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Dissertations / Theses on the topic 'Religious images and art'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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1

Rask, Katherine. "Greek Devotional Images: Iconography and Interpretation in the Religious Arts." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338473387.

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2

Doolan, Lucas. "The sublime ruin enigmatic feminine : Master of Art & Design, 2007." Click here to access this resource online, 2007. http://hdl.handle.net/10292/420.

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This thesis explores through the creation of four artworks, the nature of the sublime ruin. To facilitate this it examines the disintegration of selected religious feminine metaphors. The artworks are rendered through a multiplication of layers bound by translucent/transparent resin. These are produced to examine the potentials between traditional craft and contemporary digital mediums, thus creating sites where eroding fragments may express an excess of meaning through enigmatic construction.
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3

McGrath, Anthony Charles Ormond. "Books in art : the meaning and significance of images of books in Italian religious painting 1250–1400." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/40255/.

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This thesis uses images of books in Italian art of the duecento and trecento as pictorial evidence for the appearance of books and to establish a chronology for changes in the detail and style of book-bindings during those two centuries. The conclusions from the pictorial evidence is that there were material differences in the appearance of books in the duecento and trecento and that gold tooling was used to decorate books from about 1320, a hundred years earlier than previously thought. The thesis also considers how, and to what extent, medieval viewers related to images of books and whether
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4

Velimirovic, Nada. "Reflections of the divine| Muslim, Christian and Jewish images on luster glazed ceramics in Late Medieval Iberia." Thesis, Graduate Theological Union, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10240733.

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<p> For eight centuries, from 711 until 1492, a unique combination of political, cultural, and faith traditions coexisted in the mostly southern region of the Iberian Peninsula now called Spain. From the thirteenth century through the fifteenth century, two key production centers of luster glazed ceramics emerged in this region: Islamic-ruled M&aacute;laga and Christian-ruled Valencia. Muslim artisans using Islamic decorative motifs on reflective luster glaze ceramics created objects that patrons, including nobility and Christian royalty, clamored to collect. Initially, traditional Islamic de
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5

Chiu, Angela Shih Chih. "The social and religious world of northern Thai Buddha images : art, lineage, power and place in Lan Na monastic chronicles (Tamnan)." Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617604.

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6

Donadieu-Rigaut, Dominique. "Penser en images les ordres religieux, XIIe-XVe siècles /." Paris : Éd. Arguments, 2005. http://catalogue.bnf.fr/ark:/12148/cb40072980c.

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7

El-Hanany, Efrat. "Beating the devil : images of the Madonna del Soccorso in Italian Renaissance art /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3230546.

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8

Laurens, Annie-France. "Hébé : images, mythes et cultes." Paris 10, 1985. http://www.theses.fr/1985PA100154.

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9

Gillgren, Peter. "Gåva och själa : epitafiemåleriet under stormaktstiden /." Uppsala : Univ, 1995. http://catalogue.bnf.fr/ark:/12148/cb37705053b.

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10

Dawson, Paula Heatley Art College of Fine Arts UNSW. "The Concrete Holographic Image: an Examination of Spatial and Temporal Properties and their Application in a Religious Art Work." Awarded by:University of New South Wales. School of Art, 2000. http://handle.unsw.edu.au/1959.4/18201.

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The premise of this thesis is that the ???concrete holographic image???, a laser transmission hologram which has an object or a hologram of an object as its subject, has unique spatial and temporal properties which can suggest a plurality of tenses to a viewer. There is a lack of comprehensive analysis of the holographic representational system within art related theoretical and critical writing and a tendency to analyse individual works only in terms of generalities which apply to the concepts surrounding the holographic medium. While these form an important background for art image productio
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11

Smith, Gregory Brian, and res cand@acu edu au. "Images of Salvation: A study in theology, poetry and rhetoric." Australian Catholic University. School of Theology, 2007. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp144.17052007.

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Humankind yearns for reconciliation, fulfilment and salvation, and the human heart has always sought deliverance from negative forces. In particular, this yearning for salvation is most apparent when poets envisage such yearning in living situations and in recognisable life circumstances. Reading them shows how the quest for salvation is being achieved in daily steps that incarnate movements of hope and a contesting of despair. This dissertation captures some significant images of salvation expressed in selected Australian poetry. It argues that what is classically called final salvation is im
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12

Saint-Martin, Isabelle. "Voir, savoir, croire : textes et tableaux dans les catéchismes en images (1800-1920)." Paris 7, 1998. http://www.theses.fr/1998PA070101.

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Le "catéchisme en images" relève des arts visuels liés au sacré comme du manuel d’instruction chrétienne, tel qu’il s’est répandu dans la mouvance des Réformes, progressant avec les avancées de l’alphabétisation et la culture de l’écrit. En cela, il met en jeu une double économie de la transmission de la foi. Si les premiers catéchismes imprimés, ceux de Luther, du Concile de Trente ou de Canisius, reçurent très tôt des versions illustrées, celles-ci restèrent rares jusqu’au XIXe siècle. La vulgarisation de nouvelles techniques de reproduction comme les évolutions de la pédagogie et l’intérêt
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13

Levine, Adam. "The image of Christ in Late Antiquity : a case study in religious interaction." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:bf630377-9f51-4e53-bb6f-d60d750745d3.

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This dissertation focuses on images of Christ that date from the first half of Late Antiquity, defined as the three centuries between AD 200 and 500. The cultural dynamics of this period left a distinct impression on Christian art, and this dissertation traces that impact. Unlike other studies that attempt to resolve ambiguity within the corpus of Christ images, the argument here maintains that ambiguity was a key component in the creation and subsequent interpretation of the Late Antique Christian iconography. The dissertation proceeds in three parts, each comprising two chapters. In the firs
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14

Balondrade, Bruno. "Pastorale tridentine et iconographie religieuse dans le diocèse de Bordeaux (1560-1789) : retables, images, mobilier et ornements de culte, les images entre l'iconoclasme protestant et l'équivoque maçonnique." Bordeaux 3, 2011. http://www.theses.fr/2011BOR30040.

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15

Faure, Philippe. "Les cieux ouverts : les anges et leurs images dans le christianisme médiéval (XIe-XIIIe siècle) : étude d'anthropologie et d'iconographie religieuse." Paris, EHESS, 1994. http://www.theses.fr/1994EHES0307.

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Cette these etudie les rapports entre l'ange et l'homme dans le christianisme latin pendant le moyen-age central. La perspective de recherche releve de l'anthropologie historique; il s'agit de degager la coherence d'un systeme de representation et son evolution, et de les expliquer. L'examen des sources utilisees (recit de visions, miniatures) revele l'existence d'un "systeme angelophanique", fonde sur la dimension mythique de l'ange, sur ses fonctions d'ordonnateur, de modele et d'initiateur, dans le cadre de la culture monastique dominante, qui definit les contours d'une "anthropologie angel
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Savieto, Mônica Carolina. "Catolicismos crioulizados: presença centro africana na região do Vale do Paraíba (SP)." Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/12666.

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Made available in DSpace on 2016-04-27T19:30:17Z (GMT). No. of bitstreams: 1 Monica Carolina Savieto.pdf: 3586222 bytes, checksum: b46c0555319daf44f42dc2baaeba262f (MD5) Previous issue date: 2011-05-20<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Catholicism, in the region of the Vale do Paraíba, throughout the century XIX, got by profound changes. This originality, resulting from the african presence, is remarkable in religious feast of the region even today. This research approach this originality through statuary catholic saints called nó de pinho. The central afric
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17

Sbeghen, Jo-Anne Maree. "An analysis of the sculpture of Candi Sukuh in Central Java : its meanings and religious functions 1437-1443 C.E. / Jo-Anne Maree Sbeghen." [St. Lucia, Qld.], 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18558.pdf.

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18

Chandrasekhar, Chaya. "Pāla-Period Buddha Images: their hands, hand gestures, and hand-held attributes." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1092830047.

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19

Luk, Yu Ping. "Empresses, religious practice and the imperial image in Ming China : the Ordination Scroll of Empress Zhang (1493)." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:797fc7ce-34c7-4af3-a96d-928cec15098a.

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The Ordination Scroll of Empress Zhang (1493) in the San Diego Museum of Art, a highlight at the Taoism and the Arts of China exhibition in 2000, is an unusual object among surviving visual material from Ming dynasty China (1368 – 1644). At over twenty-seven metres long, the scroll contains meticulously painted images and a detailed inscription that records the Daoist ordination of Empress Zhang (1470 – 1541), consort of the Hongzhi emperor (r. 1488 – 1505) by the Orthodox Unity institution. The event it documents, which elevates the empress into the celestial realm, would be unknown to histor
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20

Worley, Taylor. "Theology and contemporary visual art : making dialogue possible." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/940.

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Within the field of theological aesthetics, this project assesses the divide between theological accounts of art and the re-emergence of religious imagery in modern and contemporary art. More specifically, American Protestant theologians and their accounts of visual art will be taken up as a representative set of contemporary theological inquiry in the arts. Under this category, evaluation will be made of three diverse traditions in American Protestant thought: Paul Tillich and Liberal Protestantism, Francis Schaeffer and the Neo-Calvinists, and the open evangelical accounts of Nicholas Wolter
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21

Cucuzzella, Jean Moore. "The Destruction of the Imagery of Saint Thomas Becket." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278647/.

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This thesis analyzes the destruction of imagery dedicated to Saint Thomas Becket in order to investigate the nature of sixteenth-century iconoclasm in Reformation England. In doing so, it also considers the veneration of images during the late Middle Ages and the Renaissance. Research involved examining medieval and sixteenth-century historical studies concerning Becket's life and cult, anti-Becket sentiment prior to the sixteenth century, and the political circumstances in England that led to the destruction of shrines and imagery. This study provides insight into the ways in which religious
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22

Le, Luel Nathalie Barral i. Altet Xavier. "Le portail Saint-Ursin de Bourges recherches sur l'iconographie profane en façade des églises romanes /." Rennes : Université Rennes 2, 2009. http://theses.scdbases.uhb.fr:8000/theseLeLueldiffusable.pdf.

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23

Granados, Salinas Rosario. "Fervent Faith. Devotion, Aesthetics, and Society in the Cult of Our Lady of Remedios (Mexico, 1520-1811)." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10398.

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This study examines the cult of Our Lady of Remedios from an art-historical perspective. Choosing this specific cult statue as a case study is not arbitrary: Remedios is among the oldest Marian images in the New World and was named first patroness of Mexico City in 1574, when the city council became the patron of her shrine and a confraternity was founded to better disseminate the cult. As a result, the statue was carried fifty-seven times through the streets of New Spain's capital in three hundred years (an average of one procession every five years), thus outnumbering any other religious eve
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24

Gibbs, Donna L. "Organizational Restructuring and the Process of Image Making: An Arts-based Inquiry of the Image Making Experiences Provided for the Delegates of a Religious Congregation Involved in Restructuring." Digital Commons at Loyola Marymount University and Loyola Law School, 2014. https://digitalcommons.lmu.edu/etd/51.

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This phenomenological study examines the impact image-making experiences had on the leadership restructuring of a women’s religious congregation. Six Catholic women religious ranging in ages 65-85 participated in an arts-based workshop informed by art therapy theories to explore the meaning of making art during their Province Chapter meetings in which leadership restructuring was on the agenda. In addition, 42 of the 80 Province Chapter delegates responded to a survey about their experience. The data collected includes the survey, the workshop process, the images made by the six participants,
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25

Roche, Lucile. "L'ombre de Dieu : représenter la Création du monde en France (1610-1789)." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H039.

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«Au commencement, Dieu créa le Ciel et la Terre». À l’ouverture du récit de la Genèse, le plus célèbre des incipit condense ce qui a constitué durant des siècles à la fois l’imagerie et le modèle théorique de la Création du monde en Occident. Or, dès le XVIIe siècle, la conception de la Création s’enrichit de considérations savantes qui bousculent l’univoque de la version biblique. Le récit canonique est alors instruit par les notions profanes d’évolution ou de loi mécanique qui bouleversent l’image biblique d’un Dieu-Créateur du monde en six jours dont la tradition avait longtemps fixé le can
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Mohammad-Zadeh, Mehdi. "L'iconographie chiite des Qâdjârs : émergence, sources et développement." Paris, EPHE, 2008. http://www.theses.fr/2008EPHE5021.

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Cette thèse composée de cinq partie se propose d'étudier le genèse et les caractères particuliers de l'iconographie chiite, de présenter les grandes lignes de son évolution et de rendre compte de son fonctionnement à l'intérieur de la société iranienne à l'époque qâdjâre (1796-1925). Elle analyse les rapports entre cette iconographie chiite et les genres littéraires de la représentation des saints, présente les étapes de son évolution chronologique et ses principaux thèmes et sources d'inspiration. Dans cette étude, nous avons replacé la représentation des saints dans son contexte iranien, chi
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Henderson, Lucia. "Producer of the living, eater of the dead : revealing Tlaltecuhtli, the two-faced Aztec earth /." Oxford : Archaeopress, 2007. http://www.loc.gov/catdir/toc/fy0801/2007408618.html.

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28

Júnior, Iron Mendes de Araújo. "O papel das imagens sacras na religiosidade: análise das obras do Museu de Arte Sacra de Pernambuco e igrejas do sítio histórico de Olinda." Universidade Católica de Pernambuco, 2016. http://www.unicap.br/tede//tde_busca/arquivo.php?codArquivo=1244.

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Este trabalho analisa a importância de algumas esculturas sacras, pertencentes ao Museu de Arte Sacra de Pernambuco MASPE, bem como algumas peças de Igrejas do sítio histórico de Olinda, como objetos que resguardam em seus símbolos elementos de relevância para a compreensão histórica da formação religiosa e cultural brasileira. Para tanto, remontamos a formação do catolicismo brasileiro que compõe parte da cultura nacional, através da investigação histórica. Para contextualizarmos o componente histórico recorremos a autores que refletem, sobre a formação do catolicismo e, consequentemente, da
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Ferraro, Séverine. "Les images de la vie terrestre de la Vierge dans l'art mural (peintures et mosaïques) en France et en Italie : des origines de l'iconographie chrétienne jusqu'au Concile de Trente." Phd thesis, Université de Bourgogne, 2012. http://tel.archives-ouvertes.fr/tel-00841816.

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Ce travail de thèse est consacré aux images murales de la vie terrestre de la Vierge, une séquence iconographique composée de l'histoire de la jeunesse de Marie et des épisodes de la vie du Christ auxquels la Vierge est associée, jusqu'à la Pentecôte. La recherche s'inscrit dans un cadre chronologique étendu, depuis le premier art chrétien jusqu'au concile de Trente. Elle repose sur une abondante documentation iconographique qui comporte plus de 2300 images, peintures et mosaïques murales, conservées en France et en Italie. La première partie du mémoire est consacrée à l'analyse quantitative d
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Motta, Valeria. "Le spectacle de la dévotion. Le sanctuaire de la Madone des Grâces de Mantoue : image votive et représentation (XVe-XVIIe siècles)." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0118.

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Cette thèse s’intéresse aux processus de production de l’image votive à travers l’étude d’un ensemble de sculptures conservées dans le Sanctuaire de la Madone des Grâces de Curtatone, proche de Mantoue. L’extraordinaire apparat votif que l’on peut y admirer est constitué de cinquante-trois effigies polychromes et polymatheriques, datant pour la plupart du XVIe siècle, représentant le donateur grandeur nature, et pourvues d’accessoires réels (vêtements, cordes, objets dévotionnels…). Ces figures sont disposées dans des niches au sein d’une structure architecturale en bois totalement couverte d’
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Araújo, Júnior Iron Mendes de. "O papel das imagens sacras na religiosidade: análise das obras do Museu de Arte Sacra de Pernambuco e igrejas do sítio histórico de Olinda." Universidade Católica de Pernambuco, 2016. http://tede2.unicap.br:8080/handle/tede/396.

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Made available in DSpace on 2017-06-01T18:12:58Z (GMT). No. of bitstreams: 1 iron_mendes_araujo_junior.pdf: 7621341 bytes, checksum: 9b49acecb23f2849136f53d0eb0fc1dd (MD5) Previous issue date: 2016-11-11<br>This paper analyzes the importance of some sacred sculptures, belonging to the Sacred Art Museum of Pernambuco - MASPE as well as some parts of Olinda's historical site Churches, as objects that shelter in their relevant elements symbols for the historical understanding of religious formation and Brazilian culture. Therefore, we reassemble the formation of Brazilian Catholicism that makes
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32

Chamberland, Philippe. "Foi et images : enjeux spirituels et pédagogiques du tableau religieux dans les paroisses rurales au Bas-Canada. Deux études de cas à partir du fonds de tableaux Desjardins." Master's thesis, Université Laval, 2014. http://hdl.handle.net/20.500.11794/25617.

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Notre mémoire s’intéresse au fonds de tableaux Desjardins, plus spécifiquement aux œuvres acquises par les paroisses rurales du Bas-Canada entre 1817 et 1833, dans l’optique d’une utilisation à des fins surpassant la seule ornementation. D’abord, il s’attarde à la situation de l’Église catholique au sein de la colonie au tournant du XIXe siècle, moment de l’arrivée des tableaux. Ensuite, il démontre l’intérêt des ecclésiastiques du Bas-Canada à l’égard des images et leur conscience des services qu’elles peuvent rendre à la religion. Ultimement, par le biais des ensembles constitués par les par
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Collingridge, Lorna Marie, and n/a. "Music as Evocative Power: The Intersection of Music with Images of the Divine in the Songs of Hildegard of Bingen." Griffith University. School of Theology, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040624.110229.

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Hildegard's songs evoke an erotic and embodied devotion to a Divinity imagined as sensuous, relational, immanent and often female. These songs, written for use in her predominantly female community, are part of Hildegard's educational program to guide the spiritual development of the women in her Benedictine monastery. Hildegard's theology of music proposes that the physical act of singing enables humans to experience connection to the Living Light (Hildegard's most common address for the voice of the Holy Presence in her visions, lux vivens), and to embody this Divinity in their midst. Her
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Thomas, Romain. "La fiancée hollandaise. : images du mariage et usages sociaux, religieux et politiques de la symbolique matrimoniale dans les Provinces-Unies au XVIIe siècle." Thesis, Lyon 2, 2012. http://www.theses.fr/2012LYO20094.

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Société ”iconique” par excellence, les Provinces-Unies au XVIIe siècle sont un espace où la représentation graphique envahit le quotidien. Parallèlement, le mariage est une institution au cœur d’un processus de réhabilitation et de cristallisation confessionnelle de dispositions dogmatiques et disciplinaires. Il constitue en outre une expérience anthropologique fondamentale, dont chacun fait l’expérience, comme acteur ou spectateur. Dans cette perspective, les images du mariage innervent toute la culture visuelle de la société néerlandaise et sont au croisement d’enjeux sociaux, religieux et p
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Dagalita, Cristina. "En .I. lieu desert, plain de montagnes : les images et la commande d’oeuvres d’art pour les chartreuses médiévales (fin du XIe siècle - début du XVIe siècle)." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040139.

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Après la fondation de la première chartreuse en 1084 par Bruno de Cologne dans les Alpes, ces monastères, installés au départ dans des sites isolés, furent réputés pour leur austérité. Les moines, qui faisaient vœu de silence, vivaient reclus dans leur cellules la plupart du temps, ne se retrouvant que deux fois par jour pour célébrer la messe. Dans ce cadre, qui a donné lieu à une architecture spécifique, les premières mentions d’œuvres d’art, dans la législation, apparaissent dans la deuxième moitié du XIIIe siècle. Cette période correspondait à la fois à une modification de la structure de
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Pereira, André Luiz Tavares 1972. "A constituição do programa iconografico das irmandades de clerigos seculares no Brasil e em Portugal no seculo XVIII : estudos de caso." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280540.

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Orientador: Luciano Migliaccio<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-06T14:32:40Z (GMT). No. of bitstreams: 1 Pereira_AndreLuizTavares_D.pdf: 16783528 bytes, checksum: 4a2b9bca695a2de3258393c69e2d0701 (MD5) Previous issue date: 2006<br>Resumo: A presente tese analisa o papel das irmandades de clérigos seculares, na América portuguesa e em Portugal, como encomendadoras de obras artísticas ao longo do século XVIII. Procura-se demonstrar de que maneira organiza-se seu programa iconográfico até 17
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Laroche, Ginette. "L'iconographie jésuite et ses implications cultuelles dans l'art et la religion des Québécois (1842-1968)." Doctoral thesis, Université Laval, 1990. http://hdl.handle.net/20.500.11794/17611.

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Poole, Kevin Ray. "Visualizing apocalypse image and narration in the tenth-century Gerona Beatus Commentary on the apocalypse /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1153502367.

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Montoya, Manuel. "Le peintre herméneute : théorétique et théologie de l'image dans la peinture espagnole des siècles d'or (1560-1730)." Montpellier 3, 1998. http://www.theses.fr/1998MON30002.

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Il est habituel de parler de l'influence du concile de trente dans le contexte esthetique du xvie et du xviie siecle, sans que l'on sache vraiment en quoi la contre-reforme a ete operatoire. La xxve session du concile, extremement muette en la matiere, n'explique rien car elle ne ; s'interesse qu'a l'impact mondain de l'image. C'est pourtant a cette session que se referent uniquement les historiens de l'art. Toutefois, les discussions de la 2eme et de la 3eme periodes consacrees a la presence effective du sens dans le signe eucharistique nous instruisent sur la possible reception de ce debat d
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Woolson, Ash Kyrie. "Untitled Media Images." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306961851.

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Neuilly, Elise-Annunziata. "Des Vertus et du roi : relectures d'une iconographie du gouvernement : France-Italie, XIIIe-XVIIe siècles." Thesis, Bourgogne Franche-Comté, 2019. http://www.theses.fr/2019UBFCH041.

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Ce travail de doctorat en histoire de l’art médiéval s’est constitué en plusieurs étapes. D’un premier constat sur l’utilisation fréquente, voir même récurrente, et largement variée de l’iconographie des Vertus au Moyen Age, une spécificité s’est rapidement dégagée : leur présence dans les lieux de gouvernance, et aussi leur association régulière avec les hommes de pouvoir, tant dans la sphère civile que dans la religieuse. Par hommes de pouvoir, il est entendu ici les représentants des différents types de gouvernement de l’époque médiévale en Occident. Ce sont les rois, les princes, les membr
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Linton, Jerry. "Chance images." Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9862.

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Quine, Dany. "L'analyse phénoménologique et structurale de l'art sacré et la fonction sociale du mysticisme." Doctoral thesis, Université Laval, 1991. http://hdl.handle.net/20.500.11794/33515.

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Cette thèse vise à préciser les fonctions sociales du mysticisme par 1’analyse d’oeuvres d’art sacré. Par le biais de la méthode d’analyse phénoménologique et structurale adaptée à la représentation plastique du divin, sont identifiés les facteurs de régulation sociale actualisés au sein du comportement mystique et visualisés à travers l’art sacré. Les résultats obtenus témoignent d’un lien entre la représentation plastique du divin et la nature de 1’équilibre social inhérent au contexte de production en plus d’étayer 1’hypothèse selon laquelle la pensée religieuse adulte est fonctionnellement
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Davis, David Jonathan. "Picturing the invisible : religious printed images in Elizabethan England." Thesis, University of Exeter, 2009. http://hdl.handle.net/10036/85653.

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This thesis analyses the culture of printed images during the Elizabethan period, particularly those images of a religious nature. Focusing on images which depict invisible beings (i.e. angels, God, demons etc.), the thesis addresses the assumption that Protestant England all but completely eradicated religious visual imagery from society. Examining images that were first created and printed in Elizabethan England as well as older images which had been recycled from earlier texts and others imported from Europe, the research offers an analysis of Protestant printed imagery between 1558 and 160
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Bateman, Vivienne Margaret. "The themes and images of classical Gaelic religious poetry." Thesis, University of Aberdeen, 1990. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU032963.

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The thesis is an examination of all the published religious Gaelic poetry composed in syllablic metres. An analysis of its themes and images reveals the theological concepts of the poets and the mechanisms by which these were forged into a distinct genre of poetry. A legal metaphor forms the basis of the sociology of the poets. They held that mankind will only be redeemed by the Passion if Christ's claim for His blood-price can be met at Doom. This can only be achieved if Christ deems that mankind's debt to Him is cancelled out by the debt He owes to our kinswoman, the Virgin Mary, for having
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D'Elia, Una Roman. "The poetics of Titian's religious paintings /." Cambridge : Cambridge University Press, 2005. http://catalogue.bnf.fr/ark:/12148/cb39938959v.

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Strandberg, Åsa. "The Gazelle in Ancient Egyptian Art : Image and Meaning." Doctoral thesis, Uppsala universitet, Egyptologi, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-107642.

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This thesis establishes the basic images of the gazelle in ancient Egyptian art and their meaning. A chronological overview of the categories of material featuring gazelle images is presented as a background to an interpretation. An introduction and review of the characteristics of the gazelle in the wild are presented in Chapters 1-2. The images of gazelle in the Predynastic material are reviewed in Chapter 3, identifying the desert hunt as the main setting for gazelle imagery. Chapter 4 reviews the images of the gazelle in the desert hunt scenes from tombs and temples. The majority of the mo
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Andreopoulos, Andreas. "The death of art : the transformation of art from a religious perspective." Thesis, Durham University, 1998. http://etheses.dur.ac.uk/4089/.

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The hypothesis put forth in this dissertation is twofold. The first part is based on a view (supported by writers such as Hans Belting) that maintains that art lost its sacred character in the late Middle Ages, when art was emancipated from religion and the artist was recognized as an original Creator. The two first chapters examine this issue: The first chapter (A Religious View of the History of the Arts) discusses theories of religious art from the ancient Jewish drama and the Greek tragedy to the late Middle Ages. Psychological material, mostly drawn from Lacan and Jung, is used to explore
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Lamontagne, Emmanuel. "Les représentations du Sacré Cœur de Jésus : les petites images pieuses en «dentelles mécaniques» au Québec au XIXe et au début du XXe siècle : un outil visuellement et textuellement performant au service de la diffusion de la dévotion." Master's thesis, Université Laval, 2021. http://hdl.handle.net/20.500.11794/70387.

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Le présent ouvrage s'intéresse à un champ d'études délaissé en histoire de l'art, celui du canivet dit de type « dentelles mécaniques ». Ce mémoire se concentrera sur l'imagerie pieuse de petit format concernant l'un des deux pôles dévotionnels majeurs du catholicisme du XIXe siècle, soit le Sacré Cœur de Jésus. Nous verrons que le canivet, sous l'apparence d'un objet à première vue anodin, quoiqu'aux usages multiples dans son contexte d'origine, est un élément participatif de la construction de l'identité catholique canadienne-française. Pour ce faire nous allons démontrer que le canivet méca
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Bashir, Majedah. "Floral images in metal." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/724965.

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This creative project will culminate in a show of twenty-five pieces of metalwork, both wearable and sculptural, using as source material the rich tradition the floral imagery found in Islamic arts. Specifically the pieces will be based on the art of the Persian Gulf area. sources will be floral images as expressed in architectural elements, fabric, tiles, and other related arts or crafts.<br>Department of Art
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