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Journal articles on the topic 'Religious aspects of Jewelry'

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1

Rashitov, Danil Damirovich. "Traditions of using jewelry and precious metals in customs, religion and folklore of the Tatars." Культура и искусство, no. 1 (January 2021): 22–36. http://dx.doi.org/10.7256/2454-0625.2021.1.32186.

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The article discusses the historical-culturological component of jewelry and precious metals in culture and living environment of the Volga Tatars. Emphasis is placed on the customs, folklore and religious aspects with mentioning on the jewelry and precious metals. Detailed description is given to the current situation and meaning of jewelry within the framework of the topic of research. The goal lies in conducting a historical-culturological overview and analysis of jewelry and precious metals in the context of spiritual culture of the Volga Tatars, which necessitates to examine the cult component of jewelry and images related to precious metals. The author also touches upon the influence of pre-Islamic and Islamic culture upon the survived artifacts. Analysis is conducted on such aspects of the Tatar culture, which indicate correlation between jewelry, spiritual heritage, and religion. The author point out the instances when jewelry reflects intangible culture in the material component of the Tatar people; as well as reveals the unique code of the Tatar culture that to one or another extent is depicted on jewelry items. The article reviews some cultural traces of the period before the Bulgars, and chronological development of the Tatar culture up to the present day under the influence of Islam.
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Orfali, Moisés. "Aspects of Spanish Acculturation among Moroccan Jews." European Judaism 52, no. 2 (September 1, 2019): 42–58. http://dx.doi.org/10.3167/ej.2019.520205.

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This discussion of the processes of Spanish acculturation among Moroccan Jews deals with influences that Spanish Jews brought to Morocco both before and after 1492, especially their regulations establishing a considerable improvement in the status of Jewish women and restrictions on expenditure on the occasion of family celebrations. In accordance with the Valladolid Takkanot (1432), they forbade the wearing of certain jewellery and the display of valuable finery. These social and ethical-religious measures also expressed a concern not to expose property and people to the envy of non-Jews. The megorashim (newcomers from Spain) spread the Castilian custom of ritual slaughter of animals for consumption. The re-Hispanisation of the Judeo-Spanish language (Ḥaketía) was consciously considered among the descendants of the megorashim as part of their Spanish identity and collective memory.
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Raka Dewantara, Anak Agung Gede, I. Wayan Srijaya, and Ida Bagus Sapta Jaya. "Kajian Ikonografi dan Fungsi Arca Hindu-Buddha di Pura Agung Batan Bingin Pejeng Kawan." Humanis 24, no. 3 (August 28, 2020): 266. http://dx.doi.org/10.24843/jh.2020.v24.i03.p05.

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Period Hindu-Buddha in Indonesian, Leaving behind a variety of archaeological heights. Research to investigate the definition statue Hindu-Buddha at Agung Batan Bingin Temple, Pejeng Kawan Village. The purpose of this study is to reconstruct the history of Balinese culture in the past especially its aspect of religment. The writer apply this method for accumulation file like library study, observasion, interview as well as analysis, iconography. The theory used to help analysis is the functional theory. Based on the results of the research Found that there is an iconography mark in the statues of Hindu-Buddha on Agung Batan Bingin Temple. Iconography mark show the variety of jewelry, clothing, art, and posture depiction. Statue Hindu-Buddha on Bingin Temple including to ancient Balinese periodic. Statue Hindu-Buddha on Agung Batan Bingin Temple untill now still being used as an instrument of veneration by the people of Bali performing religious ceremonies, the Balinese people used to call it "Penyungsung Pura". Statue Hindu-Buddha the, believed in society pejeng kawan village as a means of begging for protection, safety, and plants fertility in society Pejeng Kawan Village.
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Pavenkov, Oleg, and Mariia Rubtcova. "Metaphysics of love in the religious philosophy of Pável Florensky." Anales del Seminario de Historia de la Filosofía 33, no. 1 (April 8, 2016): 163–80. http://dx.doi.org/10.5209/rev_ashf.2016.v33.n1.52293.

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This article focuses on the analysis of the concept of love in the religious philosophy of Pavel Florensky, who shares the ontological approach to the consideration of love with other representatives of Russian religious philosophy (N. berdyaev and S. bulgakov). We pay more careful attention to the understanding of love-άγαπαν by Florensky. We have drawn the conclusion that, in the philosophy of P. Florensky, Love, closely connected with truth and beauty, is considered an ontological basis existence of personality. We develop the ideas of Pavel Florensky, and accordingly assume that it is possible to synthesise love-agape and love-eros around the idea of sacrificial love. Agapelogical and erotical ‘bezels’ of one jewel of love is aspects of united love, which is given by God. this gift of God, the gift of united love, is kept by humans through prayer and deeds of love.
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Wira Darma, I. Kadek Sudana. "PENGARCAAN DEWA WISNU PADA MASA HINDU-BUDDHA DI BALI (ABAD VII-XIV MASEHI)." Forum Arkeologi 32, no. 1 (May 22, 2019): 51. http://dx.doi.org/10.24832/fa.v32i1.548.

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Figurine of goddess Vishnu is an archaeological remain of Hindu-Buddhist period that rarely found in Bali. This research examines the variation of iconography, as well as the role and the position of Vishnu in the Hindu-Buddhist period in Bali in VII-XIV Century AD. The purpose of this research is to reconstruct the history of Balinese culture in the past, especially in the religion aspect. The methods of data collection are literature study, observation and interviews as well as data processing through the analysis of comparative iconography, and iconoplastic. The theory that used to assist analysis is a theory of religious iconology and iconography of Erwin Panofsky. Based on the results of the study found that there is a variation of the iconography on the statues of Vishnu in Hindu-Buddhist period in Bali. The variation can be seen in the variety of depictions of jewelry, clothing, “laksana” and posture. There are also variations for the iconography that caused by the factors of the ability and creativity of the artists, social restriction, cultural influence and raw material of the statue. The role and position of Vishnu in the Hindu-Buddhist period in Bali as a protector and preserver. His position is important although it is not as high as the god of Shiva. Arca Dewa Wisnu merupakan tinggalan arkeologi dari periode Hindu- Buddha yang sangat sedikit ditemukan di Bali. Penelitian ini meneliti variasi ikonografi, serta peranan dan kedudukan Dewa Wisnu pada masa Hindu-Buddha di Bali abad VII-XIV Masehi. Tujuan penelitian ini adalah untuk merekonstruksi sejarah kebudayaan masyarakat Bali pada masa lalu terutama aspek religinya. Penulis menggunakan metode pengumpulan data seperti studi pustaka, observasi dan wawancara serta pengolahan data melalui analisis ikonografi, ikonoplastik dan komparatif. Teori yang digunakan untuk membantu analisis adalah teori ikonografi dan ikonologi Erwin Panofsky. Berdasarkan hasil penelitian ditemukan bahwa terdapat variasi ikonografi pada arcaarca dewa Wisnu pada masa Hindu-Buddha di Bali abad VII-XIV Masehi. Variasi terlihat pada ragam penggambaran perhiasan, busana, laksana, dan sikap tubuh. Adapun variasi ikonografi disebabkan oleh faktor kemampuan dan kreativitas seniman, batasan sosial, pengaruh budaya dan bahan baku arca. Peranan dan kedudukan dewa Wisnu pada masa Hindu-Buddha di Bali yaitu sebagai dewa pelindung dan pemelihara, kedudukannya sangat penting walaupun tidak setinggi Dewa Siwa.
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Zhou, Qi Shen, Ming Xing Yang, Peng Fei Zhang, and Ying Qiu. "Study on the Innovative Jewelry B2C Business Model in China and Africa." International Journal of Engineering Research in Africa 10 (July 2013): 65–77. http://dx.doi.org/10.4028/www.scientific.net/jera.10.65.

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According to the forecast of relevant business data, current jewelry consumption in China and Africa has become increasingly active and has great potential for further development. For now, the industrial value chain of jewelry e-business as a whole is far from a mature state; industry convergence degree is relatively low; market segmentation is high; the demand of customers is large, however the supply is full of chaos. Under the general context of rapid development of e-commerce in the Internet, the structure of jewelry industry requires further adjustment and further improvements. The concept of symbolic consumption has been proposed to highlight the increasing significance of extending symbolic value and experience of the commodity. This paper conducted an innovative and exploratory study on the jewelry B2C business model in China and Africa based on the value of user experience. The contents of this paper include four aspects. Primarily, it analyzes the strengths and weaknesses of jewelry B2C business model. Customers become the main players in the market and can select jewelry products based on their own preferences. Secondly, it explains the value of user experience by exploring the emotions, memories, feelings and deeper identity of value during the consumption process to expand broader space for product value. Furthermore, it provides an explicit analysis of innovative jewelry B2C business model concentrating on combining jewelry with customers' emotions. In addition, it explores the implications of innovative B2C business model in the jewelry industry by creating superior customer experiences.
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NALÇACIGİL, Emre, and Ahmet Fatih ÖZYILMAZ. "A Research on Marketing and Consumer Habits in Konya Jewelry Sector." ISPEC International Journal of Social Sciences & Humanities 4, no. 4 (September 5, 2020): 350–86. http://dx.doi.org/10.46291/ispecijsshvol4iss4pp350-386.

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More than 50 percent of the world's gold production and more than 90 percent in our country are used in jewelry making. Gold, which has been used for decoration and investment instrument for centuries, continues to be demanded by the people of our country in order to both decorate and saving with a habit stemming from our traditions. Turkey’s jewelry sector, which is in the top 5 in the world gold demand and ranked 2nd in gold jewelry exports, currently has 5500 jewelry shops, 20 large jewelry production complexes, 100 wholesale jewelry stores, 40 thousand jewelry shops and 250 thousand employees work in this sector. Jewelry sector has produced for many years with manual labor. Today, the sector has to keep up with the transition to technology-intensive production in order to operate in the world markets and to meet the increasing export demand. The problems of the sector, which has come to a certain place in the world markets and strives for first place, are dealing with greater attention than before. After 1990, the sector was put into a reform process. Necessary institutions for the development of the sector have been put into operation. On the other hand, the development of this industry; While it manifests itself in issues such as branding, product design, technological innovations, marketing strategies, deficiencies in legal regulations damage especially the small-scale jewelry traders. In this study, luxury consumption and hedonic shopping habits are examined by searching literature. In this respect, the phenomenon of consumption was first examined in detail. In the second part, the jewelry sector was explained in all aspects, and then a research was conducted on the consumer habits and the state of the sector with the support of the Konya Jewelers Association.
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8

Susilowati, Nenggih. "Emas dalam Budaya Batak." Berkala Arkeologi Sangkhakala 15, no. 2 (January 5, 2018): 257. http://dx.doi.org/10.24832/bas.v15i2.125.

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AbstractGolden artifacts have different varieties and decorative patterns, such as in jewellery. The presence of golden artifacts in the past is known presently from the Dutch old record in North Sumatra. At that time, the Bataknese lived an old belief of the ancestor spirits or called the megalithic tradition. The development of gold craftsmanship is seen through the golden artifacts with the typical Batak patterns influenced by the old faith as well as external decorative patterns. The proposed question is how the golden artifacts were integrated into the Bataknese culture. The study aims at collecting more knowledge of the importance of golden artifacts in Bataknese life as well as the cultural aspects reflected on those artifacts. Explorative-descriptive writing method with inductive reasoning is used to get an answer to the problem being proposed. Inductive reasoning begins at the study of data that can give a general conclusion or empirical generalization after data analysis stage process. Golden artifacts are just like pieces of art that bear a unique function in the society as well as describing such social, cultural, and religious aspects of the Bataknese in the ancient North Sumatra.AbstrakArtefak emas cukup beragam jenis dan pola hiasnya, di antaranya digunakan sebagai perhiasan. Tentang artefak emas di masa lalu diketahui melalui catatan lama ketika Belanda masuk ke wilayah Sumatera Utara. Pada masa itu etnis Batak pada umumnya masih hidup dalam kepercayaan lama yang berkaitan dengan roh nenek moyang atau dikenal dengan tradisi megalitik. Perkembangan seni kriya emas terlihat melalui artefak emas dengan pola hias khas Batak yang mendapat pengaruh religi lama, dan pola hias yang mendapat pengaruh dari luar. Permasalahannya adalah bagaimana artefak emas menjadi bagian dalam budaya masyarakat Batak ? Tulisan ini bertujuan untuk menambah pengetahuan mengenai pentingnya artefak emas dalam kehidupan masyarakat Batak serta aspek-aspek kebudayaan yang tercermin melalui artefak tersebut. Untuk dapat menjawab permasalahan yang diajukan, maka metode penulisan bertipe eksploratif- deskriptif menggunakan alur penalaran induktif. Penalaran induktif berawal dari kajian terhadap data yang dapat memberikan suatu kesimpulan yang bersifat umum atau generalisasi empiris setelah melalui proses tahap analisis data. Seperti hasil karya seni lain, artefak emas mempunyai fungsi dalam kehidupan masyarakat serta menggambarkan aspek sosial, budaya, dan religi masyarakat Batak di Sumatera Utara di masa lalu.
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9

Fedorova, Nadiia. "Foreing and domestic experience in protecting intellectual property right to jewelry and jewelry." Theory and Practice of Intellectual Property, no. 6 (June 16, 2021): 31–37. http://dx.doi.org/10.33731/62020.233886.

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Key words: copyright, jewelry, bijouterie, unfair competition, trademark, litigation Fedorova N. Foreing and domestic experience in protecting intellectual property right to jewelry and jewelry. The article focuses on studying the issue of protecting the design of artistic jewelry and bijouterie. The concept of “functionality” for jewelry is analyzed, namely, it is determined that the «functionality» notion is the quality of servicing the useful purpose. For example, a chair manufacturer cannot claim the four legs of a chair as a copyright. These four legs are a useful and functional aspect of this chair. If a competitor also manufactures a chair with 4 legs, it does not infringe any manufacturer's right, since these legs are for functional purposes only. The concept of«functionality» in jewelry means that the last cannot be protected as a normal work, since it is purely utilitarian. For example, the hands or numbers on the dial of a watch are considered as functional because the exclusive use of these aspects seriously impedes healthy competition in the watch industry. On the other hand, unique jewelry design cannot be considered functional as it has the exclusive use of its particular elements’ combination.The analysis of European legislation and US judicial practice is carried out. Under applicable US copyright law, jewelry is a subject to copyright. Under normal circumstances, the law does not require prior registration of jewelry copyright. However, in order to protect jewelry or bijouterie under the US Law on Copyright, it must meet certain conditions. The complaining party must provide evidence of illegal copying of the work and prove copyright infringement. In case of violation of copyright for jewelry, the author or the jewelry house must prove:•the originality of design;•the uniqueness in the elements combination in the process of jewelry design development.The object of an industrial design can be a shape, pattern, color, or their combination that determines the appearance of an industrial product. The main criterion for the industrial design patentability is its novelty. However, in practice, an examination for novelty when registering a designation as an industrial design, according to Alexandra Odinets, is not carried out, and the patent is issued «under the responsibility of the applicant».With regard to unfair competition in the jewelry market, according to the US jurisprudence, it is more often an offense in this context than a violation of trademark rights or copyright infringement. It is unfair competition that misleads a consumer. A competitor, by assigning a good name and an reputation established, is trying to get profit. The definition of unfair competition is carried out in a comprehensive manner, here the court will not focus on one feature of a piece of jewelry but would consider all its inherent features. In particular, it is a combination of unique elements that provide the originality of the product.The article provides recommendations for jewelry and bijouterie authors on copyright protection. 1. Pro avtorski i sumizhni prava : Zakon Ukrainy. URL: https://zakon.rada.gov.ua/laws/show/3792-12#Text. 2. Tomarov I. Fashion Law: kopiiuvaty ne mozhna zaboronyty! Yurydychna hazeta Online. 2017. № 25(575). URL:https://yur-gazeta.com/publications/practice/zahist-intelektualnoyi-vlasnosti-avtorske-pravo/fashion-law-kopiyuvati-ne-mozhna-zaboroniti.html. 3. Herbert Rosenthal Jewelry Corp. v. Kalpakian, 446 F.2d 738 (9th Cir. 1971). 4. Dyrektyva Yevropeiskoho Soiuzu № 98/71. URL: https://zakon.rada.gov.ua/laws/show/994_a88#Text. 5. “Designer” Jewelry vs. “Inspired-by” Jewelry: Intellectual Property Infringement and Unfair Competition Considerations, 34. 6. Davis v. Gap, Inc. - 246 F.3d 152 (2d Cir. 2001). 7. Trifari, Krussman & Fishel, Inc. v Charel Co., 134 F Supp 551 (1955, DC NY). 8. Copyright Law of the United States §102, at 68 (2000). 9. Cprava Vacheron I Constantin-LeCoultreWatches, Inc. proty Benrus Watch Co., Inc. URL: http://saperlaw.com/blog/wp-content/uploads/2007/09/cba-fashion-presentation-final.pdf (last visited April 19th, 2008). 10. Cosmetic Ideas, Inc. v. IAC/Interactivecorp, CV08-02074 R (C.D. California); Los Angeles Copyright Attorneys File Jewelry Copyright Infringement Lawsuit Over Copying Protected Jewelry Design, available at: http://www.iptrademarkattorney.com/2008/04/copyright-attorneys-jewelry-los-angeles-protected-jewelry-design-lawsuit-copying-copyrights-la.html (last visited April 19th, 2008). 11. Saper Law. “Designer” Jewelry vs. “Inspired-by” Jewelry: Intellectual Property Infringement and Unfair Competition Considerations. 2008.
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Choochuy, Wilailak, Jirawat Phirasant, and Witiya Pittungnapoo. "The Future Design Process for Cultural Silver Jewelry Around the Communities of the Si Satchanalai Historical Park, Sukhothai." Asian Culture and History 10, no. 2 (April 18, 2018): 27. http://dx.doi.org/10.5539/ach.v10n2p27.

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The purpose of this research was threefold. The first objective was to analyze the community context and the existing design process for cultural silver jewelry around the communities of the Si Satchanalai Historical Park, Sukhothai Province. This was followed by the development of a future design process. Finally, an evaluation on the level of satisfaction with the new design process was conducted. The research instruments included an in-depth interview, a non-participatory observation, the focus group discussion, questionnaire, seminars and displays. The procedure of developing the future design process for cultural silver jewelry included: (1) finding solutions for problems, (2) creating new design concepts, (3) sketching, and (4) prototyping. The future new design process resulted in reducing the production costs. Evaluation of the future design process also involved several aspects: the features, the concept, and the prototyping. The findings confirmed the highest level of satisfaction on the silver jewelry as rated by the community sages for the Devious Collection at 95 per cent.
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Zhukenova, Zhazira D., and Zhazira Zh Zhekibaeva. "Development Stages of the Modern Jewelry Art in Kazakhstan." Observatory of Culture 16, no. 3 (July 19, 2019): 322–32. http://dx.doi.org/10.25281/2072-3156-2019-16-3-322-332.

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In the context of globalization of the mo­dern world and the growth of intercultural interaction, the question of spiritual development of the nation, the issues of formation, establishment, and the main trends in the further evolution of its art become the subject of research by many art historians, who, through the use of their topical articles and speeches, have made conditions for the further improvement of art studies in Kazakhstan.Currently, the Republic of Kazakhstan is on the way of radical changes in its political, economic and cultural system, which became possible with the acquisition of Kazakhstan’s status as a sovereign state.Scientists of Kazakhstan — historians, ethnographers, culturologists, art experts of the 20th—21st centuries — conducted comprehensive studies of the history, culture and art of the Kazakh people. Special attention was paid to description of the traditional types of applied art (felting, weaving, embroidery), as well as the work of master jewelers.While the traditional types of applied art have been widely described and studied by art historians in ethno-cultural aspects, the professional jewelry art of Kazakhstan, the work of modern national masters are still insufficiently investigated, including the issues of archaic and traditional forms interpretation in today’s jewelry art.Contemporary jewelry artists working in the most topical forms keep the Kazakh traditions of jewelry craftsmanship: they use generally accepted techniques of metal processing in their works, creatively interpret traditional forms.The active use of the established techniques by mo­dern masters is complemented by the latest technology.The artistic features of modern jewelry are based on the author’s interpretation of forms and techniques of traditional jewelry art; there is a kind of synthesis: a mixture of traditions of the Kazakh craft, techniques of folk applied art, and current artistic trends.
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Brandão, Marilda Helena Toledo, and Bernardo Gontijo. "Contact sensitivity to metals (chromium, cobalt and nickel) in childhood." Anais Brasileiros de Dermatologia 87, no. 2 (April 2012): 269–76. http://dx.doi.org/10.1590/s0365-05962012000200012.

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Metals, especially nickel, are the most common contact allergens in children. Recent data has shown increased incidence of allergy in industrialized countries. Sensitization can occur at any age, even in neonates. Costume jewelry, particularly earrings, is linked to increased sensitization to nickel. Sensitization to cobalt often occurs by the use of costume jewelry. The most common source of sensitization to chromium is leather. Due to the absence of a specific therapy, the main treatment is to identify and avoid the responsible allergens. This article presents an updated view on the epidemiological and clinical aspects of contact allergy to metals, focusing on prevention strategies and risk factors, and warns about possible and new sources of contact.
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Belov, S. V. "About the monograph “Collection and jewelry cassiterite”." Proceedings of higher educational establishments. Geology and Exploration, no. 3 (February 28, 2021): 92–96. http://dx.doi.org/10.32454/0016-7762-2020-63-3-92-96.

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Specialists of the Sergo Ordzhonikidze Russian State University for Geological Prospecting (MGRI), which had been training gemologists for many years, conducted an interesting and substantial study devoted to a non-traditional use of cassiterite, a mineral known to man for millennia. The monograph2 under review discusses various aspects of the use of cassiterite, as well as its accompanying minerals, for producing jewelry, collection and ornamental materials. Given the increasing popularity of natural minerals in recent decades, there is a growth of interest among collectors and manufacturers in non-traditional semi-precious stone raw materials and their use in the jewelry industry. The world trade in this area is significant and continues to demonstrate an increasing trend. In this regard, the work of D.A. Petrochenkov devoted to jewelry and ornamental cassiterites seems to be highly relevant. For the first time in world practice, the monograph comprehensively covers questions concerning cassiterite and its application, thus contributing to popularization of cassiterite jewelry and craftsmanship and laying the foundation for a new direction in the semi-precious stone industry. The author of the monograph critically reviewed the results of previous studies on the mineral and chemical composition of cassiterite and added an extensive set of his own analytical methods. The gemological and technological characteristics of cassiterite minerals were given, along with recommendations on their rational search, use and quality improvement. In term of ecological parameters, it was shown that the content of carcinogenic and radioactive elements in jewelry cassiterites does not exceed the background values. The market conditions were described, and recommendations on the organization of mining and geological work in this sphere were presented.
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Aripdjanov, Otabek. "ARTISTIC FEATURES AND SYMBOLISM OF IMAGES IN THE BONE CARVING OF KUSHAN BACTRIA." JOURNAL OF LOOK TO THE PAST 3, no. 3 (March 30, 2020): 4–10. http://dx.doi.org/10.26739/2181-9599-2020-3-1.

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In this scientific article, on the basis of various everyday objects, historical and artistic significance of jewelry, analysis of their decorative design, description of or namentand artistic images, image symbols, the peculiar aspects of Bactrian bone carving art,its connection with Indian, Greco-Roman and nomadic cultures are identified, and also their mutual influence
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Koch, Jerome R., Alden E. Roberts, Myrna L. Armstrong, and Donna C. Owen. "Religious Belief and Practice in Attitudes toward Individuals with Body Piercing." Psychological Reports 95, no. 2 (October 2004): 583–86. http://dx.doi.org/10.2466/pr0.95.2.583-586.

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Some research suggests adorning the body with tattoos or piercing jewelry is normative. Survey data were gathered from 450 undergraduates (72% female; 80% Euro-American; 63% freshmen and sophomores). Correlations between an index of respondents' religious belief and practice and their attitudes toward individuals who had more body piercings were weak if piercings were 7 or more, including piercings of the nipples and genitals. As religiosity is a carrier of normative behavior, individuals who have body piercings may be viewed as behaving within cultural norms.
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Pham, Thao Thi Ngoc. "Lotus symbol in jewelry art of Oc Eo culture." Science and Technology Development Journal 19, no. 4 (December 31, 2016): 155–65. http://dx.doi.org/10.32508/stdj.v19i4.721.

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Gold plaques are the most special artifacts from Oc Eo culture because of their huge quantities& their appearances in many places of Southern Viet Nam. They were made for religious purpose. Most of them were buried under the temple centre during construction. These gold plaques were contributed by one or more prayers who believed the gold would stay with God forever. The prayers also believed that they would have good fortune after offering gold plaques to God. The Oc Eo gold plaque technique was imported from the neighbouring cultures such as India or Java. Lotus is one of the symbols which is usually found on these artifacts. They call Lotus the God Flower because it has quality good enough for praying. The finding of a lot of gold plaques strongly demonstrates that a powerful Kingdom of Funan did exist in the South of Viet Nam.
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Wannarumon, Somlak, Erik L. J. Bohez, and Kittinan Annanon. "Aesthetic evolutionary algorithm for fractal-based user-centered jewelry design." Artificial Intelligence for Engineering Design, Analysis and Manufacturing 22, no. 1 (December 12, 2007): 19–39. http://dx.doi.org/10.1017/s0890060408000024.

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AbstractThis paper proposes an aesthetic-driven evolutionary algorithm for user-centered design. The evolutionary algorithm is based on a genetic algorithm (GA). It is developed to work as an art form generator that enhances user's productivity and creativity through reproduction, evaluation, and selection. Users can input their preferences and guide the generating direction to the system. A two-step fitness function is developed to evaluate morphology and aesthetics of the generated art forms. Fractals created by an iterated function system are used for representing art forms in our process. Algorithmic aesthetics are developed based on the aesthetic measure theory, surveys of human preferences, and popular long-lasting symbols. The algorithmic aesthetics is used for evaluating aesthetics of art forms together with subjective nonquantifiable aspects, and placed in the fitness function. The GA basically creates two-dimensional art forms. However, any two-dimensional image can be included through the property of a condensation set of fractals. The proposed GA can increase design productivity by about 80%. Examples of jewelry designs and physical prototypes created by the proposed system are included.
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Frantz, Thomas T., Barbara C. Trolley, and Michael P. Johll. "Religious aspects of bereavement." Pastoral Psychology 44, no. 3 (January 1996): 151–63. http://dx.doi.org/10.1007/bf02251401.

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Christopher, Elphis. "Religious aspects of contraception." Reviews in Gynaecological and Perinatal Practice 6, no. 3-4 (September 2006): 192–98. http://dx.doi.org/10.1016/j.rigapp.2006.05.003.

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Laycock, Joseph. "Religious Aspects of Pseudoarchaeology." Nova Religio 22, no. 4 (May 1, 2019): 89–95. http://dx.doi.org/10.1525/nr.2019.22.4.89.

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While pseudoarchaeology often presents claims in a scientific register, it favors fantastic or romantic theories of the past over the findings of professionalized archaeology. As archaeologists have attempted to interpret pseudoarchaeology, it has been implied that it often resembles religion more than science, both in terms of its epistemology and the types of worldviews it is deployed to legitimate. This article synthesizes the work of the authors in this special issue of Nova Religio to further articulate these “religious” aspects of pseudoarchaeology.
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Mauro, Mario. "Religious Aspects of Politics." European View 11, no. 2 (December 2012): 157–61. http://dx.doi.org/10.1007/s12290-012-0239-x.

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Sultanova, F. "RELIGIOUS TOLERANCE: SOCIOLOGICAL ASPECTS." BULLETIN Series of Sociological and Political sciences 73, no. 1 (December 30, 2020): 128–32. http://dx.doi.org/10.51889/2021-1.1728-8940.20.

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The article deals with the issues of religious tolerance in modern society. The Republic of Kazakhstan represents multiethnic, polyconfessional, polycultural society. In this regard huge attention is paid to the general ideas of equivalence of all people. At the global level, a number of specially designed documents and regulations have been developed and adopted. Emergence of religious tolerance logically intertwines with such concepts as free-thinking, toleration, laicisation. Experience of our country shows that various religions and faiths can be quite compatible, coexist peacefully and effectively.
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Pendergast, David M., and Grant D. Jones. "Poor Beds of Sticks and Rings of Pure Gold." Ancient Mesoamerica 3, no. 2 (1992): 281–90. http://dx.doi.org/10.1017/s0956536100000705.

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AbstractThe Canek Manuscript offers an unusual opportunity for examination of the material culture of the Itza Maya of the seventeenth century. The document contains information about beds, canoes, musical instruments, royal jewelry and clothing, buildings, and religious objects. We interpret the textual information in terms of its reflection in the archaeological record and in ethnohistoric and ethnographic sources.
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Sheginsky, O. V. "Investigation of the quality indicators formation of the range of religious content jewelry articles." Herald of Lviv University of Trade and Economics. Technical sciences, no. 21 (2018): 48–52. http://dx.doi.org/10.36477/2522-1221-2018-21-07.

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Mitrofanova, Anastasia. "Religious Aspects of International Terrorism." Serbian Political Thought 4, no. 2 (2011): 49–61. http://dx.doi.org/10.22182/spt.422011.2.

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Bruzzone, P. "Religious Aspects of Organ Transplantation." Transplantation Proceedings 40, no. 4 (May 2008): 1064–67. http://dx.doi.org/10.1016/j.transproceed.2008.03.049.

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Jahoda, Gustav, and Pascal Boyer. "Cognitive Aspects of Religious Symbolism." Man 29, no. 3 (September 1994): 759. http://dx.doi.org/10.2307/2804404.

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Wentworth, William M., and Pascal Boyer. "Cognitive Aspects of Religious Symbolism." Journal for the Scientific Study of Religion 33, no. 1 (March 1994): 82. http://dx.doi.org/10.2307/1386640.

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Smythe, Dion. "The euthanasia debate: religious aspects." International Journal of Palliative Nursing 10, no. 7 (July 2004): 366. http://dx.doi.org/10.12968/ijpn.2004.10.7.14582.

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Reclaru, Lucien, Lavinia Cosmina Ardelean, Catalin Adrian Miu, and Alexandru Florian Grecu. "Are Zirconia Bioceramics and Ceramics Intended to Come in Contact with Skin Inert?" Materials 13, no. 7 (April 5, 2020): 1697. http://dx.doi.org/10.3390/ma13071697.

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Generally speaking, ceramic materials are insensitive to corrosion, compared to most other materials. The present study questions the fact that ceramics are inert. Two major aspects are to be considered: the stability of zirconia over time, the stable tetragonal phase transforming into an unstable monoclinic form; the multitude of manufacturing methods, using various additives, sintering additives, oxides mixing, impurities, grain boundaries, and porosities which strongly influence the corrosion behavior and chemical degradation. In case of the investigated ceramics two paths were pursued:a) Dissolutions of ceramics in a mixture of HNO3 60% and HF 40% ultrapure medium.b) Release of cations from ceramics in various mediums:dental bioceramics in a 0.07 M HCl medium and a 0.1% NaF+0.1% KF medium; ceramics used in jewelry and watchmaking applications in a HCl 0.07 M medium and an artificial sweat medium. By inductively coupled plasma-optical emission spectrometry/mass spectrometry (ICP-OES/MS), traces of significant chemical elements were assessed: Hf, Cr, Y, As, Pb, Al, Fe, Cu, Se, Sb, La, Ni, Co, Sb, Ta, Te, Ba, Sm, Nb, Hg, Cd, Sr, As and Se. In ceramics used in jewelry and watchmaking applications the concentrations found vary from one ceramic to another, including toxic elements such as Te, Ba, As, Pb, Sm, Hg and Cd, therefore being technical zirconia ceramics which are not intended for the medical field. For ceramics used in jewelry and watchmaking applications a screening identification test for Ni, Co, Cu and Fe with strips of type Merckoquant® (Merck, Kenilworth, NJ, USA) was also performed. The obtained data prove that the zirconia ceramics in question are far from being “inert”.
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Susetio, Agustinus Toko, and Jalal Jalal. "KALA PENGEMBANGAN MASYARAKAT MENJADI PENGEMBANGAN BISNIS : CREATING SHARED VALUE ANTARA ANTAM DENGAN PERAJIN DAN PEDAGANG PERHIASAN EMAS DAN PERAK DI BALI." Prosiding Temu Profesi Tahunan PERHAPI 1, no. 1 (March 29, 2020): 431–40. http://dx.doi.org/10.36986/ptptp.v1i1.86.

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ABSTRAK ANTAM adalah perusahaan pertambangan yang memiliki praktik pengelolaan sosial dan lingkungan yang telah sesuai bahkan melampaui ketentuan hukum di Indonesia dan standar internasional. Oleh karena itu, ketika terdapat kebutuhan dari para perajin dan pedagang perhiasan di Indonesia untuk bisa menembus pasar internasional yang semakin memerhatikan keberlanjutan, ANTAM ada dalam posisi sebagai mitra pemasok bahan baku yang dipersyaratkan. ANTAM bukan semata-mata melakukan penjualan kepada mereka, melainkan juga berkontribusi dalam memberikan pengetahuan, keterampilan, dan akses yang dibutuhkan para perajin dan pedagang itu. Dalam bisnis perhiasan, konsep green business dapat dilihat dengan adanya Responsible Jewelry Council (RJC) dan Fairtrade International yang merupakan organisasi international yang memiliki kepedulian dalam mempromosikan praktik industri perhiasan yang sesuai dengan seluruh aspek tanggung jawab sosial untuk mencapai keberlanjutan. Kedua organisasi tersebut adalah anggota dari ISEAL (International Social and Environmental Accreditation and Labelling). RJC memiliki 500+ anggota yang melakukan kegiatan penambangan, pengolahan dan pemurnian, pembuatan perhiasan, sampai dengan pelaku usaha penjualan perhiasan. RJC Code of Practice mencakup di antaranya standar hak asasi manusia, hak pekerja, dampak lingkungan, publikasi atau penjelasan tentang produk dan beberapa topik lainnya yang dimutakhirkan terakhir pada tahun 2013 yang di antaranya mengacu pada UN Guiding Principles on Businesses and Human Rights yang dikeluarkan oleh PBB dan memasukkan ketentuan mengenai sumber bahan baku yang bebas konflik. Sertifikasi RJC juga membantu perusahaan dalam kemamputelusuran suatu produk, uji kelayakan rantai pasokan, dan penggunaan standar tersebut terus meningkat. Fairtrade International juga bergerak dalam bidang yang sama, namun lebih fokus pada tambang rakyat dan komunitasnya. ISEAL mendukung para penambang untuk meningkatkan hubungan jangka panjang dan adil untuk memastikan bahwa pertambangan dapat menekan angka kemiskinan dan mendukung terwujudnya pembangunan berkelanjutan. ANTAM membantu para perajin dan pedagang perhiasan untuk dapat memenuhi standar internasional itu, selain menjadi pemasok bahan bakunya. Penjualan ANTAM meningkat seiring dengan semakin banyaknya perajin dan pedagang yang bisa memenuhi standar internasional. Kasus kolaborasi antara ANTAM dengan para perajin dan pedagang perhiasan di Bali yang dipaparkan menunjukkan bahwa gagasan Porter dan Cramer (2011) tentang creating shared value (CSV) bisa dilaksanakan oleh industri pertambangan, dengan menggabungkan pengembangan masyarakat (community development) dan pengembangan bisnis (business development). ABSTRACT ANTAM is a mining company that has social and environmental management practices that comply with and even exceed Indonesian legal requirements as well as meet international standards. Therefore, when there is a need from crafters and jewelry traders in Indonesia to be able to penetrate the international market which is increasingly concerned about sustainability, ANTAM is in a position as a supplier of required raw materials. In the jewelry business, the concept of green business can be seen with the Responsible Jewelry Council (RJC) and Fairtrade International, which is an international organization that has a concern in promoting the practice of the jewelry industry in accordance with all aspects of social responsibility to achieve sustainability. Both organizations are members of ISEAL (International Social and Environmental Accreditation and Labeling). RJC has 500+ members who carry out mining, processing and refining activities, jewelry making, to business people selling jewelry. The RJC Code of Practice includes human rights standards, workers' rights, environmental impacts, publications or explanations about products and several other topics, most recently updated in 2013, among which refer to the UN Guiding Principles on Businesses and Human Rights issued by the United Nations and include provisions regarding conflict-free sources of raw materials. RJC certification also helps companies in product traceability, supply chain feasibility testing, and the use of these standards continues to increase. Fairtrade International is also engaged in the same field, but is more focused on the mining of the people and their communities. ISEAL supports miners to improve long-term and equitable relations to ensure that mining can reduce poverty and support sustainable development. ANTAM is helping crafters and jewelry traders to be able to meet these international standards, in addition to being a supplier of raw materials. ANTAM's sales have increased along with the increasing number of craftsmen and traders who can meet international standards. The case of collaboration between ANTAM and crafters and jewelers in Bali presented shows that the idea of Porter and Cramer (2011) about creating shared value (CSV) could be implemented by the mining industry, by way of combining community development and business development.
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32

Natal'ya, Ovechkina. "Ethnic and religious aspects of development." Ideas and Ideals 2, no. 4 (December 21, 2015): 107–16. http://dx.doi.org/10.17212/2075-0862-2015-4.2-107-116.

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U.T., Alzhanbaeva, and Zairova N.Sh. "The religious aspects of Turkic dastans." Journal of Oriental Studies 79, no. 4 (2016): 128–33. http://dx.doi.org/10.26577/jos-2016-4-898.

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Schwarz, Silke. "Religious aspects in psychiatry and psychotherapy." International Journal of Human Rights in Healthcare 11, no. 2 (May 14, 2018): 109–15. http://dx.doi.org/10.1108/ijhrh-07-2017-0031.

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Purpose The purpose of this paper is to explore the role of religion in psychiatry and psychotherapy and it introduces a context-oriented approach to religion. Design/methodology/approach The paper opted for a selective literature review to highlight significant issues with regard to mainstream psychology. Findings It provides a short summary on the historical neglect and exclusion from clinical practice and shows how religion was integrated into the mainstream of psychotherapy and psychiatry. A quantitative and universalistic approach to religion is dominant. The widespread approach to religious coping by Pargament is presented as well as related findings with regard to religion and mental health. Research limitations/implications The paper includes implications for the development of a context-oriented inclusion of religion and encourages for associated empirical research. Originality/value With a critical inclusion of contexts, professionals may stay alerted to the issue that health and disorders are not ontological facts but contain moral codes of a current society. It takes the social context and unequal power relations as the starting point for a partisan cooperation with the affected persons.
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Kamolova, Kimyohon. "SECULAR AND RELIGIOUS ASPECTS OF FAITH." Theoretical & Applied Science 40, no. 08 (August 30, 2016): 40–42. http://dx.doi.org/10.15863/tas.2016.08.40.9.

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Cornille, C. (Catherine). "Double Religious Belonging: Aspects and Questions." Buddhist-Christian Studies 23, no. 1 (2003): 43–49. http://dx.doi.org/10.1353/bcs.2003.0007.

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Bartunek, Jean M., N. J. Demerath III, Peter D. Hall, Terry Schmitt, and Rhys H. Williams. "Sacred Companies: Organizational Aspects of Religion and Religious Aspects of Organizations." Administrative Science Quarterly 44, no. 3 (September 1999): 629. http://dx.doi.org/10.2307/2666970.

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Weston, Beau, N. J. Demerath, Peter Dobkin Hall, Terry Schmitt, and Rhys H. Williams. "Sacred Companies: Organizational Aspects of Religion and Religious Aspects of Organizations." Sociology of Religion 61, no. 2 (2000): 234. http://dx.doi.org/10.2307/3712290.

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Kniss, Fred, N. J. Demerath III, Peter Dobkin Hall, Terry Schmitt, and Rhys H. Williams. "Sacred Companies: Organizational Aspects of Religion and Religious Aspects of Organizations." Social Forces 78, no. 1 (September 1999): 397. http://dx.doi.org/10.2307/3005819.

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Dryakhlov, Vladimir, and Vladimir Kulakov. "The Amulets of German Merovingian Aristocracy." Archaeologia Lituana 19 (December 20, 2018): 207–17. http://dx.doi.org/10.15388/archlit.2018.19.12.

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[full article, abstract in English; abstract in Lithuanian] The amulets referred to in this paper were found mainly in the eastern part of the Frankish tribal lands. There, in the Rhineland, Christianity did not hold as much ground in the 6th and 7th centuries as during later periods. Therefore, members of the Frankish aristocracy (a clear indication of the social strata the owners of the jewelry belonged to are the materials, i.e., precious metals, that the pieces were made of) preferred to rely on tried and tested amulets based on the native religious conventions rather than on Christian imagery (e.g., baptismal crosses).
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Boyer, Pascal. "Cognitive aspects of religious ontologies: how brain processes constrain religious concepts." Scripta Instituti Donneriani Aboensis 17, no. 1 (January 1, 1999): 53–72. http://dx.doi.org/10.30674/scripta.67243.

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A cognitive study of religion shares some of its concerns with traditional approaches in cultural anthropology or the history of religion: It aims to explain why and how humans in most cultural groups develop religious ideas and practices, and why these have recurrentand enduring features. By contrast with other approaches, however, a cognitive approach centres on one particular set of factors that influence the emergence and development of religion. The human mind is a complex set of functional capacities that were shaped by natural selection and evolved, not necessarily to build a coherent or true picture of the world and certainly not to answer metaphysical questions, but to solve a series of specific problems to do with survival and reproduction. A crucial aspect of this natural mental make-up is that humans, more than any other species, can acquire vast amounts of information through communication with other members of the species. A cognitive study takes religion as a set of cultural representations, which are acquired by individual minds, stored and communicated to others. In this paper the author presents some general features of the cognitive study of religious concepts, and then presents in detail a framework that emphasizes the role of universal cognitive constraints on the acquisition and representation of religious ontologies, and presents anthropological and cognitive data that supports the model.
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Kosiewicz, Jerzy. "Scientific Tourism, Aspects, Religious and Ethics Values." Physical Culture and Sport. Studies and Research 62, no. 1 (June 1, 2014): 83–93. http://dx.doi.org/10.2478/pcssr-2014-0014.

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Abstract The presented paper focuses primarily on the tourism activities of teaching staff at universities and other research institutions. This applies in particular to travel during which the principal purpose is, inter alia, various exploratory internships, conferences, trips as a guest professor or a visiting professor under the auspices of the Erasmus and Erasmus Mundus programs. These peregrinations require extra effort, not only with regards to teaching and research duties, but also present opportunities to confront, test and evaluate one’s own research results and outlook with new listeners in new locations in different environments. This travel especially applies to the foreign environment, a situation that presents high degrees of professional, scientific and linguistic challenges, resulting in increased contributions and activity to the specific field of science. Regardless of the workload and the difficulties of the discussed travel, such travel can also bring about much personal satisfaction: a) due to a sense of a well done job as a result of meeting expectations of the employer and the host placed on the 'messenger of science' and b) due to the pleasure associated with those tourist experiences having autotelic and pragmatic (instrumental) overtones
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Steinberg, StevenM. "Cultural and religious aspects of palliative care." International Journal of Critical Illness and Injury Science 1, no. 2 (2011): 154. http://dx.doi.org/10.4103/2229-5151.84804.

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Moncher, Frank J., and Allan M. Josephson. "Religious and spiritual aspects of family assessment." Child and Adolescent Psychiatric Clinics of North America 13, no. 1 (January 2004): 49–70. http://dx.doi.org/10.1016/s1056-4993(03)00092-0.

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Forsythe, Elizabeth. "Religious and Cultural Aspects of Family Planning." Journal of the Royal Society of Medicine 84, no. 3 (March 1991): 177–78. http://dx.doi.org/10.1177/014107689108400326.

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Piven, Sviatoslav. "Religious Aspects of the Contemporary Fantasy Fiction." NaUKMA Research Papers. Literary Studies 1 (December 26, 2018): 114–20. http://dx.doi.org/10.18523/2618-0537.2018.114-120.

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Braukamper, Ulrich. "Aspects of Religious Syncretism in Southern Ethiopia." Journal of Religion in Africa 22, no. 3 (August 1992): 194. http://dx.doi.org/10.2307/1580916.

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EDWARDS, DAVID W. "RELIGIOUS ASPECTS OF MONUMENTAL PROPAGANDA IN 1918*." Canadian-American Slavic Studies 26, no. 4 (1992): 29–62. http://dx.doi.org/10.1163/221023992x00037.

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BRAUKÄMPER, Ulrich. "Aspects of Religious Syncretism in Southern Ethiopia." Journal of Religion in Africa 22, no. 3 (1992): 194–207. http://dx.doi.org/10.1163/157006692x00130.

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Gorsuch, Richard L. "Religious Aspects of Substance Abuse and Recovery." Journal of Social Issues 51, no. 2 (July 1995): 65–83. http://dx.doi.org/10.1111/j.1540-4560.1995.tb01324.x.

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