linguistics, 2016. http://dx.doi.org/10.18653/v1/w16-2906.

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Karalash, Maria, and Ulrike Baumol. "Stakeholder Relationships within Educational Ecosystems – a Literature Review." In 32nd Bled eConference Humanizing Technology for a Sustainable Society, June 16 – 19, 2019, Bled, Slovenia. Univresity of Maribor Press, 2019. http://dx.doi.org/10.18690/978-961-286-280-0.7.

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"Application of painting principle in garden planning and design." In 2019 International Conference on Advances in Literature, Arts and Communication. The Academy of Engineering and Education (AEE), 2019. http://dx.doi.org/10.35532/jahs.v1.013.

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"Research on the Artistic Conception of landscape in Chinese Painting." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.31.

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"The Application of Chinese Traditional Literati Painting in Animation Design." In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.26.

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Reports on the topic "Relationships of literature and painting"

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Rodriguez Rodriguez, Jorge Miguel. Gómez Alfaro: Pioneer of Interdisciplinary Studies on the Relationships Between Journalism and Literature in Spain. Revista Latina de Comunicación Social, 2010. http://dx.doi.org/10.4185/rlcs-65-2010-885-089-098-en.

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Jenner, G. A., H. P. Longerich, S. E. Jackson, and B. J. Fryer. Review of literature (accepted, certified, concensus) values of standard reference materials with consideration of geochemical relationships. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1993. http://dx.doi.org/10.4095/193258.

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Dias, Shirin Ananda. Nice White Ladies: The Truth about White Supremacy, Our Role in It, and How We Can Help Dismantle It. European Center for Populism Studies (ECPS), 2022. http://dx.doi.org/10.55271/br0010.

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In her book, Jessie Daniels deconstructs whiteness and scrutinizes individuals’ contributions to and relationships with it, making “Nice White Ladies” an excellent work of literature for those who understand that the practice of anti-racism cannot be disentangled from self-work. However much one may already know about the subject matter, Daniels’ confronting, academic, and personal approach will surely provide her readers with fresh insights.
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Ananda Dias, Shirin. Nice White Ladies: The Truth about White Supremacy, Our Role in It, and How We Can Help Dismantle It. European Center for Populism Studies (ECPS), 2022. http://dx.doi.org/10.55271/br0009.

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In her book, Jessie Daniels deconstructs whiteness and scrutinizes individuals’ contributions to and relationships with it, making “Nice White Ladies” an excellent work of literature for those who understand that the practice of anti-racism cannot be disentangled from self-work. However much one may already know about the subject matter, Daniels’ confronting, academic, and personal approach will surely provide her readers with fresh insights.
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Carter, Becky. Inclusion in Crisis Response, Recovery and Resilience. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.079.

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This rapid review provides examples of what has worked to include people in humanitarian assistance who experience heightened vulnerability during crises, due to social inequalities and discrimination relating to gender, age, disability, sexual orientation, gender identity and/or expression, and sex characteristics; and religious belief . Overall, robust evidence is limited for what are, in most cases, relatively new areas of practice in challenging crisis situations. However, the literature does identify promising practices. Emerging themes from the research on what has potential for improving inclusion in humanitarian assistance include: affected people’s meaningful participation in intervention planning and design; whole-of-community approaches while maintaining accountability to the targeted beneficiaries; multi-component approaches combining complementary strategies (e.g. economic empowerment with social norms change programming); longer-term, pre-crisis investment in relationships with, and capacity building of, local organisations; and disaggregating data and undertaking intersectional analyses to include those hardest to reach.
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James-Scott, Alisha, Rachel Savoy, Donna Lynch-Smith, and tracy McClinton. Impact of Central Line Bundle Care on Reduction of Central Line Associated-Infections: A Scoping Review. University of Tennessee Health Science Center, 2021. http://dx.doi.org/10.21007/con.dnp.2021.0014.

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Purpose/Background Central venous catheters (CVC) are typical for critically ill patients in the intensive care unit (ICU). Due to the invasiveness of this procedure, there is a high risk for central line-associated bloodstream infection (CLABSI). These infections have been known to increase mortality and morbidity, medical costs, and reduce hospital reimbursements. Evidenced-based interventions were grouped to assemble a central line bundle to decrease the number of CLABSIs and improve patient outcomes. This scoping review will evaluate the literature and examine the association between reduced CLABSI rates and central line bundle care implementation or current use. Methods A literature review was completed of nine critically appraised articles from the years 2010-2021. The association of the use of central line bundles and CLABSI rates was examined. These relationships were investigated to determine if the adherence to a central line bundle directly reduced the number of CLABSI rates in critically ill adult patients. A summary evaluation table was composed to determine the associations related to the implementation or current central line bundle care use. Results Of the study sample (N=9), all but one demonstrated a significant decrease in CLABSI rates when a central line bundle was in place. A trend towards reducing CLABSI was noted in the remaining article, a randomized controlled study, but the results were not significantly different. In all the other studies, a meta-analysis, randomized controlled trial, control trial, cohort or case-control studies, and quality improvement project, there was a significant improvement in CLABSI rates when utilizing a central line bundle. The extensive use of different levels of evidence provided an excellent synopsis that implementing a central line bundle care would directly affect decreasing CLABSI rates. Implications for Nursing Practice Results provided in this scoping review afforded the authors a diverse level of evidence that using a central line bundle has a direct outcome on reducing CLABSI rates. This practice can be implemented within the hospital setting as suggested by the literature review to prevent or reduce CLABSI rates. Implementing a standard central line bundle care hospital-wide helps avoid this hospital-acquired infection.
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Snyder, Claire, Christina T. Yuan, Renee F. Wilson, et al. Models of Care That Include Primary Care for Adult Survivors of Childhood Cancer: A Realist Review. Agency for Healthcare Research and Quality (AHRQ), 2022. http://dx.doi.org/10.23970/ahrqepcrealistmodelsofcare.

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Objectives. We had two aims: (1) identify and analyze models of survivorship care for adult survivors of childhood cancer that include primary care, and (2) identify available tools, training, and other resources for adult survivors of childhood cancer. Methods. For each aim, we used realist synthesis to provide insights on how and for whom, in what contexts, and via what mechanisms the models of care and resources we identified can be effective for adult survivors of childhood cancer. We developed an initial program theory through searches of the literature and discussions with Stakeholders. We then identified and summarized quantitative evidence that supported or refuted the theory and developed specific hypotheses about how contexts and mechanisms may interact to produce outcomes (i.e., “CMO” hypotheses). The final program theory and CMO hypotheses were presented to Stakeholders for feedback. Results. Our final refined theory describes how, within the overall environment, survivor and provider characteristics and facilitators/barriers interact to produce intermediate and final outcomes. We focus on the role of models of care and resources (e.g., care plans) in these interactions. The program theory variables seen most consistently in the literature include oncology care versus primary care, survivor and provider knowledge (i.e., survivor risks and needs), provider comfort treating childhood cancer survivors, communication and coordination between and among providers and survivors, and delivery/receipt of prevention and surveillance of late effects of original cancer treatment. In turn, these variables played the most prominent role in the seven CMO hypotheses (4 focused on survivors and 3 focused on providers) regarding what works for whom and in what circumstances. Conclusions. To enable models of care that include primary care for adult survivors of childhood cancer, there needs to be communication of knowledge to both survivors and primary care providers. Our program theory provides guidance on the ways this knowledge could be shared, including the role of resources in doing so, and our CMO hypotheses suggest how the relationships illustrated in our theory could be associated with survivors living longer and feeling better through high-value care.
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Lind, Jeremy. Politics and Governance of Social Assistance in Crises From the Bottom Up. Institute of Development Studies (IDS), 2022. http://dx.doi.org/10.19088/basic.2022.004.

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This paper reviews existing perspectives on the politics and governance of social assistance in crises from the bottom up – from sub-national regions (or states/provinces) down to districts, sub-districts, towns, and villages. It begins by examining recent literature on the politics of social protection, which is mostly based on assessment of political dynamics and relationships in settings that are peaceful and only minimally affected (or unaffected) by conflict-related violence. Key insights from political economy analysis of humanitarian assistance, alongside the ‘political marketplace’ – a more recent concept used to understand governance in fragile and conflict-affected settings (FCAS) – are introduced to deepen understanding of politics specifically in situations where statehood is both limited and negotiated. The second part of the paper reviews various insights into sub-national and local governance, focusing on the role of non-state actors in provisioning and distribution at the edges of state power, delivery configurations in these settings, and the rationalities of local governance and ‘real implementation’. Understanding the arrangements and dynamics of governance sub-nationally and locally is essential for designing and planning the provision of social assistance in ways that are more likely to be politically and socially acceptable while also being inclusive and delivering value for money. The conclusion draws together these various perspectives on politics and governance from the bottom up to consider the implications and questions for further research on social assistance in crises.
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Haider, Huma. Scalability of Transitional Justice and Reconciliation Interventions: Moving Toward Wider Socio-political Change. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.080.

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Literature focusing on the aftermath of conflict in the Western Balkans, notes that many people remain focused on stereotypes and prejudices between different ethnic groups stoking fear of a return to conflict. This rapid review examines evidence focussing on various interventions that seek to promote inter-group relations that are greatly elusive in the political realm in the Western Balkan. Socio-political change requires a growing critical mass that sees the merit in progressive and conciliatory ethnic politics and is capable of side-lining divisive ethno-nationalist forces. This review provides an evidence synthesis of pathways through which micro-level, civil-society-based interventions can produce ‘ripple effects’ in society and scale up to affect larger geographic areas and macro-level socio-political outcomes. These interventions help in the provision of alternative platforms for dealing with divisive nationalism in post-conflict societies. There is need to ensure that the different players participating in reconciliation activities are able to scale up and attain broader reach to ensure efficacy and hence enabling them to become ‘multiplier of peace.’ One such way is by providing tools for activism. The involvement of key people and institutions, who are respected and play an important role in the everyday life of communities and participants is an important factor in the design and success of reconciliation initiatives. These include the youth, objective media, and journalists. The transformation of conflict identities through reconciliation-related activities is theorised as leading to the creation of peace constituencies that support non-violent approaches to conflict resolution and sustainable peace The success of reconciliation interventions largely depends on whether it contributes to redefining otherwise antagonistic identities and hostile relationships within a community or society.
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Berkman, Nancy D., Eva Chang, Julie Seibert, et al. Management of High-Need, High-Cost Patients: A “Best Fit” Framework Synthesis, Realist Review, and Systematic Review. Agency for Healthcare Research and Quality (AHRQ), 2021. http://dx.doi.org/10.23970/ahrqepccer246.

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Background. In the United States, patients referred to as high-need, high-cost (HNHC) constitute a very small percentage of the patient population but account for a disproportionally high level of healthcare use and cost. Payers, health systems, and providers would like to improve the quality of care and health outcomes for HNHC patients and reduce their costly use of potentially preventable or modifiable healthcare services, including emergency department (ED) and hospital visits. Methods. We assessed evidence of criteria that identify HNHC patients (best fit framework synthesis); developed program theories on the relationship among contexts, mechanisms, and outcomes of interventions intended to change HNHC patient behaviors (realist review); and assessed the effectiveness of interventions (systematic review). We searched databases, gray literature, and other sources for evidence available from January 1, 2000, to March 4, 2021. We included quantitative and qualitative studies of HNHC patients (high healthcare use or cost) age 18 and over who received intervention services in a variety of settings. Results. We included 110 studies (117 articles). Consistent with our best fit framework, characteristics associated with HNHC include patient chronic clinical conditions, behavioral health factors including depression and substance use disorder, and social risk factors including homelessness and poverty. We also identified prior healthcare use and race as important predictors. We found limited evidence of approaches for distinguishing potentially preventable or modifiable high use from all high use. To understand how and why interventions work, we developed three program theories in our realist review that explain (1) targeting HNHC patients, (2) engaging HNHC patients, and (3) engaging care providers in these interventions. Theories identify the need for individualizing and tailoring services for HNHC patients and the importance of building trusting relationships. For our systematic review, we categorized evidence based on primary setting. We found that ED-, primary care–, and home-based care models result in reduced use of healthcare services (moderate to low strength of evidence [SOE]); ED, ambulatory intensive caring unit, and primary care-based models result in reduced costs (low SOE); and system-level transformation and telephonic/mail models do not result in changes in use or costs (low SOE). Conclusions. Patient characteristics can be used to identify patients who are potentially HNHC. Evidence focusing specifically on potentially preventable or modifiable high use was limited. Based on our program theories, we conclude that individualized and tailored patient engagement and resources to support care providers are critical to the success of interventions. Although we found evidence of intervention effectiveness in relation to cost and use, the studies identified in this review reported little information for determining why individual programs work, for whom, and when.
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