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Journal articles on the topic 'Religious ensembles'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Зимняков, Д. А., С. С. Волчков, А. С. Варежников, М. Ю. Васильков та И. А. Плугин. "Особенности макроскопического транспорта зарядов в ансамблях плотноупакованных наночастиц анатаза вблизи порога протекания". Письма в журнал технической физики 49, № 6 (2023): 21. http://dx.doi.org/10.21883/pjtf.2023.06.54811.19414.

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The results of experimental studies of the effect of degradation of macroscopic charge transport in ensembles of close-packed anatase nanoparticles under long-term action of a constant electric field are presented. The degradation is presumably due to the increasing degree of blocking of statistically independent conduction channels formed in ensembles of particles under the field action. A phenomenological model is considered for estimating the number of active conduction channels in an ensemble of particles near the percolation threshold in the system.

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Ratzsch, Del. "SATURATION, WORLD ENSEMBLES, AND DESIGN." Faith and Philosophy 22, no. 5 (2005): 667–86. http://dx.doi.org/10.5840/faithphil200522527.

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Raja Halid, Raja Iskandar. "SUFISM, SPIRITUAL PERFORMATIVITY AND THEOLOGICAL CONTESTATIONS: PARALLELISMS OF THE ACEH AND PERAK SULTANATES ACROSS THE CENTURIES." International Journal of Asia Pacific Studies 18, no. 2 (2022): 341–63. http://dx.doi.org/10.21315/ijaps2022.18.2.14.

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Since the thirteenth century, longstanding connections between tariqa (Sufi Orders) and Malay Sultanates brought new Islamic knowledge and practices which were fused with local traditions. The coming of Islam also brought the nobat musical ensemble and religious-related musical practices. From the court of Pasai, North Sumatera, the ensemble later spread to other parts of the Malay world and was still played in the succeeding Aceh sultanate in the early seventeenth century. Evidence for this exists in the court manual, Adat Aceh, which details the use of music in royal religious processions an

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Raja Halid, Raja Iskandar. "SUFISM, SPIRITUAL PERFORMATIVITY AND THEOLOGICAL CONTESTATIONS: PARALLELISMS OF THE ACEH AND PERAK SULTANATES ACROSS THE CENTURIES." International Journal of Asia Pacific Studies 18, no. 2 (2022): 315–37. http://dx.doi.org/10.21315/ijaps2022.18.2.13.

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Since the thirteenth century, longstanding connections between tariqa (Sufi Orders) and Malay Sultanates brought new Islamic knowledge and practices which were fused with local traditions. The coming of Islam also brought the nobat musical ensemble and religious-related musical practices. From the court of Pasai, North Sumatera, the ensemble later spread to other parts of the Malay world and was still played in the succeeding Aceh sultanate in the early seventeenth century. Evidence for this exists in the court manual, Adat Aceh, which details the use of music in royal religious processions an

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Hebert, David G. "The Tokyo Kosei Wind Orchestra: A Case Study of Intercultural Music Transmission." Journal of Research in Music Education 49, no. 3 (2001): 212–26. http://dx.doi.org/10.2307/3345707.

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Instrumental music education in Japan has long emphasized wind bands, and in recent decades, Japanese bands have achieved a level of performing excellence that arguably rivals all other nations. This case study of Japan s premier wind ensemble provides insights applicable to bands throughout the nation. The study explores the influence of the ensembles repertoire and educational activities, traces its religious origins, and examines Frederick Fennell's role as musical ambassador. The findings suggest that Japan has not only assimilated and mastered the band genre, but it has transformed the tr

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Molchanova, Tetiana. "MYKOLA LYSENKO’S ACCOMPANIST AND ENSEMBLE ACTIVITIES IN THE CONTEXT OF THE FOUNDATIONS OF HIS PERFORMING WORK." CULTURE AND ARTS IN THE MODERN WORLD, no. 23 (June 30, 2022): 111–21. http://dx.doi.org/10.31866/2410-1915.23.2022.260985.

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The purpose of the article is to explore the little-known areas of performing work of the famous Ukrainian composer Mykola Lysenko — his accompanist and ensemble activities. Research methodology. A system analysis, which combined analytical, culturological, and observational methods, was applied. Scientific novelty. The research is the first experience of a special analysis of Lysenko’s performing practice as an accompanist and ensemble player in domestic musicology. Conclusions. It is proved that Mykola Lysenko paid considerable attention to the types of chamber music. He was both an excellen

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Jankovic-Begus, Jelena. "Chanting of the inner space: on symphonic and concertante works by Milorad Marinkovic." Muzikologija, no. 19 (2015): 83–117. http://dx.doi.org/10.2298/muz1519083j.

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The opus of contemporary Serbian composer Milorad Marinkovic (b. 1976), which encompasses works of choral, chamber, concertante and symphony music, leans towards classical forms of artistic music, Serbian folklore music, and Serbian Orthodox church chant. This paper deals with pieces composed for larger instrumental ensembles: Herojska uvertira (Heroic Overture) for symphony orchestra, Psalmodija (Psalmody) for symphony orchestra, Koncert za klavir i orkestar (Piano concerto) and Mala opera (Little Opera) for chamber ensemble (septet) with prominent soloist parts of flute and clarinet. Special

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Kay, Thi Thant. "Religious Beliefs of Shan-Gyi National Live in Ae-Nai Village, Lashio Township, Shan State in Myanmar." Dagon University Research Journal Vol.6, no. 2014 (2019): Pg.98–105. https://doi.org/10.5281/zenodo.3547137.

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This study explored how to maintain Drum Ensemble (“saing wain:” in Myanmar) as Myanmar cultural heritage. The paper described especially relationship between spirit propitiation ceremony (“nat pwe” in Myanmar) and drum ensemble. Yangon Region is presumed to be the most developed place in the country that it could be very much liable to any infiltration of foreign culture and music. But fortunately, it was found that Big Drum Ensemble is still being used in some downtown areas and some adjacent area in Yangon region. Therefore, study sites were chosen some wards and vil

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Petrošienė, Lina. "Singing Tradition of the Inhabitants of Lithuania Minor from the Second Half of the 20th Century to the Beginning of the 21st Century." Tautosakos darbai 61 (June 1, 2021): 97–121. http://dx.doi.org/10.51554/td.21.61.04.

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The article analyses how the folk singing tradition of the Lithuania Minor developed in the late 20th and in the early 21st centuries. It examines the activities of the folklore groups in the Klaipėda Region during the period of 1971–2020, focusing on those that assert fostering of the lietuvininkai singing tradition as their mission or one of their goals. The study employs the previously unused materials, which allow revising the former research results regarding the revival of the Lithuanian ethnic music and show the folklore ensembles working in the Klaipėda Region as a significant part of

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Vasiliu, Alex. "15. Antonin Ciolan – The Teacher, The Founder of Orchestras, The Master Conductor." Review of Artistic Education 11, no. 1 (2016): 126–32. http://dx.doi.org/10.1515/rae-2016-0015.

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Abstract The founder of a conducting style, who organised orchestras in two important musical centres in Romania (Iaşi and Cluj), “the partriarch of conductors”, respected and praised by George Enescu, Sergiu Celibidache or Erich Bergel, was a multilateral personality of exceptional merits as a teacher of orchestra, orchestra conducting, harmony and counterpoint; having founded several prestigious religious choral ensembles, organised and led musical teaching and concert institutes, Antonin Ciolan deserves to be brought to the awareness of more recent generations of researchers and audiences,

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Hidayatullah, Panakajaya, Gabriel Roosmargo Lono Lastoro Simatupang, Aris Setiawan, and Kristen Angela Livera. "Gamelan Reinvented: Cultural Sound Transformation in Membranophone Ensembles of East Java." Resital: Jurnal Seni Pertunjukan 25, no. 3 (2025): 357–91. https://doi.org/10.24821/resital.v25i3.14537.

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This study explores the phenomenon of pèghâ' in the musical traditions of terbhâng ghendhing and kemplang in Probolinggo and Bondowoso, which emerged as a response to past religious prohibitions on the use of metal gamelan instruments. The research focuses on uncovering the adaptation of metal gamelan music into the membranophone ensembles of terbhâng ghendhing and kemplang from a musicological perspective. Using qualitative approaches and ethnographic methods, data were collected through participant observation, in-depth interviews, and literature review. The findings reveal that elements suc

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Végh, Mónika. "The Role of Zoltán Kodály’s Male Choruses in the Genre’s History, Possibilities of Their Application in the Repertoire of Amateur Ensembles." Studia Universitatis Babeş-Bolyai Musica 68, no. 1 (2023): 203–19. http://dx.doi.org/10.24193/subbmusica.2023.1.12.

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"Zoltán Kodály’s publication titled Férfikarok (Male Choruses) is a truly diverse collection: in addition to the composer’s works in the genre, one can find folk song arrangements, religious pieces, compositions inspired by historical events and even transcriptions, of various lengths and levels of difficulty. It is common knowledge that Kodály was not fond of exclusively male ensembles, being rather uninterested by male voice choirs and indeed his opinion was that these choral societies should be converted into mixed choirs. However, after travelling extensively in the country – thus gaining

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Balbuena Gutiérrez, Bárbara. "Transculturación y sincretismo: una visión holística desde la proyección músico-danzaria en diferentes contextos socioculturales cubanos." Comparative Cultural Studies - European and Latin American Perspectives 7, no. 14 (2022): 45–59. http://dx.doi.org/10.36253/ccselap-13463.

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This essay addresses the concept of “transculturation” (Ortiz,1983: 90), which responded to an effort by the fruitful Cuban researcher to decolonize the social sciences in the face of the biased Eurocentrist and colonialist theories then spread throughout America. It analyses why the term syncretism was not the essential and defining factor, in the “configuration of Cuban religious cultural complexes” (Menéndez, 2017: 87) of African descent. The notion of transculturation is then applied to the study of the processes of formation of traditional Cuban popular culture, specifically in its curren

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Oržikauskas, Gytis. "SPATIAL NARRATIVE AS FEATURE OF SINGULARITY IN SACRAL ARCHITECTURE / ERDVĖS NARATYVAS FORMUOJANT SAKRALINĖS ARCHITEKTŪROS SAVASTĮ." Mokslas – Lietuvos ateitis 6, no. 3 (2014): 263–72. http://dx.doi.org/10.3846/mla.2014.38.

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The paper analyses architectural compositions of various religious complexes – historical and contemporary – apart from their stylistic features. The most prominent ensembles under analysis have one noticeably common feature – spatial narrative. The foreseen sequence of forms of experience and spatial structure tell different religious narratives depending on which different aspects of faith were actualized in a given period. The analyzed examples stand in proof that suggestibility of religious aspects in sacral architecture are inseparable from their artistic suggestibility aspects. In some c

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Dutchak, Violetta. "PRINCIPLES OF LITERATURE AND MUSICAL ART INTERACTION OF THE UKRAINIAN DIASPORA DURING THE XX – EARLY XXI CENTURY." Naukovì zapiski Nacìonalʹnogo unìversitetu "Ostrozʹka akademìâ". Serìâ Ìstoričnì nauki 1 (December 17, 2020): 186–93. http://dx.doi.org/10.25264/2409-6806-2020-31-186-193.

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The study presents the methodological foundations analysis of the interaction between music and literature of the Ukrainian diaspora in the period of XX – early XXI century. In particular, the article offers an example of analysis of such interaction on the example of Ukrainian diaspora bandura art. Fundamental in the methodological analysis of the art interaction, and in particular literature and music, are the forms of emigrant (diasporic) worldview – conservative (traditional), synthesizing (unifying), and transforming (experimental). They are manifested in various forms of foreign artists’

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Mohr, Hubert. "Reflections on 'Museality' as a Critical Term in the Aesthetics of Religion." Journal of Religion in Europe 4, no. 1 (2011): 14–39. http://dx.doi.org/10.1163/187489210x553520.

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Abstract'Museality' and 'museal' can be viewed as perceptible qualities of a social—and thus also religious—complex of forms of expression, representation, and action, which have become consolidated in modern times in Europe in the institution of the 'museum,' but which are not restricted to it as group-specific and individual representation patterns. The basic aim of this article is to show that there is a 'museal principle' which, like theatrality, permeates both social and individual action, which is not restricted to the European tradition, and which can described by the term 'museality.'

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Stryzhyboroda, Petro. "Guitar Art of Stepan Rak: Genre and Style, Image and Theme Aspects." Bulletin of KNUKiM. Series in Arts, no. 42 (July 14, 2020): 141–47. https://doi.org/10.31866/2410-1176.42.2020.207643.

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The purpose of the article is to comprehend the achievements of the Ukrainian origin Czech guitarist S. Rak in compositional guitar work through the genre specificity, stylistics, symbolic themes and performance forms; to reveal the folklore based principles of the artist’s compositional pieces; to consider the peculiarities of the embodiment of the principles of academic guitar performance in the solo and ensemble works of S. Rak. The research methodology consists of historical, source, art studies methods, which allowed to conduct genre and style analysis of S. Rak’s guitar work

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Bouttier, Michel. "Qu’est-ce que le Nouveau Testament ?" Études théologiques et religieuses 77, no. 3 (2002): 313–28. http://dx.doi.org/10.3406/ether.2002.3695.

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This is the text from a lecture taking up the challenge of encompassing in a fifty minute analysis the various modes of preaching and teaching the New Testament that have been produced over the past 50 years. First the author deals with the book per se (titles, manuscript sources, dates, places, idioms) ; he proceeds by surveying the various components as if they were musical instruments in an orchestra. As a result we are met with two ensembles, the Epistles of the Apostles, the recitatives from the Gospels, and two soloists, the Revelation of John the Apostle and the Acts of the Apostles. On

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Vidalon, Astrid. "Reflections on Peruvian Textile Traditions: A Living Heritage exhibit." Critical Studies in Fashion & Beauty 13, no. 1 (2022): 89–118. http://dx.doi.org/10.1386/csfb_00039_1.

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The purpose of the exhibit Peruvian Textile Traditions: A Living Heritage was to showcase Peruvian dress and textile arts by conveying their significance and associated meanings to two ethnic groups in Peru: the Quechua people from the Andes Mountains and the Shipibo-Conibo from the Amazon rainforest. Textiles and dress have played uniquely important political, social and religious roles over thousands of years and continue to communicate and produce meanings through fibre, cloth and garments. The exhibit featured nineteen handmade textiles and six Peruvian ethnic dress ensembles, organized in

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Ploymong, Traitrung, Poonpit Amatyaku, Narongchai Pidokrajt, and Manus Keawbucha. "Music Icons, Allegories and Symbolic Representation: Iconological Analysis of Thai Murals Along the Mae Klong Riverside." MANUSYA: Journal of Humanities 26, no. 1 (2024): 1–22. http://dx.doi.org/10.1163/26659077-26010013.

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Abstract This article examines the Thai music iconology – with a focus on the instruments and ensembles and their symbolic representations – of monastery murals along the Mae Klong riverside. It also investigates how Thai music iconology links to broader views on Thai music, including those from Buddhism, culture, and social realms. Thirty-eight murals from the Ayutthaya period to the King Rama V period were selected for analysis. Improvised tools from Kress and Van Leeuwen’s (2020) inter-semiotic, multidimensional approach and Panosfky’s (1962) concepts of iconography were employed in the dat

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Lakusa, Nicholas Ferdeta, Niken Wirasanti, and Gea Oswah Fatah Parikesit. "Symbolism of Lute Instruments in Borobudur's Karmawibhangga Reliefs: A Semiotic Analysis." Asian Research Journal of Arts & Social Sciences 23, no. 6 (2025): 224–36. https://doi.org/10.9734/arjass/2025/v23i6715.

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This study aims to explore the social, symbolic, and spiritual meanings of lute-type musical instruments depicted in the Karmawibhangga reliefs of 9th-century Borobudur Temple in Central Java, Indonesia. These instruments are shown in detailed visual narratives that reflect ancient Javanese cultural and religious values, yet their specific functions and meanings remain underexplored. This research adopts a qualitative visual semiotic methodology. The study was conducted at Borobudur Temple between January and April 2025. The research focuses on three Karmawibhangga relief panels numbered 102,

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Rumball, Hannah. "British Quaker Women's Fashionable Adaptation of their Plain Dress, 1860–1914." Costume 52, no. 2 (2018): 240–60. http://dx.doi.org/10.3366/cost.2018.0070.

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Throughout the period 1860–1914, British Quaker women sought to negotiate the incorporation of fashionable attire into their wardrobes to varying degrees, after the religion's hierarchy made prescriptive religious ‘Plain’ dress optional in 1860. After centuries of restrictive Advices, which used Scripture alongside peer pressure to encourage female Friends to dress ascetically, Quaker women began to interpret their new sartorial freedoms in diverse ways. Through the presentation of three female case studies from across the period, this article will suggest three newly identified distinct stanc

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Auffret, Pierre. "Dans les assemblées je bénirai YHWH: nouvelle étude structurelle du Psaume xxvi." Vetus Testamentum 56, no. 3 (2006): 303–12. http://dx.doi.org/10.1163/156853306778149656.

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AbstractL'auteur reprend ici, en confrontation avec la proposition de Marc Girard (1996), son étude structurelle du psaume xxvi (1989, avec compléments en 1997). Il commence par étudier la structure littéraire de chacune des unités et sous-ensembles, et parvient au terme à distinguer trois parties 1-3 (autour de 2a), 4-10 (autour de 7), 11-12a (autour de 11b), 12b reprenant au terme le centre de 4-10.

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Boycheva, Yuliana, and Daria Resh. "'FROM THE ORTHODOX MEGALOPOLIS OF MOSCOVY OF GREAT RUSSIA': RUSSIAN HEIRLOOMS FROM THE MONASTERY OF TATARNA, SIXTEENTH-SEVENTEENTH CENTURIES." Analecta Stagorum et Meteororum 1 (April 29, 2022): 359–408. http://dx.doi.org/10.12681/asem.38864.

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This article examines Russian artifacts donated to the Monastery of the Virgin of Tatarna (Evrytania, Central Greece) by Archbishop Arsenios of Elassona (1550-1625) and clergymen from his entourage. A monastic site since the Byzantine period, Tatarna emerged as an important religious center in the late sixteenth century because of its special status as a patriarchal monastery (stavropegion), granted to it almost immediately after its foundation by monks from Thessaly. The donation of a large number of Russian artifacts includes a manuscript, icons, and a pectoral panagiarion-encolpion, some of

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Zahar, Hela. "Arabic Calligraffiti: A Political Liminal Practice in Street Art's Visual Scene." Street Art & Urban Creativity 8, no. 2 (2022): 61–72. https://doi.org/10.25765/sauc.v8i2.606.

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Arabic calligraffiti, a form of urban art, has spread in both Arab and Western cities, including Montreal, Paris and cities in Tunisia and elsewhere in the Arabic world. Its visibility underlines different tensions and highlights various conflicts and power relations, such as Arab-Western tensions in the visual culture of Western cities, tensions around the religious role of Islamic calligraphy in Arab cities, tensions around urban art in all cities, and tensions around the various digital spaces where these works are disseminated (Zahar, 2018). Arabic calligraffiti has its origins in Islamic

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Sarbadhikary, Sukanya. "Religious Belief through Drum-Sound Experience: Bengal’s Devotional Dialectic of the Classical Goddess and Indigenous God." Religions 13, no. 8 (2022): 707. http://dx.doi.org/10.3390/rel13080707.

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The epistemic question about what constitutes religious belief in non-Western contexts is addressed here through the ontology of sonic experience. I demonstrate that religious beliefs are habitually ingrained as long-sustaining visceral memories, when afforded by sensory—for instance, aural—affects. Bengal’s peculiar devotional milieu constructs a prototype of oppositions. On one end is the urban, classical, martial goddess, Durga, with elite histories of acquiring a high Brahmanical form, and whose autumnal rituals are based on scriptural rules, caste hierarchies, and distance among the devot

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Owoaje, Tolu, and Kadupe Sofola. "From Roots to Reinvention: Evolutionary Trends in the Fuji Music of Wasiu Ayinde." African Musicology Online 14, no. 2 (2025): 48–58. https://doi.org/10.58721/amo.v14i2.1129.

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Fújì music, originally a socio-religious Islamic genre among the Yoruba of south-western Nigeria, has undergone significant transformation since it emerged from wéré performance traditions. While early innovations by pioneers like Alhaji Síkírù Àyìndé Barrister and Kollington Ayinla laid the groundwork, contemporary developments led by artistes like Wasiu Àyìndé (K1 De Ultimate) have introduced diverse musical, linguistic, and stylistic elements that signify a dynamic shift. This paper investigates the evolutionary trends in Àyìndé’s fújì music, focusing on his integration of Western instrumen

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Grześkow, Iga. "Shaping the image of a city on the example of a development of parts of waterfront in Bydgoszcz - a relation of Rother’s Mills and Nordic Haven buildings." IOP Conference Series: Materials Science and Engineering 1203, no. 2 (2021): 022061. http://dx.doi.org/10.1088/1757-899x/1203/2/022061.

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Abstract According to Alexander Wallis, the city's cultural values relate to its historic and architectural, symbolic and religious, artistic and prestigious values. They are represented by individual buildings, monuments, sculptures, street furniture and entire urban complexes - streets, squares, parks, engineering works, and finally entire districts and urban landscapes. [1] In Bydgoszcz these values are represented by the Mill Island. After years of neglect, together with its immediate surroundings it has been re-incorporated into the city's structure, becoming a full-fledged, attractive an

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Chatterjee, Sebanti. "Performing Bollywood Broadway: Shillong Chamber Choir as Bollywood’s Other." Society and Culture in South Asia 6, no. 2 (2020): 304–27. http://dx.doi.org/10.1177/2393861720923812.

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This article attempts to explore the performativity that surrounds choral music in contemporary India. 1 1 Choral music was discovered in Western civilization and Christianity. As a starting point, it had the Gregorian reforms of the 6th century. Choir primarily refers to a vocal ensemble practising sacred music inside church settings as opposed to chorus which indicates vocal ensembles performing in secular environments. Multiple singers rendered sacred polyphony 1430 onwards. By the end of the century a standardized four-part range of three octaves or more became a feature. The vocal parts w

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Odrekhivskyi, Roman. "LIGHTING IN THE INTERIOR DESIGN OF RELIGIOUS BUILDINGS IN GALICIA (THE SECOND HALF OF THE 19th AND THE FIRST THIRD OF THE 20th CENTURIES)." CULTURE AND ARTS IN THE MODERN WORLD, no. 22 (June 30, 2021): 223–32. http://dx.doi.org/10.31866/2410-1915.22.2021.235918.

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The purpose of the article is to analyse the typology, design features and carved decor of the wooden lamps in the interiors of the religious buildings in Galicia. The research methodology is based on the general principles of scientific work: consistency, authenticity, historicism, logic. The author of the article applies a comparative and typological method to analyse the design features of the lamps. And the methods of hermeneutics and semiotics were used to analyse ornamental and compositional systems of decoration. The scientific novelty of the work is the introduction of the unknown arte

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Odrekhivskyi, Roman. "Lighting in the Interior Design of Religious Buildings in Galicia (The Second Half of the 19th and the First Third of the 20th Centuries)." Culture and Arts in the Modern World, no. 22 (June 30, 2021): 223–32. https://doi.org/10.31866/2410-1915.22.2021.235918.

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The purpose of the article is to analyse the typology, design features and carved decor of the wooden lamps in the interiors of the religious buildings in Galicia. The research methodology is based on the general principles of scientific work: consistency, authenticity, historicism, logic. The author of the article applies a comparative and typological method to analyse the design features of the lamps. And the methods of hermeneutics and semiotics were used to analyse ornamental and compositional systems of decoration. The scientific novelty of the work is the introduction of the unknown arte

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Kodzokuma, Vincent, Ndah Divine Selorm, and Sylvia Ama Ayi. "Gender Stereotype in Musical Performances among the Alavanyo People in Ghana." Asian Research Journal of Arts & Social Sciences 22, no. 4 (2024): 72–80. http://dx.doi.org/10.9734/arjass/2024/v22i4530.

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The Study aims at exploring the traditional musical types that are performed among the people of Alavanyo in the Volta Region of Ghana and classify the musical types according to gender orientations; and also to investigate the reasons why women in the area are not supposed to participate in some traditional musical ensembles in the area. The study being qualitative type adopted descriptive and case study approaches to present the study. The population consisted of Historians, Chiefs, Women in traditional musical performance as well as Men who are into traditional music performance. Interview

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Husser, Anne-Claire. "L’enseignement laïque des faits religieux peut-il contribuer à la formation politique ?" Penser l'éducation 54 (2024): 65–77. http://dx.doi.org/10.4000/121by.

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S’il est fréquent de mettre en avant la contribution d’une meilleure connaissance des religions au « vivre ensemble » au sens où celle-ci favoriserait la tolérance, l’apport de l’enseignement des faits religieux à la formation politique proprement dite est plus rarement exploré. Le principe de neutralité religieuse s’applique à l’institution et non aux publics qu’elle accueille, mais l’exercice de la citoyenneté ne s’en inscrit pas moins dans l’horizon d’une vision laïque du débat public et de la délibération. Dans ces conditions, les points de vue religieux semblent par avance disqualifiés en

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Broyles, Michael. "Music and Class Structure in Antebellum Boston." Journal of the American Musicological Society 44, no. 3 (1991): 451–93. http://dx.doi.org/10.2307/831646.

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The division of American musical culture into a cultivated and vernacular tradition may be traced in large measure to developments in antebellum Boston. It was there that American writers first argued fervently for the association of Platonic idealism with secular instrumental music, and some of these same individuals established the symphony orchestra as the musical medium most capable of realizing their ideals. Musical developments in antebellum Boston were affected by the class structure, which was closely related to religious preference. The upper class, mostly Unitarian, did not participa

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Iniutochkina, Nina. "Algorithms of interpretation of poly-timber vocal and instrumental ensembles in the concertmaster class." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 70, no. 70 (2024): 27–46. http://dx.doi.org/10.34064/khnum1-70.02.

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Statement of the problem. A significant part of the repertoire in the concertmaster class is chamber vocal works that engage the synthesis of Word and Music, that is, the inseparable trinity of the poetic text, its vocal embodiment, and instrumental accompaniment, which calls for the need for accurate correlation of the efforts of the singer and concertmaster, the performers’ synergy. And although chamber vocal works mostly have purely piano accompaniment, in some cases a part of a string or wind instrument is added to it, and then the mentioned trinity of musical and poetic synthesis is compl

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Deldonna, Anthony R. "Cantatas in Honor of San Gennaro." Journal of Musicology 33, no. 2 (2016): 164–99. http://dx.doi.org/10.1525/jm.2016.33.2.164.

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No saint in the Catholic hagiographic tradition has served as a more vivid symbol of martyrdom, veneration, or of God’s profound grace toward a community than San Gennaro (Saint Januarius), the patron saint of the Kingdom of Naples. This essay studies the history and culture surrounding the veneration of San Gennaro. I focus on the longstanding cultivation of cantatas as a vehicle for veneration and for the promotion of catechism and post-Tridentine ideology. The first part of the essay traces political, social, and religious currents that contributed to the growth of the cult. The second part

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Overland, Corin T. "Music Education, Inc." Music Educators Journal 104, no. 1 (2017): 55–61. http://dx.doi.org/10.1177/0027432117719462.

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Today’s students live in the center of a rich, interconnected system of public, philanthropic, and for-profit entities that support the act of music teaching and learning. Students are not limited to the kinds of musical instruction available to them in their schools. Provided they have the means and the access, the musically curious can supplement or supplant their in-school musical lives with extracurricular and cocurricular activities, private studio lessons, community ensembles, or religious services. The for-profit music education industry in particular has grown in popularity and commerc

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Rathee, Ankita, and Rekha . "Firaaq: A Study of Women Gulped in the Vortex of Gender, Community and Class." ENSEMBLE 3, no. 1 (2021): 113–18. http://dx.doi.org/10.37948/ensemble-2021-0301-a014.

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Communalism has been a dominating factor of ‘secular’ India especially post-Partition and is often accompanied by deeply rooted religious prejudices resulting in vengeance and hatred. The communal violence at various times in the past half-a-century brings forward the barbarity exhibited in the name of religion. These incidents have captured the imagination of several filmmakers from time to time. One such film is Firaaq, which sheds light on the various contoursof Gujarat violence. The present paper analyses the women characters of the film to reveal the implications of communal disturbances

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Castellano-Román, M., and F. Pinto-Puerto. "HBIM ORIENTED TOWARDS THE MASTER PLAN OF THE CHARTERHOUSE OF JEREZ (CÁDIZ, SPAIN)." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 21, 2019): 285–90. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-285-2019.

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<p><strong>Abstract.</strong> This paper is focused on the possibilities of Heritage Building Information Modelling HBIM to enhance the strategic planning of large monuments ensembles in a Master Plan. The study case is the Charterhouse of Jerez (Cádiz, Spain), a monument acknowledged with the highest level of legal protection since 1856. Its HBIM model, developed with a Level of Knowledge LOK200, provides appropriate alphanumerical and graphical outputs for strategic decision-making on the major guidelines of heritage management: research, protection, conservation and dissem

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Movchan, Larisa Anatol'evna, and Sergei Mikhailovich Movchan. "The relevance and specificity of using choral works by modern composers in the class of «choral conducting»." PHILHARMONICA. International Music Journal, no. 1 (January 2024): 33–41. http://dx.doi.org/10.7256/2453-613x.2024.1.70025.

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In the article, the author addresses the issue of the repertoire of choral groups in the class specializing in Choral conducting. Works for a cappella choir have been one of the leading genres in the works of many modern composers for several decades. The popularity of secular choral music is associated with the development of collective musical education in educational institutions, as well as with the active participation of vocal ensembles in concerts, competitions and festivals. Spiritual compositions are also heard no less often, which is explained by the desire of composers and performer

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Humennyi, Serhiy. "INFLUENCE OF SOVIETIZATION AND DECOMMUNISATION ON THE ARCHITECTURAL LOOK OF CITIES AND TOWNS IN TERNOPIL REGION (ON THE EXAMPLE CITY OF TERNOPIL, AND ZALISHCHYKY, TOWN OF SKALA-PODILSKA) IN 1939 – THE BEGINNING OF XXI CENTURY." City History, Culture, Society, no. 2 (October 25, 2017): 166–95. http://dx.doi.org/10.15407/mics2017.02.166.

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The article deals with the problem of the influence of Sovietization and decommunization on the urban environment of modern Ternopil region: the cities of Ternopil and Zalishchyky and the town of Skala-Podilska. The author gives a detailed analysis of the changes that took place in 1939-1991 in their architectural form. It is stated that if Zalishchyky and Skala-Podilska have preserved to some extent the unique, pre-war building of the centre, having lost some primary monuments, logical city planning, sculpting and decor on the facades, then Ternopil has lost its historical heart almost wholly

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Nicolas, Arsenio. "TRADITIONAL MUSIC AND CONTEMPORARY TRENDS: MUSIC IN ASEAN COMMUNITIES." Sorai: Jurnal Pengkajian dan Penciptaan Musik 12, no. 1 (2019): 54–56. http://dx.doi.org/10.33153/sorai.v12i1.2623.

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The traditional music and performing arts in the ASEAN have found new powerful conduits of transmission with the advent of the digital age. Although claims of cultural ownership over music and dance occasionally appear on social networks and media platforms, the ubiquity of the Internet has in fact benefitted the general public, allowing them access to images and sounds hitherto unknown. Modernisation has taken its toll on the region’s musical heritage. Ancient elements of indigenous music have faded away. The influx of popular and Western music has increasingly eroded the space and demand for

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Sarró, Ramon, and Ruy Llera Blanes. "Prophetic Diasporas Moving Religion Across the Lusophone Atlantic." African Diaspora 2, no. 1 (2009): 52–72. http://dx.doi.org/10.1163/187254609x430786.

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Abstract In this article we examine the concept of a religious Lusophone Atlantic, highlighting historical and contemporary exchanges in this continuum and situating research within recent scholarship regarding the 'Atlantic,' religious diasporas and contemporary Christianity. We focus in particular on the place of prophetic movements (namely the Kimbanguist and Tokoist churches) within the Portuguese and Angolan religious fields. Dans cet article nous examinons le concept d'un Atlantique lusophone religieux, mettant en évidence des échanges historiques et contemporains dans cet ensemble et pl

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Albera, Dionigi. "Situations de coexistence interreligieuse en Méditerranée : esquisse d’une analyse comparative." Chronos 18 (April 15, 2019): 129–49. http://dx.doi.org/10.31377/chr.v18i0.467.

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Plusieurs travaux ont exploré les situations de contact en Méditerranée. Ils ont montré, par exemple, que durant l'époque moderne les relations marchandes dessinaient des espaces de communication entre sociétés et cultures2. Mais jusqu 'à quel point est-il possible d'élargir cette démarche en prenant en compte la dimension religieuse ? Ne sommes-nous pas, dans ce cas, en présence du noyau dur des identités collectives, peu enclin au compromis et aux accommodements ? Examiner les formes dévotionnelles qui franchissent les frontières entre religions représente incontestablement un défi. Et le fa

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Sadykova, Natalya. "Sakhalin orthodox singing tradition." St.Tikhons' University Review. Series V. Christian Art 45 (March 31, 2022): 145–52. http://dx.doi.org/10.15382/sturv202245.145-152.

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This article is devoted to the formation of the Orthodox singing tradition in one of the youngest diocesan formations - the South Sakhalin and Kuril dioceses of the Russian Orthodox Church of the Moscow Patriarchate. The quantitative ratio of the existing religious views and beliefs of the ethnic groups of the island region is touched upon. The features of the historical processes of the development of Orthodoxy in the region, which have determined the range of problems that exist in the dynamics of the formation of the liturgical and singing tradition of the region and its transmission, are c

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Marinković, Čedomila. "Helen Nemanjić (1250–1314)." Encyclopedia 2, no. 1 (2021): 14–25. http://dx.doi.org/10.3390/encyclopedia2010002.

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Queen Helen Nemanjić (1250–Brnjaci near Zubin Potok, February 8, 1314) was a Serbian medieval queen and consort of King Stefan Uroš I (r. 1243–1276), the fifth ruler of the Serbian Nemanide dynasty. She was the mother of the kings Stefan Dragutin and Stefan Uroš II Milutin. Today, she is known as Helen of Anjou (Jelena Anžujska in Serbian) although her real name was most probably Heleni Angelina (Ελένη Aγγελίνα). She was the founder of the Serbian Orthodox monastery of Gradac as well as four Franciscan abbeys in Kotor, Bar, Ulcinj, and Shkodër. Together with her sons, Kings Stefan Dragutin and

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Ampene, Kwasi. "Akan Civilization and History." Revista Música e Cultura 13, no. 3 (2024): 194–256. https://doi.org/10.71199/dqvsem34.

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Like most African societies, there is ample evidence that the Akan in West Africa developed sophisticated methods in the visual and musical arts (or expressive arts) for recording and storing historical experience, to express religious worldview and philosophy, and created societies with unique social values. The historicized texts of ivory trumpets, flutes, drums, songs, poetry of Kwadwomfoɔ (Chronicle Singers), and referential poetry of Abrafoɔ (the Constabulary), and Adinkra pictographic writing bear ample testimony to the undeniable presence of expressive arts in Akan socio-political and e

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Vejdani, Farzin. "Sonic Crimes." Resonance: The Journal of Sound and Culture 6, no. 2 (2025): 149–73. https://doi.org/10.1525/res.2025.6.2.149.

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This article argues that the sonic constitutes a neglected vector for understanding crime and policing in 19th-century Iranian cities. It engages theoretically with anthropologists, geographers, historians, and sound studies scholars to chart the relationship between space, time, and sound. After providing historical background on the Qajar Iranian state (1785–1925) and the sonic order it embodied, the essay explores how Shi‘i acoustic jurisprudence, mirrors for princes, and works of Islamic ethics categorized licit and illicit sound, including noise. Next, it explores earwitness testimonies f

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Alchikov, Ramazan, and Zarema Nagayeva. "EARLY CRIMEAN KHANATE SETTLEMENTS AS THE PRECURSORS OF THE TOWN OF BAKHCHYSARAI." Architecture and Engineering 6, no. 3 (2021): 42–48. http://dx.doi.org/10.23968/2500-0055-2021-6-3-42-48.

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Introduction: This paper analyzes the formation and development of major medieval settlements that emerged in the 14th–16th century within the boundaries of the modern Bakhchysarai. We studied written and archaeological sources to examine the evolution and structure of these settlements, and provide a general overview of the surviving architectural ensembles and landmarks. Bakhchysarai, the former capital of the Crimean Khanate, is one of those Crimean settlements where the medieval planning structure of the old town and the original organic links to the natural landscape survive to this day.

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Lu, Sa. "The Role of Taoism in the Development of Images of Gardens and Parks in Chinese Art." Человек и культура, no. 5 (May 2022): 106–16. http://dx.doi.org/10.25136/2409-8744.2022.5.38677.

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The article reveals the role of Taoism in the development of images of gardens and parks in Chinese art. Taoism is considered as a spiritual component of the traditional culture of China, affecting all spheres of human essence, including its expression in the visual arts. The problem of this study is to show how the Taoist ideas about man and the world around him were expressed in the works of landscape painting of the V–XIV centuries, when both the formation and development of the art of depicting nature and the formation of the fundamental principles of landscape planning took place. Both ph

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