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Dissertations / Theses on the topic 'Religious symbolism'

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1

Taylor, Marie Teresa Balsley. "The religious symbolism of Louise Erdrich." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/457043163/viewonline.

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Anttonen, Ramona. "Animal Imagery and Religious Symbolism in Joseph Conrad's." Thesis, Växjö University, School of Humanities, 2001. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-536.

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<p>The purpose of this essay is to investigate how Joseph Conrad has used animal imagery and religious symbolism in “Heart of Darkness,” and determine if these tools are somehow linked to the theme of the story. Close reading has been applied in order to be able to go through the entire story in search of these often well-hidden tools. Considering the fact that the story in focus of the analysis is believed by some, including myself, to be a long short story rather than a short novel, this method of approach has proved to be highly useful. First a discussion about a possible theme in “Heart of
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Keiany, Mohsen. "Architecture, craft and religious symbolism in rural areas of Baluchistan in Pakistan." Thesis, Birmingham City University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518231.

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Ritchie, Fairlie. "Depth and destiny : religious significance in the symbolism of Isak Dinesen's literature." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66082.

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Jones, Ariane. "Giacomo Manzù as a religious artist." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=55606.

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6

Park, Jin Kyu. "Media, religion, and culture in contemporary Korea: Production and reception of religious symbolism in a daily TV serial." Diss., Connect to online resource, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3207764.

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7

Wilson, Harold H. (Harold Hector). "Charles Morris' Maitreyan path as via positiva : toward a semiotic of religious symbolism." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68145.

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Charles William Morris (1901-1979) was a student of George Herbert Mead in the early 1920s when Mead was involved in the Chicago School. Inspired by his mentor, Morris wrote extensively on semiotics, philosophy of mind, philosophy of science, aesthetics, axiology and religion. Morris has received wide acclaim for his writings on semiotics. However, his writings pertaining to religion--the study of which preoccupied him throughout his life--have been all but entirely overlooked.<br>Morris first presented the "Maitreyan path" in his Paths of Life: Preface to a World Religion (1942). The expressi
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8

Shields, James Mark. "The lure of disillusion : toward a reappraisal of realism in religious understanding." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ29514.pdf.

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Hawley, Jessica R. "Religious Symbolism in Salvador Dali's Art: A Study of the Influences on His Late Work." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/honors/34.

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Salvador Dalí was an artist who existed not long before my generation; yet, his influence among the contemporary art world causes many people to take a closer look at the significance of the imagery in his paintings. For the most part, Dalí is categorized as a Surrealist artist, yet in this essay, I also plan to explore other possibilities of influence that surrounded Salvador Dalí’s generation and inspirational background. Around 1941, Dalí’s work began to shift away from Surrealism and, instead, moved toward a more Classical style that contained many religious themes, a style which he ca
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Goodison, Lucy. "Some aspects of religious symbolism in the Aegean area during the Bronze and early Iron Ages." Thesis, University College London (University of London), 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420080.

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11

Franses, Henri. "Portraits of patrons in Byzantine religious manuscripts." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22359.

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Byzantine religious manuscripts were commissioned by people from many levels of society. Several contain portraits of their commissioners, represented together with a holy figure. An analysis of these scenes, examining features such as the holy figures represented and their specific iconographic meaning, and the relation of mortal to divine, reveals many facets of Byzantine art, religion and society. This analysis indicates a major distinction between portraits representing the emperor, and those depicting all other patrons. Non-imperial portraits show deep personal devotion and piety. The man
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Bandyopadhyay, Anjoli. "The religious significance of ornaments and armaments in the myths and rituals of Kannaki and Draupadi /." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26719.

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The objective of this thesis is to isolate the symbolism of ornaments and armaments in the epics and in the rituals of Kannaki and Draupadi A detailed comparison of ornaments and armaments in the Cilappatikaram and in the Mahabharata will be provided, as well as an analysis of the function and meaning of these objects in the ritual traditions of Kannaki and Draupadi A study of the epic and ritual significance of ornaments and armaments will not only contribute tn the understanding of the nature and the role of these symbols, but should also shed light on the interaction between the Tamilian an
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Gould, J. A. "The religious orders and collegiate churches in Scotland, c. 1450-1560 popular perceptions and reactions /." Thesis, Connect to e-thesis, 1996. http://theses.gla.ac.uk/964/.

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Thesis (Ph.D.) -- University of Glasgow, 1996.<br>Submitted to the Scottish History Department, University of Glasgow in fulfilment for the degree of Doctor of Philosophy. Includes bibliographical references (vol 1. p. 674 - 750). Print version also available. Mode of access : World Wide Web. System requirements : Adobe Acrobat reader required to view PDF document.
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Carvalho, José Rodrigues de. "Território da religiosidade: fé, mobilidade e símbolos na construção do espaço sagrado da romaria do senhor do Bonfim em Araguacema, Tocantins." Universidade Federal de Goiás, 2014. http://repositorio.bc.ufg.br/tede/handle/tde/3045.

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Submitted by Erika Demachki (erikademachki@gmail.com) on 2014-09-09T17:08:14Z No. of bitstreams: 2 Carvalho, José Rodrigues de - 2014..pdf: 4647786 bytes, checksum: 051ca2967704f75898b6ecbb9be4eb5a (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Made available in DSpace on 2014-09-09T17:08:14Z (GMT). No. of bitstreams: 2 Carvalho, José Rodrigues de - 2014..pdf: 4647786 bytes, checksum: 051ca2967704f75898b6ecbb9be4eb5a (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2014-03-14<br>This paper aims to
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Jilek, Dwight. "Sven-David Sandström's Matthäuspassion: Examining J.S. Bach's Influence and Sandström's Compositional Language, Use of Symbolism, and Religious and Spiritual Motivations." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862768/.

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Beginning with his High Mass written in 1994, popular Swedish composer Sven-David Sandström modeled multiple compositions after famous canonical works using the same texts and/or instrumentation. Sandström wants to be compared to the greatest, specifically in how a twenty-first century composer responds to a text set , in the case of J.S. Bach's , over 250 years ago. His setting of Matthäuspassion (MP), which uses the same libretto as J.S. Bach, is his most extensive non-operatic work, one he considers his most significant, and likely his last work based on a preexisting model. This study 1) e
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McNally, Michael. "Appropriating the transcendent interpreting sefirot and mandala religious symbolism through the hermeneutics of Mircea Eliade, Carl Gustav Jung and Gershom Scholem /." Ann Arbor, Mich. : ProQuest, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1459966.

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Thesis (M.A. in Religious Studies)--S.M.U.<br>Title from PDF title page (viewed Mar. 16, 2009). Source: Masters Abstracts International, Volume: 47-03. Adviser: G. William Barnard. Includes bibliographical references.
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Cieslewicz, Lindsy Stewart. "Dance and Doctrine: Shaker and Mormon Dancing as a Manifestation of Doctrinal Views of the Physical Body." Diss., CLICK HERE for online access, 2000. http://patriot.lib.byu.edu/u?/MTAF,24559.

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Lloyd, S. Andrew. "Études: Five Compositional and Technical Studies for Solo Organ." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc499990/.

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Études was composed as a set of five interrelated movements in the followingorder: Prelude, Introduction and Fugue, Triptych, Chorale, and Response. The pieces are compositional as well as technical studies. The movements specifically explore certain styles and forms unique to organ music, and reintroduce these elements in creative ways. As in the traditional étude, each movement contains virtuosic technical studies, which are designed to enhance manual and pedal facility and prepare the performer for advanced repertoire.
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Vanderhaeghen, Léopold. "Des autels de Noé et d'Abraham au temple hiramique: la quête maçonnique du héros civilisateur dans les traditions juive et chrétienne." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210321.

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La franc-maçonnerie spéculative trouve l’origine de sa fondation, en 1717, en Angleterre,dans ce pays et ce siècle riches en créations de diverses associations ou clubs. Nombre d’entre eux, après des débuts encourageants, ont fini par péricliter, puis par disparaître. Alors que la maçonnerie a réussi à perdurer. <p>Pourquoi ce succès ?Quels ont été les fondements sur lesquels la franc-maçonnerie a édifié sa réussite ?<p>La thèse identifie, sans tenir compte d’un ordre de valeur, une série de bases structurelles :l'investissement symbolique dans le temple ainsi que dans la pierre, la valorisati
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Morgan, David. "The origin and use of compositional geometry in Christian painting /." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68125.

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Painters of Christian subjects in the late Middle Ages and early Renaissance developed a complex system of geometry which they used to order the various elements in the image. They did this because they were convinced that the aesthetic dimension of their work resided in the structure of the work. More specifically, the artists of the late Middle Ages and the Renaissance believed that the particular aesthetic experience which geometric compositional structure provides corresponded to Christian mystical experience. Thus a work of art that combined geometric structure, naturalistic style, and Ch
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Sbeghen, Jo-Anne Maree. "An analysis of the sculpture of Candi Sukuh in Central Java : its meanings and religious functions 1437-1443 C.E. / Jo-Anne Maree Sbeghen." [St. Lucia, Qld.], 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18558.pdf.

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Bullough, Kathryn Mary. "Temptress, virgin and whore : icons of sexuality - a comparative investigation of the religious significance of the figures Eve, the Virgin Mary and Mary Magdalen in the work of Dante Gabriel Rossetti, Edward Burne-Jones and George Frederick Watts." Thesis, Lancaster University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369551.

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Ramalho, Aline Grasiele Araújo. "O SIMBOLISMO RELIGIOSO EM MIRCEA ELIADE: PASSIVIDADE, DINÂMICA E RESSIGNIFICAÇÃO." Universidade Metodista de São Paulo, 2012. http://tede.metodista.br/jspui/handle/tede/217.

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Made available in DSpace on 2016-08-03T12:19:02Z (GMT). No. of bitstreams: 1 ALINE GRASIELE ARAUJO RAMALHO.pdf: 596067 bytes, checksum: 10c98b1456a39eae25cd36510d32a39e (MD5) Previous issue date: 2012-03-26<br>This research investigates the symbolization process on Mircea Eliade s thought. The study on religious symbolism includes categories of the human as well as concepts and experiences with the sacred lived by the religious men. The world is revealed through symbols, in which it is possible to achieve a better understanding of the human being. This research assistson the understanding of
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Mendonça, Maria Luiza Vianna Pessoa de. "A história das religiões de Mircea Eliade: estatuto epistemológico, metodologia e categorias fundamentais." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/1847.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-06-17T14:19:05Z No. of bitstreams: 1 marialuizaviannapessoademendonca.pdf: 4089662 bytes, checksum: c52edde5b2edf7a0dc3516fd910107e8 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-07-13T14:38:59Z (GMT) No. of bitstreams: 1 marialuizaviannapessoademendonca.pdf: 4089662 bytes, checksum: c52edde5b2edf7a0dc3516fd910107e8 (MD5)<br>Made available in DSpace on 2016-07-13T14:38:59Z (GMT). No. of bitstreams: 1 marialuizaviannapessoademendonca.pdf: 4089662 bytes, checksum: c52edde5b2edf7a0d
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Ahlsén, Nils. "Erik de Magog och Johan av fotfolket : Haute couture och religiös propaganda i stål och sten." Thesis, Uppsala universitet, Religionshistoria, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-352894.

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This study examines four suits of armour that belonged to two Swedish kings, one protestant and one catholic, during the renaissance. The study tries to determine if it is possible to extract the religious identity of these kings based upon the decorations or other connotations of the suits of armour. Since the two kings, Erik the XIV:th and John the III, where half brothers and they succeeded each other, the suits of armour are closley matched in time and style.   The study also examines the grave effigy of one of the kings, John the III of Sweden, to examine if there is a connection between
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Angers, Philippe 1968. "Principles of religious imitation in mediaeval architecture : an analysis of the Holy Sepulchre in Jerusalem and its European copies from the Carolingian period to the late Romanesque." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98534.

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This study concerns the concept of sacred architectural imitation, using the Platonic notion of mimesis which then later finds expression in the medieval idea of imitatio. In Religious as well as in artistic and architectural forms of expression, the notion of imitation is indeed a very central and complex issue. At the heart of this concept is the question of meaning, or, more precisely, the transference or translation of meaning; from original to copy, from prototype to reproduction.<br>In order to better illustrate and understand the principles guiding the notion of medieval sacred architec
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Júnior, Iron Mendes de Araújo. "O papel das imagens sacras na religiosidade: análise das obras do Museu de Arte Sacra de Pernambuco e igrejas do sítio histórico de Olinda." Universidade Católica de Pernambuco, 2016. http://www.unicap.br/tede//tde_busca/arquivo.php?codArquivo=1244.

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Este trabalho analisa a importância de algumas esculturas sacras, pertencentes ao Museu de Arte Sacra de Pernambuco MASPE, bem como algumas peças de Igrejas do sítio histórico de Olinda, como objetos que resguardam em seus símbolos elementos de relevância para a compreensão histórica da formação religiosa e cultural brasileira. Para tanto, remontamos a formação do catolicismo brasileiro que compõe parte da cultura nacional, através da investigação histórica. Para contextualizarmos o componente histórico recorremos a autores que refletem, sobre a formação do catolicismo e, consequentemente, da
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Burns, Ruth Barbara. "Reading race in Western Christian visual culture : tracing a delirium from Renaissance art to the Chris Ofili affair and contemporary religious cinema." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98915.

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This thesis examines the role of the Manichean dualism, the pervasive colour symbolism of white as good and black as evil. It looks at the manifestation of this symbolism in representations of Christianity, and the subsequent implications for race and racism in Western society. Through images of Jesus Christ and the Virgin Mary, I posit that the Western conflation of holiness with whiteness is a primary means through which whiteness retains hegemony. I argue that Renaissance painting has had a pivotal role in privileging the white body through its hyper-whitening of both Jesus and Mary. Both f
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Tapper, Sandra, and Sandra Eriksson. "Biblisk symbolism : en undersökning om den bibliska symbolismen i Bröderna Lejonhjärta." Thesis, University of Gävle, Ämnesavdelningen för religionsvetenskap, 2001. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-4474.

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<p>Syftet med denna examensuppsats var att fördjupa oss i de bibliska symbolerna och försöka återfinna dem i barnlitteratur. Vi bestämde oss för att utgå ifrån barnboken Bröderna Lejonhjärta, av Astrid Lindgren. Det vi ville undersöka i texten var, förutom de bibliska symbolerna, om vi kunde finna tecken på en viss struktur och vissa skrivramar. Om så var fallet, härstammade de från Bibeln? Vi har arbetat med textanalys som metod för att få fram det vi sökte, men även tagit hjälp av tidigare forskning. Genom diskussioner och analyser kom vi bland annat fram till följande:</p><ul><li>Biblisk sy
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Leite, Beatriz Mori. "O simbolismo do cordeiro na obra pictórica os noivos e os três músicos de Marc Chagall." Universidade Presbiteriana Mackenzie, 2015. http://tede.mackenzie.br/jspui/handle/tede/1933.

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Made available in DSpace on 2016-03-15T19:43:02Z (GMT). No. of bitstreams: 1 Beatriz Mori Leite.pdf: 11444537 bytes, checksum: e2eb22df6a2e83e22a99a3a667d4ebd9 (MD5) Previous issue date: 2015-02-13<br>This dissertation presents and analyses the symbol of Marc Chagall The bridegroom and the three musicians", dated in 1972. In this work the symbol is related to the idea of sacrifice as in the part of unconditional love. The analyses of this paint implied in the detailed studies of the artist s life with emphasis in his religious memory. Chagall was born in Russia, Jewish son lived in a tradit
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Araújo, Júnior Iron Mendes de. "O papel das imagens sacras na religiosidade: análise das obras do Museu de Arte Sacra de Pernambuco e igrejas do sítio histórico de Olinda." Universidade Católica de Pernambuco, 2016. http://tede2.unicap.br:8080/handle/tede/396.

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Made available in DSpace on 2017-06-01T18:12:58Z (GMT). No. of bitstreams: 1 iron_mendes_araujo_junior.pdf: 7621341 bytes, checksum: 9b49acecb23f2849136f53d0eb0fc1dd (MD5) Previous issue date: 2016-11-11<br>This paper analyzes the importance of some sacred sculptures, belonging to the Sacred Art Museum of Pernambuco - MASPE as well as some parts of Olinda's historical site Churches, as objects that shelter in their relevant elements symbols for the historical understanding of religious formation and Brazilian culture. Therefore, we reassemble the formation of Brazilian Catholicism that makes
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Sease, Karen Gail. "MAPPING COGNITIVE CONSTRUCTS IN MALES AND FEMALES USING ZMET METHODOLOGY: COMPARING MALE AND FEMALE EXPERIENCE WITHIN A CAMPUS MINISTRY ORGANIZATION." Miami University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=miami1133987371.

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Petkovic, Nikola. "Ésotérisme et symbolisme : l'analogie, les correspondances et l'expérience du Liber Mundi." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030068.

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Nul n’est sans savoir l’influence de l’ésotérisme sur la formation de la« littérature nouvelle » et pourtant, des questions essentielles demeurent toujours sansréponse : quelle place prend véritablement le fait ésotérique dans l’esthétiquesymboliste ? Jusqu’où peut-on parler d’ésotérisme, où celui-ci s’arrête-t-il, et quel estréellement son rôle dans l’avènement du sacerdoce poétique de la fin du XIXe siècle ?Notre réflexion se réfère à une méthode académique nouvelle qui a su proposerune définition de l’objet ésotérisme. Les différentes publications des historiens ontfavorisé une démarche his
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McCormick, Philip Anthony. "“ONE GOD, ONE AIM, ONE DESTINY”: THE RELIGIOUS RESPONSE TO COLONIAL POWER IN THE UNITED IN THE EARLY TWENTIETH CENTURY." Miami University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1295013682.

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Hirata, Ricardo Alvarenga. "O Rio da Alma - contribuições do simbolismo religioso e da psicologia analítica para uma reflexão sobre a crise ecológica no rio Tietê: uma proposta da ecologia arquetípica." Pontifícia Universidade Católica de São Paulo, 2005. https://tede2.pucsp.br/handle/handle/2105.

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Made available in DSpace on 2016-04-25T19:20:58Z (GMT). No. of bitstreams: 1 Ricardo Alvarenga Hirata.pdf: 784390 bytes, checksum: ba70bd1abf59aeafa4a45843a0978f27 (MD5) Previous issue date: 2005-06-10<br>Pontificia Universidade de São Paulo<br>This dissertation has as its objective to propose a theoretical referential of the religion sciences and the analytical psychology for studying the cultural - economical development impasse in the extent of the ecological crisis in the Tietê river, in São Paulo. This crisis took on alarming proportions in the second half of the XX century, when the ri
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Nardella, C. "DOVE IL SACRO INCONTRA IL PROFANO. SIMBOLI RELIGIOSI NEGLI ANNUNCI A STAMPA ITALIANI." Doctoral thesis, Università degli Studi di Milano, 2012. http://hdl.handle.net/2434/172623.

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Where the Sacred Meets the Profane: Religious Symbolism in Italian Magazine Advertising - By showing the coexistence of two worlds traditionally thought to be separated, the presence of religious content in commercial advertising recalls Durkheim’s sacred/profane dichotomy. The study investigates this overlap by analyzing a sample of print advertisements that have made use of religion in selected Italian mass circulation magazines over a forty-year period (1969-2009). The findings show a long-term rise in the proportion of ads that include Christian motifs. There is also clear evidence of a
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Blair, Derek Olivier. "A cognitive explanation of symbolic-religious appropriation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0026/NQ49481.pdf.

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Richard, du Perron Stéphane. "Le symbolisme du dieu-createur potier." Paris 4, 1987. http://www.theses.fr/1987PA040025.

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Le symbole du dieu-createur potier, etudie dans ses manifestations mythologiques anciennes (civilisations antiques de la mesopotamie, de l'egypte et d'israel) et dans ses prolongements litteraires modernes, permet la mise en evidence d'un scheme symbolique meconnu. Celui-ci s'exprime par une collection de matieres, un reseau de gestes et des relations tissees par les divins modeleurs a l'instant de la creation. La portee de cette image, dans la variete de ses expressions, est la source de son remarquable universalisme<br>The symbol of potter-god, studied in its ancient mythological manifestati
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Blake, Adam. "The Effects of Religious Symbols on Self-Control, Self-Monitoring, and Religious Conviction." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_theses/13.

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This project evaluated the effect of religious symbols on self-control and self-monitoring. Based on psychological priming research and evidence demonstrating a correlation between religious conviction and self-control, it was hypothesized that exposure to subtle religious primes would increase self-control and self-monitoring. Assuming religious primes increased both variables, it was also hypothesized that self-monitoring would mediate the effect of the religious primes on self-control. In line with study hypotheses, exposure to religious primes did increase self-control, however no support
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JUNIOR, HUMBERTO LUIZ SALUSTIANO COSTA. "RELIGIOUS FREEDOM IN BRAZIL AND THE USE OF RELIGIOUS SYMBOLS IN PUBLIC SPACE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2014. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=29233@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>O escopo do presente trabalho é discutir a dimensão da liberdade religiosa no Brasil, com enfoque no uso de símbolos religiosos no espaço público. A Constituição da República Federativa do Brasil de 1988 traz em seu texto, como direito fundamental, as prerrogativas de crença e de culto. Partindo do pressuposto de que essa liberdade é externa, ou seja, é o direito de se exprimir uma crença ou uma não crença, o estudo abordará essa conduta religiosa no espaço público como pressuposto de autoafirmação e reconhecimento do ser religioso mediante
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Loreggia, Fabio. "The ban of religious symbols in primary and secondary schools in France : A short analysis of its compatibility with Pettit’s theory of liberty as non-domination." Thesis, Uppsala universitet, Filosofiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-357913.

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Sease, K. Gail. "Mapping cognitive constructs in males and females using ZMET methodology comparing male and female experience within a campus ministry organization /." Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1133987371.

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Thesis (M.A.)--Miami University, Dept. Communication, 2005.<br>Title from first page of PDF document. Document formatted into pages; contains [1], v, 71 p. : ill. Includes bibliographical references (p. 62-67).
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Hedblom, Alexander. "Vad betyder det att en roll är religiös enligt rollspelare? : Om vad en religiös roll gör i rollspel, dess utformning och den meningen som tillskrivs den religiösa rollen därav." Thesis, Högskolan i Gävle, Religionsvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-26403.

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Populärkultur kan ha påverkat ungdomars syn på vad religion handlar om, vad en religiös gör, och därmed även vad som är att klassa som religiositet. Att undersöka om så är fallet kan ge värdefull kunskap till vidare forskning, eftersom det leder oss till att bättre förstå vårt samtida samhälle. Rollspelare undersöks i frågan om vad som enligt dem själva gör roller i rollspel religiösa, och vilken betydelse de i dessa fall tillskriver rollernas religiositet. Ett annat mål är att se om det finns någon specifik betydelse för vad religiositet är i specifikt rollspel. Studiens frågeställning är: Va
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Fehr, Stephanie Simone. "Religious discrimination in employment : a comparative analysis of the law in the UK, France and Germany, with reference to international and supranational law." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/religious-discrimination-in-employment--a-comparative-analysis-of-the-law-in-the-uk-france-and-germany-with-reference-to-international-and-supranational-law(8e48aa3c-2233-4169-8dec-4d8436ebe43d).html.

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This thesis analyses religious discrimination in employment, using an applied comparison of the law in the UK, France and Germany. To this end, the thesis first explores national church-state relations, establishing potential links to religious discrimination at work. The investigation then moves on to the standards set by the Council of Europe and the European Union, against which the law in the UK, France and Germany will be measured against. The final chapter brings together the findings in an overall comparison of the national law, with particular emphasis on the role of church-state relat
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Kabeya, Mukamba Fabien Honoré. "De "La Princesse Maleine" au "Miracle des mères" : l'imprégnation religieuse dans le théâtre maeterlinckien." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2009. http://tel.archives-ouvertes.fr/tel-01011175.

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Analyser l'ensemble de l'œuvre dramatique disponible de Maurice Maeterlinck, soit trente et une pièces de théâtre, en se laissant guider par le fil rouge majeur, son rapport avec les textes sacrés du christianisme, tel est l'objet de cette thèse. Les deux premiers théâtres maeterlinckiens apparaissent nettement comme deux tablettes antithétiques d'un même dyptique représentant respectivement l'enfer et le paradis. Aussi la notion biblique du libre arbitre s'impose-t-elle comme un facteur différentiel pertinent entre le théâtre du silence et d'aliénation et le théâtre de la parole et de libérat
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Levesque, Paul J. "Symbols of transcendence : religious expression in the thought of Louis Dupré /." Louvain : Peeters : W. B. Eerdmans, 1997. http://catalogue.bnf.fr/ark:/12148/cb38859162w.

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Häger, Andreas. "Religion, rock och pluralism : En religionssociologisk studie av kristen diskurs om rockmusik." Doctoral thesis, Uppsala universitet, Teologiska institutionen, 2001. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-84.

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Rock music has during all of its almost 50 years of existence been the subject of criticism and debate. Much of this criticism has risen from religious circles. But also in these circles, rock music has its advocates. This thesis studies the reactions to rock music by spokespersons for institutional Christianity. Most of the material studied is written and published material. The material dates from 1983-1998 and originates from Sweden, Finland and the United States. The material is studied qualitatively. The purpose is to study the Christian discourse on rock music as an example of how instit
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Vaillancourt, Martin. "Le numérisme : un objet religieux contemporain?" Master's thesis, Université Laval, 2020. http://hdl.handle.net/20.500.11794/66439.

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Pour majorité, les études consacrées aux rapports numérique/religions peuvent être regroupées sous le vocable de « religion numérique » (Digital Religion). Sans y être complètement étranger, le phénomène qui nous intéresse ici semble d’un autre ordre. Plutôt qu’à de la « religion numérisée », nous sommes face à ce que nous pourrions interpréter comme une quête de sens de type numérique. Quelques auteurs ont déjà entrepris de décrire cette religiosité technologique, certains allant jusqu’à prétendre qu’elle servirait à légitimer la croyance en « société nouvelle ». L’étude du numérisme aurait d
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Fajri, Nurul. "The role of religious symbols in the Iranian revolution of 1979 /." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56939.

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This thesis will analyze the role of Shi'i religious symbols employed in the Iranian revolution of 1979. During the revolution, the Shi'i symbolic structure of the Karbala' paradigm or the symbols of Karbala' and of Husayn's martyrdom were extensively employed to mobilize the masses. Regarded as the Imam and as the symbol of the revolution, Khumayni extensively utilized such religious symbols in order to generate mass revolutionary political consciousness against the Shah's tyrannical regime. In other words, throughout the revolution the traditional 'ashura' mourning ceremony--commemorating a
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Lindberg, Adrian. "Skeppsformade Gravar : En religiös symbolik eller endast monument?" Thesis, Uppsala universitet, Arkeologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-353016.

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The aim of this bachelor essay is to study the relation between stone ship settings in Sweden and the symbols occurring on rock carvings, picture stones and metalworks. Are the stone ship settings meant to make the final journey for the dead over to the other side? And serve as a link between our world and the land of the dead? By comparing the theories and interpretations of different scientists and archaeologists I will analyze the different findings and forms of the stone ship settings. The mythology tells tales of the importance of the ship, that it drags the sun from left to right during
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