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Books on the topic 'Religious ensembles'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Vimort, Jean. Ensemble face à la mort: Accompagnement spirituel. Le Centurion, 1987.

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2

Barral-Baron, André. Vivre ensemble avec nos conflits. Editions de l'Atelier/Editions ouvrières, 1995.

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3

Koné, Drissa. L'islam et le vivre ensemble en Afrique subsaharienne. L'Harmattan, 2019.

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4

Il'vickaya, Svetlana. Architectural comparative aspect of Orthodox monasteries in the Balkan countries and Russia. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1039637.

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The monograph is devoted to the concept of comparative (comparative) architecture is a modern approach to the study and analysis of Orthodox architecture. Reveals and architectural comparative aspect of monastic ensembles and churches — the main sources of Orthodoxy in the Balkan countries and Russia, the keepers of the architectural and artistic values and are centers for religious education in modern society. For the first time the regularities of formation of architecture of Orthodox monasteries and built a comparative model of their organization. For students, postgraduates and lectu

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5

Vimort, Jean. Ensemble face à la mort: Accompagnement spirituel. Editions du Centurion, 1991.

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6

Véder, Jean-Claude. Dire Dieu jusqu' à le célébrer ensemble: Jalons pour une inculturation interculturelle dans la société de l'île Maurice. Edition Marye Pike, 2004.

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7

Ladiba, Gondeu. Valeurs républicaines et vivre-ensemble au Tchad: Appartenances religieuses. L'Harmattan, 2020.

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8

1923-, Büttner Manfred, Schnabel Wolfgang, and Winkler Klaus, eds. Musikgeographie: Weltliche und geistliche Bläsermusik in ihren Beziehungen zueinander und zu ihrer Umwelt : Tagungsband des Symposiums 1990. N. Brockmeyer, 1990.

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9

(Brussels, Belgium) Régionale de Charleroi Centre d'action laïque. Le décret "Neutralité" en questions: Comment mieux vivre ensemble en milieu scolaire. E.M.E., 2012.

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10

Michel, Gourgues, and Mailhiot Gilles D, eds. L'Altérité, vivre ensemble différents: Approches pluridisciplinaires : actes du Colloque pluridisciplinaire tenu à l'occasion du 75e anniversaire du Collège dominicain de philosophie et de théologie, Ottawa, 4, 5, 6 octobre 1984. Bellarmin, 1986.

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11

Elena, Lasida, ed. Migrants: Un avenir à construire ensemble : actes de la 85e session, Parc Floral de Paris, 26-28 novembre 2010. Bayard, 2011.

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12

Olivier, Abel, Université de Paris VI. Institut santé et développement., and World Conference on Religion and Peace (1995 : Paris, France), eds. Les religions ensemble contre le SIDA: Second colloque, organisé par la Conférence mondiale pour la paix (France) et l'Institut santé et développement (Université Paris VI), le 8 février 1995. L'Harmattan, 1996.

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13

Virel, Matthieu. La religion Chrestienne, declaree par dialogue, et distinguee en trois livres, dont la substance & liaison se trouvera es pages suivantes la preface. Ensemble un brief sommaire & conference d'icelle avec toutes les autres religions. Alexander Street Press, 2003.

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14

Watteeuw, Lieve, and Hannah Iterbeke, eds. Enclosed Gardens of Mechelen. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789463720724.

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During the Late Middle Ages a unique type of ‘mixed media’ recycled and remnant art arose in houses of religious women in the Low Countries: enclosed gardens. They date from the time of Emperor Charles V and are unique examples of ‘anonymous’ female art, devotion and spirituality. A hortus conclusus (or enclosed garden) represents an ideal, paradisiacal world. Enclosed Gardens are retables, sometimes with painted side panels, the central section filled not only with narrative sculpture, but also with all sorts of trinkets and hand-worked textiles.Adornments include relics, wax medallions, gems

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15

Pousseur, Robert. En quête d'identité : Des jeunes ensembles : Chrétiens, musulmans et "croyants-autrement". L'Atelier, 1997.

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16

Monachisme et Espace Social: Topographie, Circulation et Hierarchie Dans les Ensembles Monastiques de Loccident Medieval. Brepols Publishers, 2014.

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17

ZOUNON, Cyrille. Vivre Ensemble Au-Delà des Religions. Lulu Press, Inc., 2012.

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18

Kernodle, Tammy, Horace Maxile, and Emmett Price, eds. Encyclopedia of African American Music. Greenwood, 2010. http://dx.doi.org/10.5040/9798400607752.

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African Americans' historical roots are encapsulated in the lyrics, melodies, and rhythms of their music. In the 18th and 19th centuries, African slaves, longing for emancipation, expressed their hopes and dreams through spirituals. Inspired by African civilization and culture, as well as religion, art, literature, and social issues, this influential, joyous, tragic, uplifting, challenging, and enduring music evolved into many diverse genres, including jazz, blues, rock and roll, soul, swing, and hip hop. Providing a lyrical history of our nation, this groundbreaking encyclopedia, the first of

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19

Kartomi, Margaret. Connections across Sumatra. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036712.003.0014.

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This concluding chapter highlights some of the connections between the traditional styles and genres of the performing arts across Sumatra, paying attention to the impact of indigenous religions and Islam as well as classification of the musical instruments and ensembles. It also considers how the musical arts are linked to myths and legends, and how myths and art forms are related to indigenous religious beliefs. Finally, it discusses Hindu myths and art forms; Muslim-associated myths and legends and art forms; Chinese myths and art forms; dances and music-dance relationships; connections bet

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20

Religions, morales et philosophie à l'école: Comment penser ensemble. UCL, Presses Universitaires de Louvain, 2004.

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21

Jordan, James, and Matthew Mehaffey. Choral Ensemble Intonation. GIA Publications, 2001.

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22

Construisons ensemble l'avenir du Judaïsme en France. s.n.], 2008.

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23

Mieux vivre ensemble avec nos différences: La place des religions, des religieux et de l'interculturel dans l'espace public. Yvelinédition, 2013.

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24

Monnot, Christophe. Croire ensemble. Analyse institutionnelle du paysage religieux en Suisse. Seismo, 2013.

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25

Kartomi, Margaret. “Only if a Man Can Kill a Buffalo With One Blow Can He Play a Rapa’I Pasè”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036712.003.0013.

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This chapter examines how the ergology and morphology of the variants of the rapa'i Pasè, the largest kind of frame drum in Aceh, relate to its performance practice, the genres in which it is used, the cultural memory, and the sense of Acehnese cultural identity among its makers, performers, and audiences. The rapa'i Pasè was traditionally played in ensembles with the singing of improvised texts at lifecycle and religious feasts and in intervillage competitions. It is said that only a man who can kill a buffalo with one sharp blow can play a rapa'i Pasè. This chapter first considers the defini

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26

Vivre ensemble: Croyances et sciences en terre laïque. Presses de l'Université Laval, 2009.

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27

Vivre ensemble: Éthique et culture religieuse : cahier de savoirs et d'activités. ERPI, 2008.

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28

Marovich, Robert M. Sacred Music in Transition. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039102.003.0003.

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This chapter examines Chicago sacred music in a period of transition, focusing on the roles played by Charles Henry Pace and the Pace Jubilee Singers. The Pace Jubilee Singers are a fascinating example of African American sacred music in transition. They were among Chicago's first black religious artists to perform on radio, broadcasting during the 1920s and early 1930s over radio station WCBN and megawatt stations WLS and WGN. The group was also among the first mixed jubilee ensembles to feature a female soloist prominently in the person of Hattie Parker. This chapter first provides a histori

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29

Hunter-Henin, Myriam. Why Religious Freedom Matters for Democracy: Comparative Reflections from Britain and France for a Democratic Vivre Ensemble. Bloomsbury Publishing Plc, 2021.

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30

Hunter-Henin, Myriam. Why Religious Freedom Matters for Democracy: Comparative Reflections from Britain and France for a Democratic Vivre Ensemble. Bloomsbury Publishing Plc, 2020.

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31

Vers une société éveillée.: Une approche bouddhiste d'un vivre ensemble responsable et solidaire. Connaissances et Savoirs, 2012.

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32

L'Alterite, vivre ensemble differents: Approches pluridisciplinaires : Actes du Colloque pluridisciplinaire tenu a l'occasion du 75e anniversaire du College ... Ottawa, 4, 5, 6 octobre 1984 (Recherches). Cerf, 1986.

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33

Villepastour, Amanda. Amelia Pedroso. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037245.003.0003.

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This chapter studies the life of Amelia Pedroso, a renowned Cuban ritual singer and priestess in the Santeria tradition. She generated remarkable achievements in male-dominated and heterosexual contexts, openly creating a lesbian and gay-friendly ritual house in Havana. In the early 1990s when she was in her forties, Amelia moved into a drumming domain that specifically prohibited Cuban women—although paradoxically, non-Cuban women were taught in Cuba. She formed an all-women ensemble and toured and ran workshops in the United States and Europe. Amelia attracted women to her, acquiring a role

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34

Tan, Sooi Beng. Community Musical Theatre and Interethnic Peace-Building in Malaysia. Edited by Brydie-Leigh Bartleet and Lee Higgins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219505.013.33.

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Community musical theatre projects have played important roles in engaging young people of diverse ethnicities in multicultural and religious Malaysia to cross borders, deconstruct stereotypes, appreciate differences, and build interethnic peace. This essay provides insights into the strategies and dialogic approaches employed in two such community musical theatre projects that promote peace-building in Penang. The emphasis is on the making of musical theatre through participatory research, collaboration, ensemble work, and group discussions about alternative history, social relationships and

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35

Kartomi, Margaret. The Mandailing Raja Tradition in Pakantan. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036712.003.0011.

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This chapter examines the music culture of the village complex of Pakantan in south Tapanuli, North Sumatra, with particular emphasis on the Mandailing raja tradition. It aims to reconstruct the historical and aesthetic context of Pakantan's pre-Muslim ritual orchestral music in the eighteenth and nineteenth centuries, when the village was ruled by a chieftain (raja) of the original Lubis clan. The three ritual orchestras, which are differentiated by their respective sets of either five or nine tuned gordang drums or two untuned gordang drums, possess indigenous religious and aesthetic meaning

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36

Dumpson, J. Donald. Black Gospel Choral Music. Edited by Frank Abrahams and Paul D. Head. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199373369.013.24.

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This chapter examines Black gospel music with an emphasis on choral music, and explores this form of American sacred music through sociological theory, contact theory, and multicultural lenses. Such perspectives will provide insights into ways to listen to, prepare, and perform Black gospel music more fully in a variety of settings; from church to secular classrooms. This multifaceted discussion examines the impact of nonmusical experiences on our engagement with unfamiliar music. It also explores how thoughts, individual agency, identity, American history, racial dynamics, religion, governmen

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37

Brehy, Petrus Hercules. Instrumental Works from the Library of the Royal Conservatories, Brussels. Edited by Lewis Reece Baratz. A-R Editions, 2021. http://dx.doi.org/10.31022/b215.

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Brussels native Petrus Hercules Brehy (1673–1737) composed twelve sonatas for two violins, viola, basso viola, and continuo around 1715–22, and two sonatas for five instruments and continuo approximately ten years later, all during his tenure as zangmeester of the Collegiate Church of SS. Michael and Gudula. Since 1929 the autograph manuscripts have been conserved at the Library of the Royal Conservatories of Music, Brussels. Unlike Brehy's earlier symphonias, these were not published during his lifetime and were written to be played by a mix of professional musicians, able clerics, and older

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38

Asante ntahera trumpets in Ghana: Culture, tradition, and sound barrage. Ashgate, 2012.

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39

Kartomi, Margaret. South Sumatra. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036712.003.0007.

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This chapter examines the historical distribution of two musico-lingual groups living in South Sumatra: the Besemah in Tanjungsakti and Kayuagung, and the Ogan-Komering Ilir (OKI) people in Burai. South Sumatra's network of rivers and tributaries—known as the Batang Hari Sembilan—has governed its peoples' travels, worldviews, adat, legends, and musical arts for well over 2,000 years. This chapter explores how South Sumatra's environment and associated cosmology, adat customs, and the history of religion and foreign contact have shaped its musico-lingual groups and music, dance, and theater mor

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40

Rodrigues, Valerian. Ambedkar's Political Philosophy. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198925422.001.0001.

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Abstract This study is organized around a set of key concepts that Ambedkar, the Indian thinker and leader of the socially marginalized, proposed to reconstruct public life, factoring in oppression and degradation. This framework conceived human beings as endowed with a distinct set of attributes entitling them to consideration as moral equals despite other differences among them. It also accorded a procedural priority to consciousness in human understanding. Ambedkar deployed this framework to contend against social institutions of caste, untouchability, and other forms of marginalities and t

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