Relevant bibliographies by topics / Religious aspects of Soap operas

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Academic literature on the topic 'Religious aspects of Soap operas'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Religious aspects of Soap operas"

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Myutel, Maria. "Commercial Television in Indonesia." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 175, no. 2-3 (2019): 155–76. http://dx.doi.org/10.1163/22134379-17502017.

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Abstract This article sheds light on previously unknown aspects of Indonesian private television by focusing on the role of the ethno-religious minority of Indonesian Sindhi in the establishment and development of commercial soap opera production. Part of the global trading community of Sindhayat, the local Sindhis have mobilized their translocal and transnational networks to take a dominant position in the emerging sector of national media. Grounded in long-term ethnographic fieldwork among media practitioners and Indonesian Sindhi community members, the article examines how Sindhis’ sense of
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Rustandi, Ridwan, and Khoiruddin Muchtar. "EFFECTS OF EXPOSURE TO MASS MEDIA MESSAGES ON TEENAGE VEILED PERCEPTIONS." INJECT (Interdisciplinary Journal of Communication) 4, no. 2 (2020): 153–74. http://dx.doi.org/10.18326/inject.v4i2.153-174.

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The purpose of this study was to determine the impact on the soap opera Aisyah Putri that aired on the private television station RCTI. This study uses a qualitative approach by relying on George Gebner's theory of states that television shows affect the audience. Data collection techniques through observation and interviews are three main aspects, namely cognitive, affective and conative, related to the effects of exposure to mass media messages. Female students of Al-Biruni High School in Bandung consisting of classes X, XI, and XII. The results of the study showed that the process of percep
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Fianto, Latif, and Fathul Qorib. "Komodifikasi Agama dan Kepentingan Ekonomi Politik Media dalam Sinetron Para Pencari Tuhan." Jurnal Komunikasi Nusantara 4, no. 1 (2022): 140–48. http://dx.doi.org/10.33366/jkn.v4i1.148.

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Commodification is a process of transforming use value into exchange value. The soap opera The Search for God Volume 12 is the result of efforts to change the use value of religiosity into an exchange rate that can bring financial benefits. This study uses a critical perspective with an approach to the theory of media political economy. The concept of commodification of content offered by Mosco become the scalpel of this study. The data of this study is obtained from the main data source, namely the soap opera series of God Seekers Volume 12 which aired on SCTV. As for secondary data obtained
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Habibi, Azwar. "PENERAPAN MODEL LOG LINIER TERHADAP PERSEPSI MAHASISWA PADA SINETRON RELIGIUS." Fraction: Jurnal Teori dan Terapan Matematika 3, no. 2 (2023): 53–62. http://dx.doi.org/10.33019/fraction.v3i2.46.

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The purpose of this study is to find out which variables in the cell cause the contingency to be dependent in the case of student perceptions in religious soap operas. The data taken from this study are the results of a survey of IAIN Madura students with the variables having experienced events, gender and deepening religious knowledge. The data analysis method used is Linear Log Model. The conclusions in this study are as follows based on the estimated parameter values ​​presented in the table above, it can be seen that male and female IAIN MADURA students believe that religious soap operas c
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Collins Wagumba and Dr Kamau Mwangi. "Re-Visiting TV Soap Opera Viewership in a Changing Broadcasting Dispensation in Nairobi." Kabarak Journal of Research & Innovation 11, no. 3 (2021): 221–28. http://dx.doi.org/10.58216/kjri.v11i3.73.

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This study rekindles the soap opera audience viewing debate in a digital broadcast environment within the Kenyan television programming context. In a mixed-method approach,415 participants were interviewed on their preferences of 21 regularly scheduled soap operas in 5 leading Free to air TV stations in Kenya, In addition, 57 participants were purposively identified for FGDs. The study employed the uses and gratification framework. The findings are that even with a new broadcast dispensation and a myriad of programming, the selection and viewing of soap operas are still paramount. The viewers
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Nazaruddin, Muzayin. "Representing Islam: old myths in the new medium." Asian Journal of Media and Communication 2, no. 2 (2019): 19–27. http://dx.doi.org/10.20885/asjmc.vol2.iss2.art4.

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This study focuses on the adaptation of Islamic-mystic magazines into religious soap operas in Indonesia. This study concludes that for the producers, Islamic soap opera plays an economic function: to get more audiences and more economic profit. But, for the audience, religious soap opera plays a cultural function: to maintain and reconfirm their traditional beliefs. It leads us to the theoretical conclusion that this adaptation practice is a mechanism of self-translation of Javanese culture.
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Rohimi, Primi. "REPRESENTASI HADIS DALAM SINETRON INDONESIA." Riwayah : Jurnal Studi Hadis 4, no. 2 (2018): 387. http://dx.doi.org/10.21043/riwayah.v4i2.4516.

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<p class="06IsiAbstrak">The aim of this study is to show how the hadith is represented in <em>sinetron</em> (soap operas). What is the meaning behind the representation. It is motivated by the existence of pros and cons of the use of hadith in <em>sinetron</em>. Some soap operas are claimed to be preaching media to display hadiths in various ways. This study uses a semiotic method that can show how the hadith is displayed in <em>sinetron</em>. This method can also capture the meaning behind the appearance of the hadith. The result is as a consequence o
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Tager, Michele. "Soap opera viewing in a communal context." Communicare: Journal for Communication Studies in Africa 23, no. 2 (2022): 1–20. http://dx.doi.org/10.36615/jcsa.v23i2.1757.

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This paper presents some of the findings of an ethnographic audience study of the soapopera viewing patterns and interpretations of Zulu-speaking students living in residencesat a South African university (Natal University’s Durban campus) who watch The Boldand the Beautiful (an American soap opera) and Generations (a South African soapopera). Although the research undertaken covered various aspects of the soap operaviewing experience and the consumption of an international vs a local soap opera, thispaper will focus specifically on the nature of the viewing process and the ways in whichthe re
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Yazofa, Tartila. "Riset Hadis Berbasis Multimedia." SHAHIH (Jurnal Kewahyuan Islam) 6, no. 1 (2023): 115. http://dx.doi.org/10.51900/shh.v6i1.19373.

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<p>This research discusses multimedia-based hadith research in the reception study of living hadith studies in the form of film media. Muslim individuals in the current era are increasingly exploring religious teachings through social media, especially on YouTube. This phenomenon makes contemporary Muslim scholars convey religious teachings more in the form of video lectures and even package them more interestingly in the form of films that contain Islamic teaching values. Mapping multimedia-based hadith research, one of which focuses on the soap opera "Taqdir Divine Test from Allah" whi
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van Vuuren, Kitty, Susan Ward, and Rebecca Coyle. "Revisiting the Greening of Prime-Time Television Soap Operas." Media International Australia 146, no. 1 (2013): 35–47. http://dx.doi.org/10.1177/1329878x1314600107.

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In 1990, Christopher Rissel and William Douglas commenced a study of the depiction of environmental issues and behaviours on Australian prime-time television drama series. Their findings were discussed in an issue of Media International Australia in 1993. This article reports on a 2011–12 study that replicated key aspects of Rissel and Douglas's research. A collaborative research team focused on two long-running and high-rating Australian soap operas – Neighbours and Home and Away – recorded from June to August 2011. Using content analysis, the researchers investigated the frequency, attitudes
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Dissertations / Theses on the topic "Religious aspects of Soap operas"

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Moodley, Prevan. "An exploration of the psychological significance of soap opera viewing." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002532.

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In traditional research approaches, soap opera viewing has been studied quantitatively. Such studies ignore the subjectivities, the sociocultural contexts, and life contexts of individual viewers. To account for such shortcomings and to offer a qualitative research approach, an investigation was conducted into the engagement that viewers have with a particular soap opera, The bold and the beautiful. The collective case study research method was used. Three subjects were interviewed using in-depth phenomenological interviewing and the data obtained was subjected to.a hermeneutic method of inves
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Deiner, Catherine Anne. ""Soap operas as a platform for disseminating health information regarding ART and the use of 'reel' versus 'real' role models"." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017783.

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The media, through development communication and edutainment, plays a critical role in the transformation of societies. In line with this, this thesis discusses the extent to which commercially driven prosocial soap operas can provide a platform for public health messaging, in the context of the HIV/AIDS epidemic in South Africa, for antiretroviral treatment (ART) and for encouraging ART adherence to foster national development. Furthermore, this thesis examined the potential of celebrities as HIV/AIDS ambassadors and the potential of both fictional characters and ‘real-life’ celebrities to di
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Livingstone, Sonia M. "Social knowledge and programme structure in representations of television characters." Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:2adf1878-f117-4c32-870c-9d0ec539bb11.

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It was argued that the social psychology of person perception, mass communications and cultural studies can be related to viewers' representations of television characters. Mass communications needs to incorporate viewers' interpretations and programme structure. Social cognition could satisfy the former need and cultural studies the latter. A literature review showed little research on viewers' interpretations of television programmes. There is a considerable body of research on person perception, gender stereotypes, the effects of viewing and programme structure. A study of viewers' accounts
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Winter, Jenelle Gay. "Adolescents and Sex on the Soaps: A Content Analysis." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5211.

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This study updates prior examinations of sexual content on daytime soap operas by investigating verbal references, implied sexual acts and mentions of sexually transmitted diseases. In addition, it extends earlier work by analyzing the commitment level and age of those involved in the sexual content. Finally, this study will attempt to obtain a clear picture of what adolescents perceive while viewing these shows. This was investigated by conducting adolescent and adult focus groups to see how they talk about soap operas. Also, comparisons were made of adult and adolescent coding of the sexual
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Jiwaji, Aamera Hamzaali. "Negotiating the global : how young women in Nairobi shape their local identities in response to aspects of the mexican telenovela, Cuando seas mia." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1013364.

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Latin American telenovelas have been exported to more than a hundred countries across the globe. While they are popular in their country of production because their messages resonate with their audience’s everyday experiences, their popularity amongst global audiences with whom they share neither a social nor a cultural history is unexplained. Kenya has been importing and airing Latin American telenovelas since the early 1990s, and telenovelas have permeated many aspects of Kenyan daily life, when compared to other foreign globally-distributed media products that are aired on Kenyan television
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Piqueira, Mauricio Tintori. "Representações das relações entre classes sociais em duas novelas brasileiras: Cheias de Charme e Avenida Brasil." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20513.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-10-19T12:01:31Z No. of bitstreams: 1 Mauricio Tintori Piqueira.pdf: 1593773 bytes, checksum: 83107463fd90dbd80926c873c0f92b01 (MD5)<br>Made available in DSpace on 2017-10-19T12:01:31Z (GMT). No. of bitstreams: 1 Mauricio Tintori Piqueira.pdf: 1593773 bytes, checksum: 83107463fd90dbd80926c873c0f92b01 (MD5) Previous issue date: 2017-09-25<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This doctoral thesis aims to analyze the ‘soap operas’ Cheias de Charme and Avenida Brasil, transmitted throughout Brazil i
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Borges, Jorge. "Telenovelas brasileiras entre tradição e pós-modernidade ˸ um estudo do papel das beatas." Thesis, Paris 3, 2019. http://bibnum.univ-paris3.fr/webclient/DeliveryManager?pid=323343.

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Cette recherche est née de l'observation de la télénovela brésilienne en tant que produit mainstream aux caractéristiques tellement sui generis. L'immersion dans un récit, quotidienne et sur une période d'environ huit mois, plonge le public dans cet environnement fictif et permet d'atteindre un objectif qui va bien au-delà du divertissement. La télénovela se manifeste par la nécessité d'être un reflet constant de la société, dans laquelle elle aussi finit par se refléter. Si sa valeur artistique est remise en question, son pouvoir d'influence est incontestable. Conscients de ce pouvoir de pers
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Knoetze, Hannelie Marx. "South African and Flemish soap opera." Thesis, 2015. http://hdl.handle.net/10500/20309.

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The main goal of this thesis was an investigation into the ways in which whiteness is constructed and positioned in the South African soap opera, 7de Laan, and the Flemish soap opera, Thuis, with the emphasis on the possible implications of these constructions for local as well as global discourses on whiteness in the media. In conjunction with the above, this thesis endeavoured to answer a number of subquestions relating to the origin and history of the construct of “whiteness” and Critical Whiteness Studies (CWS) as a theoretical approach and its relevance in the South African and Flemish c
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McEwen, Melissa. "Hyperreal Australia : the construction of Australia in Neighbours and Home & Away." Thesis, 2001. http://hdl.handle.net/1885/146063.

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Tager, Michele. "The Bold and the Beautiful and Generations : a comparative ethnographic audience study of Zulu-speaking students living in residences on the University of Natal's Durban campus." Thesis, 2002. http://hdl.handle.net/10413/3839.

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This thesis is an ethnographic study of the soap opera viewing patterns and interpretations of Zulu-speaking students living in residences on the Natal University's Durban campus who watch The Bold and the Beautiful (an American soap opera) and Generations (a South African soap opera). It presents an analysis of how the viewing practices of the students compare with the findings of soap opera audience studies conducted abroad. The students' motivations and reasons for watching both soap operas are investigated. The reason for choosing black students as subjects is that I wanted to determine ho
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Books on the topic "Religious aspects of Soap operas"

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Network, Asian Muslim Action, ed. Imaging Muslim women in Indonesian Ramadan soap operas. Asian Muslim Action Network, 2009.

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Roberta Manuela Barros de Andrade. O fascínio de Scherazade: Os usos sociais da telenovela. Annablume, 2003.

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Cristina, Peñamarín, and López Díez Pilar, eds. Los Melodramas televisivos y la cultura sentimental. Comunidad de Madrid, Dirección General de la Mujer, 1995.

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Vicencio, González-Azuaje, and Padrón Leonardo 1959-, eds. Y Latinoamérica inventó la telenovela. Alfadil Ediciones, 2002.

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Cuéllar, Karla Yolanda Covarrubias. Córrele que ya empezó-- !: Lo que hace la familia Velázquez cuando se involucra con las telenovelas. H. Ayuntamiento de Colima, 1992.

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Wiegard, Daniela. Die " Soap Opera" im Spiegel wissenschaftlicher Auseinandersetzung. Tectum, 1999.

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Gomes, Laura Graziela Figueiredo Fernandes. Novela e sociedade no Brasil. Editora da Universidade Federal Fluminense, 1998.

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Baym, Nancy K. Tune in, log on: Soaps, fandom, and online community. Sage Publications, 2000.

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Klindworth, Gisela. "Ich hab' so schön geweint": Telenovelas in Mexiko. Verlag für Entwicklungspolitik Breitenbach, 1995.

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Klindworth, Gisela. "Ich hab' so schön geweint": Telenovelas in Mexiko. Verlag für Entwicklungspolitik Breitenbach, 1995.

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Book chapters on the topic "Religious aspects of Soap operas"

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"Halla Diyab’s Adversarial Feminism: Between Islam and Secularity, Between Power and Resistance, Between Syria and England." In Adversarial Islamic Feminism. Amsterdam University Press, 2024. https://doi.org/10.5117/9789463728232_ch04.

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Halla Diyab, like Irshad Manji and Mona Eltahawy, embraces global controversy as a form of feminist resistance. A renowned screenwriter of Arab soap operas, Diyab has penned numerous critically engaged scripts over 20 years, particularly during Ramadan, that scrutinize Islamic scriptures and practices. Her shows, broadcasted via Satellite and available on YouTube, foster global discussions and highlight her unique liberal feminism, often fixated on opposing religious patriarchy. Diyab’s association with Bashar Al-Assad’s regime in Syria has positioned her as a prominent voice, advocating Arab
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Armanios, Febe. "Tune in for the Wrestling, Stay for the Gospel." In Satellite Ministries. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197796993.003.0002.

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Abstract This chapter examines the operation and impact of Middle East Television (METV) between 1982 and 2000 under the management of Pat Robertson (1930–2023). It argues that METV’s hybrid programming deftly blended religious content like Robertson’s The 700 Club with American forms of secular entertainment, such as professional wrestling, football, and soap operas, an approach that captivated regional audiences for several years. Despite being filtered through Israeli monitors, METV’s newscasts provided Arab viewers with a compelling alternative to state-run media. The channel’s dynamic on-
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Ferguson, Charles A. "Sports Announcer Talk: Syntactic Aspects of Register Variation." In Sociolinguistic Perspectives. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195092905.003.0012.

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Abstract One or two sentences of a radio announcer’s report of a game in progress will usually be sufficient to identify the particular kind of talk being used, different from all other kinds of radio talk, such as straight news, sermons, soap operas, or talk shows. One clue to the identification is the subject matter and the specialized vocabulary of the sport, but the same topics and lexicon may also be used in afterthe-fact news broadcasts, editorials, or interviews on talk shows. A more distinctive clue is the prosodic pattern, i.e., the features of tempo, rhythm, loudness, intonation, and
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"to less prosaic representations. That five of the commentaries are positive in their evaluation of Neighbours, two neutral, and only one negative suggests the broad potential acceptability of the program to the US market (only one publication, the Wall Street Journal, has the kind of highbrow readership which might encourage its television critics to sneer at popular material such as soaps). The two textual features of Neighbours which do draw comment – the everyday, and the domestic and suburban – point to a crucial first feature of the US “mediascape,” in particular its “soapscape,” namely the preference for the exceptional, the non-domestic, the non-suburban. In US soaps, it is well known, the pole of melodrama exercises greater attraction than the pole of realism (cf. Geraghty 1991: 25–38) – in contrast to Australian and British soaps. These two textual aspects of Neighbours are a central theme of the US commentaries, combining under the rubric of the non-exceptional, the “realistic.” All the commentaries bar the sole negative one (Kitman 1991: 23) refer positively to Neighbours’ “realism,” often in contradistinction to the perceived artificiality of US soaps. Peter Pinne, the program’s executive producer, is twice quoted to just this effect (Goodspeed 1991: 22; Mann 1991: 28), while USA Today (Roush 1991: 15) applauds “how close the residents of Ramsey Street seem to our own suburban counterparts,” and notes that “its casual gossip and unexceptional lifestyle [are] closer to the early days of Knots Landing than to any current soap.” The redoubtable Wall Street Journal does not sneer, but praises a television version of middle- and lower-class life that is at ease with itself and singularly lacking in . . . the self-consciousness and discomfort that attends American television’s efforts to portray uneducated white working-class types . . . . [Its] characters . . . ought to be more recognisable to Americans than the peculiar beings that inhabit the worlds of our home-grown TV dramas . . . . [They] actually converse with one another in the way that people do – without declaiming or the rat-a-tat of one-liners, or recitals of a position on the latest hot social theme. If the beat of their daily lives is unhysterical – quiet, in fact – it is also eventful. (Rabinowitz 1991: 17) The Wall Street Journal takes a refreshing distance from the infamous “Greed is good” dictum voiced in Oliver Stone’s film, Wall Street! Given Neighbours’s atypicality in the realm of US soaps, its American reference points are either Knots Landing – which one British journalist described as “the nearest the Americans can bear to get to a soap about ordinary people” (Kingsley 1989: 226) – or US sitcoms (Kelleher 1991: 36; Rabinowitz 1991: 17). Buyer and seller agreed that its non-exceptional “realism” was one reason for Neighbours’s failure in the US “soapscape.” KCOP described it as “less raunchy than US soap operas, too wholesome” (Moran 1992). Its seller, Bob Cristal, added that." In To Be Continued... Routledge, 2002. http://dx.doi.org/10.4324/9780203131855-21.

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Reports on the topic "Religious aspects of Soap operas"

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Gulesci, Selim, María Lombardi, and Alejandra Ramos. Telenovelas and Attitudes toward the LGBTIQ Community in Latin America. Inter-American Development Bank, 2023. http://dx.doi.org/10.18235/0004719.

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How does exposure to soap operas with LGBTIQ characters affect attitudes toward the LGBTIQ community? To answer this question, we construct a novel database of 175 telenovelas (soap operas) with LGBTIQ characters airing in 14 countries in Latin America and the Caribbean between 2002 and 2019. Exploiting variation in the introduction of new soap operas with LGBTIQ characters within country and survey-waves, we find that individuals exposed to more soap operas with LGBTIQ characters are less tolerant toward the LGBTIQ community. This short-term backlash is driven by exposure to telenovelas with
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