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Journal articles on the topic 'Rem Koolhaas'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

DANILOVA, Elina V., and Rasim M. VALSHIN. "CITY OF REM KOOLHAAS: FROM THEORY TO MASTERPLAN." Urban construction and architecture 11, no. 3 (2021): 76–83. http://dx.doi.org/10.17673/vestnik.2021.03.12.

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The article is devoted to the urbanistic concepts of Rem Koolhaas. The state of urban planning and the professional context in which the architect’s creativity developed are analyzed. The article examines his early works, performed during the training period, identifi es their key role in the future theoretical and project work of Koolhaas. The important discoveries that Koolhaas made while researching a particular type of urbanism developed in New York are described. The article reveals Koolhaas’s approach to the development of masterplans, as to the refl ection of his theoretical ideas, inte

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Rocha, Ana Paula, Debora Mariane Fantinato, Renata Maria Geraldini Beltramin, and Daniel de Carvalho Moreira. "DESENHO DE CONCEPÇÃO EM ARQUITETURA." Boletim da Aproged, no. 34 (December 2018): 95–100. http://dx.doi.org/10.24840/2184-4933_2018-0034_0014.

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Pautada na associação entre forma e conteúdo, a arquitetura de Rem Koolhass é ícone da prática diagramática, característica evidenciada na concepção de seus projetos. Dada a importância do diagrama enquanto ferramenta programática na obra de Rem Koolhaas, este artigo teve como objetivo investigar a presença do diagrama na concepção do projeto da Seattle Central Library sob a ótica dos princípios estabelecidos pela teoria do information design. Este estudo foi realizado mediante um levantamento bibliográfico sobre teoria da informação e programa de necessidades, a produção geral do arquiteto e

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Violeau, Jean-Louis. "Rem Koolhaas, l'architecte de l'histoire." Esprit Juillet, no. 7 (2014): 123. http://dx.doi.org/10.3917/espri.1407.0123.

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4

Lacerda Neto, Filipe. "Aesthetic Delirious Urbanism – Rem Koolhaas." IOP Conference Series: Materials Science and Engineering 603 (September 18, 2019): 032057. http://dx.doi.org/10.1088/1757-899x/603/3/032057.

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5

Colosso, Paolo. "A modernidade de Nova York segundo Rem Koohaas." PosFAUUSP 21, no. 35 (2014): 34–57. http://dx.doi.org/10.11606/issn.2317-2762.v21i35p34-57.

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É relativamente aceito, entre diversos autores, que os trabalhos teóricos de Rem Koolhaas tratam de problemáticas importantes para a Arquitetura e para as grandes cidades, embora seu posicionamento seja bastante controverso. Sem tentar resolver as disputas a respeito da atual postura do arquiteto holandês, este artigo volta aos primeiros textos de Koolhaas, com o objetivo de identificar, no discurso ambivalente sobre a modernidade de Nova York, problemáticas relevantes para a teoria arquitetônica do último quartel do século 20. Em minha chave de leitura, isto implica ter em conta a seguinte qu

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Raposo Grau, Javier, Belén Butragueño, and María Asunción Salgado. "La arquitectura de lo inmaterial en Rem Koolhaas | The architecture of the immaterial in Rem Koolhaas." ZARCH, no. 6 (September 16, 2016): 166. http://dx.doi.org/10.26754/ojs_zarch/zarch.201661460.

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La figura de Rem Koolhaas ha sido altamente estudiada y documentada, así como su producción arquitectónica y su constructo teórico. En opinión de muchos autores, puede tratarse del arquitecto vivo más influyente en la actualidad. Este artículo pretende reflexionar sobre la verdadera esencia de su aportación a la historia de la arquitectura y poner de relieve la trascendental importancia que tiene en su caso lo “no construido”. De hecho, en muchas ocasiones han sido sus propuestas teóricas, los concursos no premiados (y por tanto no materializados) o sus publicaciones, las que han resultado det

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Gomes Munhoz, Gabrielly, Mariane Miranda Sant’ana, and Korina Aparecida Teixeira Ferreira da Costa. "ROMPIMENTO COM A TRADIÇÃO – REM KOOLHAAS." Colloquium Socialis 2, Especial 2 (2018): 727–33. http://dx.doi.org/10.5747/cs.2018.v02.nesp2.s0359.

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Klingmann, Anna. "The Meaningless Popularity of Rem Koolhaas." Thresholds 29 (January 2005): 74–80. http://dx.doi.org/10.1162/thld_a_00309.

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Matysek-Imielińska, Magdalena. "Czy Bruno Latour testuje Rema Koolhaasa i co z tego dla nowej humanistyki wynika?" Prace Kulturoznawcze 23, no. 1 (2019): 105–14. http://dx.doi.org/10.19195/0860-6668.23.1.7.

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Is Bruno Latour testing Rem Koolhaas and what are the results for the new humanities?One of today’s most famous architects, Rem Koolhaas, tackles the problem of architectural objects as networked and transformable processes — not only structural, but also social and political ones. Bruno Latour, in turn, who is a sociologist, is constructing this time a theory — a weapon/ a new tool which will help architects move objects which so far have been static “Give me a gun and I will make all the buildings move” and design them in a non-Euclidean space. Theoretically, Latour — by “tapping lightly on

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José, Antonio Tallón. "Rem Koolhaas y la nueva Babel. De la torre metropolitana al monumento al vacío = Rem Koolhaas and the new Babel. From the metropolitan tower to the monument to emptiness." rita_ Revista Indexada de Textos Académicos, no. 3 (May 6, 2015): 82–87. https://doi.org/10.24192/2386-7027(2015)(v3)(03).

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Un primer acercamiento a las reflexiones de Rem Koolhaas en torno a la tipología de torre introduce al rascacielos neoyorquino como la alegoría del “automonumento”: una construcción en esencia destinada a reafirmar su sola presencia y que se distingue del resto por medio de su estatura, que la monumentaliza. La torre de Babel, símbolo inquebrantable de la leyenda de la construcción en altura, escenifica una historia de construcción y destrucción que está vinculada ineludiblemente al pensamiento crítico de Rem Koolhaas e

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Wierzbicka, Anna Maria, and Maciej Kaufman. "Grid, schism and lobotomy: The Almere City Center as the “City of the Captive Globe” by Rem Koolhaas." Środowisko Mieszkaniowe, no. 35 (2021): 17–28. http://dx.doi.org/10.4467/25438700sm.21.012.14855.

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Grid, schism and lobotomy: The Almere City Center as the “City of the Captive Globe” by Rem Koolhaas Rem Koolhaas published Delirious New York: A Retroactive Manifesto for Manhattan in 1978. He closes the book with a series of concise speculative projects to illustrate his point. The first of these, „The City of the Captive Globe”, is an ambiguous and constantly re-interpreted metaphor for metropolitanism and the lifestyle associated with it. Interpreted as a synthesis of the „retroactive manifesto”, Captive Globe allows us to grasp the ideological background of the urban design thought of Koo

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Serdyńska, Joanna. "The Brave New World of Rem Koolhaas." IOP Conference Series: Materials Science and Engineering 960 (December 10, 2020): 032100. http://dx.doi.org/10.1088/1757-899x/960/3/032100.

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del Pozo Barajas, Alfonso. "REM KOOLHAAS: SMALL, MEDIUM, LARGE, EXTRA-LARGE." Proyecto, Progreso, Arquitectura, no. 10 (2014): 136–37. http://dx.doi.org/10.12795/ppa.2014.i10.09.

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Sharapov, I. A. "1965. Rem Koolhaas in the Soviet Union." Art & Culture Studies, no. 1 (March 2024): 306–25. http://dx.doi.org/10.51678/2226-0072-2024-1-306-325.

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The article examines the formative interrelations between the phenomenology of impressions and the formation of a projective approach to architecture based on the fact of the journey of the Dutch architect R. Koolhaas to the Soviet Union (1965). The conducted research involves a textual analysis of the facts in the architect’s biography, which directionally reveals the specifics of the influence of the “phenomenology of impressions”. The article clarifies the significance of the architect’s visit to the USSR, and establishes the formation features of a design approach to architecture. For the

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Pjesivac, Zeljka. "Architectural promenade as scene of writing: the Jussieu library (1992) by Oma/Rem Koolhaas." Facta universitatis - series: Architecture and Civil Engineering 15, no. 3 (2017): 431–38. http://dx.doi.org/10.2298/fuace160930033p.

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This study investigates implementation of the conceptual and textual techniques associated with poststructuralism (such as the poststructuralist concepts of writing, text, intertext, discoursive practices) in Rem Koolhaas's project the Jussieu Library (1992) planned within the Sorbonne University complex in Paris. The main hypothesis of the study is that Koolhaas produces in the project for the Jussieu Library transgression of language of modernistic architecture conceiving the concept of architectural promenade as a scene of writing. In other words, from the understanding of the concept of ar

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Stelling, Casper, and Edwin Van der Schoot. "Agoranomi." AGORA Magazine 19, no. 5 (2019): 42. http://dx.doi.org/10.21825/agora.v19i5.10525.

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Nassif, Lucas Ferraço. "Coelhos: tecnologia humana e tecnologia material." POIÉSIS 17, no. 27 (2018): 151. http://dx.doi.org/10.22409/poiesis.1727.151-164.

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Martins, Patrícia Pereira. "Poder e ética na obra de Rem Koolhaas." Risco: Revista de Pesquisa em Arquitetura e Urbanismo (Online), no. 21 (September 30, 2016): 6. http://dx.doi.org/10.11606/issn.1984-4506.v0i21p6-16.

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Desde o início de sua atividade como arquiteto, nos anos 1970, Koolhaas tem se colocado criticamente sobre a relação entre arquitetura e poder, entre arquitetura e o sistema econômico e cultural, assunto que se tornou questão central em seu trabalho. O objetivo desse artigo é compreender os desdobramentos de seu posicionamento teórico como fundamentação de seu trabalho prático, a constituir um plano de ação efetivo para um arquiteto consciente de sua posição na sociedade globalizada e neoliberal. A análise segue a linha cronológica de lançamento de seus livros, destacando ideias principais par

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Domlesky, Anya. "AMO/ Rem Koolhaas/ Samir Bantal Countryside: The Future." Journal of Landscape Architecture 15, no. 2 (2020): 93–96. http://dx.doi.org/10.1080/18626033.2020.1852733.

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Danilova, Elina V. "Conceptual strategies in the works of Rem Koolhaas." Urban construction and architecture 14, no. 2 (2024): 103–14. http://dx.doi.org/10.17673/vestnik.2024.02.14.

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The article is devoted to the key concepts in Koolhaas’s work. The article discusses the concepts implemented by the architect when developing a functional program, spatial structure, and architectural form. Various objects created by applying these concepts are analyzed. Many examples are given to illustrate Koolhaas’s original method. Features of the application of concepts that ensure the uniqueness of the design solution in each object are revealed, when using similar design tools. Particular attention is paid to the evolutionary development of concepts ▪ from their theoretical basis and e

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Filindash, Larisa, and Nadezhda Paudyal. "A Communicative Resource of Russian and Chinese Projects by Rem Koolhaas." Scientific Research and Development. Modern Communication Studies 12, no. 4 (2023): 20–26. http://dx.doi.org/10.12737/2587-9103-2023-12-4-20-26.

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Abstract The task of modern architecture is to turn a multifunctional building into an actual communicative space. An example of an effective solution to this problem is given by the work of the outstanding architect Rem Koolhaas. The purpose of this work is to analyze the author’s implemented projects in countries as diverse in cultural traditions and mental preferences as China and Russia. The article notes the universality of stylistic techniques in the objects under consideration for various functional purposes. The winner of the most prestigious international prizes in the field of

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Butragueño Díaz-Guerra, Belén, Javier Fco Raposo Grau, and María Asunción Salgado de la Rosa. "Polyhedral communication in architecture." Advances in Building Education 5, no. 1 (2021): 9. http://dx.doi.org/10.20868/abe.2021.1.4566.

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There are multiple communicative strategies in architecture depending on the target audience. The mechanisms of representation may radically vary when the recipient is the client, the constructor, the curator, a colleague or even an instructor (1). As an example, the approach may be mainly visual when the target is the client. However, it may be strictly structural to start a conversation with a peer ad mostly conceptual when pointing to the jury members in a competition. In certain cases, the adaptation of the graphic language to the different scenarios leads to such a distortion on the messa

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de Montesquiou, Jean-Louis. "Rem Koolhaas : « L’architecture tourne le dos à la ville »." Books N° 39, no. 1 (2013): 20–22. http://dx.doi.org/10.3917/books.039.0020.

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Gómez-Valcárcel Gómez, Daniel. "Biuer... Chicago! Un argumento surrealista para el McCormick Tribune Campus Center." Cuaderno de Notas, no. 19 (July 31, 2018): 85. http://dx.doi.org/10.20868/cn.2018.3819.

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Resumen Se tiende a considerar el McCormick Tribune Campus Center bajo una filiación pop. Sin descartar la evidencia del influjo de Robet Venturi, el artículo argumenta la raigambre surrealista, velada por su colorista y desenfadada retórica. Esta hipótesis no sería incoherente con el aprecio de Rem Koolhaas por las técnicas surrealistas (patentes en Delirious New York) y la apreciación de rasgos surrealistas en su obra temprana por parte de terceros. Se analizan, sobre aspectos concretos del edificio terminado y sobre documentos de desarrollo del proyecto, mecanismos destinados a producir efe

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Javier, Arias Madero. "Erotomanía: La actividad paranoico-crítica ejercida por Rem Koolhaas sobre Le Corbusier y Mies van der Rohe = Erotomania: The paranoid-critical activity exerted by Rem Koolhaas on Le Corbusier and Mies van der Rohe." rita_ Revista Indexada de Textos Académicos, no. 14 (November 15, 2020): 124–31. https://doi.org/10.24192/2386-7027(2020)(v14)(08).

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El presente texto investiga un aspecto singular dentro de la ya sólidamente estudiada vinculación entre la propuesta arquitectónica de Rem Koolhaas y el surrealismo con claras conexiones con el automatismo, la deformación onírica o la locura. En este caso nos centraremos en analizar cómo Koolhaas utiliza también la metodología paranoico-crítica desarrollada por Salvador Dalí para reflexionar sobre dos de los grandes maestros de la arquitectura del siglo XX, Le Corbusier y Mies van der Rohe. Se pretende descubrir que este an&

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Butragueño Díaz Guerra, Belén, Javier Fco Raposo Grau, and Maria Asunción Salgado de la Rosa. "On how communication transforms architectural perception. Seattle Library, OMA = De cómo la comunicación trasforma la percepción de la arquitectura. Biblioteca de Seattle, OMA." Advances in Building Education 4, no. 1 (2020): 57. http://dx.doi.org/10.20868/abe.2020.1.4416.

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ABSTRACTMultiple communicative strategies can be followed in architecture according to the target audience. The mechanisms of representation may radically vary when the recipient is the client, the constructor, the curator, a colleague or even an instructor (1). As an example, the approach may be mainly visual when the target is the client. However, it may be strictly conceptual when pointing to the jury members in a competition. In certain cases, the adaptation of the graphic language to the different scenarios leads to such a distortion on the message that the original project is hardly reco

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Martinez-Millana, Elena, and Andrés Cánovas Alcaraz. "Domesticity ‘Behind Bars’: Project by Rem Koolhaas/OMA for the Renovation of a Panopticon Prison in Arnhem." Buildings 10, no. 7 (2020): 117. http://dx.doi.org/10.3390/buildings10070117.

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This article focuses on the project for the renovation of a Panopticon prison in Arnhem, the Netherlands (1979–1980), designed by Rem Koolhaas/OMA. The analysis of its reception shows that, despite being well known, it has been little studied and discussed, and although it was not built, it had an impact on prison architecture. It seems appropriate to tackle it now because the Koepelgevangenis (dome prison) of Arnhem has gained current relevance due to plans for it to be turned into a hotel. The renovation project for the Koepelgevangenis explicitly shows the presence of Foucault’s ideas on po

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Arias Madero, Javier. "Performance architecturale: una aproximación al concepto de dérive en la arquitectura de Rem Koolhaas." i2 Investigación e Innovación en Arquitectura y Territorio 10, no. 1 (2022): 35. http://dx.doi.org/10.14198/i2.19430.

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El movimiento es uno de los temas fundamentales de investigación creativa contemporánea. Comenzando por las vanguardias de las primeras décadas del siglo XX: futuristas, dadaístas, y después los surrealistas, todos hicieron del estudio del movimiento del sujeto en su contexto uno de sus principales campos de experimentación. Décadas después, letristas y situacionistas, reciclan la investigación precedente aumentando la connotación radical del deambular como liberación de la rutina y del orden establecido, abriendo futuras nuevas vías creativas de amplio espectro en disciplinas como el arte de

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Butragueño Díaz-Guerra, Belén, Javier Raposo Grau, and Mariasun Salgado de la Rosa. "Rem Koolhaas: el contexto en el concepto y viceversa. ¿Conceptualizando contextos o contextualizando conceptos?" Revista de Arquitectura 22, no. 32 (2017): 23. http://dx.doi.org/10.5354/0719-5427.2017.45169.

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¿Es Rem Koolhaas un conceptualizador de contextos o un contextualizador de conceptos? Probablemente una de las características diferenciadoras de su actividad como arquitecto es su capacidad de comprender el contexto geopolítico y social en el que se sitúa y de anticipar aquellas temáticas que van a ser determinantes en el futuro. Es sin duda, el arquitecto vivo más influyente en el contexto actual. El objetivo de esta investigación es tratar de discernir el peso de estas dos ideas en su arquitectura y cuál de ellas resulta el desencadenante de la otra. En cierto sentido se trataría de dar res

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Koolhaas, Rem, and Sarah Whiting. "Spot Check: A Conversation between Rem Koolhaas and Sarah Whiting." Assemblage, no. 40 (December 1999): 36. http://dx.doi.org/10.2307/3171371.

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Van Gerrewey, Christophe. "Outreach Extensions: OMA/Rem Koolhaas Exhibitions as Self-Critical Environments." Architectural Theory Review 23, no. 1 (2019): 90–113. http://dx.doi.org/10.1080/13264826.2019.1616665.

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Liou, Shuenn-Ren. "Rem Koolhaas and Álvaro Siza in Asia: An Architectural Comparison." ATHENS JOURNAL OF ARCHITECTURE 1, no. 3 (2015): 221–36. http://dx.doi.org/10.30958/aja.1-3-4.

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Bambó Naya, Raimundo. "M. PINEDA (coord.) - Constant. Nueva Babilonia." ZARCH, no. 8 (October 2, 2017): 335. http://dx.doi.org/10.26754/ojs_zarch/zarch.201782169.

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Mercedes Pineda (coord.), Laura Stamps, Willemijn Stokvis, Pedro G. Romero, Mark Wigley, Constant Nieuwenhuys, Pascal Gielen, Rem Koolhaas, Trudy van der HorstConstant. Nueva BabiloniaMadrid, Museo Nacional Centro de Arte Reina Sofía, 2015, 318 págs. Formato: 17x23 cm. Rústica.Idioma: castellano. Edición en papel agotada.Disponible en línea para su descarga gratuita en http://www.museoreinasofia.es/sites/default/files/constant_nueva_babilonia.pdf

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Herzberg, Henry. "A superficial approach to shopping? A superficial approach to shopping?" Architectural Research Quarterly 5, no. 4 (2001): 293–95. http://dx.doi.org/10.1017/s1359135502211355.

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As an architect involved in the design of many shopping centres in the UK and Europe over the past 25 years, I feel moved to respond to the interview with Rem Koolhaas in your last issue (arq 5/3). Regrettably, as I write, the Harvard Design School Guide to Shopping is not yet available: I can therefore only comment on the interview.

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Rodríguez-García, Javier, and Angelique Trachana. "Modelo cinematográfico de representación institucional y discurso gráfico en Delirious New York." Revista de Arquitectura 29, no. 46 (2024): 31–56. http://dx.doi.org/10.5354/0719-5427.2024.73129.

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El artículo rastrea la relación de los documentos del discurso gráfico de Rem Koolhaas en Delirious New York con el cinematográfico Modelo de Representación Institucional (MRI) que dichos documentos adoptan para enfatizar la función poética del mensaje de la ‘modernización’ exportado al mundo mediante el nuevo modelo de ciudad y el American way of life. El objetivo es confrontar el discurso gráfico y argumental koolhaasiano con películas clásicas de Hollywood, así como con dibujos, postales e imágenes que Estados Unidos elaboró según ese modelo cinematográfico para así deducir cómo se produce

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Koolhaas, Rem, and Masao Miyoshi. "XL in Asia: A Dialogue between Rem Koolhaas and Masao Miyoshi." boundary 2 24, no. 2 (1997): 1. http://dx.doi.org/10.2307/303761.

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Otero-Pailos, Jorge. "Bigness in context: Some regressive tendencies in Rem Koolhaas' urban theory." City 4, no. 3 (2000): 379–89. http://dx.doi.org/10.1080/713657027.

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Añón-Abajas, Rosa María. "Rem Koolhaas: Delirio de Nueva York. Un manifiesto retroactivo para Manhattan." Proyecto, Progreso, Arquitectura, no. 10 (2014): 138–39. http://dx.doi.org/10.12795/ppa.2014.i10.10.

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Proto, Francesco. "A Short History of Western Architecture from Vitruvius to Rem Koolhaas." Architectural Design 79, no. 1 (2009): 14–15. http://dx.doi.org/10.1002/ad.800.

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Pataky, Tibor. "Sweeping criticism: Rem Koolhaas’ Kunsthal in Rotterdam and the new Europe." Architectural Research Quarterly 26, no. 4 (2022): 300–314. http://dx.doi.org/10.1017/s1359135522000574.

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Previous research on the Kunsthal Rotterdam - designed by OMA/Rem Koolhaas from 1987 to 1992 - has been limited in scope and depth, taking into account only a fraction of the available archival sources. The few scholarly articles to be published in the past twenty years have focused on the relation between interior and exterior (2003), the role of montage (2015), the concept of the ‘pliable’ floor (2018), and a first project for the Kunsthal that never materialised (2016).1 The subject of this article, namely the relation between the project and its context of origin, has not yet been addresse

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Tallón Iglesias, José Antonio. "Gordon Matta-Clarck vs Rem Koolhaas: de la máquina de habitar al contendor 'RAT'." ZARCH, no. 5 (December 31, 2015): 242–55. http://dx.doi.org/10.26754/ojs_zarch/zarch.201559122.

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La ciudad de Manhattan de los años setenta es el escenario común en el que dos arquitectos, Gordon Matta-Clark y Rem Koolhaas, desarrollan su actividad crítica. Un marco espacio-temporal compartido que se encuentra dominado por una severa crisis en cuanto los programas de vivienda social se refiere. Gordon Matta-Clark desde Anarchitecture, y Rem Koolhaas desde el Institute for Architecture and Urban Studies, fijan sus posiciones en la isla desde la que construyen un corpus de pensamiento crítico respecto a la tendencia arquitectónica del momento gobernada por un sistema que, haciendo uso de un

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Ventura Blanch, Ferran. "La relación entre el dibujo y la escritura en la formación como arquitecto (1968-1972) de Rem Koolhaas." EGA Revista de Expresión Gráfica Arquitectónica 25, no. 40 (2020): 254. http://dx.doi.org/10.4995/ega.2020.13242.

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<p>Este artículo recoge la formación en los primeros años de estudiante de Rem Koolhaas, su evolución con el dibujo arquitectónico y su apuesta por la escritura como herramienta en el proceso proyectual. Recorreremos sus primeros trabajos como estudiante: el primero, titulado The Surface, como respuesta a su primer profesor que quería expulsarlo de los estudios de arquitectura por no tener destreza en el dibujo; en el siguiente, The Berlin Wall as Architecture es consciente de sus deficiencias en el dibujo recurriendo al uso de imágenes y collages; y en el tercero, Exodus, ya siendo pare

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Espinosa, Marcelo A. "Substracción/adición la casa da música en Oporto." Cuaderno Urbano 5, no. 5 (2006): 263. http://dx.doi.org/10.30972/crn.551701.

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<p>Las ideas que dieron origen a la Casa da Música en Oporto no surgieron de una reflexión acerca del recinto apropiado para una actividad específica. Al no contar con un argumento que analice históricamente un edificio para esta función como soporte, se podría decir que la Casa da Música de Rem Koolhaas/OMA basó su concepción en cuatro premisas: la idea de reciclaje, el objeto dado, la negación del contexto, pensamiento negativo.</p>

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Lux, Claudia. "Der Bau der neuen Nationalbibliothek von Katar." ABI Technik 38, no. 4 (2018): 286–99. http://dx.doi.org/10.1515/abitech-2018-4002.

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ZusammenfassungDie neue Nationalbibliothek von Katar wurde vom niederländischen Architekten Rem Koolhaas entworfen und am 16. April 2018 eröffnet. Die Bibliothek hat nicht nur eine außergewöhnliche äußere Form, sie hat vor allem innen eine Plaza, die über 20 000 Quadratmeter groß ist und neben den Terrassen mit Büchern und den Vitrinen in der historischen Sammlung eine Vielzahl anregender Arbeitsplätze und Besprechungsbereiche besitzt. Auch eine Kinderbibliothek und viele neuartige Innovationsräume machen diese Bibliothek zu einem Erlebnis für jedermann.

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Dafrina, Armelia Dafrina. "Arsitektur Dekonstruksi sebagai Karakteristik Desain pada Bangunan Modern." Jurnal Arsitekno 5, no. 5 (2019): 11. http://dx.doi.org/10.29103/arj.v5i5.1216.

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Abstrak Pengaruh filosofi Arsitektur Dekonstriksi yang diperkenalkan oleh Jacques Derrida serta konstruktivisme yang berkembang di Rusia pada awal abad ke 20 melahirkan dua aliran utama dalam arsitektur dekonstruksi yang dikenal sebagai dekonstruksi derridean dan dekonstruksi non derridean. Segera setelah kemunculannya di dunia Arsitektur, dekonstruksi menjadi aliran baru menggantikan International Style yang sebelummnya mendominasi karakter desain bangunan. Tokoh-tokoh yang terkemuka dibalik kesuksesan Arsitektur Dekonstruksi dengan sebutan the seven architects, Bernard Tschumi, Peter Eisenme

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Dafrina, Armelia Dafrina. "Arsitektur Dekonstruksi sebagai Karakteristik Desain pada Bangunan Modern." Jurnal Arsitekno 5, no. 5 (2019): 11. http://dx.doi.org/10.29103/arj.v5i5.1220.

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Abstrak Pengaruh filosofi Arsitektur Dekonstriksi yang diperkenalkan oleh Jacques Derrida serta konstruktivisme yang berkembang di Rusia pada awal abad ke 20 melahirkan dua aliran utama dalam arsitektur dekonstruksi yang dikenal sebagai dekonstruksi derridean dan dekonstruksi non derridean. Segera setelah kemunculannya di dunia Arsitektur, dekonstruksi menjadi aliran baru menggantikan International Style yang sebelummnya mendominasi karakter desain bangunan. Tokoh-tokoh yang terkemuka dibalik kesuksesan Arsitektur Dekonstruksi dengan sebutan the seven architects, Bernard Tschumi, Peter Eisenme

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Gutzmer, Alexander. "Digital media reflexivities: The Axel Springer Campus in Berlin." International Journal of Cultural Studies 21, no. 1 (2017): 57–72. http://dx.doi.org/10.1177/1367877917704494.

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This article reads the notion of mediatization through a current example of architectural practice: the Axel Springer Campus in Berlin. Based on current theories of mediatization, it shows how this architectural project for a media firm finds new ways for architecture itself to function as a medium. It argues that architect Rem Koolhaas developed an architectural design that has the capacity to mediate images and interpretations of the productivity of media practitioners, of the relationship between media firm and urban environment, as well as of more general transformations of media work in t

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M. Boenisch, Peter. "Local Interferences." Peripeti 19, S10 (2022): 83–93. http://dx.doi.org/10.7146/peri.v19is10.132299.

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Building on D.J. Hopkins’s ‘counter-textual dramaturgy’ and using as principal example the curatorial strategy of the 2018 Palermo edition of the arts biennial Manifesta, both of which introduced urban study research strategies proposed by Dutch architect Rem Koolhaas, this essay discusses the strategy of dramaturgic mapping as a way of generating ‘resonant interference’, as I call it drawing on a concept by German sociologist Hartmut Rosa. I argue that mapping fosters attention for common, resonant micro-narratives whose productive interferences help to dramaturgically embed art works within

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Kubo, Michael. "Review: Rem Koolhaas: A Kind of Architect by Markus Heidingsfelder and Min Tesch." Journal of the Society of Architectural Historians 71, no. 2 (2012): 242–44. http://dx.doi.org/10.1525/jsah.2012.71.2.242.

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Jencks, Charles, and Rem Koolhaas. "Radical Post-Modernism and Content: Charles Jencks and Rem Koolhaas Debate the Issue." Architectural Design 81, no. 5 (2011): 32–45. http://dx.doi.org/10.1002/ad.1293.

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