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Dissertations / Theses on the topic 'Religious art'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

D'Elia, Una Roman. "The poetics of Titian's religious paintings /." Cambridge : Cambridge University Press, 2005. http://catalogue.bnf.fr/ark:/12148/cb39938959v.

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2

Andreopoulos, Andreas. "The death of art : the transformation of art from a religious perspective." Thesis, Durham University, 1998. http://etheses.dur.ac.uk/4089/.

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The hypothesis put forth in this dissertation is twofold. The first part is based on a view (supported by writers such as Hans Belting) that maintains that art lost its sacred character in the late Middle Ages, when art was emancipated from religion and the artist was recognized as an original Creator. The two first chapters examine this issue: The first chapter (A Religious View of the History of the Arts) discusses theories of religious art from the ancient Jewish drama and the Greek tragedy to the late Middle Ages. Psychological material, mostly drawn from Lacan and Jung, is used to explore

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3

Bernasconi, Gina. "Art and religious education: Seeking meaning in the sacred seriousness of art." Thesis, Australian Catholic University, 2006. https://acuresearchbank.acu.edu.au/download/4866d8aeffa87aa911cd9ec0550330f1da5a5413861095d66dc5812ac891d9b1/3609586/Bernasconi_2006_Art_and_religious_education_seeking_meaning_in.pdf.

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In relation to the post-compulsory religious education program of a Catholic secondary college for boys, this research study set out to ascertain the role of art as a medium for the self-revelation of God in the linking of aesthetic and religious experience. In other words, this research study proposed to provide a group of students with a space and opportunity for a ‘calling to attend’ experience of God; that is, an experience that was compelling. The theoretical framework called on two types of concepts: first, those related to the theological investigation of revelation and its connection w

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4

Moore, Ede Minna. "Religious art and Catholic reform in Italy, 1527-1546." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395234.

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5

Berdini, Paolo. "The religious art of Jacopo Bassano : painting as visual exegesis /." Cambridge : Cambridge university press, 1997. http://catalogue.bnf.fr/ark:/12148/cb37516663d.

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6

Haynes, Clare. "Pictures and Popery : religious art in England c. 1680-c. 1760." Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365024.

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During the first half of the `long' eighteenth century the English were, as a nation, vehemently anti-Catholic, yet the art that was most admired, collected and talked about, was Catholic in origin and subject matter (pictures showing the intercession of saints or the figure of God, for example). Such art might have been rejected by English collectors, certainly idolatry was chief among the heresies ascribed to the Papists, but the belief in the supremacy of Italian art was long-standing and tenacious in pan-European culture. The thesis demonstrates that rather than rejecting it, elaborate str

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7

Amirmostofian, Parisa. "Art Therapy and Complex Trauma Related to Political and Religious Violence." Digital Commons at Loyola Marymount University and Loyola Law School, 2012. https://digitalcommons.lmu.edu/etd/113.

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This study uses heuristic research as the basis for an art exploration into the experience of exposure to traumatic events leading to complex trauma, from early adolescence to adulthood. This paper reviews the existing literature about Islamic religious fundamentalism, political violence and war. The literature on risk factors and the effect on this type of trauma psychology, human rights and women’s rights are discussed. The literature review considers psychological treatment considerations and existing art therapy literature. In the data gathering phase the researcher employs the Art Therapy

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8

Steinmetz, Mayumi Takanashi. "Artistic and Religious Aspects of Nosatsu (Senjafuda)." Thesis, University of Oregon, 1985. http://hdl.handle.net/1794/22962.

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195 pages<br>Nosatsu is both a graphic art object and a religious object. Until very recently, scholars have ignored nosatsu because of its associations with superstition and low-class, uneducated hobbyists. Recently, however, a new interest in nosatsu has revived because of its connections to ukiyo-e. Early in its history, nosatsu was regarded as a means of showing devotion toward the bodhisattva Kannon. However, during the Edo period, producing artistic nosatsu was emphasized more than religious devotion. There was a revival of interest in nosatsu during the Meiji and Taisho periods,

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9

Jones, Ariane. "Giacomo Manzù as a religious artist." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=55606.

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10

Jobbins, Robert. "The city of Jerusalem as an enduring metaphor in Western religious art." Thesis, University of Essex, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.701866.

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The twin aspects of Jerusalem, the backdrop to the life of Christ and the setting for the end of time, co-existed in western Christian art from the earliest days. For much of the time one image captured both concepts and contained them in a tension that emphasised the decisive position of the city in Christian thought. Jerusalem, in all its possible meanings literal and metaphorical, was deeply embedded in the culture of the Medieval and early Renaissance West. Representations in the visual arts, including sculpture and architecture, drew inspiration from religious texts, meditations, liturgy,

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11

Rask, Katherine. "Greek Devotional Images: Iconography and Interpretation in the Religious Arts." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338473387.

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12

Zeidler, Sebastian Leonhardt. "Parmigianino studies : patronage, form and content of some early mannerist altarpieces and presentation drawings." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314466.

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13

Hsieh, Su-Lien. "Buddhist meditation as art practice : art practice as Buddhist meditation." Thesis, Northumbria University, 2010. http://nrl.northumbria.ac.uk/1942/.

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This thesis explores the impact of meditation on art practice. Its basic hypothesis is that Buddhist meditation can expand creative capacity by enabling the practitioner to transcend the limits of everyday sense experience and consciousness. Artists engaging in meditation develop a closer, more aware relationship with their emptiness mind (kongxin), freeing them from preconceptions and contexts that limit their artistic creation. Because this practice-led research focuses on how to expand one‘s freedom as an artist, I use two models to explore studio practice, then compare and contrast them wi

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14

Souza, Mateus Lima de. "Pentecostalismo e arte: uma análise no contexto brasileiro." Faculdades EST, 2014. http://tede.est.edu.br/tede/tde_busca/arquivo.php?codArquivo=654.

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O trabalho analisa o uso da arte no pentecostalismo brasileiro, abordando especificamente as artes visuais e a arquitetura, considerando esse uso nos espaços de culto e no ensino religioso. Parte-se da ideia de que a relação da fé pentecostal com as artes é marcada predominantemente pela rejeição, revelando uma preferência pelo iconoclasmo, pelo que se busca entender os motivos de tal rejeição e qual o espaço e o papel que essa mesma arte encontra no seio da religiosidade pentecostal. Ao mesmo tempo, acredita-se que o uso de iconografia no ensino religioso é uma exceção à postura iconoclástica

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15

Raina, Seemin. "Teaching of Islamic Religious Art as an Aid to the Understanding of Islamic Culture." Thesis, Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1156%5F1%5Fm.pdf&type=application/pdf.

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16

Devenish, Anne P. "The meaning of God today: A phenomenographic study of the art and language of a group of senior secondary students." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1999. https://ro.ecu.edu.au/theses/1205.

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Relationship with the Divine is the core of Christianity and the professional concern of a number of ministries, including that of religious education. Knowledge about what God means to children and adolescents would be beneficial to teachers. However, research has provided little useful information in this area. Most research conducted so far has been quantitative in nature and does not uncover the lived experience or the participants' personal understandings of this phenomenon. The qualitative research that has been done focuses mainly on the range of concepts of God held by participants. It

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17

Gatti, Luca. "The art of freedom : meaning, civic identity and devotion in Early Renaissance Florence." Thesis, Birkbeck (University of London), 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283367.

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18

Valleriani, Marco. "Religious themes, storytelling in Christian art and anticlerical strands in Dario Fo's Mistero Buffo." Thesis, Royal Holloway, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531313.

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19

Knoblock, Stacey Lee 1969. "The visual arts in Reform Jewish supplemental education: Art education beliefs and practices in context." Thesis, The University of Arizona, 1995. http://hdl.handle.net/10150/291961.

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This thesis examines the context, content and pedagogy of visual art education in the Reform Jewish supplemental religious school. The study was guided by three major research questions: (1) What beliefs about art education are held by Reform Jewish educators? (2) What is the form and content of existing art education practices in the supplemental religious school setting? (3) What do these Reform Jewish educators perceive as necessary for the enhancement of the art education component of their curriculum? A study of a Reform Jewish supplemental school was conducted by myself as a teacher/rese

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20

Geddes, Helen Louise. "The marble altarpiece in Italy C. 1330 - C. 1420." Thesis, University of Warwick, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367964.

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21

Gavril, Iuliana-Elena. "'Archi-texts' for contemplation in sixth-century Byzantium : the case of the Church of Hagia Sophia in Constantinople." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/40497/.

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This thesis aims to contribute towards a better understanding of what the Byzantines experienced in church spaces. By thoroughly mapping users' encounters with the church of Hagia Sophia in Constantinople in the sixth-century, it examines whether the experience of the architectural space during the Eucharistic ritual augmented a religious experience, which in turn, influenced the way the Byzantines talked about their spiritual experience whilst being in a church, and thought of their churches as ‘heaven on earth.' It places textual evidence alongside architectural evidence. The basic approach

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22

Sharpe, Heather Fiona. "From Hieron and Oikos the religious and secular use of Hellenistic and Greek Imperial bronze statuettes /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3210047.

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Thesis (Ph.D.)--Indiana University, Dept. of Art History, 2006.<br>Source: Dissertation Abstracts International, Volume: 67-03, Section: A, page: 0754. Adviser: Wolf Rudolph. "Title from dissertation home page (viewed March 16, 2007)."

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23

Doolan, Lucas. "The sublime ruin enigmatic feminine : Master of Art & Design, 2007." Click here to access this resource online, 2007. http://hdl.handle.net/10292/420.

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This thesis explores through the creation of four artworks, the nature of the sublime ruin. To facilitate this it examines the disintegration of selected religious feminine metaphors. The artworks are rendered through a multiplication of layers bound by translucent/transparent resin. These are produced to examine the potentials between traditional craft and contemporary digital mediums, thus creating sites where eroding fragments may express an excess of meaning through enigmatic construction.

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24

Asbo, Kayleen Elizabeth. "Passion and paradox| The myths of Mary Magdalene in music, art and culture." Thesis, Pacifica Graduate Institute, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3734016.

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<p> Throughout the centuries, Mary Magdalene has occupied a unique position within the religious history of the West as the woman who has carried the collective Shadow of Christianity. In every epoch, Mary Magdalene stands at the crossroads of cultural tension and psychological paradox, holding countless images, projections and societal concerns, inspiring millions of acts of devotion and masterworks of art and music.</p><p> This dissertation explores the mythology of Mary Magdalene from her earliest appearances as the faithful witness, disciple and apostle in the New Testament and apocrypha

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25

Franses, Henri. "Portraits of patrons in Byzantine religious manuscripts." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22359.

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Byzantine religious manuscripts were commissioned by people from many levels of society. Several contain portraits of their commissioners, represented together with a holy figure. An analysis of these scenes, examining features such as the holy figures represented and their specific iconographic meaning, and the relation of mortal to divine, reveals many facets of Byzantine art, religion and society. This analysis indicates a major distinction between portraits representing the emperor, and those depicting all other patrons. Non-imperial portraits show deep personal devotion and piety. The man

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26

Sakai, Nanako. "When the East meets the West| Art as a medium for religious and spiritual education." Thesis, Fordham University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10014283.

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<p> As a Buddhist female from Japan who has lived in the United Sates for 15 years, I examine how Buddhist spirituality and aesthetics influence religious inspiration through woman’s eyes; in other words, from a feminist perspective to the “practice” of justice based on Buddhism. Hence, the driving questions of this dissertation are, how can we define beauty and spirituality from a feminist perspective so that they empower women’s voice through art, and what kind of contribution can this study provide to feminist scholarship in the West? </p><p> The study’s sig

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27

Studholme, Alma. "Being Fragmented and Being Whole: Explorations in Cognitive Sciences, Contemplative Religious Traditions, and Art Practice." Thesis, The University of Sydney, 2018. https://hdl.handle.net/2123/21306.

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Contemporary advances in cognitive sciences, and especially in cognitive neuroscience, caused a gradual but major shift of a paradigm within the humanities. From dualistic mind/body, subjective/objective, abstract/concrete, cognition/emotion approaches, the focus progressively moved toward embodied and enactive non-dualist perspective. The research chronicled by this thesis contributes to this current. It utilises both theory and praxis as methodological tools for instigating a dialogue between cognitive sciences and contemplative religious and art practices. Its primary concern is to re-exami

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28

Hawley, Jessica R. "Religious Symbolism in Salvador Dali's Art: A Study of the Influences on His Late Work." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/honors/34.

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Salvador Dalí was an artist who existed not long before my generation; yet, his influence among the contemporary art world causes many people to take a closer look at the significance of the imagery in his paintings. For the most part, Dalí is categorized as a Surrealist artist, yet in this essay, I also plan to explore other possibilities of influence that surrounded Salvador Dalí’s generation and inspirational background. Around 1941, Dalí’s work began to shift away from Surrealism and, instead, moved toward a more Classical style that contained many religious themes, a style which he ca

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29

Rye, Ashley Gail. ""The truth of the life of Christ" spiritualism, naturalism and religious devotion in James Tissot's "The life of our Saviour Jesus Christ" /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 67 p, 2009. http://proquest.umi.com/pqdweb?did=1889099001&sid=5&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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30

Guillen, Nunez Cesar Augusto. "The relation of the 17th century facade of the Jesuit Collegiate Church of Madre De Deuss, Macao, to retable-facades." Thesis, University College London (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265017.

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31

Myers, Summer Anne. "Visualizing the Transition Out of High-Demand Religions." Digital Commons at Loyola Marymount University and Loyola Law School, 2017. https://digitalcommons.lmu.edu/etd/321.

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This research uses a questionnaire and a bridge drawing directive to explore the lived experience of transitioning out of a high-demand religion. Subjects include disaffiliated Mormons, Jehovah’s Witnesses, and Fundamentalist Protestants who were recruited through a dedicated website via limited promotion in online communities for disaffiliates. Visual and textual responses are analyzed through qualitative coding, with additional analysis performed on the artwork using Hays and Lyons’ (1981) bridge drawing criteria. Results reveal the psychological, social, behavioral, identity, and existentia

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32

Phillips, William. "Extremist religious ideologies and military strategy /." Fort Leavenworth, KS : Army Command and General Staff College, 2006. http://stinet.dtic.mil/oai/oai?&verb=getRecord&metadataPrefix=html&identifier=ADA463803.

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33

McGrath, Anthony Charles Ormond. "Books in art : the meaning and significance of images of books in Italian religious painting 1250–1400." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/40255/.

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This thesis uses images of books in Italian art of the duecento and trecento as pictorial evidence for the appearance of books and to establish a chronology for changes in the detail and style of book-bindings during those two centuries. The conclusions from the pictorial evidence is that there were material differences in the appearance of books in the duecento and trecento and that gold tooling was used to decorate books from about 1320, a hundred years earlier than previously thought. The thesis also considers how, and to what extent, medieval viewers related to images of books and whether

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34

Nixon, Kathrine Mary Gill. "A visualization of dissident voices in sixteenth-century Italy: a reflection of the religious debate in art." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1044.

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The focus of this dissertation is an exploration of the relationship between the Italian Reformation and some sixteenth-century religious paintings. It aims to discover if, when viewed chronologically, they provide a visualization of the course taken by the Italian Reformation. For sometime art historians have been aware that some religious paintings are at odds with the iconography of Catholic orthodoxy, such works are usually treated in isolation from each other. Here they are brought together and analyzed in the context of a widely disseminated religious debate in which artists were partici

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35

Velimirovic, Nada. "Reflections of the divine| Muslim, Christian and Jewish images on luster glazed ceramics in Late Medieval Iberia." Thesis, Graduate Theological Union, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10240733.

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<p> For eight centuries, from 711 until 1492, a unique combination of political, cultural, and faith traditions coexisted in the mostly southern region of the Iberian Peninsula now called Spain. From the thirteenth century through the fifteenth century, two key production centers of luster glazed ceramics emerged in this region: Islamic-ruled Málaga and Christian-ruled Valencia. Muslim artisans using Islamic decorative motifs on reflective luster glaze ceramics created objects that patrons, including nobility and Christian royalty, clamored to collect. Initially, traditional Islamic de

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36

Wright, Jarrell D. "Dancing before the Lord| Renaissance ludics and incarnational discourse." Thesis, University of Pittsburgh, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3725605.

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<p> Play is a manifestation of overflowing excess. When applied to the study of discourse, this bounty can be understood in terms of figurativeness and depth. If “degree-zero” discourse is the almost entirely unfigured language of an instruction manual, then verse lies near the other extreme: highly figured and elaborate language open to rich interpretive possibilities. I posit a further pole yet on this continuum: the hyperabundant texts of the Renaissance, when ludics were at a height partially quashed by the Enlightenment preference for the plain style. These ludic texts are not

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37

Rogers, Mark Christopher. "Art and public festival in Renaissance Florence studies in relationships /." Full text available online (restricted access), 1996. http://images.lib.monash.edu.au/ts/theses/Rogers.pdf.

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38

Wise, Rachel Anne. "Blooming Vines, Pregnant Mothers, Religious Jewelry: Gendered Rosary Devotion in Early Modern Europe." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3551.

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Rosary devotion has long been considered a "female-centered" religious practice. Despite this correlation, no scholars have investigated the relationship between women and the rosary. In this thesis I attempt to fill that void by examining a range of meanings the rosary held for laywomen in late fifteenth- and early sixteenth-century Northern Europe, c. 1470 to c. 1530. Using a theoretical framework informed by materialism, gender theory, and Marian theory, my thesis argues that beyond its usual associations with indulgences, the rosary also signified prayers for conception and safe childbirt

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39

STRASBAUGH, CHRIS. "CALL TO ACTION: THE ROLE OF RELIGIOUS PAINTING IN UTRECHT'S GOLDEN AGE (1590-1640)." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1177423292.

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40

Gediminskaite, Guoda <1991&gt. "Reassessing Religious Identities in the Fourteenth-century Venetian Crete: Foundations of Two-aisled Churches and the Kallergis Family." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15662.

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The study of the complex plural society of Latins and Greeks, solidified on Crete during the Venetian rule, would seem to have become the concern of many scholars by now. And yet, despite of relatively grown interests, the coexistence of two communities still leaves rather problematic questions open. These today concern, first and foremost, with the dimensions of everyday religious life. The recent discourse on the history of Cretan churches with two aisles becomes a point in case. Here archaeological evidence of bipartite monuments not only did lead scholars to draw parallels between architec

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Thaysen, Thorsten. "Schrankenlose Toleranz oder Toleranz gegenüber Schranken? : Eine Untersuchung der Schranken der Religionsfreiheit in Art. 4 GG /." Hamburg : Kovač, 2008. http://www.verlagdrkovac.de/978-3-8300-3584-8.htm.

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42

Dawson, Paula Heatley Art College of Fine Arts UNSW. "The Concrete Holographic Image: an Examination of Spatial and Temporal Properties and their Application in a Religious Art Work." Awarded by:University of New South Wales. School of Art, 2000. http://handle.unsw.edu.au/1959.4/18201.

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The premise of this thesis is that the ???concrete holographic image???, a laser transmission hologram which has an object or a hologram of an object as its subject, has unique spatial and temporal properties which can suggest a plurality of tenses to a viewer. There is a lack of comprehensive analysis of the holographic representational system within art related theoretical and critical writing and a tendency to analyse individual works only in terms of generalities which apply to the concepts surrounding the holographic medium. While these form an important background for art image productio

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Lefler, Thomas J. "In Search of a Transcendental Film Style: The Cinematic Art Form and the Mormon Motion Picture." Diss., CLICK HERE for online access, 1996. http://patriot.lib.byu.edu/u?/MTGM,23527.

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44

Carminati, Pauline. "« Le Paradis en boutique ». L’édition de sculptures religieuses au XIXe siècle : la maison Raffl." Thesis, Université Paris sciences et lettres, 2020. http://www.theses.fr/2020UPSLP031.

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Le XIXe siècle apparaît comme un âge d’or du multiple en sculpture. Du mouleur ambulant à la manufacture employant plusieurs centaines d’ouvriers, l’édition sculptée a pris toutes les formes, s’est déclinée dans toutes les matières et diffusée dans toute la société. Le catholicisme n’est pas resté à l’écart de ce phénomène. Il en a été au contraire un terrain d’élection et un moteur. Pour en rendre compte, ce travail s’est appuyé sur l’étude d’une entreprise spécialisée dans la création et l’édition de sculptures religieuses : la maison Raffl. En remontant aux origines de l’entreprise au tourn

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45

Chrzanowska, Agata Anna. "Narrative fresco and ritual : Filippo Lippi, Domenico Ghirlandaio and performative properties of the religious art in Quattrocento Florence." Thesis, Durham University, 2016. http://etheses.dur.ac.uk/11835/.

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The present study analyses Filippo Lippi’s frescoes in the main chapel of the Prato cathedral and Domenico Ghirlandaio’s decoration of the Tornabuoni chapel in Santa Maria Novella in Florence. It focuses on the relationship between the frescoes and the ritual practices of the period, in particular, the religious spectacle. The aim of the research is to analyse the little-known and somewhat elusive relations between the two chapel decorations and other public expressions of devotional culture, such as the religious spectacles performed in the city during religious festivities. Chapter 1 provide

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McCabe, Sophia Quach. "Caught between the Folds: An Intertextual and Intervisual Engagement with Pieter Bruegel the Elder's Religious Paintings." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/69433.

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Art History<br>M.A.<br>The following thesis examines Pieter Bruegel the Elder's religious paintings and audience engagement, as based not solely on the content of the works, but on their formal structure, as well. Vignettes and smaller figure groups within Bruegel's compositions provide the basic structure and platform for an intertextual and intervisual engagement. The religious, social, and political context of the mid-sixteenth century is also considered to help frame the connection between the viewer and the following paintings: Procession to Calvary (1564, Vienna), Sermon of St. John the

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Worley, Taylor. "Theology and contemporary visual art : making dialogue possible." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/940.

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Within the field of theological aesthetics, this project assesses the divide between theological accounts of art and the re-emergence of religious imagery in modern and contemporary art. More specifically, American Protestant theologians and their accounts of visual art will be taken up as a representative set of contemporary theological inquiry in the arts. Under this category, evaluation will be made of three diverse traditions in American Protestant thought: Paul Tillich and Liberal Protestantism, Francis Schaeffer and the Neo-Calvinists, and the open evangelical accounts of Nicholas Wolter

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Baillargeon, Claude. "Religious fervor and photographic propaganda : Durandelle's anatomical studies of the Sacré-Coeur de Montmartre /." Rochester : Claude Baillargeon, 2002. http://catalogue.bnf.fr/ark:/12148/cb39217910n.

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Johnson, Jewell Jan Marie. "After Kandinsky: Unholy Alliances in the Secular History of Ideas and Images as Modern and Contemporary Religious and Spiritual Art." Thesis, University of Sydney, 2018. https://hdl.handle.net/2123/23223.

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Abstract:

In 1912, a phenomenon appeared when Kandinsky’s abstraction and his text Concerning the Spiritual in Art was published. A paradox of the avant-garde and the Orthodox, Kandinsky exemplifies the Enlightenment freedom of subjective religious and spiritual expression. What does modern and contemporary religious or spiritual Art look like? Following the ‘separation of church and state’ artists created new expressions of traditional and new religions needing cohesive studies to locate, recognise and document these legacies; correct biased or inaccurate records; and identify these artworks’ secular d

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Levine, Adam. "The image of Christ in Late Antiquity : a case study in religious interaction." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:bf630377-9f51-4e53-bb6f-d60d750745d3.

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Abstract:

This dissertation focuses on images of Christ that date from the first half of Late Antiquity, defined as the three centuries between AD 200 and 500. The cultural dynamics of this period left a distinct impression on Christian art, and this dissertation traces that impact. Unlike other studies that attempt to resolve ambiguity within the corpus of Christ images, the argument here maintains that ambiguity was a key component in the creation and subsequent interpretation of the Late Antique Christian iconography. The dissertation proceeds in three parts, each comprising two chapters. In the firs

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