Academic literature on the topic 'Religious articles in the theater'

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Journal articles on the topic "Religious articles in the theater"

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Wang, Shizhe. "Adolphe Nourrit is singer of the July Revolution." PHILHARMONICA. International Music Journal, no. 5 (May 2023): 21–33. http://dx.doi.org/10.7256/2453-613x.2023.5.69333.

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The subject of the article is the socio-cultural and religious-philosophical views of the greatest French tenor of the XIX century, Adolphe Nurrit (1802-1839). His stage work was carried out at the Paris Opéra, and during the July Revolution of 1830 he performed revolutionary songs, supporting and inspiring compatriots to fight for freedom. Considering Nurrit's creative portrait and revolutionary agitator activity in the 1830s, the author focuses on his commitment to the ideas of sentimonism, in particular, on the desire to deepen the religious and moral role of theater in society. Th
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Choi, Sooran. "Art-Kut! The Counter-Cultural and Feminist Spirituality of Shamanism in Postwar South Korean Art." Religion and the Arts 27, no. 1-2 (2023): 86–106. http://dx.doi.org/10.1163/15685292-02701012.

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Abstract On 17 January 1981, during a cold Winter Day at the height of an authoritarian military regime, a group of South Korean artists named “Baggat Misul [Outdoor Art]” gathered around a riverbank outside Seoul to interact with nature and called it “jayeon misul [nature art].” A young woman artist Yong-sin Suh performed an act the group called “a lark,” during which Suh alternated with two male artists in reading aloud sections of newspaper articles. These unhinged, free-spirited acts were inspired by the Korean folk theater tradition of pansori (traditional Korean musical opera), and kut (
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CHIZHOV, Nikolay S. "DREAM POETICS IN THE LYRICS OF IVAN ZHDANOV. ARTICLE ONE." Tyumen State University Herald. Humanities Research. Humanitates 8, no. 1 (2022): 123–44. http://dx.doi.org/10.21684/2411-197x-2022-8-1-123-144.

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The purpose of the article is to show, through a commentary on four poetic texts in the book “Air and Wind”, the features of I. Zhdanov’s artistic modeling of the metaphysical reality of a dream, its main philosophical and literary context, the associated features of the poet’s worldview and the poetics corresponding to them. We conclude that when the poet shapes metaphysical reality he appeals to folklore and mythological sources (dreams perceived as death as reflected by Russian proverbs, myth about the son of the Thunder-God, tradition of serious laughter etc.), to the religious and philoso
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Vičinskas, Žydrūnas. "Verification of Mythological Material on Celebrations as Recorded by Matthaeus Praetorius: the Celebration of Midsummer Herb Fest and Driving the Cattle out to Pasture." Tautosakos darbai 56 (December 20, 2018): 110–32. http://dx.doi.org/10.51554/td.2018.28474.

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Authenticity of the mythological information by Matthaeus Praetorius (Matthäus Prätorius) regarding the sowing festival was already discussed in our previous publication. That was the first work in the intended series of articles seeking to verify the reliability of data on celebrations described by Praetorius (sowing, midsummer herb fest, driving the cattle out to pasture, rye-harvesting, grain harvesting Samborios / Sąbarios, driving the cattle back to stable, Gabjaugis, and taking manure out to fields). The introduction to this article presents general insights (characterizations) regarding
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Fetisenko, Olga L. "Dual Faith of Evgeny Ivanov: To the Study of the Role of Vera F. Komissarzhevskaya in the History of Symbolist Life Creating." Studia Litterarum 9, no. 1 (2024): 266–83. http://dx.doi.org/10.22455/2500-4247-2024-9-1-266-283.

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The article, based on materials from two archival funds of the Manuscript Department of the Pushkin House, recreates in detail one of the most significant components of the spiritual life of Evgeny Ivanov (1879–1942), a writer and religious thinker, a close friend of А. Blok. It is the history of his long-term worship of Vera Komissarzhevskaya, which influenced not only the formation of his worldview but also his work (first of all, his unfinished articles about H. Ibsen’s female characters, about the high destiny of theatre actors, about religious faith). Ivanov found himself in a situation o
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Ayusheeva, Marina V. "Anti-Religious Printed Propaganda in the Buryat-Mongol Autonomous Soviet Socialist Republic: A Case Study of the Erdem ba Shazhan Magazine." Vestnik Tomskogo gosudarstvennogo universiteta, no. 458 (2020): 130–35. http://dx.doi.org/10.17223/15617793/458/16.

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The article analyzes anti-religious propaganda in the early 1920s in the Buryat-Mongol Autonomous Soviet Socialist Republic on the example of the magazine Erdem ba Shazhan [Science and Religion]. An important component of the state policy in the antireligious struggle in the republic was the Regional Union of Atheists, created in Verkhneudinsk on December 2, 1926. The publication of Erdem ba Shazhan in the Mongolian script was aimed at covering the gap of specialized literature on anti-religious propaganda. While analyzing issues of the magazine stored in the Center of Oriental Manuscripts and
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Moosavi, Marjan. "Desacralizing Whispers: Counter-Conduct in the Iranian War Theatre." New Theatre Quarterly 34, no. 3 (2018): 235–48. http://dx.doi.org/10.1017/s0266464x18000222.

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The commemoration of sacrifice and martyrdom in the Iran–Iraq war led to dissemination of the ‘sacred defence’ culture and its theatre progeny – the Arzeshi genre, which is rooted in Shi’i religious values, Persian culture, and Iranian performance traditions. In response to this, Iranian anti-war theatre practitioners have intervened through a counter-conduct theatricality made up of characters, stories, reasoning, embodied emotions, and scenic languages. A thematic and aesthetic analysis of three stagings of the anti-war play The Whispers Behind the Front Line by the prominent Iranian playwri
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Hyldig, Keld. "The Pagan-Christian Admixture in Romeo Castellucci's Oedipus the Tyrant." New Theatre Quarterly 33, no. 2 (2017): 99–112. http://dx.doi.org/10.1017/s0266464x17000021.

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In 2015, the Italian director Romeo Castellucci presented Oedipus the Tyrant at the Schaubühne in Berlin. His staging was based on the German poet-philosopher Friedrich Hölderlin's translation of 1804, which is known for its peculiar linguistic, philosophical, and theatrical approaches to Greek tragedy. In this article Keld Hyldig examines how Castellucci, in a response to Hölderlin's translation and commentaries on the tragedy, staged Oedipus as a theatrical and philosophical confrontation between religious and rational approaches to knowledge. The staging was seemingly simple, showing a grou
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Urban, Eva. "Reification and Modern Drama: an Analysis, a Critique, and a Manifesto." New Theatre Quarterly 32, no. 3 (2016): 256–68. http://dx.doi.org/10.1017/s0266464x16000233.

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Drawing on a close reading of Theodor Adorno's essay, ‘Education after Auschwitz’, in this article Eva Urban develops the argument that an analysis of the reification that reduces human relationships to mere business interactions has been a central concern of modern drama. The article offers an analysis of some of the ways in which this theme continues to be represented, interrogated, and challenged internationally in contemporary political plays and theatre performances across a range of genres and grounded in a variety of dramaturgical principles. It asks how drama, theatre-making, theatre-s
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Rędziński, Kazimierz. "Aktywność kulturalno-oświatowa Stowarzyszenia Katolickiej Młodzieży Rękodzielniczej „Skała” we Lwowie (1856–1914)." Kultura - Przemiany - Edukacja 8 (2020): 13–31. http://dx.doi.org/10.15584/kpe.2020.8.2.

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In the times of the Partitions, the Austrian authorities permitted, in the year 1856, that a Polish association of craftsmen combining mutual aid with cultural and educational activity be established. Within the scope of the activity of 'Skała', two periods are distinguished: paternalistic, until the year 1889, and also democratised, after making changes in the articles of association in this latter year. In the first period of its activity, only be craftsman apprentices being bachelors enjoyed the right to become the full members, and women were not permitted to join the Association. The memb
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Dissertations / Theses on the topic "Religious articles in the theater"

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Steinmetz, Mayumi Takanashi. "Artistic and Religious Aspects of Nosatsu (Senjafuda)." Thesis, University of Oregon, 1985. http://hdl.handle.net/1794/22962.

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195 pages<br>Nosatsu is both a graphic art object and a religious object. Until very recently, scholars have ignored nosatsu because of its associations with superstition and low-class, uneducated hobbyists. Recently, however, a new interest in nosatsu has revived because of its connections to ukiyo-e. Early in its history, nosatsu was regarded as a means of showing devotion toward the bodhisattva Kannon. However, during the Edo period, producing artistic nosatsu was emphasized more than religious devotion. There was a revival of interest in nosatsu during the Meiji and Taisho periods,
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Lewis, Heidi D. ?UNAUTHORIZED. ""Speaking out of the dust" : religious reenactments with the specific iconic identity of place /." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1478.pdf.

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Wijesiri, Narayana Don Nimal Wijesiri. "Representation of identity in Sinhala theater: The impact of the religious/charity model." Thesis, Queensland University of Technology, 2022. https://eprints.qut.edu.au/235387/1/Nimal%2BWijesiri%2BThesis%2B%282%29.pdf.

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This study used a critical disability studies analysis of historical and contemporary theatre work, informed by interviews with theatre practitioners and spectators to understand how disability, ethnic, racial, gender, and sexual identity is being representing in Sinhala theatre in Sri Lanka. The thesis explored how theatre practitioners and audiences want to see identity representations evolve in future, to create change in Sri Lankan society.
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Rossmeisl, Robyn. "Encountering the embodied mouth of hell : the play of oppositions in religious vernacular theater." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43114.

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The cavernous mouth of hell was an iconographic convention representing the threshold of eternal damnation in medieval England and Europe. The gaping mouth of a fierce beast captured the essence of everlasting isolation from God, making it a dramatic way to represent hell’s perpetual threat for devout Christians. Created in tenth-century Anglo-Saxon England, the mouth of hell spread throughout continental Europe, and detailed Lucifer’s Fall, the Harrowing of Hell, or the Last Judgment. This horrible visage was represented in sculpted tympana, paintings, mosaics, and stained glass, and by the f
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Foster, Jimm. "Articles on Drama and Theatre in Selected Journals Housed in the North Texas State University Libraries: a Bibliography." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc500768/.

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The continued publication of articles concerning drama and theatre in scholarly periodicals has resulted in the "loss" of much research due to the lack of retrieval tools. This work is designed to partially fill this lack by cassifying the articles found in fourteen current periodicals using Trussler's taxonomy. This bibliography could also be updated on a regular basis. The issues that are presently not available through the North Texas State University Libraries could be ordered, classified and appended to this work. In short, this thesis is a start toward the opening of the source material
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Gould, Terence. "A historical study of the political and religious influences on the Alsatian language theatre." Thesis, University of Warwick, 2006. http://wrap.warwick.ac.uk/52299/.

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The object of this thesis is to produce an academically rigorous historical study of the political and religious influences on the Alsatian language theatre. To achieve this end, four research targets were established, designed to produce Conclusions, the evidence of research being listed in the Bibliography. The research targets were each to express a part of the study, being: - Political history and culture of the region. - History and present political situation of the language. - History and politics of the theatre in the language. - Influence of the Church in the theatre in Alsace. Additi
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Porras, George Yuri. "Musical scenes in the minor, secular, and religious works of Agustín Moreto y Cabaña (1618-1669)." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1104116173.

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Austin, Jill Hemming. "Performing the past| Two pageant traditions in Nauvoo, Illinois." Thesis, Indiana University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3715827.

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<p>Jill Hemming Austin PERFORMING THE PAST: TWO PAGEANT TRADITIONS IN NAUVOO, ILLINOIS The founders of American historical pageantry were keenly interested in the social effect of pageant performance on audience and participants. Their vision for social transformation through performance endures into the present day with those who continue to promulgate the form. Examining two enduring pageant traditions in Nauvoo, Illinois affords a better understanding of how the formal features of outdoor historical pageant production and the social relations that underlie them are still potentially powerf
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Nieuwsma, Shenandoah L. "The shifting sacred." Laramie, Wyo. : University of Wyoming, 2007. http://proquest.umi.com/pqdweb?did=1404339941&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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Basourakos, John. "Theatre in the evolution of moral values among adolescents." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59824.

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Theatre has a special place in religious education for it is an ideal medium to experience transcendent moral truths. Relying on Gabriel Moran's theory of transcendence, as well as Daniel Maguire's understanding of the moral, this thesis will demonstrate that the aesthetic experience of a play is a transcendent experience. Through such an experience, adolescent students may intuit insights about what befits persons as moral persons in all their complexity and wonder. The plays chosen for concentration in this thesis are not to be considered exhaustive but only as sound examples of the treatmen
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Books on the topic "Religious articles in the theater"

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Ganeri, Anita. Religious articles: Objects used in worship. Raintree Steck-Vaughn Publishers, 2001.

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Chandrashekar, Laxmi. Plays, players, and playwrights: A collection of articles on theatre. B.R. Pub. Corp. in collaboration with N.M.K.R.V. College for Women, Bangalore, 1999.

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Nacorda, Clodoveo G. Handumanan: The Rosita Rodriguez-Arcenas collection of Visayan santos. University of San Carlos Press, 2016.

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Panchenko, I. H. Vli︠u︡blënnye v teatr: Monografii, statʹi, teatralʹnye ret︠s︡enzii = In love with theater : monographs, articles, theater reviews. InstantPublisher.com, 2014.

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England) Gateshead Jewish Primary School (Gateshead. Marvelous moods magazine: Stories, puzzles, articles ... Gateshead Jewish Primary School, 1999.

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Tongguk Taehakkyo. Pulgyo Sahoe Munhwa Yŏn'guwŏn, ed. Pulgyo kyoyang, chammun: General Buddhist articles. Noehŏ Pulgyo Haksurwŏn, 2001.

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Shiafkalis, Nicos. Cultural Identity and Development Committee: An anthology of articles and profiles from C.I.D.C. theatre quarterly. Cyprus C.I.D.C., 1997.

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1955-, Hunter James Davison, and Guinness Os, eds. Articles of faith, articles of peace: The religious liberty clauses and the American public philosophy. Brookings Institution, 1990.

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Gallery, Mika. Japanese religious art. Mika Gallery, 2011.

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Cormann, Enzo. A quoi sert le théâtre: Articles et conférences, 1987-2003. Solitaires intempestifs, 2003.

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Book chapters on the topic "Religious articles in the theater"

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Dawson, Anthony B. "The Secular Theater." In Shakespeare and Religious Change. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230240858_12.

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Dimitrova, Diana. "Hinduism, Nationalism, and Varṇāśramadharma: Mythologizing and Othering the Religious Other." In Hinduism and Hindi Theater. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-59923-0_4.

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Marsalek, Karen Sawyer. "Staging Allegiance, Re-membering Trials: King Henry VIII and the Blackfriars Theater." In Shakespeare and Religious Change. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230240858_7.

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Lim, Walter S. H. "Shakespeare and the Theater of Religious Conviction in Early Modern England." In Shakespeare and the Theater of Religious Conviction in Early Modern England. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-40006-3_1.

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Vitkus, Daniel. "Marlowe’s Mahomet: Islam, Turks, and Religious Controversy in Tamburlaine, Parts I and II." In Turning Turk: English Theater and the Multicultural Mediterranean, 1570–1630. Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-05292-6_3.

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Lim, Walter S. H. "Biblical Faith and Radical Politics in The Winter’s Tale." In Shakespeare and the Theater of Religious Conviction in Early Modern England. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-40006-3_4.

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Lim, Walter S. H. "Temptation, Fornication, and the Fall in Measure for Measure." In Shakespeare and the Theater of Religious Conviction in Early Modern England. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-40006-3_3.

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Lim, Walter S. H. "Surety, Usury, Hazard, and Spiritual Commercialism in The Merchant of Venice." In Shakespeare and the Theater of Religious Conviction in Early Modern England. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-40006-3_6.

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Lim, Walter S. H. "Grief, Gardens, and the Staging of Tragedy in Richard II." In Shakespeare and the Theater of Religious Conviction in Early Modern England. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-40006-3_5.

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Lim, Walter S. H. "Dying Unshriven and the Afterlife in Hamlet." In Shakespeare and the Theater of Religious Conviction in Early Modern England. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-40006-3_2.

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Conference papers on the topic "Religious articles in the theater"

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JELESCU, Petru, and Marcel TELEUCĂ. "Religious education from the perspective of the resultant concept." In Educația din perspectiva conceptului Clasei Viitorului: Culegere de articole [ale conferinţei internaţionale]. Ion Creangă Pedagogical State University, 2023. https://doi.org/10.46727/c.cv-2023.p99-105.

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This theme investigates two innovative perspectives on personal development and awareness: a theater-based awareness approach and a theater-based approach to mindfulness. These approaches integrate elements of theater and mindfulness techniques synergistically, with the potential to improve actors' emotional, cognitive, and relational well-being. The mindfulness-based approach to theater combines theatrical techniques with mindfulness practice, encouraging participants to be present in the present moment and explore their thoughts, feelings, and emotions in a creative setting. It can facilitat
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"IMAGES OF ANTAGONISTS IN THE RELIGIOUS AND MYTHOLOGICAL REPRESENTATIONS OF THE YAKUTS." In Культура, наука, образование: проблемы и перспективы. Нижневартовский государственный университет, 2021. http://dx.doi.org/10.36906/ksp-2021/36.

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Yakuts in religious beliefs and heroic epics (olonkho) retain the idea of the highest deities of the cult of ayyy, who act in the image and role of positive heroes together with the heroes of the middle world. The main antagonists are evil spirits (abaaahs) and restless souls (uor). They are also an integral part of Yakut traditionalism. The article presents the traditional classification of antagonistic images in religion and the heroic epic as the main components in the representation of the Yakuts (based on the materials of researchers of the XVIII–XX centuries). In modern society, culture
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Oremusová, Daša, Magdaléna Nemčíková, Lucia Petrikovičová, Hilda Kramáreková, and Alfred Krogmann. "Rozvoj obcí v Nitrianskej diecéze v kontexte religiózneho turizmu." In XXV. mezinárodní kolokvium o regionálních vědách. Masaryk University Press, 2022. http://dx.doi.org/10.5817/cz.muni.p280-0068-2022-48.

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Religiosity is historically firmly rooted in Slovakia. It also has a historical foundation in the Nitra Diocese, which confirms the establishment of the Nitra Diocese in 880 by Pope John VIII. at the request of Prince Svätopluk. The aim of the article is to analyze the impact of religious tourism on the development of two selected rural municipalities in the Nitra diocese - Pozba and Močenok. From a methodological point of view, the basis was the excerpt of print and electronic information sources of various kinds, results of pilgrimage places questionnaires and their comparative analysis. Cri
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Malik, Abdul, Muhammad Alwi HS, and M. Anwar Hindi. "Religious Moderation in Indonesian Islamic Scholars Articles." In International Conference on Sustainable Innovation Track Humanities Education and Social Sciences (ICSIHESS 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211227.018.

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Swiecicki, Klaudiusz. "THEATRE AGAINST NON-HUMAN REALITY A FEW SENTENCES ABOUT THE THEATRE OF THE EIGHTH DAY." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/vs08.11.

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The Theatre of the Eighth Day from Poznan has been the phenomenon of the Polish independent theatre. It was founded in 1964 by students of the University of Adam Mickiewicz in Poznan. As the students theatre of poetry, for the first few years it operated under the direction of Tomasz Szymanski. The change of the stage form began two years after the group was founded, when Zbigniew Osinski became involved with him. He brought fascination of the Grotowski's method. The Theatre of the Eighth Day marked their disagreement with the communism reality. Stanislaw Baranczak, one of the most talented po
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Pontes, Maria Cibele Lima, Vinícius Romeu Beserra Diógenes, Natália Carolina Medeiros do Nascimento Rodrigues, et al. "Neural factors that define religiosity: neurophysiological distinction between the individual with religious and non-religious beliefs." In XIII Congresso Paulista de Neurologia. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/1516-3180.694.

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Introduction: Religiosity and mystical experiences accompany society throughout history, integrating its identity formation. Neuroscience unveils neural correlations, maps the areas involved and activity patterns, and functional magnetic resonance imaging (fMRI) is applied to detect variations in activation of neural activity. Objectives: Thus, the objective is to understand the neurophysiological differences between individuals who experience religiosity and the mystical experiences of those without, through the fMRI. Methods: This literature review, collected data in April/2021 on Medline, P
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Zabelina, Daria. "THE REVIVAL OF THE PHILIPPINE NATIONAL THEATER — KOMEDYA." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.39.

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Komedya, or moro-moro, is a genre of the Philippine national theater that was flourishing from the second half of the 17th century until the second half of the 19th century. The genre formation was a part of catholic missioners propaganda activities. In time, komedya became the most popular dramatic genre in colonial Philippines. The common features of komedya are: 1) the central theme of komedya is fight between Christians and Muslims, where Christians always win; 2) actions described in komedya never take place in the Philippines, but in an exotic country, for instance in Turkey or in Armeni
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Şamıyeva, Həyat. "Khurramism in Sufi System." In International Symposium Sheikh Zahid Gilani in the 800th Year of His Birth. Namiq Musalı, 2023. http://dx.doi.org/10.59402/ees01201817.

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First of all, we need to overview at the history and essence of Sufism in order to understand the place of the Sufism system and the teaching of Khurramism in this system. “Sufism“ or “tasavvuf“ are essentially of the same meaning. Both terms are used parallel to express the same belief system. Sufism had been a widespread religious-philosophical, mystical moral-ethical thinking and behavior system in the Middle Ages. There are various versions on the origin and essence of this term. The Sufism and the tasavvuf system have had proper and similar features with a number of religions, religious -
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Mosnegutu, Ioan. "Monastic settlements in the Republic of Moldova in recent historiography." In Latinitate, Romanitate, Românitate. Conferinţa ştiinţifică internaţională, Ediția a 7-a. Moldova State University, 2023. http://dx.doi.org/10.59295/lrr2023.34.

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The spiritual revival in the Moldovan SSR in the late 1980s led to the reopening of monastic sities and the formation of new monastic centre. Scientific researchers in the Republic of Moldova have re-dimensioned their historiographical discourse on religious life, including monastic settlements. Archival investigations have been carried out, archaeological excavations have been carried out, and field realities have been studied by sight. We note a diversity of scientific production in the field of monasteries in the Republic of Moldova: articles, studies, monographs, encyclopaedias.
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Vargová, Katarína. "Portál nm.sk ako Nové mesto – otvorené rozhovoru." In DOKOR 2024. Medzinárodná interdisciplinárna doktorandská konferencia. VERBUM – vydavateľstvo Katolíckej univerzity v Ružomberku, 2024. http://dx.doi.org/10.54937/2024.9788056111024.225-234.

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The New City project, based on the spirituality of the unity of the worldwide Focolare Movement and the message of its founder Chiara Lubich, represents a diverse intersection of social, family and religious themes and columns on the Slovak media market, which has been offered to its readers since 2018 also on the web nm.sk, where it tries to capture not only current events, but also to draw attention to various social issues through interviews, reports and podcasts. The paper presents a brief analysis of the most and least read articles (published between January and April 2023), complemented
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Reports on the topic "Religious articles in the theater"

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Iffat, Idris. Use of Online Space in Pakistan Targeting Women, Religious Minorities, Activists and Voices of Dissent. Institute of Development Studies, 2022. http://dx.doi.org/10.19088/k4d.2022.071.

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There is ample evidence that online hate speech in Pakistan is directed against women, religious minorities, journalists, voices of dissent and activists. The targeting of many of these groups is an expansion online of the traditional hostility and abuse they face offline. However, the internet has made such abuse easier and online hate speech is growing as internet use rises in the country. Those responsible vary somewhat: women and religious minorities are typically targeted by religio-political parties and their followers, while journalists and activists are often targeted by government/the
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Schmidt, Alex P. Defining Terrorism. ICCT, 2023. http://dx.doi.org/10.19165/2023.3.01.

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This report summarizes, and builds on, some of the author’s previous conceptual work. It approaches the definition of terrorism from five angles: (i) by focusing on the history of terrorism; (ii) by focusing on the psychology of ‘terror’ (the threat and fear factor); (iii) by focusing on forms of political violence other than terrorist violence; (iv) by focusing on the terrorist act; and (v) by focusing on the terrorist. Subsequently it addresses the question who should have definition power? The author looks at how terrorists, victims of terrorism, religious authorities, mass and social media
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Sklenar, Ihor. The newspaper «Christian Voice» (Munich) in the postwar period: history, thematic range of expression, leading authors and publicists. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11393.

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The article considers the history, thematic range of expression and a number of authors and publicists of the newspaper «Christian Voice» (with the frequency of a fortnightly). It has been published in Munich by nationally conscious groups of migrants since 1949 as a part of the «Ukrainian Christian Publishing House». The significance of this Ukrainian newspaper in post-Nazi Germany is only partly comprehended in the works of a number of diaspora press’s researchers. Therefore, the purpose of this article is to supplement the scientific information about the «Christian Voice» in the postwar pe
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