Academic literature on the topic 'RELIGION / Buddhism / History'

Buddhism is believed to have all but died out in India following the thirteenth century Muslim invasion. However, in Bengal groups of non-Bengali people have continued to practice Therāvada Buddhism, which they are said to have imported from nearby Burma, or which they were converted to from other forms of Buddhism after migrating to Bengal. Their practices were "reformed" in 1856 by Burmese monks. An analysis of the historical material reveals a tendency by non-Buddhist Bengalis to downplay any relationship between the Buddhist traditions of Burma and Bangladesh, and to represent Buddhism as a phenomenon of the past. This reinterpretation of historical data is part of the formation process of a Bangladeshi national identity. That this process is in progress is confirmed by the existence in Bangladesh of a centralised and standardised educational system, having among its aims the integration of the national population. Religious education, in Bangladesh as elsewhere, plays within this system an important role in national integration. On the other hand, certain institutions of Bangladeshi Buddhism, such as temporary ordination, and features like the importance attributed to the Mahāmuni temple (which houses a replica of a very sacred Buddha image from Burma) confirm the historical connection between the Bangladeshi and the Southeast Asian Buddhist traditions. Any remaining doubts about the nature of Bangladeshi Buddhism are dispelled by the reading of a devotional song belonging to the genre known as Bauddha pālā kīrtana. The kīrtana, a ballad originating within the Hindu devotional movements, is very popular among all Bengalis, with no distinction of faith. The subject of this text, deriving from an apocryphal birth-story of the Buddha of Southeast Asian origin, reveals once again a link between the Buddhist traditions of Southeast Asia and Bangladesh, its Indian style just indicating regional taste.

<p> This dissertation looks at an attempt in Buddhist history to theorize the role and status of the body as the prime focus of soteriological discourse. It studies a text titled <i>Explanation of the Hidden Vajra Body</i> (<i>Rdo rje lus kyi sbas bshad</i>), composed by Yang dgon pa Rgyal mtshan dpal (1213-1258). This work, drawing on a wide range of canonical tantric Buddhist scriptures and Indic and Tibetan commentaries, lays out in detail a Buddhist theory of embodiment that brings together the worldly realities of the body with their enlightened transformation. This dissertation analyzes the ways Yang dgon pa theorizes the body as the essential ground of the salvific path, and endeavors to provide a thematic guide to his rich and complex discussion of what the body is and does, from a tantric perspective. The thesis parses a key term, <i>dngos po'i gnas lugs</i>, that Yang dgon pa uses as an organizing principle in <i>Explanation of the Hidden.</i> If taken literally, the term means something like "the nature of things" or "the nature of material substance," but Yang dgon pa deployed the term specifically to refer to the nature of the human psychophysical organism, in its ordinary state. By way of this term, Yang dgon pa argues that the body itself makes enlightenment possible. In the course of this thesis, I consider the prior history of this category as it was gradually developed by a series of Bka' brgyud writers until it reached Yang dgon pa. Then, in light of this category, I explore Yang dgon pa's own vision of embodiment. This vision, I argue, reflects an attempt to refocus soteriological attention on the power of the body, over and above the mind, as the salient basis for non-dual knowing. Finally, I reflect upon the lasting contributions of Yang dgon pa's conception of the body to the ongoing exploration of such topics in the history of Indo-Tibetan Buddhist soteriology, as well as upon why some of the more radical elements of his thinking seem to have been eliminated in subsequent generations of his lineage.</p>

This dissertation examines the notion of the Pure Land as an immanent utopia in both classical Buddhist sources and modern Japanese thought. The first half of the dissertation presents the argument that the idea of a Pure Land existing in this world was in wide circulation before the modern period, and that the orthodoxy of a strictly-transcendent Pure Land is a modern invention. The second half of the dissertation explores how modern thinkers respond to this orthodoxy by once again positing an immanent Pure Land. It focuses particularly on how notions introduced by the modern Buddhist thinkers Kiyozawa Manshi and Soga Ryōjin are taken up and interpreted by the Kyoto School philosophers Miki Kiyoshi and Tanabe Hajime. It concludes that the ethical and political significance of the modern Pure Land lies in its identification of the utopian space of the Pure Land with the space of exile or homelessness.<br>La présente thèse examine la notion de terre pure vue en tant qu'utopie dans le bouddhisme classique ainsi que dans la pensée japonaise moderne. La première partie défend la thèse selon laquelle l'idée d'une terre pure existant dans ce monde était commune avant la période moderne, et que la notion selon laquelle seule une terre pure conçue comme étant strictement transcendante est orthodoxe est une invention moderne. La seconde partie de la thèse décrit la façon dont les penseurs modernes répondent à cette nouvelle orthodoxie en avançant de nouveau une terre pure immanente, et se penche en particulier sur la façon dont des notions introduites par les penseurs bouddhistes modernes Kiyozawa Manshi et Soga Ryōjin sont reprises et interprétées par les philosophes de l'école de Kyoto Miki Kiyoshi et Tanabe Hajime. La thèse conclut que l'importance éthique et politique de la terre pure moderne repose sur le fait qu'elle identifie l'espace utopique de la terre pure avec l'espace d'exil ou d'absence de demeure.

This dissertation explores the nexus between Buddhism and literature in Japan’s early medieval period. Specifically, it elucidates the process by which forms of court literature such as Chinese-language verse (kanshi), Japanese poetry (waka), and romance tales (monogatari) were incorporated into Buddhist rites and liturgies from the tenth through twelfth centuries and attempts to show how this process supported and was supported by Esoteric Buddhist discourse. I call special attention to a discourse on ritual performance that understands the chanting of a mantra, hymn, or poem as an act of giving the joy of the Dharma (hōraku) to the kami and buddhas. By attending to this discourse and the rituals through which it was articulated, this dissertation sheds light on the doctrinal reasons why and the practical paths by which even literary genres that were considered to be “worldly” such as nature poetry, love poetry, and romance tales were reconceived as vehicles for offering the joy of the Buddha’s teachings. The three body chapters examine a variety of rites and liturgies intended for a lay audience—often called “Dharma assemblies” (hōe) in Japanese-language scholarship—and endeavor to demonstrate how they contributed to key transformations in Japanese literature. Chapter 1 investigates the liturgy of the lecture assembly (kō-e) at Shinto shrines and elucidates how it shaped the formation of a key genre of medieval Japanese poetry called “Dharma joy” waka (hōraku waka). Chapter 2 analyzes repentance rites dedicated to Fugen (Sk. Samantabhadra) bodhisattva and considers their impact on the invention of Buddhist love poetry. Finally, Chapter 3 looks at sutra-offering ceremonies and clarifies their role in the consecration of the exemplary Heian-period romance tale, The Tale of Genji, and the imagination of its author, Murasaki Shikibu. In addition to situating a particular transformation of court literature in its ritual context, each chapter also locates a given example of ritual in its discursive locus. I show that at the center of this locus lies a system of Esoteric Buddhist doctrine and ritual concerned with demonstrating the identity of the esoteric teachings (mikkyō) with those of the Lotus Sūtra. Terming this system “Lotus-Esoteric discourse,” I show how it provided the epistemic framework for the practice of using a mantra, hymn, or poem as a medium for giving the joy of the Dharma to others, rather than receiving it for oneself (jiju hōraku), as was stressed in Japanese Esoteric Buddhism of the late ancient period. In short, through its attention to Lotus-Esoteric discourse on Dharma joy, this study offers a corrective to an over-emphasis on the liturgical formula of “wild words and fanciful phrases” (kyōgen kigo), which has been the focus of many previous studies on the relationship between Buddhism and medieval Japanese literature, and clarifies the concrete discursive strategies and ritual practices by which Buddhism in early medieval Japan consecrated new liturgical uses for three representative genres of court literature—kanshi verse, waka poetry, and monogatari tales. In this way, it endeavors to show how Buddhist discourse on Dharma joy—in both its doctrinal and ritual dimensions—may constitute a new paradigm for understanding the early medieval transformation of Japanese literature.<br>East Asian Languages and Civilizations

Nowadays there is a common understanding in the Western countries regarding how equal the genders are in the traditional Christian societies, while other countries are believed to be characterized by a patriarchal structure. This self-image has probably led to a kind of blindness concerning the problems in the vicinity and instead of emphasizing unequal trends in the West, criticize other cultures and religions for being misogynist. The aim of this study is to analyse how the internet page www.so-rummet.se  describes Islam and Buddhism through a gender perspective. SO-rummet is a webpage created by the teacher Robert de Vries and aims to complete the learning material that is used in the Swedish schools. The site focuses on history, religion, geography and civics.  The purpose of this essay is to investigate how the normative religious believer is described and if both men and women are included in the texts about Islam and Buddhism. This essay will be based on content analysis by assuming which words that are being used and how the genders are being described. This will help concluding who’s considered to be the norm in the text at SO-rummet.

Bibliography: leaves 124-133.<br>This thesis, Intrinsic Patterns in the History of Religious Change from early Hindu Traditions to contemporary Mahayana Buddhism: an Application of Cumpsty's Theory of Religion, is an application of a comprehensive theory of religion to a broad sweep of religious history and diversity. It follows development from the Indian sub-continent to Japan, and to the West. It covers the period from about 500BCE to the present. As such, it assumes in the reader some background in theory of religion, and John Cumpsty's theory in particular, as well as some knowledge of the history and traditions of Hinduism and Buddhism. The first chapter deals with conceptual issues through a characterisation of early Hinduism, a description Cumpsty's three ideal-types, and a discussion of the relationship between moksa and dharma. Chapter two provides historical grounding to the thesis by providing empirical evidence for the arguments made in chapter one about the "bridging-out" to the Withdrawal paradigm. It studies four orthodox responses to the paradigm, that is, the brahmanical synthesis, Saivism, the Gita, and Sankara. The third chapter offers an analysis of early Buddhism, the development of Theravada and its academic characterisation, as an example of "allocation" as a bridging and change mechanism. Chapter four offers an analysis ·of the Mahayana in China and Japan. It gives reasons for its missionary success, and provides three examples of bridging symbols common to all Mahayana - the Trikaya, skillful means, and the Bodhisattva ideal. The fifth chapter discusses developments in the Mahayana. Three modes of creating correspondence between Samsara and Nirvana are described: Madhyamika, Ch'an (Zen), and Yogacara. It also deals with developments in the Pure Land and the move into the Secular World Affirming paradigm. The final chapter deals with the modem period and draws together the argument of the thesis. "Socially engaged Buddhism" as a modem phenomenon in Therevada is described, and Mahayana is examined for similar moves, and an explanation is given. The chapter then goes on to describe religious transference back to the West, and explains their success. The thesis concludes with an assessment of the fruitfulness of the application of Cumpsty's theory of religion. In terms of methodology the thesis is an application of a theory of religion to a broad sweep of religious history in the Indian sub-continent and eastwards, as well as the West. The thesis highlights situations of change in both worldview and practice, and subjects them to analysis in terms of the theory. The result is an extension of that part of the theory that is most involved in the analysis of the religious traditions concerned. In order to do this a wide range of phenomenological and sociological material has been used.

Religion<br>Ph.D.<br>This dissertation studies the critical and historical examination of modern Japanese Buddhism in terms of its collaboration with and resistance to ultranationalism and militarism before and during World War II. It also examines how Buddhism came to Japan and transformed itself according to the historical, social and political contexts throughout history. Also it shows how and why Japanese Buddhism has transformed the Gautama Buddha's teachings, the Dhamma and the notion of community, Sangha to its own in terms in relationship to the state. In order to examine the Japan's modern-nation-state's invention of installing a national consciousness and identity in the people through the means of State Shinto and the emperor, kokutai ideology after the Meiji Restoration in 1868, I apply the methodologies of social critical theories of James Scott, Benedict Anderson, Michel Foucault and Pierre Bourdieu. After the Tokugawa shogunate's long patronage of Buddhism (1602-1868), the dissertation examines how modern Japanese Buddhism was challenged by the Meiji state, and transformed itself to meet the need of the modern-nation-state centered on State Shinto and kokutai ideology. Moreover, it exposes how Japanese Buddhism struggled to meet the modernity itself such as individuality and socialization. Furthermore, in the 1930-40's, in the context of rise of ultranationalism and militarism in the name of "overcoming modernity," this dissertation explores how the Japanese Buddhist sects such as True Pure Land, Nichiren, Zen, and the Kyoto School collaborated with and resisted to them. Despite the main Japanese Buddhism's active participation in the war, there were few Japanese Buddhists' resistances. The dissertation examines why and how they could not effectively resist but failed. Moreover, the dissertation shows that there were several opportunities that Japanese Buddhism might have stopped the state's control of religions--the rise of ultranationalism and war ideology in the cases of Uchimura Kanzô's lese majeste in the 1890's, the state's failures of ratification on the Religious Organization Law twice in the 1920's, and Seno'o Girô's anti-fascist movements in the 1930's--the Buddhists had had critical minds and organizational wills alongside with the interreligious cooperation with Christianity and new religions. Thus, this dissertation critically examines Japanese Buddhism in three terms; the social critical ethics, the interreligious dialogue, and the trans-national dialogue. It shows why and how Japanese Buddhism lost the Buddha's critical mind, social ethics, the democratic origin of Sangha, as well as the trans-national dialogue with Korean, Chinese and South Asian Buddhists and eventually justified the Japanese imperial aggression against Asia. I hope that my dissertation will help the Japanese Buddhists undertake a self-critical examination of their involvement in World War II, and would set up a good example of self-criticism of religion and nationalism. It could certainly help the current Islamic people's struggles for democracy, nationalism and holy war. Also in case of China's nationalistic expansionism which resembles the Japan of 1930-40's, in the name of nationalism and social harmony, religious freedom was limited to the inner private realm, but its public role in checking nationalism was suppressed. Tibetan Buddhism, Falun Gong and house Christian churches cried out for their freedom. Therefore the self-critical examination of the rise and fall of the Japanese empire in terms of religion, religious freedom and ultranationalism might help Chinese religions and intellectuals as well as other cases involving religion, nationalism and war.<br>Temple University--Theses