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1

Altaş, Nurullah. Dinî danışmanlık ve din hizmetleri. Esenler, İstanbul: Ensar Neşriyat, 2014.

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2

Turkey) Dini Danışmanlık Hizmetleri ve Fetva Konsepti İstişare Toplantısı (2009 Ankara. Dini danışmanlık hizmetleri ve fetva konsepti istişare toplantısı: (11-13 Aralık 2009) Kızılcahamam / Ankara. Çankaya, Ankara: Diyanet İşleri Başkanlığı, 2013.

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3

Din-Devlet İlişkileri ve Türkiye'de Din Hizmetlerinin Yeniden Yapılanması Uluslararası Sempozyumu (1996 Atatürk Kültür Merkezi). Din-Devlet İlişkileri ve Türkiye'de Din Hizmetlerinin Yeniden Yapılanması Uluslararası Sempozyumu: 26-27 Mart 1996, Atatürk Kültür Merkezi. İstanbul: CEM Vakfı, 1998.

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4

Association, Sa-Dhan. Policy interface 2010: A report : interface on financial inclusion of dalits, tribals, and religious minorities : issues, challenges, and way forward. New Delhi: Sa-Dhan, 2010.

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5

Gerlach, Cecil Carrie, ed. Dancing for the devil: One woman's dramatic and divine rescue from the sex industry. Thorndike, Maine: Center Point Large Print, 2014.

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6

Dancing for the devil: One womans dramatic and divine rescue from the sex industry. [Place of publication not identified]: Simon & Schuster, 2015.

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7

Service quality and piligrim satisfaction in Tirumala Tirupati Devasthanams. Mumbai: Himalaya Publishing House, 2014.

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8

Gerlach, Cecil Carrie, ed. Dancing for the devil: One woman's dramatic and divine rescue from the sex industry, a memoir. New York: Howard Books, 2014.

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9

Akram, Tanweer. Faith, Finance, and Economy: Beliefs and Economic Well-Being. Singapore: Springer Nature, 2020.

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10

G, Coward Harold, ed. Population, consumption, and the environment: Religious and secular responses. Albany, NY: State University of New York Press, 1995.

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11

Meiselman, Herbert L. Meals in science and practice: Interdisciplinary research and business applications. Oxford: Woodhead Publishing, 2009.

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12

England and Wales. Sovereign (1625-1649 : Charles I). By the King: Whereas there hath fallen out an interruption of amitie betweene the Kings Maiestie and the most Christian king .. Imprinted at London: By Bonham Norton and Iohn Bill ..., 1985.

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13

Sang-in, Chŏn, ed. Hanʼguk hyŏndaesa: Chinsil kwa haesŏk. Kyŏnggi-do Pʻaju-si: Nanam Chʻulpʻan, 2005.

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14

Din hizmetleri ve din eğitiminde Türkiye tecrübesi: Diyanet, ilahiyat, imam, hatip. 2nd ed. [Ankara]: Diyanet İşleri Başkanlığı, 2020.

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15

Donewald, Anny. Dancing for the Devil: One Woman's Dramatic Rescue from the Sex Industry. Lion Hudson PLC, 2015.

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16

Donewald, Anny. Dancing for the Devil: One Woman's Dramatic and Divine Rescue from the Sex Industry. Lion Hudson PLC, 2015.

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17

Akram, Tanweer, and Salim Rashid. Faith, Finance, and Economy. Saint Philip Street Press, 2020.

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18

Akram, Tanweer, and Salim Rashid. Faith, Finance, and Economy: Beliefs and Economic Well-Being. Springer International Publishing AG, 2020.

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19

Akram, Tanweer, and Salim Rashid. Faith, Finance, and Economy: Beliefs and Economic Well-Being. Springer International Publishing AG, 2020.

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20

Looft, Michael. Inspired Finance. Palgrave Macmillan, 2014.

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21

Looft, Michael. Inspired Finance: The Role of Faith in Microfinance and International Economic Development. Palgrave Macmillan, 2014.

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22

Population, Consumption, and the Environment: Religious and Secular Responses. State University of New York Press, 1995.

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23

Population, Consumption, and the Environment: Religious and Secular Responses. State University of New York Press, 1995.

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24

Ingalls, Monique M. Transnational Connections, Musical Meaning, and the 1990s “British Invasion” of North American Evangelical Worship Music. Edited by Jonathan Dueck and Suzel Ana Reily. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199859993.013.004.

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Monique Ingalls’ essay, on the “British invasion” of U.K. contemporary evangelical congregational worship songs into the U.S. market, points to how a transnational musical network provides ways for powerful individuals within the music industry to locate “authentic” religious faith. The U.K. worship music industry imagined different uses and, consequently, formats for its music than that of the American-based Christian music industry: the American-based industry modeled its songs on pop, focusing on radio-friendly short song formats; but U.K. industry modeled its music and performances on charismatic worship services that had a long and powerful emotional trajectory. As a set of U.S. Christian music industry elites traveled to the U.K. and experienced U.K. performances, they began to locate “authentic” worship in the developing U.K. style—largely through their own embodied experiences of worship. These mobile individuals laid the groundwork for the “British invasion” of the U.S. Christian music market, which led to a new genre term: “modern worship.” While Ingalls sees these industry executives as real agents, she also interprets their experiences and choices as part of an emergent discourse in which, as she aptly puts it, “religious rationales [exist] side by side, and in many ways justify, the capitalist logic within the evangelical media industry.”
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25

Tieman, Marco. Halal Business Management. Taylor & Francis Group, 2020.

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26

Tieman, Marco. Halal Business Management: A Guide to Achieving Halal Excellence. Taylor & Francis Group, 2020.

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27

Tieman, Marco. Halal Business Management: A Guide to Achieving Halal Excellence. Taylor & Francis Group, 2020.

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28

Halal Business Management: A Guide to Achieving Halal Excellence. Taylor & Francis Group, 2020.

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29

Tieman, Marco. Halal Business Management: A Guide to Achieving Halal Excellence. Taylor & Francis Group, 2020.

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