Relevant bibliographies by topics / Reliefs (sculptures)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Reliefs (sculptures)'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Reliefs (sculptures)"

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Liang, Meiqin, Shuai Liu, and Han Qin. "The application of 3D printing technology in the formation of wide gypsum-based reliefs." Journal of Physics: Conference Series 2902, no. 1 (2024): 012003. https://doi.org/10.1088/1742-6596/2902/1/012003.

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Abstract To further explore the application of 3D printing technology in the formation of large-scale gypsum relief sculptures, this paper summarizes the types of gypsum 3D printers currently available in the domestic and international markets, as well as the maximum size of their printed products. It also analyzes the problems encountered in the formation of gypsum relief sculptures and the advantages of 3D printing technology in this field. Based on this, a wide-format gypsum relief 3D printer was developed. The specific application methods of 3D printing technology in the formation of large
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Xiao, Wei. "The Technique of Creating Buddhist Polychrome Sculpture." Scientific and analytical journal Burganov House. The space of culture 15, no. 3 (2019): 55–74. http://dx.doi.org/10.36340/2071-6818-2019-15-3-55-74.

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This work focuses on the origin, development, evolution of the Chinese art of polychrome sculpture, as well as philosophical ideas, national specificities, cultural content, a religious concept, artistic specificity and aesthetic ideas manifested in this context. The study provides a picture of how the cultural specificities of China are expressed in art and how spirituality is reflected in works of art. An objective description and complete historical research of the mentioned historical sites increase the available information on them and are meant to strengthen measures intended for their p
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MAKSYMIUK, Katarzyna. "Datacja reliefów Szapura I. Zarys problematyki." Historia i Świat 1 (September 9, 2012): 13–43. http://dx.doi.org/10.34739/his.2012.01.01.

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It is assumed that eight Sasanid reliefs were carved during the reign of Shapur I in 242 – 272. There is no doubt that seven of them: NRb I, NRb IV, NRm VI, VŠ I, VŠ II, VŠ III as well as that one from Rag-i Bibi depict the ruler. Identifi cation of the king in relief from Darabgerd is subject of further disputes. What enforces dating reliefs at Naqsh-i Rajab to 242 – 244 is lack of portrayals of enemies defeated by Shapur. Starting point for more precise dating of socalled triumph reliefs is identifi cation of persons appearing in them. There is no doubt about the relief at Naqsh-i Rustam. On
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Weilandt, Gerhard, Stefan Breitling, and Anna Nöbauer. "Liturgischer Alltag auf einer Großbaustelle des 13. Jahrhunderts: Zur Funktion einiger Konsolen in den Seitenschiffen des Bamberger Domes." Zeitschrift für Kunstgeschichte 84, no. 2 (2021): 181–200. http://dx.doi.org/10.1515/zkg-2021-2002.

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Abstract This article, which is the result of a cooperation between building archaeologists and a historian of art and liturgy, sheds light on the original function of the stone consoles in the eastern aisles of Bamberg Cathedral, on which the most famous medieval sculptures now stand, including the Bamberg Rider. They date from the time of the building phase shortly after 1201–1202, when the western part of the Ottonian predecessor building was still in use, while in the east the new choir was under construction. A wall separated the two parts, in which openings were inserted. The consoles di
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Agus, Ahmadi, Murfianti Fitri, and Rahmat Ardi Candra D.A Nur. "Relief and Naladerma Metal Statue Design Based on Wayang Beber as an Alternative of Pacitan Tourism Icons." International Journal of Arts and Social Science 2, no. 4 (2023): 67–83. https://doi.org/10.5281/zenodo.7714583.

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Wayang Beber as an artwork of the original tradition of Pacitan contains local wisdom. Preservation efforts, research, creation of wayang shape development, performances, and other alternative efforts can improve the tourism sector in the Pacitan region. Wayang Beber in this study was used as a source of ideas in the creation of the iconic Pacitan as a city of tourism. This applied research aims to produce design works, artworks in the form of metal-based reliefs and sculptures, and their representations as exterior works. As an alternative chosen Naladerma who refers to Wayang Beber for one o
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Farooq, Sadia, and Mohammad Arif Kamal. "IMPACT OF SCULPTURES IN LANDSCAPE DESIGN: CASE OF GREATER IQBAL PARK, LAHORE." Architecture and Engineering 6, no. 4 (2021): 14–23. http://dx.doi.org/10.23968/2500-0055-2021-6-4-14-23.

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Introduction: A landscaped area is always appealing when designed according to a certain theme and purpose, as is the case with the sculptures in the Greater Iqbal Park. Purpose of the study: We aimed to analyze the influence of ornamental sculptures on people visiting the Greater Iqbal Park situated in Lahore, Pakistan. The objective was to evaluate the importance of the sculptures’ presence in the park, to review the visitors’ opinions on the subject, and to analyze how the sculptures blend in with other elements of the park. Methods: An important aspect of the study is the combination of da
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Mukhlisa, Salsabila. "Characteristics, Forms and Techniques of Making Combined Figure Sculptures by Laksmi Shitaresmi." International Journal of Multicultural and Multireligious Understanding 11, no. 2 (2024): 192. http://dx.doi.org/10.18415/ijmmu.v11i2.5404.

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Laksmi Shitaresmi is a female artist from Yogyakarta who specializes in painting, sculpture, and installation, as well as other two- and three-dimensional media. Because she freely shares stories about herself and her experiences as a Javanese woman trying to balance the roles of housewife, artist, and wife, her works have a strong appeal. The various visual components she shapes and arranges in her sculptures or reliefs, as well as the stories she tells in them, can prompt us to consider our own lives. The stories in Laksmi's works are always autobiographical; the autobiographical aspect of h
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Chrudzimska-Uhera, Katarzyna. "Photographic Album of Sculptures from the State School of Wood Industry in Zakopane." Rocznik Muzeum Narodowego w Warszawie. Nowa Seria / Journal of the National Museum in Warsaw. New Series, no. 13(49) (May 20, 2025): 397–418. https://doi.org/10.63538/rmnwns.013.20.

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The album from the Collection of Iconography and Photography at the National Museum in Warsaw contains 119 black-and-white photographs depicting various objects – figurative sculptures and reliefs, interior furnishings and small utilitarian items – created at the State School of Wood Industry in Zakopane. It served as a commercial catalogue, and the use of French for the school’s name and the titles of the works suggests that the school’s output was intended for the international market. The album may have accompanied international exhibitions, in which the Zakopane school regularly participat
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Bilyk, Nadiia, та Alina Uhryn. "PRESERVATION OF JOHN GEORGЕ PINZEL’S CREATIVE HERITAGE IN THE MUSEUMS OF TERNOPIL". Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, № 2 (23 травня 2023): 163–69. http://dx.doi.org/10.25128/2411-3271.19.2.22.

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In the 60-80’s of the XX century by the aid of the search work of art expert V. Svientsitska, B. Voznytskyi, V. Stetsko the art works of John George Pinzel were saved (? –1761). Thus, the sculptures and carved icons of the talented artist appeared in the museum collections of Galicia. Today, part of the creative heritage is stored in the holdings of two museums in Ternopil: Ternopil Regional Museum of Local Lore (TRMLL) and Ternopil Regional Museum of Art (TRMA). Only since the proclamation of Ukraine’s independence J. G. Pinzel’s heritage has become an object of study. We thank the director o
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Zsófia, Vargyas. "Alaricustól Szent Henrik császárig. Giovanni Bonazza és műhelye szétszóródott domborműsorozata Jankovich Miklós gyűjteményéből." Művészettörténeti Értesítő 69, no. 1 (2020): 109–22. http://dx.doi.org/10.1556/080.2020.00007.

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The Sculpture Collection in the Museum of Fine Arts, Budapest has been enriched in recent years with twenty-one marble portrait reliefs carved by Giovanni Bonazza (1654–1736) and his workshop. Fifteen reliefs were transferred within the institution and six were purchased from a private collection, but the identical creator and size, the uniform plaster framing and the themes of seventeen pieces – portraits of Italian rulers in the period of great migrations and the early Middle Ages – made it perfectly clear that they are pieces of a relief series scattered at an unknown date. The four “charac
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Dissertations / Theses on the topic "Reliefs (sculptures)"

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Ghardaddou, Elyès. "Le décor iconographique des édifices de spectacle dans la Carthage romaine : sculptures et reliefs dans le Théâtre et l'Odéon." Aix-Marseille 1, 2009. http://www.theses.fr/2009AIX10009.

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Cette étude s'intéresse aux décors sculptés dans le théâtre et l'odéon de Carthage. Le premier volume, consacré au théâtre, présente un inventaire avec une description et des réflexions sur la typologie, la chronologie et la restitution de chaque sculpture. La même démarche est suivie dans le second volume consacré à l'odéon. Les sculptures trouvées dans cet édifice constituent un ensemble de pièces collectées dans certains édifices carthaginois du milieu du IIe siècle. Le troisième volume s'intéresse aux groupes statuaires que nous avons pu reconstituer. Le décor sculpté du théâtre révèle l'e
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Holtzmann, Bernard. "Etudes de sculpture thasienne : les reliefs." Paris 1, 1988. http://www.theses.fr/1988PA010591.

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Premiere partie de la publication d'ensemble des sculptures trouvees dans l'ile de thasos ( grece ), consacree a quelque six cent reliefs, la plupart inedits ou insuffisamment publies, qui s'echelonnent du viie siecle av. J. -c. Au iiie siecle ap. J. -c. Dans cette production abondante, suscitee par l'existence des marbres locaux, se distinguent quelques series originales : les grands reliefs de passage (12), sans equivalent dans le monde grec; les reliefs a banquet (160) qui permet tent de suivre l'evolution du theme depuis son origine votive jusqu'a ses derniers avatars funeraires. Pourtant,
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Holtzmann, Bernard. "Etudes de sculpture thasienne les reliefs /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37614362x.

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Reynolds, Bruce. "The Persistence of Relief: Relief Sculpture in Contemporary Art." Thesis, Griffith University, 2018. http://hdl.handle.net/10072/382698.

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Relief sculpture can be understood as a form in two and a half dimensions, between drawing or painting and sculpture. Relief is also a renewed area of artistic practice, long in decline and marginalized in the 20th Century. It engages with the archaic and the physical and as such is counterpoint to the proliferation of disembodied digital images in contemporary culture. Relief is an art form well suited to re-examining our past from under the shadow of sculpture and painting, not least because it is characterised by ambiguity and dualism and the compatibility of its formal character with theme
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Bossert-Radtke, Claudia. "Die figürlichen Rundskulpturen und Reliefs aus Augst und Kaiseraugst /." Augst : Römermuseum, 1992. http://catalogue.bnf.fr/ark:/12148/cb388956299.

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Pochmarski-Nagele, Margaretha. "Die dionysischen Reliefs in Noricum und ihre Vorbilder /." Wien : VWGÖ, 1992. http://catalogue.bnf.fr/ark:/12148/cb35573141z.

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Tagalidou, Efpraxia. "Weihreliefs an Herakles aus klassischer Zeit." Jonsered : P. Ǻströms, 1993. http://catalogue.bnf.fr/ark:/12148/cb388954183.

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Schmaltz, Nicolas. "Les reliefs de l'Afrique romaine : recherches sur la sculpture provinciale." Lille 3, 2003. http://www.theses.fr/2003LIL30038.

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L'Afrique romaine nous a laissé des bas-reliefs aussi nombreux que variés. Plusieurs milliers de reliefs ornent ainsi des monuments publics, privés, religieux ou funéraires, et sont souvent accompagnés d'inscriptions. Ces sculptures, qui sont en pierre et parfois en stuc, nous apportent des renseignements de plusieurs ordres. D'abord, ce sont les produits d'un artisanat de masse dont l'apogée se situe aux IIe et IIIe siècles. Ils témoignent d'un savoir-faire d'ateliers locaux, attachés à leurs traditions stylistiques. Ensuite, les reliefs constituent une source iconographique majeure. Ils mont
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Wulfmeier, Johann-Christoph. "Griechische Doppelreliefs /." Münster : Scriptorium, 2005. http://catalogue.bnf.fr/ark:/12148/cb41304246z.

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Sandrock, Johanna Kay. "Mythological funerary reliefs from the Roman provinces of Noricum and Pannonia /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3099629.

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Books on the topic "Reliefs (sculptures)"

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Fils, Gimpel, ed. Sculptures, reliefs & drawings. Gimpel Fils, 1989.

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Pierre, Arnauld. Bernar Venet: Sculptures et reliefs. G. Prearo, 2000.

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Pierre, Arnauld. Bernar Venet: Sculptures et reliefs. G. Prearo, 2000.

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Michael, Kenny. Michael Kenny: Sculptures, reliefs & drawings, 1982-1990. John Hansard Gallery, University of Southampton, 1990.

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Arp, Jean. Art is Arp: Dessins, collages, reliefs, sculptures, poésie. Musées de la Ville de Strasbourg, 2008.

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Musée d'art moderne et contemporain de Strasbourg., ed. Art is Arp: Dessins, collages, reliefs, sculptures, poésie. Musées de la Ville de Strasbourg, 2008.

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Winzen, Matthias, writer of added commentary та Nikich, G. (Georgiĭ), writer of added commentary, ред. Stefan Balkenkhol: Skulʹptury i relʹefy = Stephan Balkenhol : Sculptures and reliefs. Moskovskiĭ muzeĭ sovremennogo iskusstva, 2016.

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Berc, Guy Bès de. Sculptures d'albâtre de Malines: Les reliefs de dévotion fin XVIème début XVIIème siècle. AUTOEDITION, 2003.

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Melotti, Fausto. Fausto Melotti: Sculture e bassorilievi, 1939-1972 = sculptures and bas-reliefs, 1939-1972. Electa, 2009.

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Guimarães, José de. Jose de Guimaraes: Sculptures, paintings, reliefs on paper, gouaches on paper, 28.9.91-16.11.91. Stichting Veranneman Foundation, 1991.

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Book chapters on the topic "Reliefs (sculptures)"

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Margariti, Katia. "6. Funerary Sculpture: Women on Attic Grave Reliefs." In Handbook of Greek Sculpture, edited by Olga Palagia. De Gruyter, 2019. http://dx.doi.org/10.1515/9781614513537-006.

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Steinfeld, Kyle, Titus Tebbecke, Georgieos Grigoriadis, and David Zhou. "Artificiale Rilievo GAN-Generated Architectural Sculptural Relief." In Towards Radical Regeneration. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13249-0_12.

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Marazzi, Massimiliano. "New ‘Excavations’ in the Pergamon-Museum and in the Gipsformerei of Berlin and New Elements for the Study of the Decorative Programme of Kammer B in Yazılıkaya." In Studia Asiana. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0042-4.06.

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Based on the work conducted during winter 2017 both on casts of the Hittite reliefs exhibited at the Pergamon-Museum and the original matrices of the Humann casts (1892) kept at the Gipsformerei in Berlin/Charlottenburg, a series of results are presented regarding the sculptural decoration programme present in the Yazılıkaya rock sanctuary. In addition, the exhibition and publication of a series of casts of Hittite reliefs on the occasion of the exhibition Royaumes Oubliés, held in Paris in 2019, made it possible to provide some insights into the history of the casts made by E. Chantre on the
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Baschet, Jérôme. "Iconography beyond Iconography: Relational Meanings and Figures of Authority in the Reliefs of Souillac." In Current Directions in Eleventh- and Twelfth-Century Sculpture Studies. Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.svcma-eb.4.6002.

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Vitovič, Ladislav, Jozef Minár, Pavel Bella, and Juraj Littva. "Polygenetic Relief in the Foreland of Glacially Sculptured Mountains—Podtatranská kotlina Basin." In World Geomorphological Landscapes. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89293-7_9.

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Shoaf, Matthew G. "The Voice in Relief: Sculpture and Surplus Vocality at the Rise of Naturalism." In Resounding Images. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.svcma-eb.5.109325.

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Behar, Katherine. "Arbitrary Objects." In And Another Thing. punctum books, 2016. https://doi.org/10.21983/p3.0144.1.04.

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In his influential 1965 essay “Specific Objects,” sculp-tor Donald Judd surveyed the “new work” in painting and sculpture being created by his contemporaries in the New York scene. He noted with satisfaction that the “part by part” compositional structure he identified with European tradition and metaphoric “anthropo-morphism” was giving way to a holistic, environmental approach to three-dimensional space that he equated with a new kind of realism. “Three dimensions,” Judd wrote, “are real space. That gets rid of the problem of illusionism and of literal space, space in and around marks and co
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Davies, Simon. "The Imperial Image in Middle Byzantine Sculpture: Some Lesser-Known Marble Relief Fragments from Constantinople." In Studies in Byzantine History and Civilization. Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.sbhc-eb.5.113960.

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Borlée, Denise. "Des choix nouveaux pour une œuvre inventive." In L’Invention partagée. Presses universitaires Blaise-Pascal, 2019. https://doi.org/10.4000/141m1.

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Les trois portails de la façade occidentale de la cathédrale de Strasbourg comptent incontestablement parmi les cycles sculptés les plus impressionnants du Moyen Âge. Si la volonté d’afficher le thème de la Passion au tympan du portail central constitue déjà une nouveauté, le développement qui en est donné par la multiplication des épisodes n’en est pas moins original. Les modèles sont à chercher dans les diptyques en ivoire dont des scènes ont été reprises, réagencées, agrandies et transposées dans la pierre. Le style adopté, naturaliste et hautement narratif, est aussi particulièrement appro
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Halperin, Ilana. "Autobiographical Trace Fossils." In Making the Geologic Now. punctum books, 2012. https://doi.org/10.21983/p3.0014.1.25.

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Ephemeral islands, petrified raindrops, volcanic dust from Pompeii, a shared birthday with a volcano. Certain geological processes have a way of evoking a more personal response to the idea of geological time. What does a time span of 300,000,000 years actually mean? Physical Geology is an ongoing project which explores our desire to make corporeal contact with geo-logical phenomena.While conducting research as an Alchemy Fellow at the Manchester Museum, in the “oddi-ties drawer” of the geology department I came across a fine collection of lava medallions from Mount Vesuvius, magma pressed bet
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Conference papers on the topic "Reliefs (sculptures)"

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Wood, Kurt, Vince Casmirri, and Tami Lasseter Clare. "Restoration of Historic Architectural Tiffany Metalwork Relies on High-Performance, Environmentally Safe Coating System for Long-Lasting Protection." In SSPC 2014 Greencoat. SSPC, 2014. https://doi.org/10.5006/s2014-00068.

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Abstract Caretakers of outdoor monuments, sculptures and high-value architectural metalwork face formidable preservation challenges. Durable, low-maintenance coatings are needed that provide longer-lasting protection against corrosion and degradation, while being safe for the environment. We describe work done in collaboration with conservators at the Philadelphia Museum of Art, and Portland State University, to develop water-based fluoropolymer coatings that meet the critical needs of the conservation and architectural communities.
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Dolske, Donald A., and John D. Meakin. "Acid Deposition Impacts on Historic Bronze and Marble Statuary and Monuments at Gettysburg, Pennsylvania." In CORROSION 1991. NACE International, 1991. https://doi.org/10.5006/c1991-91152.

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Abstract One of the largest single collections of outdoor sculpture and monuments in the United States is found at Gettysburg National Military Park, Pennsylvania (GETT). GETT receives relatively acidic rainfall, as the median pH is 4.2, and rain events with pH as low as 3.5 are not uncommon. The apparently accelerating deterioration of bronze and marble monuments and statuary has become an important National Park Service management concern. To assess the present status of monument deterioration and its relationship to airborne pollutants and rainfall acidity, a research project was conducted
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A., TISHKIN, BONDARENKO S., and Tishkin (J) A. "“DEER” STONE FROM TUVA: MODERN POSSIBILITIES OF OBTAINING GRAPHIC DRAWINGS." In MODERN SOLUTIONS TO CURRENT PROBLEMS OF EURASIAN ARCHEOLOGY. Altai State Univercity, 2023. http://dx.doi.org/10.14258/msapea.2023.3.56.

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The article demonstrates the experience of obtaining graphic images based on a digital copy of the “deer” stone exhibited in the stelary of one of the branches of the National Museum of the Tyva Republic (Kyzyl), where a large collection of ancient stone sculptures. This work reflects the search for optimal techniques of automatic computer drawing based on photogrammetry data. “Deer” stones with clearly distinguishable images no longer cause certain difficulties for their comprehensive presentation and publication, including the demonstration of the sweep. The statues with different reliefs an
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Savage, Victor. "As One With Nature: Sputheast Asian Aesthetic Expressions | เป็นหนึ่ง เดียวกับธรรมชาติ: การแสดงออกทางสุนทรียะของชาวเอเชียตะวันออก เฉียงใต้". У The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-25.

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Given the many artistic manifestations in the region which range from architecture to wooden sculptures, one wonders whether there are some guiding aesthetic principles in Southeast Asia. Using food, tattoos, bas reliefs, paintings, textiles, pottery, and architecture, this article is concerned with the salient underpinnings of aesthetic displays in the region. Regional aesthetics manifests itself in many cultural practices ranging from royal traditions, spiritual rituals and practices and quotidian rites of passage. Aesthetic expressions drew their inspiration from nature, cosmic perceptions
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Cova Morillo, Miguel Angel De la. "Le Corbusier y Charles Lasnon: De las maquetas blancas de los Salones de Otoño a los plan-reliefs del nuevo urbanismo." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.729.

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Resumen: El “mouleur” Charles Lasnon representa la convivencia que durante el primer tercio del siglo XX se dará entre las Artes y Oficios y las nuevas técnicas de representación vinculadas a la fotografía. Lasnon realizará para Le Corbusier una serie de maquetas que presentarán sus propuestas a escala doméstica y urbana, primera aproximación a una expresión tridimensional de sus teorías: los modelos 1:20 de los Salones de Otoño en 1922 y 1923, a camino entre el objet-type y la escultura de vanguardia, y las del “Urbanisme á trois dimensions” del Plan Obus y Nemours. Las maquetas de las Villas
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Sobocinski, Pawel, Mikolaj Maik, and Krzysztof Walczak. "Multimodal presentation of 3D relief sculptures in virtual reality." In 2022 International Conference on Cyberworlds (CW). IEEE, 2022. http://dx.doi.org/10.1109/cw55638.2022.00021.

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Nikiforovs, Juris. "Works of Latvian Medallists in Fidem Congress Exhibition in Florence." In 82nd International Scientific Conference of the University of Latvia. University of Latvia Press, 2024. http://dx.doi.org/10.22364/htqe.2024.37.

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Medal is a miniature to be held. As an art form medal has evolved from being decorative to purely modernistic in a sense of creative expression. Many of Latvian medallists have a long experience in the field of medal art, working as sculptors and educators. Some artists have joined the Latvian Medal club recently. Latvian national section of medal art was represented in FIDEM (International Medal Art Federation) XXXVII Congress exhibition in Biblioteca Nazionale Centrale in Florence 2023 with 25 works by 15 artists of a living generation. Sculptural styles of the exhibited art medals of Latvia
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Bahmann, Dirk. "Making Atmospheres." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35893.

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This paper discusses a practical methodology, developed for a second-year architectural elective project, that aims to make tangible the qualities of architectural atmospheres. It argues for an embodied practice of making sculptural artefacts. It proposes that these can articulate and make apparent atmospheric qualities. To be able to imagine or recognise atmosphere is a crucial skill for architects since atmosphere determines how people respond to space. The methodology is designed, through iterative cycles of making and critical reflection, to make students increasingly aware of atmosphere a
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Сериков, Ю. Б. "YUR’YINO IV – SUPPORTING RELICS OF THE STONE AND THE BRONZE AGES OF THE KOKSHAROVSKY PEAT BOG (MIDDLE TRANSURALS)." In Материалы 23–25-го заседаний научно-методического семинара «Тверская земля и сопредельные территории в древности». Crossref, 2024. https://doi.org/10.70203/9043.2024.71.44.007.

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В статье публикуются результаты спасательных работ на многослойном поселении Юрьино IV. На памятнике присутствуют комплексы всех археологических периодов от мезолита до раннего Средневековья. Основная масса находок относится к энеолиту и неолиту – около 85 %. Остальные периоды представлены небольшими комплексами, которые составляют от 1,5 до 8,5 % общей коллекции. При анализе каменных изделий использовались статистико-типологический, трасологический и минералогический методы. Энеолит характеризуют первые найденные на восточном склоне Урала достоверные кремнёвые скульптуры. Из числа других неор
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Avila Forero, Juan Sebastian. "Design of training materials for teaching anatomy." In Systems & Design: Beyond Processes and Thinking. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.2955.

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The present work is part of the Doctoral Research in Design, Manufacturing and Industrial Projects Management of the Universidad Politecnica de Valencia (UPV) and is incorporated in the PhD project called ¨The implementation of digital design and manufacturing technologies in the teaching of anatomy¨. It is based on the experience as a thesis director in the Design Faculty of the University El Bosque in Bogota. The project discussed thereafter aims to strengthen the skills of students in Industrial design. With a strong technological component, the project’s method relies on the elaboration of
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Reports on the topic "Reliefs (sculptures)"

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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals act
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