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Journal articles on the topic 'Religious Arts Guild'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

CROMBIE, LAURA. "Craft guild ideology and urban literature: theFour Crowned Martyrsand theLives of Saints Nazarius and Celsusas told by the masons’ guild of fifteenth-century Ghent." Urban History 45, no. 3 (2017): 404–25. http://dx.doi.org/10.1017/s0963926817000578.

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ABSTRACT:The economic and political dimensions of guilds in medieval Flanders, especially medieval Ghent, have been well studied for generations. It is often noted that guilds were more than work organizations, and that their religious and social activities made them very like confraternities, but exploring the cultural and ideological side of guilds can be hampered by less surviving evidence. The present article attempts to address this lacuna by using poems written by/for the masons’ guild in fifteenth-century Ghent, taking an interdisciplinary perspective to examine ideals of community, hie

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Qin, Guoshuai, and Wanrong Zhang. "The Flow of Institutional Charisma: Quanzhen Taoism and Local Performing Arts in Republic Shandong and Henan." Religions 14, no. 5 (2023): 560. http://dx.doi.org/10.3390/rel14050560.

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Quanzhen Taoism and its relationship with local performing arts is an important yet inadequately studied subject, to date, due to the shortage of and limited access to new sources. However, on the basis of historical documents, oral statements and field research, we determined at least eight genres of local performing arts closely related to Quanzhen Taoism, especially its sublineage, the Longmen School, in Republic Shandong and Henan. They traced back their own history to Quanzhen Taoist patriarch WANG Chongyang, adopted the Quanzhen Taoist lineage poem to name their disciples, and created th

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SONKAJÄRVI, HANNA. "From German-speaking Catholics to French carpenters: Strasbourg guilds and the role of confessional boundaries in the inclusion and exclusion of foreigners in the eighteenth century." Urban History 35, no. 2 (2008): 202–15. http://dx.doi.org/10.1017/s0963926808005452.

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ABSTRACTThis article deals with the importance of religion as a factor influencing the inclusion and exclusion of foreigners from – and inside – the guilds in eighteenth-century Strasbourg. We consider the different notions of theétrangeras socially constructed and circumstantial. Together with factors such as social status, family ties, gender, systems of patronage, wealth, language and the citizenship rights of a town, religious and denominational boundaries constituted a major factor for influencing the inclusion and exclusion of foreigners in the early modern society. The construction and

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Master., Nguyen Viet Vinh, and Dang Hoang Lan Doctor. "Saigon Ceramics in Artistic Decoration Architecture of the Hoa People in Ho Chi Minh City, Viet Nam." INTERNATIONAL JOURNAL OF SOCIAL SCIENCE HUMANITY & MANAGEMENT RESEARCH 04, no. 05 (2025): 876–86. https://doi.org/10.5281/zenodo.15355745.

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Hoa people play an important role in reclaiming and building the southern region, especially the Cho Lon area, which is considered to have the largest concentration of Hoa communities in the country. Possessing a unique cultural heritage, Hoa people in Ho Chi Minh City (HCMC) have created many unique architectural works with outstanding colors and decorative carvings. Exquisitely carved on many materials, such as wood, bronze, and especially ceramic. From the early twentieth century onwards, in the Saigon region, names of pottery kilns such as "Dong Hoa Dieu" and "Buu Nguyen Dieu" appeared on

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Goode, Ian, Sarah Neely, Callum G. Brown, and Ealasaid Munro. "The Media and Modernity: Film and New Media in the Highlands and Islands 1946–1971: Introduction." Northern Scotland 11, no. 1 (2020): 1–10. http://dx.doi.org/10.3366/nor.2020.0201.

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The Highlands and Islands Film Guild is briefly surveyed in this article that introduces the Special Issue on Media and Modernity. The foundations, principles and manner of operation are outlined, as well as the interdisciplinary research project. The article starts with a review of literature on the nature of society in the Highlands and Islands, and the way that researchers regard it as ‘the other’ in historical and ethnographic research within the United Kingdom. We note the work undertaken in cultural history that has tended to treat the Highland zone as disjoined in governance and everyda

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Lookadoo, Jonathon. "Metaphors and New Testament Theology: The Temple as a Test Case for a Theology of New Testament Metaphors." Religions 13, no. 5 (2022): 436. http://dx.doi.org/10.3390/rel13050436.

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Researchers within New Testament Studies have attempted in recent years to articulate the multifaceted identity of a broad discipline. The place of New Testament Theology (NTT) remains disputed within the guild. Some would like to remove NTT from fields of research undertaken within Arts and Humanities departments, while others argue that the New Testament cannot be properly understood without an eye to its theological claims. This article employs the ongoing tension as a starting point from which to argue that metaphors provide a fruitful field of study within NTT. The study of metaphors allo

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Davis, Michael T. "La cathédrale d'Aix-en-Provence: Etude archéologique. Rollins Guild, Jr." Speculum 65, no. 3 (1990): 680–83. http://dx.doi.org/10.2307/2864080.

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Wagenaar, Lodewijk, and Mieke Beumer. "Esaias Boursse’s ‘Tijkenboeck’." Rijksmuseum Bulletin 67, no. 4 (2019): 312–31. http://dx.doi.org/10.52476/trb.9736.

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We do not know who trained Esaias Boursse (1631-1672) to be a painter, but we do know that he became a member of the Amsterdam Guild of St Luke around 1651. He certainly did not have a successful career because he joined the Dutch East India Company (VOC) in 1661. He travelled to Colombo, the capital of the island of Ceylon (Sri Lanka since 1972), captured six years earlier by the Portuguese, by way of Batavia (now Jakarta). In 1663 he was back in Amsterdam – remarkable, as the standard contract with the VOC was for five years. In financial straits again, he re-joined the VOC in 1671 and left

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Israels, Machtelt. "Altars on the street: the wool guild, the Carmelites and the feast of Corpus Domini in Siena (1356-1456)*." Renaissance Studies 20, no. 2 (2006): 180–200. http://dx.doi.org/10.1111/j.1477-4658.2006.00195.x.

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Hesselink, Reinier H. "Representing the Nanban Moment: Gotō Thomé (1547?–1627)." Harvard Journal of Asiatic Studies 84, no. 1-2 (2024): 75–110. https://doi.org/10.1353/jas.2024.a948861.

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abstract: Japan's "Nanban Moment" has recently been defined as "a critical juncture in world history when for the first time all the major urban civilizations became interconnected." These connections were political, economic, religious, literary, linguistic, and artistic in nature. This article presents the life of Gotō Thomé, a shopkeeper from Nagasaki's Uchimachi district, drawing upon different Japanese and European sources. As mayor, he was one of four principal officials of the Inner City. A major silk dealer, he was a leading member of the national silk guild. As elder of the São Paulo

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Veldman, Ilja M. "Keulen als toevluchtsoord voor Nederlandse kunstenaars (1567-1612)." Oud Holland - Quarterly for Dutch Art History 107, no. 1 (1993): 34–58. http://dx.doi.org/10.1163/187501793x00090.

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AbstractIn the latter half of the 16th century a conspicuously large number of Netherlandisch artists emigrated to Cologne. The majority came from the south Netherlands after 1567, forced to leave for political and religious reasons during Alva's reign of terror. Worsening economical conditions were another reason. Cologne offered good prospects for immigrants. Most of the Dutch artists who settled there were engravers, designers and publishers of prints, professions which were much in demand. Skilled native artists were rare in Cologne, and the wealthy, art-loving patricians and prosperous bu

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Rambelli, Fabio. "Gagaku in Medieval Japanese Religion." Religions 13, no. 7 (2022): 582. http://dx.doi.org/10.3390/rel13070582.

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Contrary to the widespread assumption in the study of Japanese religions that Kagura is historically the main genre of performing arts at Shintō festivals, something dating back to the beginning of Japanese history, in this article I focus instead on Gagaku (and its Bugaku dance repertory) as a central component of rituals, ceremonies, and festivals not only at the imperial court but also and especially at many temples and shrines across the country. While Gagaku and Bugaku were deeply rooted in the Kansai area, with guilds of hereditary professional musicians affiliated with, respectively, th

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Acklin, Thomas. "Guilt and Desire: Religious Attitudes and Their Pathological Derivatives." Journal of the American Psychoanalytic Association 38, no. 3 (1990): 831–36. http://dx.doi.org/10.1177/000306519003800320.

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Exline, Julie Juola, Ann Marie Yali, and William C. Sanderson. "Guilt, discord, and alienation: The role of religious strain in depression and suicidality." Journal of Clinical Psychology 56, no. 12 (2000): 1481–96. http://dx.doi.org/10.1002/1097-4679(200012)56:12<1481::aid-1>3.0.co;2-a.

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Duparc, F. J. "Philips Wouwerman, 1619 - 1668." Oud Holland - Quarterly for Dutch Art History 107, no. 3 (1993): 257–86. http://dx.doi.org/10.1163/187501793x00018.

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AbstractPhilips Wouwerman(s) was undoubtedly the most accomplished and successful Dutch painter of equestrian scenes in the 17th century. Even so, neither a critical study of his work nor a documented biography has been published. The present essay not only presents the results of archive research but also outlines his artistic development. Besides the seven dated pictures by the artist known by Hofstede de Groot, several others have been discovered. Wouwerman was born in Haarlem, the eldest son of the painter Pouwels Joosten and his fourth wife, Susanna van den Bogert. Two other sons, Pieter

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H. D. Kaplan, Paul. "Redeploying a Saint: The Black Maurice and the Shifting Iconography of Blackness in Post-Reformation Germany and the Baltics." Zeitschrift für Kunstgeschichte 86, no. 3 (2023): 340–67. http://dx.doi.org/10.1515/zkg-2023-3004.

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Abstract Due to the religious restrictions on imagery introduced by the Reformation, depictions of the Black African incarnation of Saint Maurice were sharply reduced and transformed in the German-speaking lands after 1530. This essay looks in detail at developments in several Saxon cities and also in the Baltic cities of Tallinn (Reval) and Riga. In Magdeburg and Halle, the focus is on secularized images of Maurice, while in Halle a little-known but vast painting replaced the Black Maurice with other Black characters more closely tied to the Bible. In the Baltic cities, the Black Maurice was

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L. SWANSON KEVIN R. BYRD, JULIE. "DEATH ANXIETY IN YOUNG ADULTS AS A FUNCTION OF RELIGIOUS ORIENTATION, GUILT, AND SEPERATION-INDIVIDUATION CONFLICT." Death Studies 22, no. 3 (1998): 257–68. http://dx.doi.org/10.1080/074811898201588.

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Bychkov, Pavel. "Topography, Corporations and Everyday Life of Hertogenbosch in the 14th — 15th Centuries." ISTORIYA 14, no. 3 (125) (2023): 0. http://dx.doi.org/10.18254/s207987840025081-8.

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Due to the local cult of the miraculous statue of Virgin Mary that emerged in the 14th century religious fraternities began to play a leading role in the daily life of citizens, attracting to the town famous architects, artisans, composers and artists (among them was Hieronymus Bosch). But besides religious communities, professional corporations were also important actors in the urban commune, uniting artisans of various specialties around one patron. The most significant guilds in Hertogenbosch were the communities of clothiers and blacksmiths, which formed the main articles of the town’s exp

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Palmer, Barbara D. "Technology, Guilds, and Early English Drama.Clifford Davidson." Speculum 73, no. 3 (1998): 827. http://dx.doi.org/10.2307/2887517.

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Fleeson, Nathan E. "Creating Imaginative Pauses with Sin." Religion and the Arts 28, no. 1-2 (2024): 170–95. http://dx.doi.org/10.1163/15685292-02801006.

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Abstract Oscar Wilde and Paul Cadmus both utilize their art to renegotiate how we imagine our relationship to sin within Catholicism. This article draws attention to resonances between their approaches by presenting a Wildean queer theological aesthetic as a framework to interpret Cadmus’s art. A Wildean framework utilizes the excesses of both Catholicism and queerness as a foil for each other to create pauses for the imagination in a culture and religious tradition that risks falling into mechanization. In the space of that excess, we are allowed to escape the trap of existence to live as Ind

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Inozu, Mujgan, A. Nuray Karanci, and David A. Clark. "Why are religious individuals more obsessional? The role of mental control beliefs and guilt in Muslims and Christians." Journal of Behavior Therapy and Experimental Psychiatry 43, no. 3 (2012): 959–66. http://dx.doi.org/10.1016/j.jbtep.2012.02.004.

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Hielscher, Stefan, and Bryan W. Husted. "Proto-CSR Before the Industrial Revolution: Institutional Experimentation by Medieval Miners’ Guilds." Journal of Business Ethics 166, no. 2 (2019): 253–69. http://dx.doi.org/10.1007/s10551-019-04322-5.

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Abstract In this paper, we argue that antecedents of modern corporate social responsibility (CSR) prior to the Industrial Revolution can be referred to as “proto-CSR” to describe a practice that influenced modern CSR, but which is different from its modern counterparts in form and structure. We develop our argument with the history of miners’ guilds in medieval Germany—religious fraternities and secular mutual aid societies. Based on historical data collected by historians and archeologists, we reconstruct a long-term process of pragmatic experimentation with institutions of mutual aid that ad

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Kelly, Aileen. "Dostoevskii and the Divided Conscience." Slavic Review 47, no. 2 (1988): 239–60. http://dx.doi.org/10.2307/2498466.

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In the decade between the Russian revolutions of 1905 and 1917, many of the Russian radical intelligentsia believed that Dostoevskii had anticipated their moral dilemmas. Critics, such as D. S. Merezhkovskii, argued that the experience of that turbulent period confirmed Dostoevskii's discovery about the nature of moral choice: Namely, there existed no single system of beliefs, no coherent ethical code, that could resolve all problems of ends and means and that this was so because, on some of the most fundamental issues of moral choice, the promptings of reason and feeling could not be reconcil

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Weissengruber, Erik Paul. "The Corpus Christi Procession in Medieval York: A Symbolic Struggle in Public Space." Theatre Survey 38, no. 1 (1997): 117–38. http://dx.doi.org/10.1017/s0040557400001861.

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The Corpus Christi celebrations of medieval York provide a good opportunity for studying how symbolic power structures social relations, and how institutions reproduce their legitimacy at a time when the procession as well as the presentation of the pageant wagons were rigorously supervised by the city council. The elaborate procession of torches honoring the sacrament, a little discussed aspect of these celebrations, is particularly useful for such a study, because the records of the guilds provide surprising indications of the extent to which the supposedly solemn procession honoring the sac

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López Cambronero, Marcelo. "Evil and Guilt: on Original Sin and Ancestral Sin." Cauriensia. Revista anual de Ciencias Eclesiásticas 18 (December 1, 2023): 525–40. http://dx.doi.org/10.17398/2340-4256.18.525.

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Since the times of Augustine, there has been a philosophical and theological debate on the inheritance of guilt on the interpretation of Original Sin. This debate turns on the early Church Fathers of the first centuries, signalled by the Neo-Patristic movement within the Orthodox Church in its accusations of heresy against the Catholic Church and proposing the very different notion of "Ancestral Sin". This paper will evaluate this debate and discuss the history of the Church Fathers, especially Augustine, and propose a new interpretation of the notion of "Original Sin" that offers an understan

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Escudero-Alías, Maite. "Estrangement and the Ethics of Attention in Emma Donoghue’s The Wonder." Estudios Irlandeses, no. 18 (March 17, 2023): 54–66. http://dx.doi.org/10.24162/ei2023-11616.

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Drawing upon theoretical frameworks, such as Sara Ahmed’s “strange encounters” (2000), “willful subjects” (2014), and Judith Butler’s vulnerability (2004), the present article aims to explore female agency and action in The Wonder as fundamental steps to achieve transformation and change. For this purpose, I first offer a brief introduction to the vulnerability of the female body in Irish history, as it counts on a significant tradition firmly rooted in religious and class politics. Significantly, the novel foregrounds a reformulation of religious superstitions into new patterns of existence.

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Cohn,, Samuel. "Wage Labor and Guilds in Medieval Europe.Steven A. Epstein." Speculum 67, no. 3 (1992): 665–66. http://dx.doi.org/10.2307/2863680.

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Lejman, Beata. "O niebezpiecznych związkach sztuki i polityki na przykładzie „żywotów równoległych” Michaela Willmanna i Philipa Bentuma." Porta Aurea, no. 19 (December 22, 2020): 114–34. http://dx.doi.org/10.26881/porta.2020.19.05.

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Michael Lucas Leopold Willmann (1630–1706) was born in Königsberg (now Kalinin grad in Russia), where his first teacher was Christian Peter, a well -off guild painter. After years of journeys of apprenticeship and learning in the Netherlands, the young artist returned to his homeland, after Matthias Czwiczek’s death in 1654 probably hoping for the position of the painter at the court of Great Elector Frederick William (1620–1688).What served to draw the ruler’s attention to himself was probably the lost painting, described by Johann Joachim von Sandrart as follows: ‘the Vulcan with his cyclops

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Jackson, Christine. "Functionality, Commemoration and Civic Competition: A Study of Early Seventeenth-Century Workhouse Design and Building in Reading and Newbury." Architectural History 47 (2004): 77–112. http://dx.doi.org/10.1017/s0066622x00001702.

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In December 1624, the London draper and merchant adventurer, John Kendrick (Fig. 1), died leaving a large proportion of his considerable fortune to charitable causes. Like other early seventeenth-century metropolitan benefactors, he sought to attack the causes of poverty as well as to relieve its impact, and his legacies included the sums of £7,500 and £4,000, bequeathed respectively to the Berkshire towns of Reading and Newbury, to establish workhouses for the employment of the poor. Workhouses were a relatively new public institution at this date. In the wake of the dissolution of both monas

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Wise, Michael O. "The Organizational Pattern and the Penal Code of the Qumran Sect: A Comparison with Guilds and Religious Associations of the Hellenistic-Roman Period. Moshe Weinfeld." Journal of Near Eastern Studies 48, no. 2 (1989): 142–43. http://dx.doi.org/10.1086/373379.

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Williman, Daniel. "The Interdict in the Thirteenth Century: A Question of Collective Guilt. Peter D. Clarke." Speculum 84, no. 3 (2009): 687–89. http://dx.doi.org/10.1017/s0038713400209524.

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Al-Omoush, Ishraq Bassam. "Revival and Spiritual Awakening in Edgar Allan Poe's 'The Tell-Tale Heart' and 'The Black Cat'." Dirasat: Human and Social Sciences 50, no. 3 (2023): 272–79. http://dx.doi.org/10.35516/hum.v50i3.85.

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Objectives: Edgar Allan Poe (1809- 1849) is credited with the creation of the detective story. However, his tales have not been extensively researched, especially in areas such as religiosity and spirituality. This paper aims to delve into these deeply-embedded areas and explore the neglected themes within Poe's works. The objective is to uncover the religious experiences that some of Poe's protagonists undergo. Methods: Employing an intrinsic approach, this study demonstrates that the protagonists in Poe's "The Tell-Tale Heart" and "The Black Cat" experience spiritual growth and awakening aft

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Langmuir, Gavin. "Sin and Fear: The Emergence of a Western Guilt Culture, 13th-18th Centuries.Jean Delumeau , Eric Nicholson]." Speculum 67, no. 3 (1992): 657–59. http://dx.doi.org/10.2307/2863676.

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Riesenberg, Peter. "Guilds and Civil Society in European Political Thought from the Twelfth Century to the Present. Antony Black." Speculum 61, no. 4 (1986): 900–901. http://dx.doi.org/10.2307/2853980.

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Viktorovich, Vladimir. "Dostoevsky’s Lost Play “Mary Stuart” (Materials for the Reconstruction of the Idea)." Неизвестный Достоевский 10, no. 4 (2023): 55–101. http://dx.doi.org/10.15393/j10.art.2023.7021.

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The reconstruction of Dostoevsky’s first literary experience — the lost drama “Mary Stuart” — involves the identification and analysis of the sources of the idea. As a result of the conducted research, a hypothetical chain of events was built. In 1838 (1835, according to other sources), Dostoevsky was impressed by “Mary Stuart” at the Alexandrinsky Theater with A. M. Karatygina in the title role: the image of the suffering queen created by the actress was superimposed on the reading of both Schiller’s tragedy “Mary Stuart” and Walter Scott’s novel “The Abbot.” Russian collection of her biograp

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Bachrach, David S. "Laura Crombie, Archery and Crossbow Guilds in Medieval Flanders, 1300–1500. Woodbridge, UK: Boydell, 2016. Pp. x, 259; 6 black-and-white figures, 1 map, and 3 tables. $99. ISBN: 978-1-78327-104-7." Speculum 94, no. 1 (2019): 193–95. http://dx.doi.org/10.1086/701304.

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GÜZEL, FATİH. "FÜTÜVVET TARİHİNDE BİR DÖNÜM NOKTASI: HALİFE NÂSIR Lİ- DİNİLLÂH’IN FÜTÜVVETİ TANZİMİ." Türk Kültürü ve HACI BEKTAŞ VELİ Araştırma Dergisi 104 (December 3, 2022): 441–51. http://dx.doi.org/10.34189/hbv.104.024.

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Having been an ʿAbbāsid Caliph in such a period when the Caliphate office lost its political authority and symbolically serviced as a religious power, al-Nāṣir li-Dīn Allāh desired to reset the authority of Caliphate in Islamic world. For doing so he did notable military, political, intellectual and social reforms. One of the reforms he did that dates back to the earlier times was to improve the concept and position of the idea of futuwwa under his authority. Term “futuwwa,” referring youth, bravery and gallantry derives from the Arabic term fetā that means youth in Arabic. Two different types

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Amjad, Muhammad Usman, and Anum Zahra. "A Case of Self-Immolation in a Woman With Recurrent Puerperal Psychosis From Pakistan." BJPsych Open 10, S1 (2024): S271—S272. http://dx.doi.org/10.1192/bjo.2024.651.

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AimsPostpartum psychiatric disorders are almost certainly common among women in Pakistan but accurate estimates of the prevalence of these disorders are difficult to obtain because of cultural norms and lack of awareness that may result in women underreporting such disorders, or them not being recognised because of lack of reliable screening tools and resources.The aims of this case study are to report a case of an attempted suicide by self-immolation in a multiparous woman with recurrent puerperal psychosis, highlighting the cultural/religious barriers which often result in delayed help, and

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Delman, Rachel M. "The vowesses, the anchoresses and the aldermen's wives: Lady Margaret Beaufort and the devout society of late medieval Stamford." Urban History, February 11, 2021, 1–17. http://dx.doi.org/10.1017/s096392682100002x.

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Abstract This article investigates a devout society centring on the household of Margaret Beaufort (d. 1509) at Collyweston in Northamptonshire and St Katherine's guild in the neighbouring market town of Stamford in Lincolnshire. The discussion unveils Margaret Beaufort's place at the heart of a vibrant devotional community, whose members, among them a core group of lay and religious townswomen, were united by their geography and shared devotional interests. Ultimately, this article sheds new light on the overlapping spiritual networks of an important market town and the household of a highly

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Edvardsson, Johannes, Andrea Seim, Justin Davies, and Joost Vander Auwera. "The rediscovery of an Adoration of the Shepherds by Jacques Jordaens: a multidisciplinary approach combining dendroarchaeology and art history." Heritage Science 9, no. 1 (2021). http://dx.doi.org/10.1186/s40494-021-00512-5.

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AbstractThe implementation of multidisciplinary research approaches is an essential prerequisite to obtain comprehensive insights into the life and works of the old masters and their timeline in the production of the arts. In this study, traditional art history, cultural heritage, and natural science methods were combined to shed light on an Adoration of the Shepherds painting by Jacques Jordaens (1593–1678), which until now had been considered as a copy. From dendrochronological analysis of the wooden support, it was concluded that the planks in the panel painting were made from Baltic oak tr

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"Voorlopige catalogus van de schilderijen van Pieter Veen." Oud Holland - Quarterly for Dutch Art History 108, no. 4 (1994): 230–35. http://dx.doi.org/10.1163/187501794x00279.

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AbstractPieter Veen's name is virtually unmentioned in art-historical sources. Moreover, many of his paintings, some of them bearing false signatures, were sold under other names, which may partly account for his obscurity. Veen lived and worked in Rotterdam, where he was a dean of Saint Luke's guild in 1716, 1720, 1731 and 1736. Eighteenth-century auction catalogues list him as a pupil of Adriaen van der Werff, whose influence can certainly be seen in his work. Not, however, in his earliest extant painting, and the only one to be dated: a portrait of Geertruy van der Hey, a burgomaster's wife

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"Catalogus." Oud Holland - Quarterly for Dutch Art History 120, no. 1-2 (2007): 70–106. http://dx.doi.org/10.1163/187501707x00257.

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AbstractHerman Jansz Breckerveld was born in Duisburg, Germany, in 1595/1596. He left his birth country for religious and economic reasons, deciding to settle in the Netherlands. There is evidence he was living in The Hague in the year 1622, though there is a strong possibility that he had been in the country for some time before then. It is probable that he learned the trade of glass making from a Master in Arnhem. Whilst living in The Hague Breckerveld befriended David Beck, Master of the French School there. Beck kept a diary of the year 1624 from which much information on the daily lives o

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Bulakhova, Lina. "Failed human: on national guilt and its religious roots." Studies in East European Thought, October 20, 2022. http://dx.doi.org/10.1007/s11212-022-09515-9.

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Wacks, Yehuda, Aryeh Lazar, and Eliane Sommerfeld. "The Moderating Effect of Religiousness on the Relation Between Sexual Guilt and Shame and Well-Being Among Jewish Religious Single Men." Archives of Sexual Behavior, December 15, 2022. http://dx.doi.org/10.1007/s10508-022-02494-2.

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Кульматицький, А. В., І. С. Клименко та О. В. Ковальчук. "МУЛЬТИДИСЦИПЛІНАРНИЙ ПІДХІД ДО ЛІКУВАННЯ БОЙОВИХ ТРАВМ: ІНТЕГРАЦІЯ ФІЗИЧНОЇ ТА ПСИХОЛОГІЧНОЇ РЕАБІЛІТАЦІЇ". Art of Medicine, 1 липня 2025, 108–12. https://doi.org/10.21802/artm.2025.2.34.108.

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Today’s life in our country are undergoing significant changes that affect all spheres of life of our citizens and society as a whole. This is due to the war and the increasing number of military personnel. Among the psychological consequences of the war, the most significant are an increase in post-traumatic stress disorder, anxiety, and depression. Therefore, it is necessary to find effective ways of adaptation and physical and psychological rehabilitation after combat trauma. In order to solve the research task, a systematic review of scientific literature was performed and the issue of the

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Dar, Nasib, Muhammad Usman, Jin Cheng, and Usman Ghani. "Social Undermining at the Workplace: How Religious Faith Encourages Employees Who are Aware of Their Social Undermining Behaviors to Express More Guilt and Perform Better." Journal of Business Ethics, November 11, 2022. http://dx.doi.org/10.1007/s10551-022-05284-x.

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Bamji, Alexandra. "RichardMackenney, Venice as the Polity of Mercy: Guilds, Confraternities, and the Social Order, c. 1250–c.1650. Toronto: University of Toronto Press, 2019. 496 pp. $90.00. ISBN 978‐1442649682 (hb)." Renaissance Studies, September 3, 2020. http://dx.doi.org/10.1111/rest.12699.

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"George C. Maniatis, Guilds, Price Formation and Market Structures in Byzantium. (Variorum Collected Studies Series, 925.) Farnham, Eng., and Burlington, Vt.: Ashgate, 2009. Pp. xvi, 394, numbered nonconsecutively; black-and-white figures. $149.95." Speculum 84, no. 04 (2009): 1135. http://dx.doi.org/10.1017/s0038713400209135.

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Romate, John, and Eslavath Rajkumar. "Exploring the experiences, psychological well-being and needs of frontline healthcare workers of government hospitals in India: a qualitative study." Humanities and Social Sciences Communications 9, no. 1 (2022). http://dx.doi.org/10.1057/s41599-022-01093-9.

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AbstractThe present study aims to understand the experiences, challenges, psychological well-being and needs of clinical and non-clinical government healthcare workers (HCWs) during the COVID-19 pandemic in the Hyderabad-Karnataka (H-K) region. This qualitative study used purposive sampling method to recruit 221 HCWs working in the H-K region government hospitals during the COVID-19 pandemic. Semi-structured interviews were carried out with those HCWs who agreed to participate. The data analyzed using conventional content analysis revealed three main themes: (1) experiences and challenges face

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Verma, Rabindra Kumar. "Book Review." East European Journal of Psycholinguistics 7, no. 1 (2020). http://dx.doi.org/10.29038/eejpl.2020.7.1.kum.

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Susheel Kumar Sharma’s Unwinding Self: A Collection of Poems. Cuttack: Vishvanatha Kaviraj Institute, 2020, ISBN: 978-81-943450-3-9, Paperback, pp. viii + 152. Like his earlier collection, The Door is Half Open, Susheel Kumar Sharma’s Unwinding Self: A Collection of Poems has three sections consisting of forty-two poems of varied length and style, a detailed Glossary mainly on the proper nouns from Indian culture and tradition and seven Afterwords from the pens of the trained readers from different countries of four continents. The structure of the book is circular. The first poem “Snaps

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