Relevant bibliographies by topics / ReMAKE

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'ReMAKE'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 March 2023

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Journal articles on the topic "ReMAKE"

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Wilson, Emmett. "Remake." International Journal of Psychoanalysis 97, no. 2 (April 2016): 530–34. http://dx.doi.org/10.1111/1745-8315.12392.

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Labayen, Miguel Fernández, and Ana Martín Morán. "Manufacturing proximity through film remakes: Remake rights representatives and the case of local-language comedy remakes." Communications 44, no. 3 (September 25, 2019): 282–303. http://dx.doi.org/10.1515/commun-2019-2058.

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AbstractThis article analyzes the industrial and cultural dynamics of transnational film remakes, focusing on the recent rise of remake rights representatives and the production of comedy remakes for local-language markets. Through the use of in-depth interviews with remake rights representatives and the analysis of primary and secondary sources, we scrutinize the strategies of these players in mediating the production processes of remaking foreign popular films into local-language hits. The article takes on two tasks: First, it dissects the work of the different agents at play in buying and selling remake rights and examines their business models and tactics; second, it looks at the generic contents that these agents are circulating through selected catalogs. In this context, comedy becomes a privileged interface to link diverse national markets and manufacture an ideal of proximity, whereby foreign popular comedies – unknown to local audiences – are remade with a local flavor and presented as ‘new’ national hits.
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Shumway, David R. "Keywords (the Remake)." Criticism 47, no. 4 (2007): 551–59. http://dx.doi.org/10.1353/crt.2007.0014.

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Philippe, Gaëlle. "Remake télévisuel et patrimonialisation." Télévision 2, no. 1 (2011): 105. http://dx.doi.org/10.3917/telev.002.0105.

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Maignant, Catherine. "Ecce Homo : le remake." Études irlandaises 24, no. 2 (1999): 165–80. http://dx.doi.org/10.3406/irlan.1999.1519.

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Potter, Polyxeni. "Myself That I Remake." Emerging Infectious Diseases 15, no. 2 (February 2009): 361–62. http://dx.doi.org/10.3201/eid1502.000000.

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Potter, Polyxeni. "… Myself That I Remake." Emerging Infectious Diseases 15, no. 2 (February 2009): 361–62. http://dx.doi.org/10.3201/eid1502.ac1502.

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Mey, Adeena. "Re-purpose and Remake." Afterall: A Journal of Art, Context and Enquiry 50 (September 1, 2020): 132–49. http://dx.doi.org/10.1086/712851.

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Butler, Martin. "Das Remake Als Fetischkunst." POP 4, no. 2 (November 1, 2015): 154–76. http://dx.doi.org/10.14361/pop-2015-0219.

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Browner, Bruce D. "Techniques in Orthopaedics Remake." Techniques in Orthopaedics 29, no. 4 (December 2014): 179. http://dx.doi.org/10.1097/bto.0000000000000110.

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Dissertations / Theses on the topic "ReMAKE"

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Johnell, Lukas. "Remake." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-231934.

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Lidström, Anna. "Remake: Design Foundations." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-23927.

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leftovers, waste, and surplus generated by increasing production and consumption of material goods. Their problem is not new, and over the last decade the search for a solution has given rise to various theories about and technologies for resource recovery and waste management. In the fashion and clothing industry, designers have explored ways to reuse and remanufacture production and consumption waste and surplus before recycling material components on a fiber level, thereby aiming to realize greater environmental savings. While several examples of design practices building on different forms of reuse and remanufacturing approaches exist, foundational theoretical methods for design remain poorly researched.  This thesis explores and analyzes the aesthetic potential in textile and clothing waste and surplus for new design expressions and functions. Fashion design students performed initial methodological explorations through practicing redesign to find central concepts in design thinking that present opportunities and challenges for remake methods. The exploration shows a challenge to go from thinking fashion design as a method of remembering, preserving and showing, to remake fashion design as a method of forgetting, destroying and searching. In this thesis one method has so far been developed. However, the findings point to several methodological challenges in selecting and reworking materials within the context of the remake. These methods need to be explored and developed further to strengthen remake models and practices, and the central characteristic of traditional fashion design thinking needs to be developed further for a fundamental shift in thinking towards remake and redesign fashion design.
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Philippe, Gaëlle. "Le remake-actualisation : une norme de création universelle ?" Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030046/document.

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Un remake-actualisation est un film reprenant l’intrigue et les personnages d’un film de même nationalité réalisé antérieurement. Le remake entretient donc une relation hypertextuelle avec son film source. Cependant, la réalité de son hypertextualité s’avère paradoxale à tous les stades de son existence. Sa production met en lumière différentes dynamiques qui ne coïncident pas nécessairement avec sa déclaration et encore moins avec son interprétation. Le remake cherche donc à se construire en tant que création tout en maintenant un lien plus ou moins marqué avec le film original. Qu’il soit télévisuel ou cinématographique, le remake devient le lieu de confrontation des différentes conceptions du média en question. Mais l’objet répond-il à une norme de création universelle ?L’universalité relative de l’objet illustre à la fois une unification de la conception la plus industrielle du cinéma et de la télévision et une nouvelle façon d’appréhender la création audiovisuelle
An updating remake is a movie which takes the plot and the characters from a filmof the same nationality released earlier. The remade film develops an hypertextualrelationship with its model. However, its hypertextuality is paradoxical at every stages ofits existence.Its production highlights different working-rules which do not necessarily match itsdeclaration or interpretation. The remake film aims at building itself as a creation and atthe same time, at maintaining a link more or less emphasized with the original motionpicture. Televised or cinematographic, the remake becomes the confrontation place of thedifferent media views. But does the object answer to a universal creative rule?The relative universality of the remakes both shows a unification of the mostindustrial conception of cinema and television and a new way to apprehend the audiovisualcreation
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Lynn, Emma. "Fan Remake Films: Active Engagement With Popular Texts." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1615121429167803.

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Mee, Laura. "Re-animated : the contemporary American horror film remake, 2003-2013." Thesis, De Montfort University, 2014. http://hdl.handle.net/2086/10596.

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This doctoral thesis is a study of American horror remakes produced in the years 2003-2013, and it represents a significant academic intervention into an understanding of the horror remaking trend. It addresses the remaking process as one of adaptation, examines the remakes as texts in their own right, and situates them within key cultural, industry and reception contexts. It also shows how remakes have contributed to the horror genre’s evolution over the last decade, despite their frequent denigration by critics and scholars. Chapter One introduces the topic, and sets out the context, scope and approach of the work. Chapter Two reviews the key literature which informs this study, considering studies in adaptation, remaking, horror remakes specifically, and the genre more broadly. Chapter Three explores broad theoretical questions surrounding the remake’s position in a wider culture of cinematic recycling and repetition, and issues of fidelity and taxonomy. Chapter Four examines the ‘reboots’ of one key production company, exploring how changes are made across versions even as promotion relies on nostalgic connections with the originals. Chapter Five discusses a diverse range of slasher film remakes to show how they represent variety and contribute to genre development. Chapter Six considers socio-political themes in 1970s horror films and their contemporary post-9/11 remakes, and Chapter Seven focuses on gender representation and recent genre trends in the rape-revenge remake. This thesis concludes with a discussion of the most recent horror remakes, and reiterates the findings from the preceding chapters. Ultimately, genre remakes remain prevalent because they are often profitable and cater for a guaranteed audience. They are commercial products, but also represent some of the more creative entries in horror cinema over the last decade, and their success enables further productions. Rather than being understood as simplistic derivative copies, horror remakes should be considered as intertextual adaptations which both draw from and help to shape the genre.
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Oltmann, Katrin. "Remake - Premake Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930 - 1960." Bielefeld Transcript, 2006. http://d-nb.info/984273557/04.

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Oltmann, Katrin. "Remake - Premake : Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930 - 1960 /." Bielefeld : transcript, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=2960330&prov=M&dok_var=1&dok_ext=htm.

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Bergsmark, Moa. "From Patchwork to Appliqué : Exploring Material Properties Through an Interaction Design Remake." Thesis, KTH, Medieteknik och interaktionsdesign, MID, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-222233.

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Materials and materiality in interaction design has become more and more important perspectives within the field. Material explorations of a specific material could contribute to this ongoing discussion. As means to investigate how material properties affect interactive qualities for a tangible interaction design, a remake of an existing design was created. The starting point for remake is a tangible programming space for children called Patcher where custom built RFID readers is interacted with. For this investigation, Android mobile phones with NFC readers is the material of choice when recreating the same concept. Design values in Patcher are identified as collaborative play and open-ended programming play. The creation process of Alfombra Applique, the remake, is presented, the design choices and how they relate to the shift of material. This leads to learnings regarding how material properties differ when using the prebuild product with a lot of design possibilities in relationship to custom built hardware. These learning can be summarized into three topics. (1) When using a prebuilt product as material there will be more limitations to how a designer can change the material, it can only be bent using software. (2) A consumer market product opens up to getting the artefact available to more users, but it could depend on how the product normally is used. (3) The designer and users will have a lot more preknowledge of the material whish gives implications on expectations. Also, the paper investigates how exploring materials and having a bricolage mindset made it possible to create a meaningful remake with other material of an existing design. It is concluded that the choice of materials and how designers work with their properties changes what is relevant and possible to design.
Inom forskningsfältet interaktionsdesign har diskussioner kring material och materialegenskaper blivit mer och mer viktigt. En typ av forskning som bidrar till denna diskussion är materialutforskningar. I denna artikel undersöks hur materialegenskaper påverkar designbeslut inom greppbar interaktionsdesign. Materialegenskapernas påverkan  undersöks genom att återvinna ett existerande koncept från fältet och återskapa detta med andra material. Förlagan, Patcher, är en matta för programmeringslek där barn interagerar med RFID-taggar som läses med RFID-läsare som designerna själva hade satt ihop från komponenter. I den nya prototypen användes istället Androidtelefoner utrustade med NFC-läsare och NFC-taggar för dessa att läsa av. Från Patcher behölls grundidén och två designvärderingar att ta med till den nya designprocessen, dels vikten av att uppmuntra till samarbete samt användarnas självständighet att hitta på regler och mål med leken. Den nya designen får namnet Alfombra Applique. Designen, designbesluten och hur de är relaterade till materialbytet presenteras. Detta leder till resultat angående hur materialegenskaperna mellan egenkonstruerad hårdvara och en färdigkomponerad produkt, som en mobiltelefon, skiljer sig åt. Dessa resultat summeras till tre punkter. (1) Att använda en färdig produkt i skapandet av den här typen av greppbar interaktionsdesign gör det svårare att modifiera materialet, det är bara möjligt med mjukvara. (2) Det finns potential att nå fler användare av greppbar interaktionsdesign när materialitet är existerande produkter som många redan äger. (3) Förväntningar på en design förändras när användare och designer har mer förförståelse för föremålet och dess förväntade användning. Förutom detta visas hur metoden för undersökandet av materialen inspirerat från bricolage som var viktig för designprocessen gjorde det möjligt att återskapa ett existerande koncept. Detta leder till slutsatsen att vilka material som används och hur designern arbetar med deras egenskaper förändrar vad som är relevant och vad som är möjligt att skapa inom interaktionsdesign.
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Hallermayer, Evi. "Filme analysieren - Kulturen verstehen über Akira Kurosawas "Yojimbo" und seine beiden Remakes "Per un pugno di dollari" und "Last man standing"." Konstanz UVK-Verl.-Ges, 2007. http://d-nb.info/988911752/04.

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Stoppe, Sebastian. "Original und Fälschung: Alfred Hitchcocks Psycho und das Remake von Gus van Sant." Grin-Verlag, 2002. https://ul.qucosa.de/id/qucosa%3A20901.

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1998 wurde Psycho neu verfilmt; und das Besondere an diesem Remake war nicht, dass (wie bei Remakes eigentlich üblich) ein anderer Regisseur den Stoff neu interpretiert. Vielmehr sollte sich dieses Remake als nahezu exakte Replik des Originals herausstellen und rief damit kontroverse Diskussionen unter Filmkritikern hervor. Die Idee, ein so werkgetreues Remake zu produzieren, ist einzigartig in der Filmgeschichte. In dieser Studie soll der Fragestellung nachgegangen werden, ob und in welchem Maße das Remake als exakte Replik auch den gleichen thrill wie das Original bieten kann.
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Books on the topic "ReMAKE"

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Willis, Connie. Remake. New York: Bantam Books, 1996.

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Willis, Connie. Remake. Shingletown, CA: M.V. Ziesing, 1994.

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Imbeault, Jean. Remake. Paris]: Éditions de l'Olivier, 2012.

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Willis, Connie. Remake. New York: Bantam Books, 1995.

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Brooke-Rose, Christine. Remake. Manchester: Carcanet, 1996.

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The remake. London: Corgi, 1993.

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Kathrin, Becker, Stahel Urs, Fotomuseum Winterthur, Neuer Berliner Kunstverein, and Daadgalerie, eds. Remake Berlin. Winterthur: Fotomuseum Winterthur, 2000.

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Evolución remake. Santiago de Cuba: Ediciones Caserón, 2012.

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Siauw, Felix Y. Khilafah remake. 2nd ed. Kalideres, Jakarta, Indonesia: Alfatih Press, 2015.

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James, Clive. The remake: A novel. London: Cape, 1987.

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Book chapters on the topic "ReMAKE"

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Simkin, Stevie. "Remake/Remodel." In Straw Dogs, 123–26. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34497-6_27.

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Tyers, Ben. "Blitz Game Remake." In GameMaker: Studio 100 Programming Challenges, 97–98. Berkeley, CA: Apress, 2017. http://dx.doi.org/10.1007/978-1-4842-2644-5_49.

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Tyers, Ben. "Frogger Game Remake." In GameMaker: Studio 100 Programming Challenges, 139–40. Berkeley, CA: Apress, 2017. http://dx.doi.org/10.1007/978-1-4842-2644-5_69.

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Tyers, Ben. "Torpedo Game Remake." In GameMaker: Studio 100 Programming Challenges, 151–52. Berkeley, CA: Apress, 2017. http://dx.doi.org/10.1007/978-1-4842-2644-5_75.

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Tyers, Ben. "Sokoban Game Remake." In GameMaker: Studio 100 Programming Challenges, 161–62. Berkeley, CA: Apress, 2017. http://dx.doi.org/10.1007/978-1-4842-2644-5_80.

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Tyers, Ben. "1945 Game Remake." In GameMaker: Studio 100 Programming Challenges, 189–90. Berkeley, CA: Apress, 2017. http://dx.doi.org/10.1007/978-1-4842-2644-5_94.

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Hogle, Jerrold E. "The 1943 Remake." In The Undergrounds of The Phantom of the Opera, 153–71. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-11288-0_6.

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Loock, Kathleen, and Constantine Verevis. "Introduction: Remake | Remodel." In Film Remakes, Adaptations and Fan Productions, 1–15. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137263353_1.

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Alber, Jan. "Brooke-Rose, Christine: Remake." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8089-1.

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Tyers, Ben. "Mini Golf Game Remake." In GameMaker: Studio 100 Programming Challenges, 99–100. Berkeley, CA: Apress, 2017. http://dx.doi.org/10.1007/978-1-4842-2644-5_50.

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Conference papers on the topic "ReMAKE"

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Gao, Yiping. "Analysis of the Cultural Reconstruction of Chinese Remake TV Series Taking the Remake of “Ugly Betty” as an Example." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.275.

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Chand, Sunanna T. "CITIES AS CONNECTED LEARNING ECOSYSTEMS: PITTSBURGH’S REMAKE LEARNING NETWORK." In 10th International Conference on Education and New Learning Technologies. IATED, 2018. http://dx.doi.org/10.21125/edulearn.2018.2810.

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Sansarci, Engin. "A Digital Remake of the First Analog Economic Computer." In 2021 International Conference on Electrical, Computer and Energy Technologies (ICECET). IEEE, 2021. http://dx.doi.org/10.1109/icecet52533.2021.9698786.

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Li, Chunfang, Mengqi Liu, and Ke Li. "The Public Opinion Analysis of Chinese and Foreign Remake Movies." In 2019 IEEE/ACIS 18th International Conference on Computer and Information Science (ICIS). IEEE, 2019. http://dx.doi.org/10.1109/icis46139.2019.8940344.

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Udler, Irina. "Traditions Meet Innovations: Online Remake Of XIXth Century Newspaper Freedom's Journal." In III PMMIS 2019 (Post mass media in the modern informational society) "Journalistic text in a new technological environment: achievements and problems". Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.08.02.83.

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Panayiotou, Konstantinos, Emmanouil Tsardoulias, Christopher Zolotas, Iason Paraskevopoulos, Alexandra Chatzicharistou, Alexandros Sahinis, Stathis Dimitriadis, et al. "Ms Pacman and the Robotic Ghost: A Modern Cyber-Physical Remake of the Famous Pacman Game." In 2019 Sixth International Conference on Internet of Things: Systems, Management and Security (IOTSMS). IEEE, 2019. http://dx.doi.org/10.1109/iotsms48152.2019.8939255.

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Kino, Junichi. "Effective re-use of existing structures towards the sustainable society at East Japan Railway Company." In IABSE Congress, Ghent 2021: Structural Engineering for Future Societal Needs. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/ghent.2021.0094.

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<p>Since we have laid enough railway network, there are only a few new construction projects of railway structures, and we mainly do improvement projects. In railway improvement projects, we generally dismantle old structures and construct new ones. However, in order to reduce CO2 emissions as much as possible, it is necessary to re-use existing structures the utmost. East Japan Railway Company has been carrying out many railway improvement projects, and plans to re-use the existing structures as much as possible. We have devised a construction method that re-uses the slabs and beams of the existing reinforced concrete rigid frame viaducts and remake only the columns, and have used this method in several projects. We have been able to reduce a large amount of CO2 emissions by this method.</p>
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Kino, Junichi. "Effective re-use of existing structures towards the sustainable society at East Japan Railway Company." In IABSE Congress, Ghent 2021: Structural Engineering for Future Societal Needs. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/ghent.2021.0094.

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<p>Since we have laid enough railway network, there are only a few new construction projects of railway structures, and we mainly do improvement projects. In railway improvement projects, we generally dismantle old structures and construct new ones. However, in order to reduce CO2 emissions as much as possible, it is necessary to re-use existing structures the utmost. East Japan Railway Company has been carrying out many railway improvement projects, and plans to re-use the existing structures as much as possible. We have devised a construction method that re-uses the slabs and beams of the existing reinforced concrete rigid frame viaducts and remake only the columns, and have used this method in several projects. We have been able to reduce a large amount of CO2 emissions by this method.</p>
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Mikaelian, A. S. "“Penalty to the remake master” as a source on judicial law and records management first quarter of the eighteenth century." In Научные тенденции: Юриспруденция. ЦНК МОАН, 2018. http://dx.doi.org/10.18411/spc-20-12-2018-04.

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Theresia, Theresia. "The Online Marketing Strategy of Remake Film in Indonesia case study Warkop DK.I Reborn Part 1: JANGKRIK BOSS! and Satan Slaves." In International Moving Image Cultures Conference. Film Department Universitas Multimedia Nusantara, 2019. http://dx.doi.org/10.31937/imov-22.

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Reports on the topic "ReMAKE"

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Gilbert, Anna. Camelot Remade. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1031.

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Martindale, Addie K. Star Flower Remade. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-226.

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Darnley, A. G. Opening remarks. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1986. http://dx.doi.org/10.4095/122340.

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Babcock, E. A. Closing remarks. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1994. http://dx.doi.org/10.4095/193533.

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Quisumbing, Agnes R., Ruth Suseela Meinzen-Dick, and Jemimah Njuki. Concluding remarks. Washington, DC: International Food Policy Research Institute, 2019. http://dx.doi.org/10.2499/9780896293649_14.

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Resnick, Danielle, Xinshen Diao, and Getaw Tadesse. Concluding remarks. Washington, DC: International Food Policy Research Institute, 2020. http://dx.doi.org/10.2499/9780896293946_17.

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Talpey, T., and B. Callaghan. Remote Direct Memory Access Transport for Remote Procedure Call. RFC Editor, January 2010. http://dx.doi.org/10.17487/rfc5666.

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Cunningham, David. PixelStorm: A Remote Display for Remote Sensing Ground Stations. Office of Scientific and Technical Information (OSTI), January 2021. http://dx.doi.org/10.2172/1762831.

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Pauwelyn, Joost. Appeal without Remand. Geneva, Switzerland: International Centre for Trade and Sustainable Development, 2007. http://dx.doi.org/10.7215/ds_ip_20070601a.

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Bernstein, Adam, Steve Dazeley, Doug Dobie, Peter Marleau, Jim Brennan, Mark Gerling, Matthew Sumner, and Melinda Sweany. Remote Reactor Monitoring. Office of Scientific and Technical Information (OSTI), October 2014. http://dx.doi.org/10.2172/1174289.

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